Broken harmony: Shakespeare and the politics of music
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ithaca [u.a.]
Cornell Univ. Press
2011
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIV, 261 S. Ill. |
| ISBN: | 9780801449314 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of
Illustrations
xi
Acknowledgments
xiii
Introduction: Disciplining Music
1
1.
Titus Andronicus and the Production
of Musical Meaning
18
2.
Her speech is nothing : Mad Speech
and the Female Musician
45
3.
Teaching Music: The Rule of Allegory
77
4.
Impolitic Noise: Resisting Orpheus
from Julius Caesar to The Tempest
142
5.
Shakespeare s Idolatry: Psalms and
Hornpipes in The Winter s Tale
180
6.
The Reforming of Reformation:
Mutons A
Maske
213
Selected Bibliography
243
Index
257
lVJLusic was a subject of considerable
debate during the Renaissance. The
notion that music could be interpreted
in a meaningful way clashed regularly
with evidence that music was in
fact profoundly promiscuous in its
application and effects. Subsequently,
much writing in the period reflects a
desire to ward off music s illegibility
rather than come to terms with its
actual effects. In Broken Harmony
Joseph M. Ortiz revises our under¬
standing of music s relationship to
language in Renaissance England.
In the process he shows the degree
to which discussions of music were
ideologically and politically charged.
Offering a historically nuanced account
of the early modern debate over music,
along with close readings of several
of Shakespeare s plays (including
Titus Andronicus, The Merchant of Venice,
The Tempest, and The Winter s Tale) and
Milton s
A Maske,
Ortiz challenges
the consensus that music s affinity
with poetry was widely accepted, or
even desired, by Renaissance poets.
Shakespeare more than any other early
modern poet exposed the fault lines in
the debate about music s function in
art, repeatedly staging disruptive scenes
of music that expose an underlying
struggle between textual and sensuous
authorities. Such musical interventions
in textual experiences highlight the
significance of sound as an aesthetic
and sensory experience independent of
any narrative function.
|
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| author | Ortiz, Joseph M. 1972- |
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| discipline | Anglistik / Amerikanistik Musikwissenschaft |
| edition | 1. publ. |
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| isbn | 9780801449314 |
| language | English |
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| physical | XIV, 261 S. Ill. |
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| spelling | Ortiz, Joseph M. 1972- Verfasser (DE-588)1043328599 aut Broken harmony Shakespeare and the politics of music Joseph M. Ortiz 1. publ. Ithaca [u.a.] Cornell Univ. Press 2011 XIV, 261 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Shakespeare, William 1564-1616 Knowledge Music Shakespeare, William 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Musik Wissen Music in literature Musik (DE-588)4040802-4 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Musik (DE-588)4040802-4 s DE-604 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022524571&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022524571&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Ortiz, Joseph M. 1972- Broken harmony Shakespeare and the politics of music Shakespeare, William 1564-1616 Knowledge Music Shakespeare, William 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Musik Wissen Music in literature Musik (DE-588)4040802-4 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4040802-4 (DE-588)4012899-4 |
| title | Broken harmony Shakespeare and the politics of music |
| title_auth | Broken harmony Shakespeare and the politics of music |
| title_exact_search | Broken harmony Shakespeare and the politics of music |
| title_full | Broken harmony Shakespeare and the politics of music Joseph M. Ortiz |
| title_fullStr | Broken harmony Shakespeare and the politics of music Joseph M. Ortiz |
| title_full_unstemmed | Broken harmony Shakespeare and the politics of music Joseph M. Ortiz |
| title_short | Broken harmony |
| title_sort | broken harmony shakespeare and the politics of music |
| title_sub | Shakespeare and the politics of music |
| topic | Shakespeare, William 1564-1616 Knowledge Music Shakespeare, William 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Musik Wissen Music in literature Musik (DE-588)4040802-4 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Shakespeare, William 1564-1616 Knowledge Music Shakespeare, William 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 Musik Wissen Music in literature Drama |
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