Bach:
For nearly two centuries Johann Sebastian Bach has been regarded as a cornerstone of Western musical culture. His music inspired subsequent generations of composers and philosophers alike, and continues to capture our imaginations in many ways. Bach studies is part of this picture, often seen as pro...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English German |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2011
|
| Schriftenreihe: | The Baroque composers
[4] |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | For nearly two centuries Johann Sebastian Bach has been regarded as a cornerstone of Western musical culture. His music inspired subsequent generations of composers and philosophers alike, and continues to capture our imaginations in many ways. Bach studies is part of this picture, often seen as providing excellent examples of musicological scholarship. The volume editor has chosen thirty-one published articles which, in his view, not only represent a broad spectrum of the scholarly discussions on Bach's life and works, but will also facilitate the on-going study of Bach's creative genius. The articles have been selected to ensure that this volume will be considered useful for not only those students who are currently engaging in Bach studies at universities but also for more seasoned Bach scholars as they consider the future direction of Bach studies. |
| Beschreibung: | Bandzählung der Verlagshomepage entnommen |
| Beschreibung: | XXXVII, 574 S. Ill., Notenbeisp. |
| ISBN: | 9780754628910 |
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| 520 | |a For nearly two centuries Johann Sebastian Bach has been regarded as a cornerstone of Western musical culture. His music inspired subsequent generations of composers and philosophers alike, and continues to capture our imaginations in many ways. Bach studies is part of this picture, often seen as providing excellent examples of musicological scholarship. The volume editor has chosen thirty-one published articles which, in his view, not only represent a broad spectrum of the scholarly discussions on Bach's life and works, but will also facilitate the on-going study of Bach's creative genius. The articles have been selected to ensure that this volume will be considered useful for not only those students who are currently engaging in Bach studies at universities but also for more seasoned Bach scholars as they consider the future direction of Bach studies. | ||
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgements
ix
Series Preface
xiii
Introduction and Abbreviations
xv
PART I LIFE AND CONTEXT
1 Hans-Joachim Schulze ( 1985), Johann Christoph Bach ( 1671
-l
721 ),
Organist
und
Schul
Collega
in Ohrdraf , Johann Sebastian Bachs erster Lehrer , Bach-Jahrbuch,
71,
pp.
55-81. 3
2 Wilhelm
С
Junghans (1970), Johann Sebastian Bach als Schüler der Partikularschule
zu St. Michaelis in Lüneburg, oder Lüneburg eine Pflegstätte kirchlicher Musik ,
in Programm des Johanneums zu Lüneburg, Ostern 1870. Lüneburg: Stern schen
Buchdrackerei,
pp. 3-A2.
31
3 Paul S.
Minear
(2002),
The Musician
versus
the Grammarian: An Early Storm
Warning , in The Bible and the Historian: Breaking the Silence about God in Biblical
Studies, Nashville, TN: Abingdon Press, pp.
25-36. 75
4
George J. Buelow
(1974-75),
In Defence of J.A.
Scheibe
against J.S. Bach ,
Proceedings of the Royal Music Association,
101,
pp.
85-100. 87
5 Christoph Trautmann (1971),
J.S. Bach: New Light on His Faith ,
Concordia
Theological Monthly,
42,
pp.
88-99. 103
6
Robin A. Leaver
(2006),
Motive and Motif in the Church Music of
Johann
Sebastian
Bach , Theology Today,
63,
pp.
38-47. 115
PART II SOURCE STUDIES
7
Alfred
Dürr (1962), Zum Wandel des Bach-Bildes. Zu Friedrich Blumes Mainzer
Vortrag , Musik und Kirche, 32,
pp.
145-52. 127
8 Friedrich Blume (1962), Antwort von Friedrich Blume , Musik und Kirche, 32,
pp.
153-6. 135
9 Arthur
Mendel
( 1989), Persönliches zur Geschichte der Jüngeren Bach-Forschung
( A Personal Message
Concerning the History of Recent Bach Scholarship ) , Bach,
20(3),
pp.
6-14. 139
10
Gerhard
Herz (1990),
Yoshitake Kobayashi s Article On the Chronology of the
Last Phase of Bach s Work
-
Compositions and Performances:
1736
to
1750 -
An Analysis with Translated Portions of the Original Text , Bach,
21(1),
pp.
3-25. 149
VI
Bach
PARTII!
GENRESTUDIES
11
Alfred
Dürr (1967),
Bach s Chorale Cantatas , in Johannes
Riedel (ed.),
Cantors at
the Crossroads: Essays on Church Music in Honor of Walter
E. Buszin,
St Louis, MO:
Concordia
Publishing House, pp.
111-20. 175
12
Wolf Hobohm
(1973), Neue Texte zur Leipziger Kirchen-Music , Bach-Jahrbuch,
59,
pp.
5-32. 185
13 Klaus Häfiier (1975), Der Picander-Jahrgang , Bach-Jahrbuch, 61,
pp.
70-113. 213
14 William H. Scheide (1980), Bach und der Picander-Jahrgang - Eine Erwiderung ,
Bach-Jahrbuch, 66,
pp.
47-51. 257
15 Klaus Häfher (1982), Picander, der Textdichter von Bachs viertem Kantatenjahrgang.
Ein neuer Hinweis , Die Musikforschung, 35,
pp.
156-62. 263
16 William H. Scheide (1983), Eindeutigkeit und Mehrdeutigkeit in Picanders
Kantatenjahrgangs-Vorbemerkung und im Werkverzeichnis des Nekrologs auf
Johann Sebastian Bach , Bach-Jahrbuch, 69,
pp.
109-13. 271
17 Arthur
Mendel
(1963),
Traces of the Pre-History of Bach s St John and St Matthew
Passions , in Walter
Gerstenberg, Jan
La Rue and Wolfgang Rehm
(eds),
Festschrift
Otto Erich
Deutsch zum 80. Geburtstag am 5.
September
1963, Kassel: Bärenreiter,
pp.
31-48. 277
18 Christoph
Wolff
(2007), Et
Incarnatus and Crucifixus : The Earliest and the
Latest Settings of Bach s B-minor Mass , in Yo
Tornita
and
Tanja Kovačević
(eds),
International Symposium: Understanding Bach s B-minor Mass. Discussion Book
2:
Resource Book, Belfast: School of Music and Sonic Arts, Queen s University, Belfast,
pp.
357-67.
Originally printed in Mary Anne Parker
(ed.)
(1994),
Eighteenth-Century
Music in Theory and Practice, Essays in Honor of Alfred Mann, Stuyvesant, NY:
Pendragon Press, pp.
1-17. 295
19 Georg von Dadelsen (2007), Friedrich
Smend s Edition of the B-minor Mass by
J.S. Bach , in Yo
Tornita
and
Tanja Kovačević
(eds),
trans. James A. Brokaw, II,
International Symposium: Understanding Bach s B-minor Mass. Discussion Book
2:
Resource Book, Belfast: School of Music and Sonic Arts, Queen s University, Belfast,
pp.
404-24.
Revision of article originally published in Bach,
20, 1989,
pp.
49-74. 307
20
Yoshitake Kobayashi
(2007),
Universality in Bach s
В
Minor Mass: A Portrait of
Bach in his Final Years , in Yo
Tornita
and
Tanja Kovačević
(eds),
trans.
Tanja
Kovačević, International
Symposium:
Understanding
Bach s
B-minor
Mass.
Discussion Book
2:
Resource Book. Belfast: School of Music and Sonic Arts, Queen s
University, Belfast, pp.
3 87-403. 329
21
Alfred
Dürr (1992), Zur Parodiefrage in Bachs h-Moll-Messe: Eine Bestandsaufnahme ,
Die Musikforschung, 45,
pp.
117-38. 347
22 Hans-Joachim Schulze (1989),
The Parody Process in Bach s Music: An Old
Problem
Reconsidered , Bach,
20(1),
pp.
7-21. 369
23
Robin A. Leaver
(1990),
Parody and Theological Consistency: Notes on Bach s
А
-Major
Mass , Bach,
21(3),
pp.
30-43. 385
24
Robert L. Marshall
(1976),
Bach the Progressive: Observations on His Later Works ,
The Musical Quarterly,
62,
pp.
313-57. 399
Bach
vii
25
Frederick Neumann
(1985),
Bach: Progressive or Conservative and the Authorship
of the Goldberg Aria , The Musical Quarterly,
71,
pp.
281-94. 445
26
Robert L. Marshall
(1989),
Postscript , in Robert L. Marshall, The Music of
Johann
Sebastian Bach: The Sources, The Style, The Significance, New York: Schirmer Books, pp.
54-8; 302-3. 459
27
Yo
Tornita
(2001),
Psalm and the Well-Tempered Clavier II: Revisiting the Old
Question of Bach s Source of Inspiration , Bach,
32(1),
pp.
17-43. 465
PART IV PERFORMANCE PRACTICE
28
Alfred
Dürr (1987),
Performance Practice of Bach s Cantatas: Original Performance
Material; Original Rehearsals; Original Performance Forces; Original Performance
Style; Conclusions for Modern Performance , American Choral Review,
29(3^1),
pp.
27-34. 495
29
Joshua Rifkin
(1982),
Bach s Chorus: A Preliminary Report , The Musical Times,
123,
pp.
747-54. 503
30
Rudolf
Rasch (1985),
Does Well-Tempered Mean Equal-Tempered ? , in
Peter F. Williams
(ed.), Bach,
Handel, Scarlatti Tercentenary Essays, Cambridge:
Cambridge University Press, pp.
293-310. 511
31
Frederick Neumann
( 1994),
Some Performance Problems of Bach
s
Unaccompanied
Violin and Cello Works , in Mary Ann Parker
(ed.),
Eighteenth-Century Music in
Theory and Practice: Essays in Honor of Alfred Mann, Stuyvesant, NY: Pendragon
Press, pp.
19-48. 529
Name Index
559
WorL· Index
569
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| spelling | Bach ed. by Yo Tomita Farnham [u.a.] Ashgate 2011 XXXVII, 574 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier The Baroque composers [4] Bandzählung der Verlagshomepage entnommen For nearly two centuries Johann Sebastian Bach has been regarded as a cornerstone of Western musical culture. His music inspired subsequent generations of composers and philosophers alike, and continues to capture our imaginations in many ways. Bach studies is part of this picture, often seen as providing excellent examples of musicological scholarship. The volume editor has chosen thirty-one published articles which, in his view, not only represent a broad spectrum of the scholarly discussions on Bach's life and works, but will also facilitate the on-going study of Bach's creative genius. The articles have been selected to ensure that this volume will be considered useful for not only those students who are currently engaging in Bach studies at universities but also for more seasoned Bach scholars as they consider the future direction of Bach studies. Bach, Johann Sebastian 1685-1750 Criticism and interpretation Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Bach, Johann Sebastian 1685-1750 (DE-588)11850553X p DE-604 Tomita, Yo 1961- Sonstige (DE-588)135495156 oth The Baroque composers [4] (DE-604)BV037406596 4 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022496694&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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