Moses Avalon's 100 answers to 50 questions on the music business:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Milwaukee, Wis.
Leonard
2010
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xv, 207 S. |
| ISBN: | 9781423484455 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
INTRODUCTION
CAN I JUST GET ONE SIMPLE ANSWER?
.....................................xi
How to Use This Book
............................................................................................................xiv
PART
1
I JUST JOINED A BAND/GROUP
QOESTIOHS AKD AHSWERS FOB THOSE
&ETÏIK&
STAHTED
......................................1
Introduction: It s the Simple Things
....................................................................................1
We re All
Jammin ,
So Who Is the Songyvriter?
..............................................................2
What Is a Producer, and Why Do I Need One?
...............................................................4
Touring: I m a Studio Rat. Do I Really Need to Perform Live?
..................................7
Can I Perform Live to a Prerecorded Track?
...................................................................8
Do I Need to Learn to Read Music?
....................................................................................9
When Am I Really in the Band—for Good?
...................................................................10
Do We Need to Incorporate or Trademark the Band/Group Name?
..................11
What Is a Copyright, and Do I Really Need One in the Internet Age?
................14
How Do I Get a Copyright?
...................................................................................................16
When Do I Need a Manager?
..............................................................................................17
Are Fans Important in the Internet Age?
........................................................................19
What Social Networks Are Worth Joining
to Get More Fans and Sell More Music?
.......................................................................21
How Can I Maintain an Efficient Mailing List That Works?
.....................................23
How Do You Make Money from Music Other than Selling CDs?
.........................29
What Do Major Labels Really Want from a New
Artist in Order to Sign Them?
..............................................................................................32
Am I Too Old for a Record Deal?
.......................................................................................34
What Music Biz Blogs Are Worth My Time?
..................................................................34
Conclusion
..................................................................................................................................39
PART
2
I JUST MADE MY FIRST LOUSY LITTLE DEAL
QUESTIONS AHD AHSWERS
POE
THOSE WHO HAVE GOTTEH SERIOUS
...............41
Introduction
................................................................................................................................41
Why Are All These Music Managers So Afraid/
Lazy About Signing New Artists?
.......................................................................................42
What s a Good Deal, Anyway?
............................................................................................44
What Is a
360
Deal? How Is It Different from an Old School Deal,
and Do I Need to Sign Either to Be Successful?
........................................................46
Does a
360
Deal Guarantee a Greater Commitment to the Artist?
...................50
Why Are There So Many Scam Companies That Claim to Help
Indie Artists with Their Careers, and How Can I Avoid Them?
..............................51
Are Music Conferences a Waste of Time?
Does Anyone Get Great Deals from Them?
..................................................................58
Are CDs Dead? When Will Digital Sales
Make Up the Majority of Revenue?
..................................................................................65
What Are the Pros and Cons of Working with a
Publishing Company? Should I Just Start My Own?
..................................................68
Why the Heck Is Music Publishing So Arcane and
Hard to Explain to Anyone?
............................................................69
What Is a Good First Publishing Deal?
..........................................................................72
What s the Difference Between ASCAP,
BMI,
and SESAC? Which One Should I Join?
...........................................................................73
Does Staying Indie Mean
ПІ
Have More Freedom but Less Money?
Has Anyone Stayed Indie and Gone Platinum in the US?
How Did They Do It?
...............................................................................................................76
Does the Public Really Prefer Singles to Albums?
.....................................................78
Why Don t Radio Stations Play Unsigned Acts?
Why Can t You Get on Radio Without Major Label Backing?
......................................81
Where Should I Tour, and How Do I Get Booked?
.....................................................83
Can You Get Discovered on the Internet, and
Will You Make Good Money Because People Hear You on YouTube?
....................84
How Much Can I Make If I Stay Indie?
............................................................................85
How Much Money Do I Need to Invest
to Make It as an Artist or Producer?
................................................................................86
What Kind of Terms Should Be in a Licensing Agreement?
..................................89
Has the Internet Helped or Hurt the Music Business?
...........................................93
PART
5
i m about to sign my first real deal
QUESTIONS ¿SB AHSWERS
POE
THOSE WHO HAVE ARRIVED
.................................97
Introduction
................................................................................................................................97
How Can I Tap into Money from Overseas?
................................................................99
What Are the Numbers: How Many Acts per Year
Do the Major Labels Sign and Release?
....................................................................109
How Much Do the Majors/Indies Budget for Studio Recordings?
....................113
How Much Do the Majors/Indies Budget for Tour Support?
.............................116
What Is Payola ? Why Is It Important? Will It Ever Stop?
..................................123
Do I Need a Written Business Plan? How Do I Do It?
...........................................128
PART
4
I WANT OUT OF THIS DEAL
QUESTIONS AND ANSWERS FOR THOSE WHO HAVE HAD ENOUGH
......................133
Introduction: They Never Said It Would Be Easy,
but They Did Say It Would Be Fun
..................................................................................133
With Digital Technology It Is Possible to Track Almost All
Performances. So Why Are the Societies Not Collecting
or Paying the Royalties Due Their Independent Artists?
......................................134
Why Do the U.S.-Based PROs Persist in Their Archaic
and Inaccurate Method of Monitoring?
........................................................................134
Can I Just Stop Making Music Once I m Signed?
..................................................140
Why Doesn t the Government Do Something About Piracy?
..............................145
I m Being Hassled About Song Theft. What Can I Do?
.........................................149
How Can I Stop Some Scab P2P Site from
Distributing or BitTorrenting My Music?
.....................................................................152
Reversion of Master Rights: When Is an Artist Eligible?
......................................153
Should I Let My Record Company Keep the Rights
After They Revert to Me?
...................................................................................................158
PART
5
WILL THINGS EVER CHANGE?
QUESTIONS AND ANSWERS PROM VETERANS ABOUT
THE STATE OP THE INDUSTRY
........................................................................................161
Will They?
.................................................................................................................................161
With So Much Music Being Given Away, How Can a
Producer Make Money in the Coming Years?
...........................................................162
Why Has the Average Music Lover Happily
Given Up Their CD Audio Quality for a Lousy MP3?
...............................................164
Why Were Major Labels So Slow/Resistant to
Respond to the Internet as a Sales Platform in the Early 2000s?
..................168
With CD Sales Going into the Abyss,
How Are Major Labels Staying in Business?
.............................................................182
Will the Music Business Survive Another
20
Years?
.............................................186
AFTERWORD
WHAT IS THE MUSIC BIZ FOR?
Is It Just for Making Money, or Can It Really
Be a Vehicle for Social Change? Is There Anything to the 60 s Idea
That We Can Organize for Change Through Popular Music?
..............................195
APPENDIX
........................................................................................................................201
Complete List of Foreign Performing Rights Organizations
.........................201
Major Label Organization and Goals
.........................................................203
Passive Revenue Streams in the Music Business
....................................204
ACKNOWLEDGMENTS
.............................................................................................205
|
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| id | DE-604.BV037336977 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T23:22:22Z |
| institution | BVB |
| isbn | 9781423484455 |
| language | English |
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| physical | xv, 207 S. |
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| publisher | Leonard |
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| spelling | Avalon, Moses Verfasser aut Moses Avalon's 100 answers to 50 questions on the music business 100 answers to 50 questions on the music business One hundred answers to 50 questions on the music business Milwaukee, Wis. Leonard 2010 xv, 207 S. txt rdacontent n rdamedia nc rdacarrier Music trade / Miscellanea Karriereplanung (DE-588)4129406-3 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Selbstständigkeit (DE-588)4137544-0 gnd rswk-swf (DE-588)4048476-2 Ratgeber gnd-content Musikwirtschaft (DE-588)4268614-3 s DE-604 Musiker (DE-588)4040841-3 s Selbstständigkeit (DE-588)4137544-0 s Karriereplanung (DE-588)4129406-3 s Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022490761&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Avalon, Moses Moses Avalon's 100 answers to 50 questions on the music business Music trade / Miscellanea Karriereplanung (DE-588)4129406-3 gnd Musiker (DE-588)4040841-3 gnd Musikwirtschaft (DE-588)4268614-3 gnd Selbstständigkeit (DE-588)4137544-0 gnd |
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| title | Moses Avalon's 100 answers to 50 questions on the music business |
| title_alt | 100 answers to 50 questions on the music business One hundred answers to 50 questions on the music business |
| title_auth | Moses Avalon's 100 answers to 50 questions on the music business |
| title_exact_search | Moses Avalon's 100 answers to 50 questions on the music business |
| title_full | Moses Avalon's 100 answers to 50 questions on the music business |
| title_fullStr | Moses Avalon's 100 answers to 50 questions on the music business |
| title_full_unstemmed | Moses Avalon's 100 answers to 50 questions on the music business |
| title_short | Moses Avalon's 100 answers to 50 questions on the music business |
| title_sort | moses avalon s 100 answers to 50 questions on the music business |
| topic | Music trade / Miscellanea Karriereplanung (DE-588)4129406-3 gnd Musiker (DE-588)4040841-3 gnd Musikwirtschaft (DE-588)4268614-3 gnd Selbstständigkeit (DE-588)4137544-0 gnd |
| topic_facet | Music trade / Miscellanea Karriereplanung Musiker Musikwirtschaft Selbstständigkeit Ratgeber |
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