Much ado about nothing:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Bloom's Literary Criticism
2010
|
| Schriftenreihe: | Bloom's Shakespeare through the ages
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIII, 316 S. |
| ISBN: | 9781604137064 1604137061 |
Internformat
MARC
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| 245 | 1 | 0 | |a Much ado about nothing |c ed. and with an introd. by Harold Bloom. Vol. ed. Michael G. Cornelius |
| 264 | 1 | |a New York, NY |b Bloom's Literary Criticism |c 2010 | |
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Datensatz im Suchindex
| _version_ | 1804145656254693376 |
|---|---|
| adam_text | Contents
Series Introduction
.................................................................ix
Volume Introduction by Harold Bloom
.......................................xi
Biography of William Shakespeare
.............................................1
Summary
οι
Much Ado about Nothing
..........................................5
Key Passages in Much Ado about Nothing
....................................19
List of Characters in Much Ado about Nothing
..............................31
CRITICISM THROUGH THE AGES
....................................37
Φ
Much Ado about Nothing in the Seventeenth
and Eighteenth Centuries
....................................................39
1600—
William Shakespeare. Much adoe about nothing
.................42
1640—
Leonard Digges. From Poems: Written by
Wil.
Shakespeare, Gent.
.........................................................43
1662—
-Thomas Fuller. From The History of the Worthies of England.
.. 45
1664—
Margaret Cavendish. From Sociable Letters
......................45
1673—
William Davenant. From The Law Against Lovers
..............46
1691—
Gerard Langbaine. From An Account of the English
Dramatiek
Poets
..................................................................48
1710—
Nicholas Rowe. From Some Account of the Life
бес.
of Mr. William Shakespear
..................................................49
1710—
Charles Gildon. The Argument of Much Ado About Nothing*
from The Works of Mr. William Shakespear
.................................51
1733—
William Warburton. From the notes to Lewis Theobalds The
Works of Shakespeare
............................................................53
1737—
James Miller. From The Universal Passion
.........................54
vi
Contents
1748—
Peter Whalley.
From An Enquiry into the Learning of
Shakespeare, with Remarks on Several Passages of his Plays.
..............55
1754—
Charlotte Lennox. From Shakespear Illustrated
..................58
1757—
Arthur Murphy. From the London Chronicle: or Universal
Evening Post
.....................................................................60
1795—
Charles Dibdin. From A Complete History of the Stage
.........61
♦t* Much Ado about Nothing in the Nineteenth Century
..................63
1806-09—
Elizabeth Inchbald. From The British Theatre
...............65
1809—
August
Wilhelm Schlegel.
From Lectures on
Dramatic
Art and Literature
...............................................................66
1817—
William Hazlitt. From Characters of Shakespear
s
Plays
.........67
1818—
Samuel Taylor Coleridge. From Lectures and Notes
on Shakspere
......................................................................71
1832—
Anna Brownell Jameson. From Characteristics of Women
......72
1838—
Thomas Campbell. From The Dramatic Worb of William
Shakespeare. With Remarks on His Life by Thomas Campbell
.............77
1839—
Hermann Ulrici. From Shakespeare s Dramatic Art
..............78
1849—
G. G.
Gervinus. From Shakespeare Commentaries
...............79
1850—
Mary Cowden Clarke. On Shakspeares Individuality
in His Characters: Shakspeares Lovers
..................................81
1851—
Hartley Coleridge. From Essays and Marginalia
................82
1859—
Henrietta Lee Palmer. Beatrice and Hero from
The Stratford Gallery; or the Shakespeare Sisterhood
........................82
1862—
F. Kreyssig. From
Vorlesungen ueber
Shakespeare
.................84
1866—
E. W. Sievers. From William Shakespeare
.........................86
1868—
Henry Giles. From Human Life of Shakespeare
..................88
1873—
Roderich Benedix. From Die Sbakespearomanie
.................99
1877—
F. J. Furnivall. From the introduction to The Leopold Shakespeare
101
1880—
Algernon Swinburne. From A Study of Shakespeare
...........102
1884—Heinrich Bulthaupt.
From
Dramaturgie der Classiker 103
Contents
vii
1885—Helena
Faucit, Lady Martin.
From On
Some
of Shakespeare s
Female Characters: By One Who Has Impersonated Them
...............108
1885—
W.
Oechelhäuser.
From
Einfìhrungen
in
Shakespeare s
Bühnen-Dramen...............................................117
1890—
W.
Wetz.
From Shakespeare
von Standpunkte
der vergleeichenden Literatur................................................119
1891—Andrew Lang.
From Harper s
Magazine........................122
1891—
Grace Latham. From Julia, Silvia, Hero and Viola
.........124
1896—
Frederick S. Boas. From Shakespeare and His Predecessors
... 125
1899—
Horace Howard
(H.H.)
Furness. From the preface
to the New Variorum edition
oí
Much Ado About Nothing
...........130
Φ
Much Ado about Nothing in the Twentieth
and Twenty-first Centuries
.................................................157
1906—
Charlotte Porter. Introduction to Much Adoe About NothingidO
1946—
W. H. Auden. Much Ado About Nothing from Lectures on
Shakespeare
.....................................................................169
1959—
Graham Storey. The Success
oí
Much Ado About Nothing
from More Talking of Shakespeare
..........................................179
1964—
Marvin Felheim. Comic Realism in Much Ado
About Nothing
................................................................194
1973—
Carl Dennis. Wit and Wisdom in Much Ado
About Nothing
................................................................210
1986—
Carol Cook. The Sign and Semblance of Her Honour :
Reading Gender Difference in Much Ado about Nothing
............221
1999—
Nova Myhill. Spectatorship in/of Much Ado About Nothing
. 250
2000—
Maurice Hunt. The Reclamation of Language in
Much Ado About Nothing
...................................................269
Bibliography
.......................................................................295
Acknowledgments
............................................................ 305
Index
................................................................................307
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| isbn | 9781604137064 1604137061 |
| language | English |
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| physical | XIII, 316 S. |
| publishDate | 2010 |
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| series2 | Bloom's Shakespeare through the ages |
| spelling | Much ado about nothing ed. and with an introd. by Harold Bloom. Vol. ed. Michael G. Cornelius New York, NY Bloom's Literary Criticism 2010 XIII, 316 S. txt rdacontent n rdamedia nc rdacarrier Bloom's Shakespeare through the ages Shakespeare, William 1564-1616 Much ado about nothing Shakespeare, William 1564-1616 Much ado about nothing (DE-588)4099366-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Shakespeare, William 1564-1616 Much ado about nothing (DE-588)4099366-8 u DE-604 Bloom, Harold 1930-2019 Sonstige (DE-588)119176602 oth Cornelius, Michael G. 1974- Sonstige (DE-588)1025512863 oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022527136&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title_full | Much ado about nothing ed. and with an introd. by Harold Bloom. Vol. ed. Michael G. Cornelius |
| title_fullStr | Much ado about nothing ed. and with an introd. by Harold Bloom. Vol. ed. Michael G. Cornelius |
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| title_short | Much ado about nothing |
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