Holdings: The discovery of point of view

The discovery of point of view: observation and narration in the American novel 1790 - 1910

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Bibliographic Details
Main Author:	Klepper, Martin 1963- (Author)
Format:	Thesis Book
Language:	English
Published:	Heidelberg Winter 2011
Series:	American Studies 197
Subjects:	Geschichte 1790-1910 Erzählperspektive Englisch Roman USA Hochschulschrift
Online Access:	Inhaltstext Inhaltsverzeichnis
Physical Description:	419 S. Ill.
ISBN:	9783825358549 3825358542

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MARC


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Record in the Search Index

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adam_text	IMAGE 1 CONTENTS INTRODUCTION 1 THE ARGUMENT: OBSERVATION, SYMPATHY AND POINT OF VIEW 1 SYNCHRONIE THEORIES OF POINT OF VIEW: SOME TERMS AND CONCEPTS 12 DIACHRONIE (HISTORICAL) THEORIES OF POINT OF VIEW 21 A FRESH APPROACH: POINT OF VIEW AS SECOND-ORDER OBSERVATION 35 CHAPTER 1 : THE FALL OF A TRANSPARENT WORLD 41 1.1 OBSERVING 1800 41 THE EMPIRICIST PARADIGM AND THE CAMERA OBSCURA 43 INTERPERSONAL OBSERVATION: SYMPATHY 48 SENSIBILITY AND PURITAN SELF-EXAMINATION 51 OBSERVATION ACCORDING TO GENDER AND RACE 54 IMAGINATION AND THEATRICALITY 57 PANOPTICISM AND SKEPTICISM 62 1.2 THE RISE OF THE NOVEL IN ENGLAND 65 DEFOE AND CONVERSION NARRATIVE 70 RICHARDSON AND FAMILIAR LETTERS 74 FIELDING AND THE EPIC STYLE 79 LIMITS OF TRANSPARENCY: STERNE AND GODWIN 83 1.3 AMERICAN FICTION 1800 90 REPUBLICANISM, RELIGION AND SENTIMENTALITY 92 "TREACHEROUS HEART": SUSANNA ROWSON'S CHARLOTTE TEMPLE 96 1.4 HANNAH WEBSTER FOSTER'S THE COQUETTE 104 THE ELIZABETH WHITMAN MYSTERY 104 THE FEME COVERT 107 REASON, SENTIMENT AND SENSIBILITY IN THE COQUETTE 112 FANCY, ART, FICTION 114 EXPELLED FROM THE GARDEN 116 BIBLIOGRAFISCHE INFORMATIONEN HTTP://D-NB.INFO/1009945254 DIGITALISIERT DURCH IMAGE 2 1.5 CHARLES BROCKDEN BROWN'S ARTHUR MERVYN 120 BROWN'S NOTION OF AUTHORSHIP 121 ARTHUR'S AMERICA 125 ARTHUR MERVYN AS PORTRAIT OF THE ARTIST 127 ARTHUR'S MYSTERIOUS UNIVERSE 131 1.6 SUMMARY: NARRATIVE 1800 136 CHAPTER 2: THE PLASTIC POWER OF THE HUMAN EYE 141 2.1 OBSERVING 1850 142 THE DIVISION OF THE WORLD: PHENOMENA AND NOUMENA 144 TEMPORALITY: THE RETINAL AFTERIMAGE 147 QUANTITATIVE STUDIES, PHYSIOLOGY, AND THE "SCIENCE OF MAN" 149 PANORAMA AND DIORAMA 151 THE DAGUERREOTYPE AND ROMANTIC PAINTING 153 BINOCULARITY 158 THE DIVISION OF PERSONALITY: PSYCHOLOGY AND THE UNCONSCIOUS 159 SEXUALITY, DELICACY, GENDER, AND RACE 165 THE SHOCK OF "THE REAL" 169 2.2 ROMANTIC AESTHETICS AND REFLECTORIZATION IN ROMANTIC NARRATIVE 171 THE IDEA OF AESTHETICS 172 ROMANTIC NARRATIVE, LATENCY AND REFLECTORIZATION: JANE AUSTEN 177 2.3 THE AMERICAN SCENE: TRANSCENDENTALISM AND POPULAR GENRES 187 RALPH WALDO EMERSON AND THE TRANSCENDENTALISTS 188 "BENEATH THE AMERICAN RENAISSANCE" 194 2.4 NARRATORS AS VICTIMS, NARRATORS AS MADMEN: E.A. POE 206 "THE SPHINX" 207 "EUREKA" 210 "THE THOUSAND-AND-SECOND TALE OF SCHEHERAZADE" 212 "THE TELL-TALE HEART" 214 2.5 VEXED IMAGES, DUAL VOICES: NATHANIEL HAWTHORNE 217 HAWTHORNE'S DUPLICITY 218 THE SCARLET LETTER 223 2.6 THE AUTHORITY OF PERSPECTIVE: HERMAN MELVILLE 232 MOBY-DICK 235 "BENITO CERENO" 239 2.7 AESTHETICS 1850 246 IMAGE 3 CHAPTER 3: ABSOLUTE INSULATION, IRREDUCIBLE PLURALISM 251 3.1 OBSERVING 1900 254 ERA OF CAPITALISM- ERA OF SCIENCE- ERA OF SOCIOLOGY 255 EXPERIMENT AND EXPERIENCE 264 CONSPICUITY-OBSCURITY: CONSUMER, DESIGNER, PERFORMER, SPY 270 "II FAUT ETRE DE SON TEMPS": PHOTOGRAPHY AND PAINTING 278 PRACTICAL INTER-SUBJECTIVITY 288 DOUBLE CONSCIOUSNESS 293 A RADICAL PHILOSOPHY OF POINT OF VIEW 294 3.2 EXPERIMENTAL MORALISTS: OBSERVATION, EXPERIENCE AND THE REALIST PROJECT 299 THE REALISM WAR: MORALITY, SCIENCE, SOCIETY AND THE STRUGGLE FOR AUTHORITY 300 A MULTITUDE OF FAULT LINES: THE COMING OF AGE OF THE NOVEL 307 DOUBLE EXPOSURE: THE REALIST PROJECT IN AMERICA 312 REALISM AND ITS DISCONTENTS: DYNAMIZATION, FRAGMENTATION, INTERIORIZATION AND EXTERIORIZATION 320 3.3 LEARNING TO OBSERVE: THE PORTRAIT OF A LADY 328 ISABEL'S DREAMS 334 ISABEL'S WAKE 342 3.4 OBSESSIVE VISION: THE SACRED FOUNT 348 UNRELIABLE NARRATION REVISITED 350 SCIENTIST, DETECTIVE, ARTIST, MADMAN, VAMPIRE 353 3.5 CONSCIOUSNESS CHARGED TO THE BRIM: THE WINGS OF THE DOVE 357 IN THE LINE OF VISION 358 MAUD: A GRAND NATURAL FORCE 362 KATE: THE PROPERTY OF SOMEBODY ELSE'S VISION 364 MILLY: LIVING BY OPTION, BY VOLITION 366 DENSHER: CONSCIOUSNESS CHARGED TO THE BRIM 370 3.6 POINT OF VIEW 1900 374 WORKS CITED 383 INDEX 409
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subject_GND	(DE-588)4070948-6 (DE-588)4014777-0 (DE-588)4050479-7 (DE-588)4078704-7 (DE-588)4113937-9
title	The discovery of point of view observation and narration in the American novel 1790 - 1910
title_auth	The discovery of point of view observation and narration in the American novel 1790 - 1910
title_exact_search	The discovery of point of view observation and narration in the American novel 1790 - 1910
title_full	The discovery of point of view observation and narration in the American novel 1790 - 1910 Martin Klepper
title_fullStr	The discovery of point of view observation and narration in the American novel 1790 - 1910 Martin Klepper
title_full_unstemmed	The discovery of point of view observation and narration in the American novel 1790 - 1910 Martin Klepper
title_short	The discovery of point of view
title_sort	the discovery of point of view observation and narration in the american novel 1790 1910
title_sub	observation and narration in the American novel 1790 - 1910
topic	Erzählperspektive (DE-588)4070948-6 gnd Englisch (DE-588)4014777-0 gnd Roman (DE-588)4050479-7 gnd
topic_facet	Erzählperspektive Englisch Roman USA Hochschulschrift
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