Text and meaning: literary discourse and beyond
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Düsseldorf
Dup, Düsseldorf Univ. Press
2010
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Literaturangaben |
| Beschreibung: | VII, 352 S. Ill. 21 cm |
| ISBN: | 9783940671646 |
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Datensatz im Suchindex
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| adam_text | IMAGE 1
TABLE OF CONTENTS
ACKNOWLEDGEMENTS VII
INTRODUCTION
BY RICHARD BEGAM
PARTI: BRITISH AND IRISH LITERATURE
ON THE EARLIEST ENGLISH LITERATURE: TEXT AND MEANING AT THE MEETING OF
TWO CULTURES BY JOHN D. NILES 15
SHAKESPEARE S THE TAMING OF THE SHREW AS TEXTUAL, CRITICAL AND
THEATRICAL DISCOURSE BY THERESE FISCHER-SEIDEL 39
WILLIAM SHAKESPEARE S TITUS ANDRONICUS, OR THE SCANDAL OF GENRE BY ROGER
LUEDEKE 57
OLIVER GOLDSMITH S THE VICAR OF WAKEFIELD:
CRANE, CONTE, AND THE COMPLEXITIES OF GENRE BY HOWARD D. WEINBROT 75
TRANSPARENCY AND MATERIALITY IN THE REALIST NOVEL BY MARIO ORTIZ-ROBLES
93
CONSTRUCTING THE MEANING IN THE MODERNIST TEXT:
STRUCTURES AND ANTI-STRUCTURES FOR AN A-COHERENT WORLD BY CYRENA N.
PONDROM 109
GAMES MODERNISTS PLAY: PERFORMATIVITY IN BECKETT S ENDGAME BY RICHARD
BEGAM 127
BIBLIOGRAFISCHE INFORMATIONEN HTTP://D-NB.INFO/1009852566
DIGITALISIERT DURCH
IMAGE 2
PART II: AMERICAN LITERATURE
TEXT, SEX, TALK, TAINT: EARLY THEORIZATIONS OF LINGUISTIC COMPLICITY IN
THE UNITED STATES BY DAVID A. ZIMMERMAN 149
IMPERFECT REPRESENTATION AND NARRATIVE TRANSFORMATION IN HAWTHORNE S THE
MARBLE FAUN BY SUSAN WINNETT 169
WORDS ARE ALL WE HAVE: TEXT AND MEANING IN PYNCHON S THE CRYING OF LOT
49 BY THOMAS SCHAUB 185
PART III: GERMAN LITERATURE
THE FAILURE OF REMEMBRANCE: TEXT AND MEANING IN GOETHE S TRILOGY OF
PASSION BY BERND WITTE 205
FRANZ KAFKA S PARABLE BEFORE THE LAW : HOW DEAD IS THE SIGN?
BY HENRIETTE HERWIG 227
PART IV: TEXTUALITY AND THE VISUAL ARTS
WRITTEN AND IMAGE TEXTS IN THE MIDDLE AGES:
COALESCENCE, DIVERGENCE AND INTERPRETATIONAL SPACE BY ANDREA VON
HUELSEN-ESCH 241
ECRITURE ET PRESENCE- REMAPPING LITERARY DISCOURSE BEYOND THE
SPATIAL, ICONIC AND PERFORMATIVE TURNS BY VITTORIA BORSD 267
PART V: LINGUISTICS, PHILOSOPHY, INTERPRETATION
COGNITIVE HERMENEUTICS I: COGNITIVE INTERPRETATION BY PETER TEPE 287
IMAGE 3
APPROPRIATIVE INTERPRETATION
BY AXEL BUEHLER 297
INTERPRETIVE SEMANTICS BY DIETRICH BUSSE 307
THE TEXT IS ALL WE HAVE -BUT WHAT IS THE TEXT ?
WHAT IS IT WE HAVE, AND WHAT DOES IT MEAN TO HAVE IT?:
SOME LINGUISTIC PERSPECTIVES ON THE INTERPRETATION OF LITERARY DISCOURSE
BY DIETER STEIN 323
CONTRIBUTORS 343
INDEX 349
As the Theory Wars of the late twentieth century have subsided and as
literary critics increasingly practice a pluralism that combines formal analysis
with history, philosophy and aesthetics, the moment has come to reconsider
two of the most basic concepts of literary interpretation: text and
meaning. In doing so, the present volume addresses a number of
fundamental questions: Where
dó
we locate the material, linguistic and
cultural boundaries of a text? What role is played in the establishment of
meaning by intention, production and reception? Does the meaning or
significance of a text
—
whether literary or non-literary
—
change over time, and
if so how?
The essays that constitute this volume are organized into five parts.
British and Irish Literature, American Literature and German Literature
approach text and meaning from historical and theoretical perspectives,
interrogating the ways in which these concepts have evolved from the Middle
Ages to the present, while examining how they operate within given literary
periods. Textuality and the Visual Arts moves beyond traditional notions of
textuality to include image and text, as well as the dynamic that exists between
the two. Finally, linguistics, Philosophy and Interpretation, seeks to define
the theoretical assumptions that inform how we construe meaning and to
establish principles of validation within the realm of interpretation.
The contributors to this volume are well-known scholars from the
Universit}-
of Wisconsin in Madison (USA) and from the
Heinrich
Heine
University in
Düsseldorf
(Germany), representing a wide array of approaches
and disciplines. Topics covered include everything from Medieval literature
and art, Renaissance drama, eighteenth- and nineteenth-century English and
American literature to modern and contemporary literature and art, German
literature, the visual arts, philosophy and linguistics.
|
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| title | Text and meaning literary discourse and beyond |
| title_auth | Text and meaning literary discourse and beyond |
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| title_full | Text and meaning literary discourse and beyond ed. by Richard Begam and Dieter Stein |
| title_fullStr | Text and meaning literary discourse and beyond ed. by Richard Begam and Dieter Stein |
| title_full_unstemmed | Text and meaning literary discourse and beyond ed. by Richard Begam and Dieter Stein |
| title_short | Text and meaning |
| title_sort | text and meaning literary discourse and beyond |
| title_sub | literary discourse and beyond |
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