Renaissance music:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Ashgate
2011
|
| Schriftenreihe: | Library of essays on music performance practice
2 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXIV, 444 S. Ill., Notenbeisp. cm |
| ISBN: | 0754629635 9780754629634 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804145646271201280 |
|---|---|
| adam_text | Contents
Acknowledgements
vii
Series
Preface
ix
Introduction
xi
PARTI METHOD
1
Lloyd Hibberd
(1946),
On Instrumental Style in Early Melody , Musical
Quarterly,
32,
pp.
107-30. 3
2
David Fallows
(1983),
Specific Information on the Ensembles for Composed
Polyphony,
1400-1474 ,
in Stanley Boorman
(ed.),
Studies in the Performance
of Late Mediaeval Music, Cambridge: Cambridge University Press, pp.
109-59. 27
PARTII
SONGS
3
Christopher Page
(1992),
Going Beyond the Limits: Experiments with
Vocalization in the French Chanson,
1340-1440 ,
Early Music,
20,
pp.
447-59. 81
4
William F. Prizer
(1975),
Performance Practices in the Frottola , Early Music,
3,
pp.
227-35. 95
5
Tess Knighton
(1992),
The
a cappella
Heresy in Spain: An Inquisition into
the Performance of the
cancionero
Repertory , Early Music,
20,
pp.
561-81. 105
6
Stephen Keyl
(1992),
Tenorlied, Discantlied,
Polyphonic Lied: Voices and
Instruments in German Secular Polyphony of the Renaissance , Early Music,
20,
pp.
434-45. 125
7
Rinaldo
Alessandrini
(1999),
Performance Practice in the
seconda prattica
Madrigal , Early Music,
27,
pp.
633-39.
;
137
PARTIU
SACRED MUSIC
8
David Fallows
(1985),
The Performing Ensembles in Josquin s Sacred Music ,
Tijdschrift
van
de Vereniging voor Nederlandse Muziekgeschiedenis,
35,
pp.
32-64. 147
9
Richard
Sherr
(1987),
Performance
Practice in the Papal Chapel during the
1
6th Century , Early Music,
15,
pp.
453-62. 181
10
Graham Dixon
(1994),
The Performance of Palestrina: Some Questions, but
Fewer Answers , Early Music,
22,
pp.
667-75. 193
11
Noel O Regan
(1996),
The Performance of Palestrina: Some Further Observations ,
Early Music,
24,
pp.
145-54. 203
v¿
Renaissance
Musice
12
Noel O Regan
(2009),
What Can the Organ
Partitura
to
Tomás
Luis de
Victoria s
Missae, Magnificat, motecta,
psalmi
et alia quam plurima
of
1600
Tell Us about
Performance Practice? , Performance Practice Review,
14,
pp.
1-14. 211
13
Kenneth Kreitner
(1992),
Minstrels in Spanish Churches,
1400-1600 ,
Early
Music,
20,
pp.
533^16. 225
PART IV INSTRUMENTAL MUSIC
14
Keith Polk
(1990),
Voices and Instruments: Soloists and Ensembles in the 15th
Century , Early Music,
18,
pp.
179-98. 243
15
Howard Mayer Brown
(1975),
A Cook s Tour of
Ferrara in
1529 ,
Rivista
Italiana di Musicologia,
10,
pp.
216-А 1. 263
16
Howard
Mayer Brown
(1986),
Notes (and Transposing Notes) on the Transverse
Flute in the Early Sixteenth Century , Journal of the American Musical Instrument
Society,
12,
pp.
5-39. 289
PARTV NOTATION
17
Margaret Bent
(1984),
Diatonic
ficta
Early Music History,
4,
pp.
1-48. 327
18
Andrew Johnstone
(2006),
High Clefs in Composition and Performance ,
Early Music,
34,
pp.
29-53. 3 75
PART VI PERSPECTIVE
19
Donald Greig
(1995),
Sight-Readings: Notes on
a cappella
Performance Practice ,
Early Music,
23,
pp.
125-48. 403
20
Bonnie J. Blackburn
(1997),
For Whom Do the Singers Sing? , Early Music,
25,
pp.
593-609. 421
Series Bibliography
435
Name Index
439
|
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| isbn | 0754629635 9780754629634 |
| language | English |
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