Adrian Piper: race, gender, and embodiment
In 1972 the artist Adrian Piper began periodically dressing as a persona called the Mythic Being, striding the streets of New York in a mustache, Afro wig, and mirrored sunglasses with a cigar in the corner of her mouth. Her Mythic Being performances critically engaged with popular representations o...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Durham ; London
Duke University Press
2011
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | In 1972 the artist Adrian Piper began periodically dressing as a persona called the Mythic Being, striding the streets of New York in a mustache, Afro wig, and mirrored sunglasses with a cigar in the corner of her mouth. Her Mythic Being performances critically engaged with popular representations of race, gender, sexuality, and class; they challenged viewers to accept personal responsibility for xenophobia and discrimination and the conditions that allowed them to persist. Piper's work confronts viewers and forces them to reconsider assumptions about the social construction of identity. Adrian Piper: Race, Gender, and Embodiment is an in-depth analysis of this pioneering artist's work, illustrated with more than ninety images, including twenty-one in color.Over the course of a decade, John P. Bowles and Piper conversed about her art and its meaning, reception, and relation to her scholarship on Kant's philosophy. Drawing on those conversations, Bowles locates Piper's work at the nexus of Conceptual and feminist art of the late 1960s and 1970s. Piper was the only African American woman associated with the Conceptual artists of the 1960s and one of only a few African Americans to participate in exhibitions of the nascent feminist art movement in the early 1970s. Bowles contends that Piper's work is ultimately about our responsibility for the world in which we live. |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | xiv, 335 Seiten, [8] Blätter Illustrationen |
ISBN: | 9780822348962 9780822349204 |
Internformat
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520 | 8 | |a In 1972 the artist Adrian Piper began periodically dressing as a persona called the Mythic Being, striding the streets of New York in a mustache, Afro wig, and mirrored sunglasses with a cigar in the corner of her mouth. Her Mythic Being performances critically engaged with popular representations of race, gender, sexuality, and class; they challenged viewers to accept personal responsibility for xenophobia and discrimination and the conditions that allowed them to persist. Piper's work confronts viewers and forces them to reconsider assumptions about the social construction of identity. Adrian Piper: Race, Gender, and Embodiment is an in-depth analysis of this pioneering artist's work, illustrated with more than ninety images, including twenty-one in color.Over the course of a decade, John P. Bowles and Piper conversed about her art and its meaning, reception, and relation to her scholarship on Kant's philosophy. Drawing on those conversations, Bowles locates Piper's work at the nexus of Conceptual and feminist art of the late 1960s and 1970s. Piper was the only African American woman associated with the Conceptual artists of the 1960s and one of only a few African Americans to participate in exhibitions of the nascent feminist art movement in the early 1970s. Bowles contends that Piper's work is ultimately about our responsibility for the world in which we live. | |
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Datensatz im Suchindex
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adam_text | ADRIAN PIPER
/ BOWLES, JOHN PARISH
: 2011
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: ADRIAN PIPER S PERFORMANCE OF RACE AND THE MORAL QUESTION
OF RACISM
CONTINGENT AND UNIVERSAL : ADRIAN PIPER AND THE MINIMALIST IDEAL
HYPOTHESIS : MODERNISM AND THE WOMAN ARTIST S STUDIO
MAY 1970 : ART AND ACTIVISM
CATALYSIS : FEMINIST ART AND EXPERIENCE
FOOD FOR THE SPIRIT : TRANSCENDENCE AND DESIRE
ACTING LIKE A MAN? : THE MYTHIC BEING AND BLACK FEMINISM
CONCLUSION: THE MYTHIC BEING AND THE AESTHETICS OF DIRECT ADDRESS.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
any_adam_object | 1 |
author | Bowles, John P. |
author_facet | Bowles, John P. |
author_role | aut |
author_sort | Bowles, John P. |
author_variant | j p b jp jpb |
building | Verbundindex |
bvnumber | BV037327943 |
callnumber-first | N - Fine Arts |
callnumber-label | N6537 |
callnumber-raw | N6537.P5B69 |
callnumber-search | N6537.P5B69 |
callnumber-sort | N 46537 P5 B69 |
callnumber-subject | N - Visual Arts |
ctrlnum | (OCoLC)767920782 (DE-599)BVBBV037327943 |
dewey-full | 709.2 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.2 |
dewey-search | 709.2 |
dewey-sort | 3709.2 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
format | Book |
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illustrated | Illustrated |
indexdate | 2024-07-09T23:22:10Z |
institution | BVB |
isbn | 9780822348962 9780822349204 |
language | English |
lccn | 2010035880 |
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physical | xiv, 335 Seiten, [8] Blätter Illustrationen |
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publisher | Duke University Press |
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spelling | Bowles, John P. Verfasser aut Adrian Piper race, gender, and embodiment John P. Bowles Durham ; London Duke University Press 2011 xiv, 335 Seiten, [8] Blätter Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index In 1972 the artist Adrian Piper began periodically dressing as a persona called the Mythic Being, striding the streets of New York in a mustache, Afro wig, and mirrored sunglasses with a cigar in the corner of her mouth. Her Mythic Being performances critically engaged with popular representations of race, gender, sexuality, and class; they challenged viewers to accept personal responsibility for xenophobia and discrimination and the conditions that allowed them to persist. Piper's work confronts viewers and forces them to reconsider assumptions about the social construction of identity. Adrian Piper: Race, Gender, and Embodiment is an in-depth analysis of this pioneering artist's work, illustrated with more than ninety images, including twenty-one in color.Over the course of a decade, John P. Bowles and Piper conversed about her art and its meaning, reception, and relation to her scholarship on Kant's philosophy. Drawing on those conversations, Bowles locates Piper's work at the nexus of Conceptual and feminist art of the late 1960s and 1970s. Piper was the only African American woman associated with the Conceptual artists of the 1960s and one of only a few African Americans to participate in exhibitions of the nascent feminist art movement in the early 1970s. Bowles contends that Piper's work is ultimately about our responsibility for the world in which we live. Piper, Adrian 1948- Criticism and interpretation Piper, Adrian 1948- (DE-588)119432757 gnd rswk-swf Race in art Gender identity in art Concept-art (DE-588)4032354-7 gnd rswk-swf Geschlechterrolle Motiv (DE-588)4222106-7 gnd rswk-swf Ethnizität Motiv (DE-588)4438896-2 gnd rswk-swf Piper, Adrian 1948- (DE-588)119432757 p Concept-art (DE-588)4032354-7 s Ethnizität Motiv (DE-588)4438896-2 s Geschlechterrolle Motiv (DE-588)4222106-7 s DE-604 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022481945&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Bowles, John P. Adrian Piper race, gender, and embodiment Piper, Adrian 1948- Criticism and interpretation Piper, Adrian 1948- (DE-588)119432757 gnd Race in art Gender identity in art Concept-art (DE-588)4032354-7 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd Ethnizität Motiv (DE-588)4438896-2 gnd |
subject_GND | (DE-588)119432757 (DE-588)4032354-7 (DE-588)4222106-7 (DE-588)4438896-2 |
title | Adrian Piper race, gender, and embodiment |
title_auth | Adrian Piper race, gender, and embodiment |
title_exact_search | Adrian Piper race, gender, and embodiment |
title_full | Adrian Piper race, gender, and embodiment John P. Bowles |
title_fullStr | Adrian Piper race, gender, and embodiment John P. Bowles |
title_full_unstemmed | Adrian Piper race, gender, and embodiment John P. Bowles |
title_short | Adrian Piper |
title_sort | adrian piper race gender and embodiment |
title_sub | race, gender, and embodiment |
topic | Piper, Adrian 1948- Criticism and interpretation Piper, Adrian 1948- (DE-588)119432757 gnd Race in art Gender identity in art Concept-art (DE-588)4032354-7 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd Ethnizität Motiv (DE-588)4438896-2 gnd |
topic_facet | Piper, Adrian 1948- Criticism and interpretation Piper, Adrian 1948- Race in art Gender identity in art Concept-art Geschlechterrolle Motiv Ethnizität Motiv |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022481945&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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