The anatomy of despondency: European socio-cultural criticism 1789 - 1939
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Leiden [u.a.]
Brill
2011
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Schriftenreihe: | Brill's texts and sources in intellectual history
8 Brill's studies in intellectual history 195 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 887 S. |
ISBN: | 9789004194038 |
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Datensatz im Suchindex
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adam_text | Titel: The anatomy of despondency
Autor: Harskamp, Jacob Teunis
Jahr: 2011
CONTENTS
Preface.................................................. 15
Introduction............................................. 17
Chapter One Aspects of Physiognomy..................... 29
1. Cities.............................................. 32
1.1. City Life ...................................... 32
1.2. London, Paris, Berlin ........................... 34
1.3. The Rise of Suburbia............................ 39
2. The Environment.................................... 39
2.1. Symphony in Black............................. 39
2.2. The Defilement of Nature........................ 43
2.2.1. Against Nature........................... 47
3. Architecture........................................ 50
3.1. Its Leading Role............................... 50
3.1.1. Harmony and Unity....................... 52
3.2. Decline....................................... 53
3.2.1. Prestige of the Architect................... 56
3.3. New Demands................................. 58
4. Style and Form...................................... 61
4.1. A Carnival of Styles............................. 61
4.2. Lack of Style................................... 64
4.2.1. Colonnades of Confusion.................. 67
4.2.2. Temples of Greed......................... 69
4.3. Formlessness .................................. 71
4.4. Costume of the Age ............................ 74
4.4.1. Dressed in Black.......................... 78
Notes ................................................ 81
Chapter Two Disintegration.............................. Ill
1. Individualization.................................... 114
1.1. God and Man.................................. 114
1.2. Man for Himself............................... 116
1.3. Man as Creator................................ 118
1.3.1. Creation versus Invention (pre-1801)........ 118
1.3.2. To rival God............................. 120
1.4. Individualism.................................. 123
1.4.1. Crisis of Individuality..................... 125
2. Fragmentation...................................... 126
2.1. Anarchy and Chaos............................. 126
2.2. Atomization and Dissolution .................... 131
2.3. The Dust of Convictions ........................ 134
3. Diremptio ......................................... 135
3.1. General....................................... 135
3.2. Thinking and Doing............................ 136
3.3. Body and Mind................................. 137
3.4. The Arts...................................... 138
3.4.1. Art and Life ............................. 138
3.4.2. Art and Work............................ 139
4. Cultural Anarchy................................... 139
4.1. Science and Knowledge......................... 139
4.1.1. Specialization............................ 139
4.1.2. The Part and the Whole.................... 141
4.1.3. Vivisection .............................. 142
4.1.4. Knowledge and Wisdom................... 143
4.1.5. Unity Lost............................... 144
4.2. Crumbling Aesthetics........................... 144
4.2.1. Literature................................ 144
4.2.2. Painting and Music....................... 147
4.3. Cultural Centralization ......................... 149
Notes ................................................ 152
Chapter Three The Democratic Way....................... 175
1. Votes for Everybody.................................. 179
1.1. General Suffrage ............................... 179
1.2. Parliamentarism ............................... 181
1.3. Democracy and Equality........................ 182
1.3.1. Mediocrity .............................. 184
1.4. Give us a Leader! .............................. 186
1.4.1. Metaphors............................... 189
2. Art and Democracy.................................. 190
2.1. Disrespect for the Past.......................... 190
2.2. Aristocrats versus Democrats.................... 191
2.3. The Rise of the Novel ........................... 192
3. Pseudo-Authorities.................................. 193
3.1. Press ......................................... 193
3.2. Public Opinion................................. 197
3.3. Common Sense................................ 202
3.4. Publicity and Phraseology....................... 203
Notes................................................. 209
Chapter Four Man and Machinery........................ 229
1. Mechanization...................................... 232
1.1. Faith in Machines.............................. 232
1.2. The Curse of Machines.......................... 233
1.3. Specifications.................................. 236
1.3.1. A Metaphor: the Wheel.................... 236
1.3.2. An Example: the Railways.................. 237
1.3.3. The Mechanization of War................. 239
1.4. Identification.................................. 240
1.5. Master and Slave............................... 243
2. Thought and Style................................... 248
2.1. Habits of Thought.............................. 248
2.2. Style.......................................... 249
2.3. Artistic Production............................. 250
2.3.1. Artistic Overproduction................... 251
2.4. Art and Photography............................ 253
Notes................................................. 256
Chapter Five Money and Commerce....................... 271
1. The Cult of Money................................... 272
1.1. Money is Power................................ 272
1.1.1. Banknotes and Coins...................... 276
1.2. Philanthropy .................................. 277
2. Commercial Centres................................. 278
2.1. The Stock Exchange............................. 278
2.2. World Exhibitions.............................. 279
Notes................................................. 284
Chapter Six Ideological Confusion........................ 293
1. The Gospel of Labour................................. 296
1.1. Never-ceasing Work............................ 296
1.2. Leisure........................................ 301
1.3. Recreation .................................... 305
2. The Idolatry of Progress............................... 307
2.1. False Assumptions.............................. 307
2.2. Inevitability or Choice?.......................... 309
2.3. Fundamentals ................................. 310
2.4. The Road to Destruction........................ 313
2.4.1. The Titanic Disaster...................... 315
2.5. Dialectical Compensation....................... 316
2.6. Paradoxical Aspects............................. 317
2.7. Historical Comparisons......................... 319
2.8. Questions..................................... 322
2.9. Irony, Hatred, Rodomontade..................... 323
2.10. Art and Progress................................ 327
Notes................................................. 329
Chapter Seven Ends and Means........................... 351
1. Absence of Ends..................................... 354
1.1. Aimlessness .................................. 354
1.2. To what End?.................................. 355
1.3. Forgotten Aims................................ 357
2. Ends and Means..................................... 358
2.1. Mutual Relations............................... 358
2.2. Confusion..................................... 359
2.3. Specifications.................................. 361
2.3.1. Industrialism ............................ 361
2.3.2. Economic Activity........................ 362
2.3.3. Action for Actions Sake ................... 363
2.3.4. Wealth.................................. 364
2.3.5. Education ............................... 366
2.3.5.1. Classics .......................... 366
2.3.5.2. Learning.......................... 367
2.3.6. Technology.............................. 368
2.3.7. Absurdities.............................. 369
Notes................................................. 372
Chapter Eight Threats to the Individual.................... 383
1. The Nature of Work.................................. 386
1.1. The Division of Labour.......................... 386
1.2. Specialization.................................. 389
2. The Individual and the Crowd......................... 391
2.1. De-individualization............................ 391
2.2. Massification .................................. 396
2.2.1. Militarism............................... 402
2.3. Isolation ...................................... 403
3. Homogeneity....................................... 405
3.1. Standardization and Levelling.................... 405
3.2. Conformity and Uniformity...................... 408
4. Accelerando........................................ 409
4.1. Times of Old .................................. 409
4.2. Move We Must!................................ 410
4.3. Immediacy.................................... 413
4.4. Fever and Insanity.............................. 414
4.5. Means and Meaning............................ 415
4.6. The Pace of Change............................. 416
4.7. Art and Acceleration............................ 418
5. Lost simplicity...................................... 419
5.1. Complexity.................................... 419
5.2. The Abstract and the General.................... 421
Notes................................................. 425
Chapter Nine Devitalization.............................. 449
1. Decline in Vigour.................................... 453
1.1. The Cost of Civilization......................... 453
1.2. Loss of Youth and Virtue........................ 458
1.3. Loss of Energy and Courage ..................... 460
1.4. Lack of Passion................................. 463
1.5. Effeminacy and Refinement...................... 464
1.6. Weakness and Exhaustion....................... 467
1.7. Boredom and Indifference....................... 470
1.7.1. Sunday Bloody Sunday.................... 474
1.8. A Hothouse Climate............................ 475
2. Abundance......................................... 476
2.1. Luxury........................................ 476
2.2. Personal Comfort............................... 478
3. Negative Vitality..................................... 480
3.1. Artificial Excitement............................ 480
3.2. Stimulants and Sedatives........................ 481
3.2.1. Tobacco................................. 481
3.2.2. Alcohol ................................. 482
3.2.3. Opium, Laudanum, etc.................... 484
4. Musicalization of Culture............................. 484
4.1. The Tyranny of Music........................... 484
4.2. Temptation .................................. 486
4.3. Dissolving Views............................... 487
4.3.1. Intoxication.............................. 489
Notes................................................ 492
Chapter Ten Psychological Traits.......................... 515
1. Emotions .......................................... 520
1.1. Tragedy and Death ............................. 520
1.2. Happiness, Spontaneity and Joy.................. 521
1.3. Love.......................................... 523
1.3.1. Sex and Marriage......................... 523
1.3.2. Domesticity and Respectability............. 528
2. Seriousness......................................... 532
2.1. Serious and Morbid Times....................... 532
2.2. Laughter...................................... 536
2.3. Festivals and Festivities.......................... 539
3. The Inward and the Outward.......................... 542
3.1. Inwardness.................................... 542
3.2. Tout est dehors ................................ 545
3.3. Outwardness .................................. 547
3.3.1. The Fear of Silence........................ 549
3.4. Being and Doing............................... 549
4. Anxieties........................................... 550
4.1. Symptoms of Unease............................ 550
4.1.1. Spleen .................................. 550
4.1.2. Melancholy, Sadness, Suffering, Nausea...... 554
4.1.3. Worry, Doubts, Restlessness................ 558
4.1.4. Nerves and Neuroses...................... 558
4.1.5. Poetes de l Hopital ........................ 562
4.2. Suicidal Tendencies............................. 566
Notes ................................................ 569
Chapter Eleven Art and Alienation........................ 599
1. Art................................................ 603
1.1. Purpose....................................... 603
1.2. Content....................................... 608
1.3. National or Cosmopolitan?...................... 610
1.3.1. Excursus: Wagner in France (post-1870)..... 612
2. Art for Art s Sake.................................... 614
2.1. Usage (before 1840)............................. 614
2.1.1. Excursus: The Case of Victor Hugo.......... 616
2.1.2. A Related Term........................... 617
2.2. Protest........................................ 618
3. Artists............................................. 619
3.1. Alienation and Isolation......................... 619
3.1.1. A Metaphor: Robinson Crusoe ............. 622
3.2. Who s to blame?................................ 623
Notes................................................ 629
Chapter Twelve Past, Present, Future ...................... 647
1. Historicity ......................................... 652
1.1. Lure of the Past................................ 652
1.2. Living in Retrospect............................ 654
1.3. Lost Glory .................................... 656
1.3.1. Middle Ages.............................. 656
1.3.2. Renaissance.............................. 658
1.4. The Burden of the Past.......................... 660
1.5. Crushing Heritage.............................. 663
1.5.1. Desperation.............................. 663
1.5.2. A Continuous Challenge .................. 668
1.6. Submission.................................... 671
1.7. Inertia........................................ 673
2. Museums and Libraries .............................. 674
2.1. Theft and Displacement......................... 674
2.1.1. Motherless Children...................... 676
2.2. Warehouses .................................. 677
2.3. Hospitals and Mortuaries........................ 678
2.4. The Myth of Education.......................... 680
2.4.1. Ravagers................................. 681
2.5. Libraries...................................... 682
3. Demands of the Present.............................. 683
3.1. To be of one s own Time......................... 683
3.1.1. Nowness ................................ 688
3.2. To be Intense and Original....................... 690
3.3. To be Novel and Modern........................ 691
3.4. What about Posterity?........................... 693
4. Anticipation........................................ 695
4.1. A Transitional Period........................... 695
4.2. Futurity....................................... 698
Notes ................................................ 702
Chapter Thirteen Europe: Divisions and Dilemmas.......... 733
1. North-South Dichotomy.............................. 736
1.1. Mental Disposition............................. 736
1.2. Artistic Inclination.............................. 740
1.2.1. Romanticism versus Classicism............. 741
1.3. Physical and Psychological....................... 744
1.4. Energy and Idleness............................. 746
1.5. The Protestant Ethic............................. 748
2. Hope and Despair................................... 750
2.1. A Sense of Ending.............................. 750
2.1.1. Moribund Europe ........................ 750
2.1.2. The Medical Metaphor .................... 754
2.1.2.1. The Time is Sick................... 754
2.1.2.2. Fatal Illness....................... 755
2.2. Loss and Longing............................... 756
3. Big Brother......................................... 757
3.1. Negative Perceptions of America................. 757
3.2. Fears of Americanization........................ 760
3.3. A Fresh Start?.................................. 763
4. Identity and Unity................................... 765
4.1. War and Peace................................. 765
4.2. European Identity.............................. 768
4.3. European Unity................................ 771
Notes................................................. 774
Biographical Author Index................................. 799
Name Index ............................................. 877
|
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author | Harskamp, Jacob Teunis 1946- |
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era_facet | Geschichte 1789-1939 |
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geographic | Europa Europa (DE-588)4015701-5 gnd |
geographic_facet | Europa |
id | DE-604.BV037332376 |
illustrated | Not Illustrated |
indexdate | 2024-07-09T23:22:16Z |
institution | BVB |
isbn | 9789004194038 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-022486255 |
oclc_num | 712511567 |
open_access_boolean | |
owner | DE-12 DE-19 DE-BY-UBM DE-11 |
owner_facet | DE-12 DE-19 DE-BY-UBM DE-11 |
physical | 887 S. |
psigel | UBM-RCC |
publishDate | 2011 |
publishDateSearch | 2011 |
publishDateSort | 2011 |
publisher | Brill |
record_format | marc |
series | Brill's texts and sources in intellectual history Brill's studies in intellectual history |
series2 | Brill's texts and sources in intellectual history Brill's studies in intellectual history |
spelling | Harskamp, Jacob Teunis 1946- Verfasser (DE-588)153138246 aut The anatomy of despondency European socio-cultural criticism 1789 - 1939 by Jaap Harskamp Leiden [u.a.] Brill 2011 887 S. txt rdacontent n rdamedia nc rdacarrier Brill's texts and sources in intellectual history 8 Brill's studies in intellectual history 195 Includes bibliographical references and index Geschichte 1789-1939 gnd rswk-swf Geschichte Kulturkritik (DE-588)4033572-0 gnd rswk-swf Technische Innovation (DE-588)4431027-4 gnd rswk-swf Sozialer Konflikt (DE-588)4055747-9 gnd rswk-swf Europa Europa (DE-588)4015701-5 gnd rswk-swf Social conflict / Europe / History Technological innovations / Europe / History Criticism / Europe / History Anomy / History Europa (DE-588)4015701-5 g Technische Innovation (DE-588)4431027-4 s Sozialer Konflikt (DE-588)4055747-9 s Kulturkritik (DE-588)4033572-0 s Geschichte 1789-1939 z DE-604 Brill's texts and sources in intellectual history 8 (DE-604)BV022366499 8 Brill's studies in intellectual history 195 (DE-604)BV000625542 195 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022486255&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Harskamp, Jacob Teunis 1946- The anatomy of despondency European socio-cultural criticism 1789 - 1939 Brill's texts and sources in intellectual history Brill's studies in intellectual history Geschichte Kulturkritik (DE-588)4033572-0 gnd Technische Innovation (DE-588)4431027-4 gnd Sozialer Konflikt (DE-588)4055747-9 gnd |
subject_GND | (DE-588)4033572-0 (DE-588)4431027-4 (DE-588)4055747-9 (DE-588)4015701-5 |
title | The anatomy of despondency European socio-cultural criticism 1789 - 1939 |
title_auth | The anatomy of despondency European socio-cultural criticism 1789 - 1939 |
title_exact_search | The anatomy of despondency European socio-cultural criticism 1789 - 1939 |
title_full | The anatomy of despondency European socio-cultural criticism 1789 - 1939 by Jaap Harskamp |
title_fullStr | The anatomy of despondency European socio-cultural criticism 1789 - 1939 by Jaap Harskamp |
title_full_unstemmed | The anatomy of despondency European socio-cultural criticism 1789 - 1939 by Jaap Harskamp |
title_short | The anatomy of despondency |
title_sort | the anatomy of despondency european socio cultural criticism 1789 1939 |
title_sub | European socio-cultural criticism 1789 - 1939 |
topic | Geschichte Kulturkritik (DE-588)4033572-0 gnd Technische Innovation (DE-588)4431027-4 gnd Sozialer Konflikt (DE-588)4055747-9 gnd |
topic_facet | Geschichte Kulturkritik Technische Innovation Sozialer Konflikt Europa |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022486255&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV022366499 (DE-604)BV000625542 |
work_keys_str_mv | AT harskampjacobteunis theanatomyofdespondencyeuropeansocioculturalcriticism17891939 |