British science fiction film and television: critical essays
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Jefferson, NC [u.a.]
McFarland
2011
|
| Schriftenreihe: | Critical explorations in science fiction and fantasy
29 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | "Written by international experts from a range of disciplines, these essays examine the uniquely British contribution to science fiction film and television. Viewing British SF as a cultural phenomenon that challenges straightforward definitions of genre, nationhood, authorship and media, the editors provide a conceptual introduction placing the essays within their critical context"--Provided by publisher. Includes bibliographical references and index |
| Beschreibung: | X, 227 S. |
| ISBN: | 9780786446216 |
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Datensatz im Suchindex
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|---|---|
| adam_text | IMAGE 1
BRITISH SCIENCE FICTION
FILM AND TELEVISION CRITICAL ESSAYS EDITED BY TOBIAS HOCHSCHERF AND
JAMES LEG GATT
CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY, 29 DONALD E.
PALUMBO AND C.W. SULLIVAN III, SERIES EDITORS
MCFARLAND & COMPANY, INC., PUBLISHERS
JEFFERSON, NORTH CAROLINA, AND LONDON
IMAGE 2
TABLE OF CONTENTS
ACKNOWLEDGMENTS VB
INTRODUCTION: BRITISH SCIENCE FICTION BEYOND THE TARDIS
TOBIASHOCHSCHERF AND JAMESLEGGOTT
1. H.G. WELLS AND SCIENCE FICTION CINEMA JAMESCHAPMAN 11
2. AFTERMATHS: POST-APOCALYPTIC IMAGERY CHRISTIANHOFFSTADT AND DOMINIK
SCHREY 28
3. THE BBC VERSUS SCIENCE FICTION : THE COLLISION OF TRANSNATIONAL
GENRE AND NATIONAL IDENTITY IN TELEVISION OF THE EARLY 1950S
DEREKJOHNSTON 40
4. HAMMER HORROR AND SCIENCE FICTION DAVIDSIMMONS 50
5. ROBERT FUEST AND THE FINAL PROGRAMME: SCIENCE FICTION AND THE
QUESTION OF STYLE MICHAELDU PLESSIS 60
6. ANYTHING CAN HAPPEN IN THE NEXT HALF-HOUR : GERRY ANDERSON S
TRANSNATIONAL SCIENCE FICTION JONATHANBIGNELL 73
7. TRACKING UFO: FORMAT, TEXT AND CONTEXT PETERHUTCHINGS 85
8. A CLOCKWORK ORANGE, EXPLOITATION AND THE ART FILM I. Q. HUNTER 96
9. VISIONS OF AN ENGLISH DYSTOPIA: HISTORY, TECHNOLOGY AND THE RURAL
LANDSCAPE IN THE TRIPODS LINCOLNGERAGHTY 104
IX
IMAGE 3
X
TABLE OF CONTENTS
10. THE FUTURE OF HISTORY IN DENNIS POTTER S COLD LAZARUS CHRISTINE
SPRENGLER
11. EXPATRIATE! EXPATRIATE! DOCTOR WHO: THE MOVIE AND
COMMERCIAL NEGOTIATION OF A MULTIPLE TEXT PETER WRIGHT
12. INVASION OF THE BRIT-SNATCHERS: NATIONAL IDENTITY IN
CONTEMPORARY SCIENCE FICTION CINEMA AIDAN POWER
13. A COSY CATASTROPHE: GENRE, NATIONAL CINEMA, AND FAN
RESPONSES TO 28 DAYS LATER BRIGID CHERRY
14. DESIRING THE DOCTOR: IDENTITY, GENDER AND GENRE IN
ONLINE FANDOM REBECCA WILLIAMS
15. INVADERS FROM SPACE, TIME TRAVEL AND OMNISEXUALITY:
THE MULTI-LAYERED NARRATIVE OF TORCHWOOD LEE BARRON
156
117
128
143
167
178
CHAPTER NOTES
SELECT BIBLIOGRAPHY
ABOUT THE CONTRIBUTORS
INDEX
193
213
217
221
ritten
by
international
experts from a range of
disciplines, these essays examine the uniquely
British contribution to science fiction film and
•
·οη
Viewing British SF as a cultural phenomenon that
II
тстеѕ
straightforward definitions of genre, nationhood,
thorship and media, the editors provide a conceptual
d
jction placing the essays within their critical context,
topics include Hammer science fiction films, the various
ations of Doctor Who, Stanley Kubrick s A Clockwork
and such
21st-century
productions as
28
Days Later
and Torchwood.
|
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