The enjoyment of music: an introduction to perceptive listening
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Norton
2011
|
| Ausgabe: | 11. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXXIII, 595, 59 S. Ill., Kt., Notenbeisp. |
| ISBN: | 9780393935202 |
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| 100 | 1 | |a Forney, Kristine |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The enjoyment of music |b an introduction to perceptive listening |c Kristine Forney ; Joseph Machlis |
| 250 | |a 11. ed. | ||
| 264 | 1 | |a New York [u.a.] |b Norton |c 2011 | |
| 300 | |a XXXIII, 595, 59 S. |b Ill., Kt., Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
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Datensatz im Suchindex
| _version_ | 1804145629881958400 |
|---|---|
| adam_text | Contents
Listening Guides
xiii
Listening Activities
xv
Here
&
There, Then
&
Now
xvi
Online Video and iMusic Examples
xvii
Videos
xvii
iMusic
xvii
Preface: The Enjoyment of Music Package
xix
Parti Materials of Music
3
PRELUDE
1
Listening to Music Today
4
Some Practical Suggestions for Listening I Attending Concerts I LISTENING
ACTIVITY: A Preview I MEET THE PERFORMERS: Wynton
Marsalis
I MEET THE
PERFORMERS: Lang Lang
CHAPTER
1
Melody: Musical Line
12
Defining Melody I The Structure of Melody I LISTENING ACTIVITY: Melody
CHAPTER
2
Rhythm and Meter: Musical Time
17
Metrical Patterns I LISTENING ACTIVITY: Rhythm
CHAPTER
3
Harmony: Musical Space
21
The Organization of Harmony I Consonance and Dissonance I LISTENING
ACTIVITY: Harmony
CHAPTER
4
The Organization of Musical Sounds
25
The Formation of Major and Minor Scales I Diatonic and Chromatic Scales I
Other Scale Types I The Major-Minor System I The Key as a Form-Building
Element I LISTENING ACTIVITY: Musical Scales and Key
CHAPTER
5
Musical Texture
32
Types of Texture I Contrapuntal Devices I Musical Texture and the Listener I
LISTENING ACTIVITY: Texture
CHAPTER
6
Musical Form
36
Structure and Design in Music I Two-Part and Three-Part Form I The Building
Blocks of Form I LISTENING ACTIVITY: Musical Form- ^
vi
Contents
CHAPTER
7
Musical Expression: Tempo and Dynamics
41
The Pace of Music I Loudness and Softness I Tempo and Dynamics as
Elements of Musical Expression I LISTENING ACTIVITY: Tempo and Dynamics
CHAPTER
8
Voices and Musical Instrument Families
45
Musical Timbre I The Voice as Instrument I MEET THE PERFORMERS:
Luciano
Pavarotti
I The World of Musical Instruments I MEET THE
PERFORMERS: Anoushka Shankar I LISTENING ACTIVITY: Voices
CHAPTER
9
Western Musical Instruments
49
String Instruments I MEET THE PERFORMERS: Yo-Yo Ma I Woodwind Instruments
I MEET THE PERFORMERS: James Galway I Brass Instruments I MEET THE
PERFORMERS: Carol Jantsch I Percussion Instruments I MEET THE PERFORMERS:
Evelyn Glennie I Keyboard Instruments I LISTENING ACTIVITY: Western Instruments
CHAPTER
10
Musical Ensembles
59
Choral Groups
і
MEET THE PERFORMERS: The King s Singers I Instrumental
Chamber Ensembles I MEET THE PERFORMERS: The Ying Quartet I MEET THE
PERFORMERS: The Silk Road Ensemble I The Orchestra I Concert, Jazz, and
Rock Bands I The Role of the Conductor I MEET THE PERFORMERS: Gustavo
Dudamel I LG
1
BRITTEN: The Young Person s Guide to the Orchestra I The
Orchestra in Action I LISTENING ACTIVITY: Reviewing Ensembles
CHAPTER
11
Style and Function of Music in Society
70
HTTN
1:
The Role of Music in Society I The Concept of Style I Musical Styles
in History I LISTENING ACTIVITY: Comparing Styles
1
Historical Periods
Part
2
Medieval and
Renaissance Music
77
Timeline: Medieval /Renaisance
PRELUDE
2
The Culture of the Middle Ages
and Renaissance
78
The Medieval Church I The Arts in the Renaissance I Musicians in Medieval
and Renaissance Society
CHAPTER
12
Sacred Music in the Middle Ages
83
The Mass I A Gregorian Melody:
Kyrie
I LG
2
GREGORIAN CHANT:
Kyrie
I Life in
the Medieval Cloister I The Music of
Hildegard
of Bingen I LG
3 HILDEGARD
OF
BINGEN: Alleluia,
О
virga mediatrix I The Rise of Polyphony I LG
4
NOTRE DAME
SCHOOL: Gaude Maria
virgo
I The Early Medieval Motet I LISTENING ACTIVITY:
Comparing Styles of Sacred Music
CHAPTER
13
Secular Music in the Middle Ages
92
Medieval Minstrels I A Troubadour Chanson I LG
5
RAIMBAUT
DE VAQUEIRAS:
Kalenda
maya I
LG 6
ANONYMOUS:
Sumer
is icumen in I Early Instrumental
Contents VÜ
Music I The French
Ars
nova I LG
7
MACHAUT:
Puis qu en oubli
I
HTTN 2:
Opening Doors to the East
CHAPTER
14
Renaissance Sacred Music
102
The Early Renaissance Mass I
Du
Fay and the Cantus Firmus Mass I LG
8
DU
FAY:
L homme armé
Mass I The Motet in the Renaissance I Josquin
des Prez
and the Motet I LG
9
JOSQUIN:
Ave
Maria
...
virgo serena
I The Reformation
and Counter-Reformation I Palestrina and the Mass I LG
10
PALESTRINA: Pope
Marcellus
Mass, Gloria
CHAPTER
15
Renaissance Secular Music 111
Music in Court and City Life I The Chanson I LG
11
JOSQUIN:
Mille regretz
I
The Italian Madrigal I LG
12
ARCADELT:
//
bianco
e dolce cigno
I The English
Madrigal I LG
13
FARMER: Fair Phyllis I Instrumental Dance Music I LG
14
SUSATO:
Three Dances I Giovanni
Gabrieli
and Instrumental Music in Venice I LG
15
GABRIELI: Canzona
septimi
tonii HTTN
3:
Music and Ceremony I LISTENING
ACTIVITY: Comparing Styles
2
Medieval, Renaissance, and Baroque
Part
3
The Baroque Era
127
Timeline: Baroque Era
PRELUDE
3
The Baroque Spirit
128
Main Currents in Baroque Music I The Rise of the Virtuoso Musician I HTTN
4:
The Rise of the Professional Female Singer
CHAPTER
16
Baroque Opera and Its Components
135
The Components of Opera I Monteverdi and Early Baroque Opera I LG
16
MONTEVERDI: The Coronation of Poppea I The Spread of Opera I LG
17
PURCELL: Dido and Aeneas I Barbara
Strozzi
and the Baroque Aria I LG
18
STROZZI:
Amor
dormiglione
CHAPTER
17
The Baroque Cantata and Oratorio
146
Bach and the Church Cantata I LG
19
BACH: Cantata No.
140, Wachet auf
I Handel and the Oratorio I LG
20
HANDEL: Messiah I LISTENING ACTIVITY:
Reviewing Baroque Vocal Genres
CHAPTER
18
Baroque Instruments and the Suite
162
The Rise of Instrumental Music I The Baroque Suite I Handel and the
Orchestral Suite I LG
21
HANDEL: Water Music I Music at the French Royal
Court I LG
22
MOURET: Rondeau, from Suites
de
symphonies
CHAPTER
19
The Baroque Concerto
170
Antonio Vivaldi and the Solo Concerto I LG
23
VIVALDI: The Four Seasons I
Bach and the Late Baroque Concerto I LG
24
BACH: Brandenburg Concerto
viii Contents
CHAPTER
20
Other Baroque Instrumental Music
177
Baroque Keyboard Instruments I Sonata Types I LG
25
CORELLI: Trio Sonata,
Op.
3,
No.
2
I
Domenico
Scarlatti and the Solo Sonata I LG
26
SCARLATTI:
Sonata in
С
Major {The
Hunti
I Other Keyboard Forms I The Fugue and Its
Devices I Bach s Keyboard Fugues I LG
27
BACH: Contrapunctus
1,
from The Art
of Fugue I Looking Ahead to the Age of Enlightenment I The Changing Opera I
LISTENING ACTIVITY: Comparing Styles
3
Baroque to Classical
Part
4
Eighteenth-Century
Classicism
191
Timeline*. Classical Era
PRELUDE
4
Classicism in the Arts
192
Classicism in Music I Elements of Classical Style I The Patronage System
CHAPTER
21
The Development of Classical Forms
197
Expanding Musical Ideas I Classical Forms I LISTENING ACTIVITY: Thematic
Development I The First Movement I The Second Movement I The Third
Movement I The Fourth Movement I The Multimovement Cycle as a Whole I
LISTENING ACTIVITY: Hearing Larger Forms
CHAPTER
22
Classical Chamber Music
205
The String Quartet I LG
28
HAYDN: String Quartet, Op.
76,
No.
3
{Emperor) I
Mozart and Chamber Music I LG
29
MOZART:
Eine kleine Nachtmusik
CHAPTER
23
The Classical Symphony
214
Historical Background I The Classical Orchestra I The Movements of the
Symphony I LG
30
MOZART: Symphony No.
40
in
G
minor I Haydn and
the Symphony I LG
31
HAYDN: Symphony No.
100
in
G
major
{Militar/)
I
Beethoven and the Symphony in Transition I LG
32
BEETHOVEN: Symphony
No.
5
in
С
minor I HTTN
5:
Beethoven and the Politics of Music
CHAPTER
24
The Classical Concerto
228
The Movements of the Concerto I LG
33
MOZART: Piano Concerto in
G
major, K.
453
I LG
34
HAYDN: Trumpet Concerto in
Е
-flat major I Famous Women Virtuosos
of the Eighteenth Century I LISTENING ACTIVITY: Mozart and the Concerto
CHAPTER
25
The Sonata in the Classical Era
237
The Movements of the Sonata I LG
35
MOZART: Piano Sonata in A major, K.
331
I LG
36
BEETHOVEN: Piano Sonata in
С
-sharp
minor, Op.
27,
No.
2
{Moonlight)
CHAPTER
26
Classical Choral Music and Opera
244
LG
37
MOZART: Dies irae, from Requiem I LG
38
HAYDN: The Creation I Classical
Opera I HTTN
6:
Mozart and the World of Opera I LG
39
MOZART: Don Giovanni
Contents
ЇХ
I From Classicism to Romanticism I LISTENING ACTIVITY: Comparing Styles
4
Classical to Romantic
Part
5
The nineteenth Century
263
Timeline: Romantic Era
PRELUDE
5
The Spirit of Romanticism
264
French Revolution I Romantic Writers and Artists I Romanticism in Music I
Romantic Style Traits I The Musician in Society
CHAPTER
27
Song in the Romantic Era
271
Types of Song Structure I The Lied I Schubert and the Lied I LG
40
SCHUBERT:
Elfking Robert Schumann and the Song Cycle I LG
41
SCHUMANN: In the
lovely month of May, from A Poet s Love
CHAPTER
28
Romantic Piano Music
280
The Short Lyric Piano Piece I Chopin and Piano Music I LG
42
CHOPIN: Mazurka
in B-flat minor, Op.
24,
No.
4
I HTTN
7:
Chopin and the Salon I Liszt and the Rise
of the Performer/Composer I LG
43
LISZT: The Little Belli Fanny Mendelssohn
Hensel and the Piano Miniature I LG
44
FANNY MENDELSSOHN HENSEL:
September: At the River, from The Year LISTENING ACTIVITY: The Romantic
Miniature
CHAPTER
29
Music in Nineteenth-Century America
293
Stephen Foster and American Popular Music I LG
45
FOSTER: Jeanie with the Light
Brown Hair
і
Louis
Gottschalk
and Piano Music in America I LG
46 GOTTSCHALK:
The Banjo
CHAPTER
30
Romantic Program Music
300
Varieties of Program Music I Berlioz and the Program Symphony I LG
47
BERLIOZ:
Symphonie fantastique
I Musical Nationalism I A Czech Nationalist·.
Bedřich
Smetana
I HTTN
8:
Music, Folklore, and Nationalism I LG
48
SMETANA:
The
Moldau
I A Scandinavian Nationalist:
Edvard
Grieg I LG
49
GRIEG: Peer Gynt,
Suite No.
1,
Op.
46
I Other Nationalists
CHAPTER
31
Absolute Music in the
Nineteenth Century
316
Clara Schumann: Pianist and Composer I LG
50
CLARA SCHUMANN: Piano Trio
in
G
minor I The Romantic Concerto I Mendelssohn and the Romantic Concerto
I LG
51
MENDELSSOHN: Violin Concerto in
E
minor I The Romantic Symphony I
Brahms and the Late Romantic Symphony I LG
52
BRAHMS: Symphony No.
3
in
F
major
I Dvořák
as a Symphonist I LG
53
DVOŘÁK:
Symphony No.
9
in
E
minor,
From the New World I HTTN
9:
Dvořák,
the Symphony, and African-American
Music I LISTENING ACTIVITY: Romantic-Era Orchestral Music
Contents
CHAPTER
32 National
Schools of Romantic Opera
335
Women in Opera I Verdi and Italian Opera I LG
54
VERDI: Rigoletto
I Wagner and
the Music Drama in Germany I LG
55
WAGNER: Die
Walküre
I George Bizet and
Exoticism in French Opera I LG
56
BIZET: Carmen
CHAPTER
33
Late Romantic and Post-Romantic Music
358
Romantic Choral Music I LG
57
VERDI: Requiem,
Libera
me I HTTN
10:
Verdi
and the Power of Music I Tchaikovsky and the Ballet I MEET THE PERFORMERS:
Mikhail Baryshnikov I LG
58
TCHAIKOVSKY: The Nutcracker I The Post-
Romantic Era I Puccini and
Verismo
Opera I LG
59
PUCCINI: Madame Butterfly
I The Post-Romantic Voice of
Gustav
Mahler I LG
60
MAHLER: The Song of the
Earth I LISTENING ACTIVITY: Opera in China and the West I Looking Ahead
to Modernist Trends I LISTENING ACTIVITY: Comparing Styles
5
Romantic to
Twentieth Century
Part
6
Impressionism and the
Earlf Twentieth Centorf
381
Timeline: Impressionism and Early 20th Century
PRELUDE
6
Modernism in the Arts
382
The Reaction against Romanticism I Expressionism I Neoclassicism
CHAPTER
34
Impressionism and Post-Impressionism
386
HTTN
11:
The Paris World Exhibition of
1889:
A Cultural Awakening I LG
61
DEBUSSY: Prelude to The Afternoon of a Faun Ravel as Post-Impressionist I
LG
62
RAVEL: Don Quixote to
Dulcinea
I LISTENING ACTIVITY: Music at the
1889
World s Fair
CHAPTER
35
Early Modern Musical Style
400
The New Rhythmic Complexity I The New Melody I The New Harmony I
Orchestration I New Conceptions of Form I LISTENING ACTIVITY: Previewing
Early^Oth-Century Styles
CHAPTER
36
Music of the Early Modernists
405
Stravinsky and the Revitalization of Rhythm I LG
63
STRAVINSKY: The Rite of
Springi
Schoenberg
and the Second Viennese School I LG
64
SCHOENBERG:
Pierrot
lunaire
I Berg and Early-Twentieth-Century Opera I LG
65
BERG: Wozzeck
I
Webern
and Serial Technique I LG
66 WEBERN:
Symphony, Opus
21
CHAPTER
37
European National Schools
426
National Schools I
Béla Bartók
and the Eastern European Tradition I HTTN
12:
Bartók—
A Folk-Song Collector I LG
67
BARTÓK:
Concerto for Orchestra I Sergei
Prokofiev and the Russian School I LG
68
PROKOFIEV: Troika, from Lieutenant
Kije
Suite I The German Composer Carl Orff I LG
69
ORFF:
Carmina
burana
Contents xi
CHAPTER
38 American
Modernism in Music
440
MEET THE PERFORMERS: The United States Marine Band I The Modernist Charles
Ives and New England Culture I LG
70
IVES: Country Band March I Ruth Crawford
and Modernist Piano Music I LG
71
CRAWFORD: Piano Prelude No.
6
CHAPTER
39
Nationalism in the Americas
448
William Grant Still: African-American Composer I LG
72
STILL: Suite for Violin
and Piano I Aaron Copland: American Nationalist I LG
73
COPLAND: Appalachian
Spring I MEET THE PERFORMERS: Martha Graham I Art Music Traditions in Mexico
I
Silvestre
Revueltas:
Mexican Nationalist I HTTN
13:
Preserving Mexico s Musical
Traditions I LG
74
REVUELTAS:
Homage to
Federico García
Lorca
I Music from the
Mariachi
Tradition I LG
75
El Cihualteco I LISTENING ACTIVITY: Comparing Styles
6
Early to Later Twentieth-Century
Part
7
Music beyond
the Concert Hall
467
Timeline: Music beyond the Concert Hall
PRELUDE
7
The Rise of American Popular Styles
468
CHAPTER
40
Ragtime, Blues, and Jazz
474
Scott Joplin and Ragtime I LG
76
JOPLIN: Maple Leaf Rag Blues and New
Orleans Jazz I HTTN
14:
The Roots of Jazz I The Jazz Singer
Billie
Holiday I MEET
THE PERFORMERS:
Billie
Holiday I LG
77
HOLIDAY: Billie s Blues I The Swing
Era and Beyond I MEET THE PERFORMERS: Duke Ellington I LG
78
STRAYHORN/
ELLINGTON: Take the A Train I Bebop and Later Jazz Styles I LG
79
GILLESPIE/
PARKER: A Night in Tunisia
CHAPTER
41
Musical Theater
488
The Development of American Musical Theater I George Gershwin and the Merger
of Classical and Jazz Styles I LG
80
GERSHWIN: Porgy and Bess I MEET THE
PERFORMERS: Leontyne Price I Leonard Bernstein and the Broadway Musical I LG
81
BERNSTEIN: West Side Story
CHAPTER
42
Music for Films
502
The Role of Music in Film I Music in the Silent Film Era I The Sound Era I The
Postwar Years I Star Wars and Beyond I LG
82
WILLIAMS: Raiders March
CHAPTER
43
The Many Voices of Rock
513
MEET THE PERFORMERS: Mick Jagger I MEET THE PERFORMERS: Bob Dylan I LG
83
DYLAN: Mr. Tambourine Man I The Eclecticism of the
1970s
I The
1980s
and
Beyond I MEET THE PERFORMERS: Nirvana I Country-Western Music I LISTENING
ACTIVITY: Comparing Styles
7
Pop Rock to Grunge
xii Contents
Part
8
World War
li ani
lef
ond
Timeline: World War II and Beyond
PRELUDE
8
New Directions in the Arts
Postmodernism in Music I MEET THE PERFORMERS: Laurie Anderson
530
CHAPTER
44
The New Virtuosity of the Modern Age
536
Olivier Messiaen and World War II I LG
84
MESSIAEN: Quartet for the End of
Time I HTTN
15:
Modern Performers Say Yes, We Can! I Pierre
Boulez
and the
French
Avant-Garde
I LG
85
BOULEZ:
Notations IV I George Crumb and
Avant-
Garde
Virtuosity I LG
86
CRUMB:
Caballito
negro
CHAPTER
45
Contemporary Composers
Look to World Music
546
Important Experimenters I The Music of John Cage I LG
87
CAGE: Sonatas and
Interludes I The Javanese
Gamelan
I LG
88
JAVANESE
GAMELAN
MUSIC:
Pataion
I Multicultural Influences in Contemporary Society I HTTN
16:
Improvisation as
Compositional Process I The Music of
György Ligeti
I LG
89
LIGETI:
Etudes for
Piano I Music from East Africa I LG
90
Ensiriba ya munange Katego I Bright Sheng
and the Meeting of Musical Cultures I LG
91
SHENG: China Dreams, Prelude I An
Introduction to Chinese Traditional Music I LG
92
ABING: The Moon Reflected on
the Second Springs
CHAPTER
46
Technology and Music
565
The Technological Revolution I Important Figures in Electronic Music I Tod
Machover
and Musical Interactivity I HTTN
17:
Musical Interactivity I LG
93
MACHOVER:
Hyperstring Trilogy: Begin Again Again
...
CHAPTER
47
Some Current Trends
575
Jennifer Higdon and the Return to Romantic Ideals I LG
94
HIGDON: blue
cathedral I John Corigliano and the Contemporary Song Cycle I LG
95
CORIGLIANO:
Prelude, from Mr. Tambourine Mam Seven Poems of Bob Dylan I Minimalism
and Post-Minimalism
I Arvo
Part and Spiritual Minimalism I LG
96
PART:
Cantate
Domino canticum
novum
I HTTN
18:
Murders, Monsters, and Mayhem in Modern
Opera I John Adams and Post-Minimalism I LG
97
ADAMS: Doctor Atomic I
LISTENING ACTIVITY: Comparing Styles
8
Contemporary Choral Music
CODA
Appendices
I. Musical Notation
II. Glossary
III. Answers to Listening Activities
Credits
Index
World Map
595
A-l
A-5
A-23
A-25
A-29
A-60
|
| any_adam_object | 1 |
| author | Forney, Kristine Machlis, Joseph |
| author_facet | Forney, Kristine Machlis, Joseph |
| author_role | aut aut |
| author_sort | Forney, Kristine |
| author_variant | k f kf j m jm |
| building | Verbundindex |
| bvnumber | BV037342993 |
| callnumber-first | M - Music |
| callnumber-label | MT90 |
| callnumber-raw | MT90 |
| callnumber-search | MT90 |
| callnumber-sort | MT 290 |
| callnumber-subject | MT - Instruction and Study |
| ctrlnum | (OCoLC)729981651 (DE-599)BVBBV037342993 |
| dewey-full | 780 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780 |
| dewey-search | 780 |
| dewey-sort | 3780 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 11. ed. |
| format | Book |
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| genre | (DE-588)4151278-9 Einführung gnd-content |
| genre_facet | Einführung |
| id | DE-604.BV037342993 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T23:22:30Z |
| institution | BVB |
| isbn | 9780393935202 |
| language | English |
| lccn | 2010026215 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-022496666 |
| oclc_num | 729981651 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XXXIII, 595, 59 S. Ill., Kt., Notenbeisp. |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Norton |
| record_format | marc |
| spelling | Forney, Kristine Verfasser aut The enjoyment of music an introduction to perceptive listening Kristine Forney ; Joseph Machlis 11. ed. New York [u.a.] Norton 2011 XXXIII, 595, 59 S. Ill., Kt., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Music appreciation Geschichte (DE-588)4020517-4 gnd rswk-swf Klassische Musik (DE-588)4164043-3 gnd rswk-swf Musikhören (DE-588)4075127-2 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Musikhören (DE-588)4075127-2 s Klassische Musik (DE-588)4164043-3 s 1\p DE-604 Musik (DE-588)4040802-4 s Geschichte (DE-588)4020517-4 s 2\p DE-604 Machlis, Joseph Verfasser aut Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022496666&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Forney, Kristine Machlis, Joseph The enjoyment of music an introduction to perceptive listening Music appreciation Geschichte (DE-588)4020517-4 gnd Klassische Musik (DE-588)4164043-3 gnd Musikhören (DE-588)4075127-2 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4020517-4 (DE-588)4164043-3 (DE-588)4075127-2 (DE-588)4040802-4 (DE-588)4151278-9 |
| title | The enjoyment of music an introduction to perceptive listening |
| title_auth | The enjoyment of music an introduction to perceptive listening |
| title_exact_search | The enjoyment of music an introduction to perceptive listening |
| title_full | The enjoyment of music an introduction to perceptive listening Kristine Forney ; Joseph Machlis |
| title_fullStr | The enjoyment of music an introduction to perceptive listening Kristine Forney ; Joseph Machlis |
| title_full_unstemmed | The enjoyment of music an introduction to perceptive listening Kristine Forney ; Joseph Machlis |
| title_short | The enjoyment of music |
| title_sort | the enjoyment of music an introduction to perceptive listening |
| title_sub | an introduction to perceptive listening |
| topic | Music appreciation Geschichte (DE-588)4020517-4 gnd Klassische Musik (DE-588)4164043-3 gnd Musikhören (DE-588)4075127-2 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Music appreciation Geschichte Klassische Musik Musikhören Musik Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022496666&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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