The sonata:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Cambridge Univ. Press
2011
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge introductions to music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIII, 263 S. Notenbeisp. |
| ISBN: | 9780521762540 |
Internformat
MARC
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| 245 | 1 | 0 | |a The sonata |c Thomas Schmidt-Beste |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a New York [u.a.] |b Cambridge Univ. Press |c 2011 | |
| 300 | |a XIII, 263 S. |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Cambridge introductions to music | |
| 500 | |a Includes bibliographical references and index | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Sonata | |
| 650 | 4 | |a Sonata form | |
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Datensatz im Suchindex
| _version_ | 1804145619148734464 |
|---|---|
| adam_text | Contents
List of musical examples page
viii
List of tables
xi
Preface
xii
Chapter
1
Definitions
1
1.1
Sonata and
canzona
3
1.2
Sonata and
sinfonia
7
1.3
Sonata and concerto
9
1.4
Sonata and suite/partita
10
1.5
The sonata and free instrumental genres:
toccata
-
ricercar
-
capriccio
-
fantasia
12
1.6
Summary: instrumentation, form, texture or function?
15
Chapter
2
Form
20
2.1
The free sonata in the seventeenth century
20
2.2
Corelli and his legacy
34
2.2.1
The sonata
da chiesa
36
2.2.2
The sonata da camera
41
2.2.3
Corelli s followers in the eighteenth century
47
2.2.4
Regional traditions
51
2.3
Sonata cycles and sonata form after
1750 53
2.3.1
Fast movements: sonata form and related categories
54
2.3.1.1
From dance form to sonata form
55
2.3.1.2
Terminology
61
2.3.1.3
The exposition
63
2.3.1.4
The development
76
2.3.1.5
The recapitulation
82
2.3.1.6
There-entry
84
2.3.1.7
The transition
86
vi
Contents
2.3.1.8
The recapitulation as a result of events in the
exposition and development
87
2.3.1.9
Extra options: slow introduction and coda
88
2.3.2
Sonata form
-
bipartite or tripartite?
90
2.3.3
Slow movements
91
2.3.4
Minuet and scherzo
95
2.3.5
Finales
97
2.4
Beethoven s sonatas
-
consummating or transcending
Classical form?
100
2.4.1
Construction of themes and their elaboration
103
2.4.1.1
Types of theme
103
2.4.1.2
Thematic contrast and thematic derivation
105
2.4.1.3
Elaboration and transformation of themes
and motives
105
2.4.2
Slow introduction and coda
107
2.4.3
Manipulations of the tonal process
108
2.4.3.1
Major-key recapitulation in minor-key
movements
108
2.4.3.2
Third relations versus fifth relations
110
2.4.4
New slow-movement types 111
2.4.5
The upgrading of the dance movement
113
2.4.6
Final movements
115
2.4.7
Camouflaging the formal structure
115
2.5
The cycle
117
2.5.1
Sequence and combination of movements
117
2.5.2
Tonal structures
119
2.5.3
Transitions
121
2.5.4
Motivic unity and quotations
122
2.6
The sonata after Beethoven
126
2.6.1
Franz Schubert
128
2.6.2
Sonata composition after
с
1830 135
2.6.2.1
Motivic unity
-
motivic derivation
-
developing
variation
140
2.6.2.2
Quotation
147
2.6.2.3
Tonal structure
149
2.6.2.4
Integration on multiple levels: Schumann s
Piano Sonata, Op.
11 150
2.6.2.5
The amalgamation of the sonata cycle with
sonata form: Franz Liszt s
В
minor Sonata
151
2.7
Sonata composition in the twentieth century
157
Contents
vii
2.7.1
The sonata in the nineteenth-century tradition
158
2.7.2
The neo-classicist and historicist sonata
163
2.7.3
The sonata as generic piece for instrument(s)
165
2.7.4
The eclectic sonata
168
Chapter
3
Functions and aesthetics
173
3.1
Locations and occasions
173
3.2
Target groups: professionals, connoisseurs and amateurs
177
3.3
Learned style
179
3.4
Virtuosity
182
3.5
Sonata form as an aesthetic paradigm
186
3.6
Absolute music? On meaning and programmaticism
188
Chapter
4
Scoring and texture
193
4.1
Developments in the seventeenth and eighteenth centuries
194
4.1.1
Number of instruments
194
4.1.1.1
The ensemble sonata
194
4.1.1.2
The sonata for small ensemble
195
4.1.2
Nature and formation of the ensemble
200
4.1.3
The scoring of the bass part
204
4.1.4
Other instruments
205
4.2
The paradigm shift of
с
1750 208
4.3
The age of the piano sonata
210
4.3.1
Beethoven,
Clementi
and the nineteenth century
215
4.3.2
The piano sonata in the twentieth century
219
4.4
Piano and others
220
4.4.1
Melody instrument with piano or piano with
melody instrument?
220
4.4.2
The duo sonata in the nineteenth century as the
anti-virtuosic sonata
225
4.4.3
Other instruments
228
4.4.4
Developments in the twentieth century
230
4.5
The sonata for unaccompanied solo instrument
231
4.6
The organ sonata
233
Notes
236
Select bibliography
243
Index
250
|
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| indexdate | 2024-07-09T23:22:20Z |
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| isbn | 9780521762540 |
| language | English |
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| title | The sonata |
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