Studying old master paintings: technology and practice ; the National Gallery Technical Bulletin 30th anniversary conference postprints
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London
Archetype Publications
2011
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Papers originally presented at a conference held at the National Gallery, London, Sept. 16 - 18, 2009. - "Neroccio's 'Virgin and Child with Saint Anthony Abbott and Saint Sigismund' at the National Gallery of Art, Washington, DC" / Carol Christensen, Suzanne Quillen Lomax, Michael Palmer and Steve Wilcox Includes bibliographical references |
| Beschreibung: | X, 301 S. zahlr. Ill., graph. Darst. 30 cm |
Internformat
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| 245 | 1 | 0 | |a Studying old master paintings |b technology and practice ; the National Gallery Technical Bulletin 30th anniversary conference postprints |c ed. by Marika Spring with Helen Howard ... |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a London |b Archetype Publications |c 2011 | |
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| 500 | |a Papers originally presented at a conference held at the National Gallery, London, Sept. 16 - 18, 2009. - "Neroccio's 'Virgin and Child with Saint Anthony Abbott and Saint Sigismund' at the National Gallery of Art, Washington, DC" / Carol Christensen, Suzanne Quillen Lomax, Michael Palmer and Steve Wilcox | ||
| 500 | |a Includes bibliographical references | ||
| 650 | 4 | |a Painting / Conservation and restoration / Congresses | |
| 650 | 4 | |a Painting / Expertising / Congresses | |
| 650 | 4 | |a Painting / Technique / Congresses | |
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Datensatz im Suchindex
| _version_ | 1806594876635086848 |
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| adam_text |
IMAGE 1
CONTENTS
INTRODUCTION IX
ASHOK ROY
THE 'PALIOTTO' BY GUIDO DA SIENA FROM THE PINACOTECA NAZIONALE, SIENA 1
MARCO CIATTI, ROBERTO BELLUCCI, CAMILLA FRACASSI, CECILIA FROSININI,
CARLO LALLI, LINDA LUCARELLI AND LUCIANO SOSTEGNI
PAINTING ON PARCHMENT AND PANEL: AN EXPLORATION OF PACINO DI BONAGUIDA'S
TECHNIQUE 8
YVONNE SZAFRAN, CAROLE NAMOWICZ, CATHERINE SCHMIDT PATTERSON, CHRISTINE
SCIACCA, KAREN TRENTELMAN AND NANCY TURNER
TECHNICAL SIMILARITIES BETWEEN MURAL AND PANEL PAINTINGS BY GIOVANNI DA
MILANO: 15
GUIDALOTTI-RINUCCINI CHAPEL, SANTA CROCE, FLORENCE FABRIZIO BANDINI,
ALBERTO FELICI, CECILIA FROSININI, MARIAROSA LANFRANCHI AND PAOLA ILARIA
MARIOTTI
NEROCCIO'S VIRGIN AND CHILD WITH SAINT ANTHONY ABBOTT AND SAINT
SIGISMUND AT THE NATIONAL GALLERY OF ART, 21 WASHINGTON, DC CAROL
CHRISTENSEN, SUZANNE QUILLEN LOMAX, MICHAEL PALMER AND STEVE WILCOX
A NEW EXAMINATION OF GIOVANNI BELLINI'S 'PESARO ALTARPIECE': RECENT
FINDINGS AND COMPARISONS WITH OTHER WORKS 28 BY BELLINI GIANLUCA POLDI
AND GIOVANNI CARLO FEDERICO VILLA
EXAMINATION OF THE UOMINI ILLUSTRI: LOOKING FOR THE ORIGINS OF THE
PORTRAITS IN THE STUDIOLO OF THE DUCAL PALACE 37 OF URBINO. PART I
MICHEL MENU, ESTELLE HIE, ELISABETH RAVAUD, MYRIAM EVENO, ELSA LAMBERT,
ERIC LAVAL, INA REICHE, ROCCO MAZZEO, LETIZIA AMADORI, IRENE BONACINI,
EDITH JOSEPH, SILVIA PRATI AND GIORGIA SCIUTTO
EXAMINATION OF THE UOMINI ILLUSTRI: LOOKING FOR THE ORIGINS OF THE
PORTRAITS IN THE STUDIOLO OF THE DUCAL PALACE 44 OF URBINO. PART II
ROCCO MAZZEO, MICHEL MENU, LETIZIA AMADORI, IRENE BONACINI, ESTELLE HIE,
MYRIAM EVENO, EDITH JOSEPH, ELSA LAMBERT, ERIC LAVAL, SILVIA PRATI,
ELISABETH RAVAUD AND GIORGIA SCIUTTO
MICHELANGELO'S 'DONI TONDO' INVESTIGATED WITH NON-INVASIVE ANALYTICAL
TECHNIQUES 52 EZIO BUZZEGOLI AND ROBERTO BELLUCCI
GRANACCI IN THE METROPOLITAN MUSEUM OF ART: ASPECTS OF EVOLVING WORKSHOP
PRACTICE 59 CHARLOTTE HALE, JULIE ARSLANOGLU AND SILVIA A. CENTENO
IMAGE 2
CONTENTS
LEONARDO DA VINCI'S THE VIRGIN AND CHILD WITH SAINT ANNE (MUSEE DU
LOUVRE, PARIS): NEW INFRARED 65
REFLECTOGRAPHY BRUNO MOTTIN
LEONARDO DA VINCI'S VIRGIN OF THE ROCKS: TECHNIQUE AND THE CONTEXT OF
RESTORATION 72
LARRY KEITH, ASHOK ROY AND RACHEL MORRISON
OBSERVATIONS ON WORKSHOP PRACTICE IN FIFTEENTH-CENTURY CASTILE: THE
ALTARPIECE FROM THE CATHEDRAL AT 80 CIUDAD RODRIGO BY FERNANDO GALLEGO
AND HIS WORKSHOP CLAIRE BARRY
STUDYING THE 'GRAUE PASSION' BY HANS HOLBEIN THE ELDER 89
STEPHANIE DIETZ, HENNING AUTZEN, URSULA BAUMER, PATRICK DIETEMANN, IRENE
FIEDLER, CHRISTOPH KREKEL, ANNA SCHB'NEMANN AND AMELIE STANGE
ALBRECHT ALTDORFER'S CRUCIFIXION (MUSEUM OF FINE ARTS, BUDAPEST) 95
MARK LEONARD, CAROLE NAMOWICZ AND ANNE WOOLLETT
DEVELOPMENTS IN THE UNDERDRAWING AND PAINTING TECHNIQUE OF THE
SIXTEENTH-CENTURY LEIDEN SCHOOL, IN 104 PARTICULAR THE WORKSHOPS OF
CORNELIS ENGEBRECHTSZ AND LUCAS VAN LEYDEN ESTHER VAN DUIJN, JAN PIET
FILEDT KOK, ABBIE VANDIVERE, ARIE WALLERT AND MARGREET WOLTERS
IN SEARCH OF THE RIGHT COLOUR: COLOUR NOTATIONS IN A LATE
SIXTEENTH-CENTURY DUTCH PAINTING 111 FRISO LAMMERTSE, ARIE WALLERT AND
MARGREET WOLTERS
CARAVAGGIO'S UNDERDRAWING: A 'QUEST FOR THE GRAIL'? 118
ROBERTO BELLUCCI, CECILIA FROSININI AND LUCA PEZZATI
MULTIPLICITY, AUTHORSHIP AND CHRONOLOGY: AN INTEGRATED EVALUATION OF
FOUR IMAGES OF SAINT FRANCIS BY EL GRECO 125 CYNTHIA KUNIEJ BERRY,
FRANCESCA CASADIO, INGE FIEDLER, RICHARD MANN, ANA SDNCHEZ-LASSA AND
JOSE LUIS MERINO GOROSPE
BETWEEN CREATIVITY AND ECONOMY: REMARKS ON THE QUALITY OF RUBENS' PANEL
SUPPORTS. A STUDY OF PAINTINGS 136 IN THE ROYAL MUSEUMS OF FINE ARTS OF
BELGIUM HELENE DUBOIS AND PASCALE FRAITURE
TRAVELS WITH RUBENS' LAST JUDGEMENT 143
ANDREAS BURMESTER, NINA SCHLEIFAND MELANIE EIBL
THE PAINTING TECHNIQUES OF THE ROSENBORG SERIES 1618-1624 AND PAINTING
MATERIALS SUPPLIED TO THE DANISH 150 COURT PAINTERS AT THE TIME OF KING
CHRISTIAN IV ANNE HAACK CHRISTENSEN
NINE MUSES IN THE ORANJEZAAL: THE PAINTING METHODS OF CAESAR VAN
EVERDINGEN AND JAN LIEVENS CONFRONTED 157 MARGRIET VAN EIKEMA HOMMES AND
LIDWIEN SPELEERS
MATERIAL AS METAPHOR: NON-CONSCIOUS THINKING IN SEVENTEENTH-CENTURY
PAINTING PRACTICE 165 E. MELANIE GIFFORD
MURILLO'S CHRIST HEALING THE PARALYTIC AT THE POOL OFBETHESDA: AN
INTRODUCTION TO THE ARTIST'S LATE PAINTING 173 TECHNIQUE HAY LEY
TOMLINSON, HELEN HOWARD, DAVID PEGGIE, PAUL ACKROYD AND DAWSON CARR
ABOUT SKIN: TECHNICAL EXAMINATION OF PAINTINGS BY ADRIAEN VAN DER WERFF
180
ARIE WALLERT AND WILLEM DE RIDDER
TWO 'MECHANICAL' OIL PAINTINGS AFTER DE LOUTHERBOURG: HISTORY AND
TECHNIQUE 186
DAVID SAUNDERS AND ANTONY GRIFFITHS
VI
IMAGE 3
CONTENTS
A LOST EARLY CONVERSATION PIECE BY THOMAS GAINSBOROUGH 194
RICA JONES, JOYCE H. TOWNSEND, ELIZABETH EINBERG AND HUGH BELSEY
'I CAN SEE NO VERMILION IN FLESH': SIR JOSHUA REYNOLDS' PORTRAITS OF
FRANCIS BECKFORD AND SUZANNA BECKFORD, 201 1755-1756 HELEN BRETT, JOYCE
H. TOWNSEND, RICA JONES, JAAP BOON AND KATRIEN KEUNE
BENJAMIN WEST AND THE VENETIAN SECRET 209
MARK ARONSON, HELEN A. COOPER AND ANGUS TRUMBLE
ASPECTS OF CHRISTEN KOBKE'S PAINTING TECHNIQUE: FROM DRAWING VIA OIL
SKETCH TO THE FINAL PAINTING 216 JORGEN WADUM, KASPER MONRAD AND MIKKEL
SCHARFF
ACTION SPEAKS LOUDER THAN WORDS: THOMAS COUTURE AS A TEACHER 222
JANE MUNRO AND MARIE LOUISE SAUERBERG
JAMES MCNEILL WHISTLER: FLUIDITY, FINISH AND EXPERIMENT 229
ERMA HERMENS ANDARIE WALLERT
A COMPARATIVE STUDY OF VINCENT VAN GOGH'S BEDROOM SERIES 237
ELLA HENDRIKS, LEO JANSEN, JOHANNA SALVANT, ELISABETH RAVAUD, MYRIAM
EVENO, MICHEL MENU, INGE FIEDLER, MURIEL GELDOF, LUC MEGENS, MAARTEN VAN
BOMMEL, C. RICHARD JOHNSON JR AND DON. H. JOHNSON
THE SCREAM BY EDVARD MUNCH: PAINTING TECHNIQUES AND COLOURING MATERIALS
244
UNN PLAHTER AND BILJANA TOPALOVA-CASADIEGO
WOOD SPECIES IN ITALIAN PANEL PAINTINGS OF THE FIFTEENTH AND SIXTEENTH
CENTURIES: HISTORICAL INVESTIGATION AND 253 MICROSCOPICAL WOOD
IDENTIFICATION RAFFAELLA BRUZZONE AND MARIA CLELIA GALASSI
THE USE OF BLUE AND GREEN VERDITER IN GREEN COLOURS IN THE
MID-SEVENTEENTH-CENTURY PAINTINGS OF THE 260 ORANJEZAAL, THE HAGUE
ANNELIES VAN LOON AND LIDWIEN SPELEERS
THE REDISCOVERY OF SUBLIMED ARSENIC SULPHIDE PIGMENTS IN PAINTING AND
POLYCHROMY: APPLICATIONS OF RAMAN 269 MICROSPECTROSCOPY GIINTER
GRUNDMANN, NATALIA IVLEVA, MARK RICHTER, HEIKE STEGE AND CHRISTOPH
HAISCH
IN QUEST OF VERMILION: PRODUCTION, COMMERCE AND USE OF THE PIGMENT IN
EIGHTEENTH-CENTURY SPAIN 277 STEFANOS KROUSTALLIS, ROCIO BRUQUETAS AND
MARISA GOMEZ
"THE HEAVIEST AND THE WHITEST': LEAD WHITE QUALITY IN NORTH WESTERN
EUROPEAN DOCUMENTARY SOURCES, 284 1400-1900 MAARTJE STOLS-WITLOX
LEAD WHITE FROM VENICE: A WHITER SHADE OF PALE? 295
BARBARA BERRIE AND LOUISA MATTHEW |
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| title | Studying old master paintings technology and practice ; the National Gallery Technical Bulletin 30th anniversary conference postprints |
| title_auth | Studying old master paintings technology and practice ; the National Gallery Technical Bulletin 30th anniversary conference postprints |
| title_exact_search | Studying old master paintings technology and practice ; the National Gallery Technical Bulletin 30th anniversary conference postprints |
| title_full | Studying old master paintings technology and practice ; the National Gallery Technical Bulletin 30th anniversary conference postprints ed. by Marika Spring with Helen Howard ... |
| title_fullStr | Studying old master paintings technology and practice ; the National Gallery Technical Bulletin 30th anniversary conference postprints ed. by Marika Spring with Helen Howard ... |
| title_full_unstemmed | Studying old master paintings technology and practice ; the National Gallery Technical Bulletin 30th anniversary conference postprints ed. by Marika Spring with Helen Howard ... |
| title_short | Studying old master paintings |
| title_sort | studying old master paintings technology and practice the national gallery technical bulletin 30th anniversary conference postprints |
| title_sub | technology and practice ; the National Gallery Technical Bulletin 30th anniversary conference postprints |
| topic | Painting / Conservation and restoration / Congresses Painting / Expertising / Congresses Painting / Technique / Congresses Gemäldeuntersuchung (DE-588)4156470-4 gnd |
| topic_facet | Painting / Conservation and restoration / Congresses Painting / Expertising / Congresses Painting / Technique / Congresses Gemäldeuntersuchung Konferenzschrift 2009 London |
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