100 film musicals:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
BFI [u.a.]
2011
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | BFI screen guides
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VIII, 279 S. Ill. |
| ISBN: | 9781844573783 9781844573790 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgments
.........................................ix
Introduction
..............................................1
Afrita
Напет,
Henri Barakat, 1949............................16
An American in Paris, Vincente Minnelli, 1951 ...................18
Anchors Aweigh,
George
Sidney,
1945 ........................20
Ansiedad,
Miguel
Zacarias,
1953 .............................22
Applause,
Rouben Mamoulian,
1929 ..........................24
The Band Wagon,
Vincente Minnelli,
1953......................26
Cabaret,
Bob Fosse,
1972...................................29
Cabin in the Sky,
Vincente
Minnelli,
1943 ......................31
Calamity Jane, David Butler,
1953.............................34
Car Wash, Michael
Schultz, 1976.............................36
Carmen Jones, Otto Preminger,
1954..........................38
Carousel, Henry King,
1956 .................................40
Cavalcade, Frank Lloyd,
1933................................42
Chicago, Rob Marshall,
2002 ................................44
Come on George!, Anthony Kimmins,
1939.....................46
Cover Girl, Charles
Vidor,
1944 ..............................48
Dancer in the Dark,
Lars von
Trier,
2000........................51
Les
Demoiselles
de Rochefort,
Jacques Demy,
1967 ...............53
Di
I
se
...,
Mani
Ratnam,
1998 ...............................55
Die
Dreigroschenoper,
G.
W. Pabst,
1931.......................57
faster Parade, Charles Walters,
1948..........................59
Evergreen, Victor Saville,
1934...............................62
Flying Down to Rio, Thornton Freeland,
1933....................64
BFI SCREEN
GUIDES
Footlight Parade, Lloyd
Bacon,
1933...........................66
Footloose,
Herbert
Ross, 1
984 ...............................69
42nd Street, Lloyd
Bacon,
1933 ..............................71
Funny Face, Stanley
Donen,
1957.............................73
Funny Girl, William Wyler,
1968..............................76
The Gay Divorcee, Mark Sandrich,
1934........................78
Gentlemen Prefer Blondes, Howard Hawks,
1953.................80
The Girl Can t Help It, Frank Tashlin,
1956 ......................84
Gold Diggers of
1933,
Mervyn LeRoy,
1933 .....................86
Golden Eighties,
Chantai
Akerman,
1986.......................90
Grease, Randal Kleiser,
1978 ................................92
Guys and Dolls, Joseph L. Mankiewicz,
1955 ....................94
Hallelujah!, King
Vidor,
1929 ................................96
A Hard Day s Night, Richard Lester,
1964.......................98
The Harder They Come, Perry Henzell,
1972....................101
High School Musical, Kenny Ortega,
2006 .....................103
Holiday Inn, Mark Sandrich,
1942............................105
S femmes, François
Ozon,
2002.............................107
It s Always Fair Weather, Gene Kelly/Stanley
Donen,
1955.........109
Jailhouse Rock, Richard Thorpe,
1957.........................111
Janken musume,
Sugie Toshio,
1955 .........................113
The Jazz Singer, Alan Crosland,
1927.........................115
Kiss Me Kate, George Sidney,
1953 ..........................118
Der Kongress
tanzt, Erik Charell, 1931 ........................120
ί
/ff/e
Shop
of
Horrors, Frank Oz, 1986........................122
The Littlest Rebel,
David Butler, 1935 .........................124
Love Me or Leave Me, Charles
Vidor,
1955.....................127
Love Me Tonight,
Rouben Mamoulian,
1932 ...................130
The Love Parade, Ernst Lubitsch,
1929 ........................133
Mary Poppins, Robert Stevenson,
1964 .......................135
Meer
Me in St. Louis,
Vincente Minnelli, 1944..................137
The Merry Widow, Ernst Lubitsch,
1934.......................140
Le
Million,
René Clair,
1931 ................................143
100
FILM MUSICALS
Moulin Rouge!,
Baz
Luhrmann,
2001.........................145
The Music Man, Morton DaCosta,
1962.......................148
Nashville, Robert
Altman,
1975 .............................151
Naughty Marietta, Robert
Z. Leonard/W. S.
van Dyke,
1935........153
New York, New York, Martin Scorsese,
1977 ...................156
Oklahoma!,
Fred Zinnemann, 1955 ..........................159
Oliver!, Carol Reed,
1968..................................161
On the Town, Gene Kelly/Stanley
Donen,
1949 .................163
One from the Heart, Francis Ford Coppola,
1982................166
One Hour with You, Ernst Lubitsch/George
Cukor,
1932 ..........169
100
Men and a Girl, Henry
Koster,
1937 ......................171
Opera
Jawa,
Garin Nugroho, 2006...........................173
Original Cast Album: Company, D. A. Pennebaker,
1970 ..........175
The
Pajarna
Game, George Abbott/Stanley
Donen,
1957 ..........177
Pakeezah, Kamal Amrohi,
1972 .............................180
/.es Parapluies de
Cherbourg, Jacques Demy,
1964...............183
Pas sur la bouche,
Alain Resnais,
2003........................186
The Pirate,
Vincente Minnelli,
1948 ..........................188
Pyaasa, Guru Dutt,
1957 ..................................191
The Rocky Horror Picture Show, Jim Sharman,
1975 .............194
Saturday Night Fever, John Badham,
1977.....................196
Seven Brides for Seven Brothers, Stanley
Donen,
1954............198
Sholay, Ramesh Sippy,
1975................................201
Show Boat, James Whale,
1936.............................203
Shree
420,
Raj Kapoor,
1955...............................206
Silk Stockings,
Rouben
Mamoulian,
1957......................209
Sing as We Go, Basil Dean,
1934............................211
Singin in the Rain, Gene Kelly/Stanley
Donen,
1952 .............214
Snow White and the Seven Dwarfs, David Hand,
1937 ...........216
The Sound of Music, Robert Wise,
1965 ......................219
A Star Is Born, George
Cukor,
1954..........................221
Stormy Weather, Andrew L. Stone,
1943......................223
Summer Holiday,
Rouben
Mamoulian,
1948....................226
BFI SCREEN GUIDES
Swing Time, George Stevens,
1936 ..........................229
Top Hat, Mark Sandrich,
1935 ..............................232
True Stories, David Byrne,
1986 .............................235
Viktor
und Viktoria, Reinhold Schünzel, 1933...................237
Volga-Volga,
Grigori
Aleksandrov,
1938.......................240
l/l/est
Side
Story, Robert
Wise/Jerome
Robbins,
1961 .............243
The Wizard of
Oz, Victor Fleming,
1939.......................245
Yankee Doodle Dandy, Michael Curtiz,
1942 ...................247
You and Me, Fritz Lang,
1938 ..............................249
Ziegfeld
Follies,
Vincente Minnelli ef ai,
1946 ..................251
Zouzou,
Marc
Allégret,
1934 ...............................254
References
.............................................256
Further Reading
.........................................260
Index
.................................................264
From the coming of sound to the
1960s,
the musical was central to Hollywood
production. Exhibiting
-
often in spectacular fashion
-
the remarkable resources
of the Hollywood studios, musicals came to epitomise the
чету
idea
oí
light
entertainment . Films like Top Hat and 42nd Street, Meet Me in St. Louis and
On the Town, Singin in the Rain and Oklahoma!, West Side Story and The
Sound of Music were hugely popular, yet were commonly regarded by
cultural commentators as trivial and escapist. It was the
1970s
before serious
study of the Hollywood musical began to change critical attitudes and foster
an interest in musical films produced in other cultures. Hollywood musicals
have become less common, but the genre persists and both academic interest
in and fond nostalgia for the musical shows no signs of abating.
700
film Musicals provides a stimulating overview of the genre s development,
its major themes and the critical debates it has provoked. While centred on
the dominant Hollywood tradition,
700
Film Musicals includes films from
countries that often tried to emulate the Hollywood style, like Britain and
Germany, as well as from very different cultures like India, Egypt and Japan.
Jim
Millier
and Douglas Pye also discuss
post-1960s
films from many
different sources which adapt and reflect on the conventions of the genre,
including recent examples such as Moulin
Rougeland
High School Musical,
demonstrating that the genre is still very much alive.
Jim Hillier and Douglas Pye are Visiting Fellows in the Department of Film,
Theatre and Television at the University of Reading. Jim Hillier s recent
publications include
100
Fiłm
Noirs
(2009,
with Alastair Phillips) and American
Independent Cinema
(2001).
Douglas Pye s recent publications include Style
and Meaning
(2005,
with John Gibbs) and The Movie Book of the Western
(1996,
with Ian Cameron).
|
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| isbn | 9781844573783 9781844573790 |
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| spelling | Hillier, Jim Verfasser aut 100 film musicals Jim Hillier & Douglas Pye Hundred film musicals One hundred film musicals 1. publ. London BFI [u.a.] 2011 VIII, 279 S. Ill. txt rdacontent n rdamedia nc rdacarrier BFI screen guides Filmmusical (DE-588)4154370-1 gnd rswk-swf (DE-588)4188171-0 Verzeichnis gnd-content Filmmusical (DE-588)4154370-1 s DE-604 Pye, Douglas Verfasser (DE-588)131446193 aut Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022469250&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022469250&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | 100 film musicals |
| title_alt | Hundred film musicals One hundred film musicals |
| title_auth | 100 film musicals |
| title_exact_search | 100 film musicals |
| title_full | 100 film musicals Jim Hillier & Douglas Pye |
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