Music and the mind: essays in honour of John Sloboda
Gespeichert in:
Weitere Verfasser: | |
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Format: | Buch |
Sprache: | German |
Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2011
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XV, 427 S. graph. Darst., Notenbeisp. |
ISBN: | 9780199581566 |
Internformat
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Datensatz im Suchindex
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adam_text |
Contents
About the authors
ix
Part
1
John
Sloboda
and his contribution
1
Music, linguistics, and cognition
3
Michel Imberty
2
'What are the important questions?' a reflection
17
Eric F. Clarke
Part
2
Motivating musical lives
3
Developing a young musician's growth mindset: the role of
motivation, self-theories, and resiliency
31
Susan A. O'Neill
4
Negotiating music in the real world: development,
motivation, process, and effect
47
Alexandra Lament
5
Musical participation: expectations, experiences, and outcomes
65
Jane W. Davidson
Part
3
Music and emotion
6
How do strong experiences with music relate to experiences in
everyday listening to music?
91
Alf Gabrielsson
7
Music and emotion: seven questions, seven answers
113
Patrik
N. Justin
Part
4
Sloboda's recall paradigm
8
Salience of melodic tones in short-term memory: dependence on
phrasing, metre, duration, register, and tonal hierarchy
139
Mario
Baroni,
Rossana Dalmonte,
and Roberto
Caterina
9
Sloboda
and Parker's recall paradigm for melodic memory:
a new, computational perspective
161
Daniel Miillensiefen and Geraint A. Wiggins
viii CONTENTS
Part
5
Musical achievement and expertise
10
Musical encounters of the temporary kind
189
Frederick A. Seddon
11
Routes to adolescent musical expertise
205
Antonia
Ivaldi
12
The musical child prodigy (wunderkind) in music history:
a historiometric analysis
225
Reinhard Kopiez
13
Another exceptional musical memory: evidence from a savant
of how atonal music is processed in cognition
237
Adam Ockelford
Part
6
Examining musical performance
14
Off the record: performance, history, and musical logic
291
Nicholas Cook
15
Expressive variants in the opening Robert Schumann's
Arlequin
(from
Carnaval, op.
9): 54
pianists' interpretations of a metrical
ambiguity
311
Andreas C.
Lehmann
16
Quantifying the beat-inducing properties of conductors' temporal
gestures, and conductor-musician synchronization
325
Geoff Luck
17
Performance cues in singing: evidence from practice and recall
339
Jane Ginsborg
and Roger Chaffin
Part
7
Music and cultural integration
18
Emotions in motion: transforming conflict and music
363
Arild Bergh
19
The role of music in the integration of cultural minorities
379
Richard Pamcutt and
Angelika
Dorfer
Postlude 413
John
Sloboda
in Conversation with
Irène Deliège
Index
419 |
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edition | 1. publ. |
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title | Music and the mind essays in honour of John Sloboda |
title_auth | Music and the mind essays in honour of John Sloboda |
title_exact_search | Music and the mind essays in honour of John Sloboda |
title_full | Music and the mind essays in honour of John Sloboda ed. by Irène Deliège ... |
title_fullStr | Music and the mind essays in honour of John Sloboda ed. by Irène Deliège ... |
title_full_unstemmed | Music and the mind essays in honour of John Sloboda ed. by Irène Deliège ... |
title_short | Music and the mind |
title_sort | music and the mind essays in honour of john sloboda |
title_sub | essays in honour of John Sloboda |
topic | Musikpsychologie (DE-588)4127817-3 gnd |
topic_facet | Musikpsychologie Aufsatzsammlung Festschrift |
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