Cutting across media: appropriation art, interventionist collage, and copyright law
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Durham, NC [u.a.]
Duke Univ. Press
2011
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VIII, 361 S. Ill. |
| ISBN: | 9780822348115 9780822348221 |
Internformat
MARC
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| 245 | 1 | 0 | |a Cutting across media |b appropriation art, interventionist collage, and copyright law |c Kembrew McLeod and Rudolf Kuenzli, eds. |
| 264 | 1 | |a Durham, NC [u.a.] |b Duke Univ. Press |c 2011 | |
| 300 | |a VIII, 361 S. |b Ill. | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | IMAGE 1
A P P R O P R I A T I ON A R T,
I N T E R V E N T I O N I ST C O L L A G E,
A ND C O P Y R I G HT L AW
EDITED HY
KEMBREW MCLEOD
AND RUDOLF KUENZLI
DDEB UNITBBSITT PBBSS
DURHAM & LONDON
2011
IMAGE 2
CONTENTS
KBMBREW MCLEOD AND RUDOLF KUENZLI * 1
I COLLAGE, THEREFORE I AM:
AN INTRODUCTION TO CUTTING ACROSS MEDIA
JOSHUA CLOVER * 84
AMBIGUITY AND THEFT
DOUGLAS KAHN * 94 WHERE DOES SAD NEWS COME FROM?
MARCUS BOON * 24 DIGITAL MANA: ON THE SOURCE
OF THE INFINITE PROLIFERATION OF MUTANT COPIES IN CONTEMPORARY CULTURE
CARRIE MCLAREN * 38 COPYRIGHTS AND COPYWRONGS:
AN INTERVIEW WITH SIVA VAIDHYANATHAN
NEGATIVLAND * 117 EXCERPTS FROM TWO RELATIONSHIPS
TO A CULTURAL PUBLIC DOMAIN
DAVIS SCHNEIDERMAN * 132 EVERYBODY S GOT SOMETHING
TO HIDE EXCEPT FOR ME AND MY LAWSUIT: WILLIAM S. BURROUGHS, DJ DANGER
MOUSE, AND THE POLITICS OF GREY TUESDAY
DAVID TETZLAFF * 51 DAS PLAGIIERENWERK:
CONVOLUTE UII
LLOYD DUENN * 57 PHOTOSTATIC MAGAZINE AND THE
RISE OF THE CASUAL PUBLISHER
KEMBREW MCLEOD * 76 PLAGIARISM 101: AN APPROPRIATED
ORAL HISTORY OF THE TAPE-BEATLES
KEMBREW MCLEOD * 152 HOW COPYRIGHT LAW CHANGED
HIP-HOP: AN INTERVIEW WITH PUBLIC ENEMY S CHUCK D AND HANK SHOCKLEE
WARNER SPECIAL PRODUCTS * 158 HIP-HOP MEETS THE AVANT-GARDE:
A CEASE AND DESIST LETTER FROM ATTORNEYS REPRESENTING PHILIP GLASS
IMAGE 3
PHILO T. FARNSWORTH
GETTING SNIPPETY
1 60
KEMBREW MCLEOD * 164
CRASHING THE SPECTADE:
A FORGOTTEN HISTORY OF DIGITAL SAMPLING, INFRINGEMENT, COPYRIGHT
LIBERATION, AND THE END OF RECORDED MUSIC
CRAIG BALDWIN * 178 BILLBOARD LIBERATION:
A PHOTO ESSAY
PIERRE JORIS * 185 ON THE SEAMLESSLY NOMADIC
FUTURE OF COLLAGE
EVA HEMMUNGS WIRTEN * 252 VISUALIZING COPYRIGHT, SEEING
HEGEMONY: TOWARD A META- CRITIQUE OF INTELLECTUAL PROPERTY
DAVID BANASH * 264 COLLAGE AS PRACTICE AND METAPHOR
IN POPULAER CULTURE
ROB LATHAM * 276 ASSASSINATION WEAPONS:
THE VISUAL CULTURE OF NEW WAVE SCIENCE FICTION
KEMBREW MCLEOD * 290 FREE CULTURE: A CONVERSATION
WITH JONATHAN LETHEM
LORRAINE MORALES COX * 199 CULTURAL SAMPLING AND SOCIAL
CRITIQUE: THE COLLAGE AESTHETIC OF CHRIS OFILI
GABOR VAELYI * 219 REMIXING CULTURES: BARTOEK AND
KODAELY IN THE AGE OF INDIGENOUS CULTURAL RIGHTS
JONATHAN LETHEM * 298 THE ECSTASY OF INFLUENCE:
A PLAGIARISM
BIBLIOGRAPHY * 327 CONTRIBUTORS * 341 INDEX 345
JEFF CHANG * 237
A DAY TO SING: CREATIVITY, DIVERSITY,
AND FREEDOM OF EXPRESSION IN THE NETWORK SOCIETY
VI CONTENTS
|
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| indexdate | 2024-07-09T22:54:45Z |
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| isbn | 9780822348115 9780822348221 |
| language | English |
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| spelling | Cutting across media appropriation art, interventionist collage, and copyright law Kembrew McLeod and Rudolf Kuenzli, eds. Durham, NC [u.a.] Duke Univ. Press 2011 VIII, 361 S. Ill. txt rdacontent n rdamedia nc rdacarrier Gesellschaft Kunst Copyright Art Collage Social aspects Intellectual property Collage (DE-588)4010384-5 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Urheberrecht (DE-588)4062127-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Künste (DE-588)4033422-3 s Collage (DE-588)4010384-5 s Urheberrecht (DE-588)4062127-3 s DE-604 MacLeod, Kembrew Sonstige oth SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021177247&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cutting across media appropriation art, interventionist collage, and copyright law Gesellschaft Kunst Copyright Art Collage Social aspects Intellectual property Collage (DE-588)4010384-5 gnd Künste (DE-588)4033422-3 gnd Urheberrecht (DE-588)4062127-3 gnd |
| subject_GND | (DE-588)4010384-5 (DE-588)4033422-3 (DE-588)4062127-3 (DE-588)4143413-4 |
| title | Cutting across media appropriation art, interventionist collage, and copyright law |
| title_auth | Cutting across media appropriation art, interventionist collage, and copyright law |
| title_exact_search | Cutting across media appropriation art, interventionist collage, and copyright law |
| title_full | Cutting across media appropriation art, interventionist collage, and copyright law Kembrew McLeod and Rudolf Kuenzli, eds. |
| title_fullStr | Cutting across media appropriation art, interventionist collage, and copyright law Kembrew McLeod and Rudolf Kuenzli, eds. |
| title_full_unstemmed | Cutting across media appropriation art, interventionist collage, and copyright law Kembrew McLeod and Rudolf Kuenzli, eds. |
| title_short | Cutting across media |
| title_sort | cutting across media appropriation art interventionist collage and copyright law |
| title_sub | appropriation art, interventionist collage, and copyright law |
| topic | Gesellschaft Kunst Copyright Art Collage Social aspects Intellectual property Collage (DE-588)4010384-5 gnd Künste (DE-588)4033422-3 gnd Urheberrecht (DE-588)4062127-3 gnd |
| topic_facet | Gesellschaft Kunst Copyright Art Collage Social aspects Intellectual property Collage Künste Urheberrecht Aufsatzsammlung |
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