Improvisation and pedagogy through Heinrich Scheidemann's Magnificat settings:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | German |
| Veröffentlicht: |
Göteborg
Department of Cultural Sciences, University of Gothenburg
2010
|
| Schriftenreihe: | Skrifter från musikvetenskap, Göteborgs universitet
96 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 302 S. Ill., Noten |
| ISBN: | 9789185974122 9789185974139 |
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Datensatz im Suchindex
| _version_ | 1804143862941220864 |
|---|---|
| adam_text | Improvisation
and Pedagogy through
Heinrich Scheidemann
s Magnificat
Settings
___________________________
Table of contents
___________________________
1.
Introduction
........................................................................................................................................1
1.1
DISPOSITION
................................................................................................................................2
1.2
Prologue
.............................................................................................................................................3
1.3
Background
.......................................................................................................................................5
1.4
Statement of Purpose Questions
λΐεώοα
....................................................................................7
Purpose
.......................................................................................................................................19
Questions
...................................................................................................................................20
_________
Method
.......................................................................................................................................22
2.
SCHKIDEMANN
......................................................................................................................................23
Heinrich Scheidemann
in Hamburg
—
the city, the colleagues, the organs and the organ
builders
............................................................................................................................................24
Hamburg
....................................................................................................................................30
Scheidemann s fellow organists
..............................................................................................35
The organ builders and the organs
.........................................................................................37
3.
Improvisation
.....................................................................................................................................40
3.1
Composition, Publication, and Notation
...................................................................................41
Composition
—
a result of a performing tradition
.............................................................44
Notation
—
an educational tool
.............................................................................................47
Creating music in the mind
.....................................................................................................48
Notation
—
a tool for the dissemination of a musical style
..............................................49
Interpretation of a manuscript
................................................................................................51
Printing of organ music
............................................................................................................58
3.2
Manuals of Improvisation
............................................................................................................61
3.3
Improvisation
.................................................................................................................................69
3.4
An artistic development project
..................................................................................................78
Three improvisers from three different music genres
.........................................................78
4.
Pedagogy
............................................................................................................................................86
4.1
Church, School, and Educational materials
..............................................................................87
Musica poetica...........................................................................................................................
89
Textbooks
...................................................................................................................................89
Girls education
.........................................................................................................................94
4.2
Jan Pieterszoon Sweelinck
...........................................................................................................97
Sweelinck s keyboard music
..................................................................................................101
Sweelinck s educational teaching materials
.........................................................................107
4.3
Gioseffo Zarlino s
Le
htitutioni
harmonické,
Sweelinck s Compositions
Riffln,
and Basso
continuo
........................................................................................................................................112
Le
htitutioni harmoniche, part III
..............................................................................................112
Le
Istitutioni harmoniche, part IV
..............................................................................................114
Sweelinck s Composition
Regeln...................................................................................................118
Basso
continuo
........................................................................................................................120
Summary
...................................................................................................................................123
4.4
A 17th century improvisation method used in the 21th century
...........................................124
Summary
..............................................................................................................................134
5.
Magnificat
........................................................................................................................................135
5.1
Magnificat
and its use in the liturgy
..........................................................................................136
History
......................................................................................................................................136
Luther and the Magnificat
.....................................................................................................142
Alternatim
................................................................................................................................147
5.2
The Magnificat settings by
Heinrich Scheidemann................................................................153
The Manuscript Xe
1...............................................................................................................154
First verse
.................................................................................................................................161
Second verse
............................................................................................................................182
Third verse
...............................................................................................................................204
Fourth verse
.............................................................................................................................227
Two anonymous Magnificats
................................................................................................239
The anonymous Magnificat over the eighth tone
..........................................................239
The anonymous Magnificat over the seventh tone
.......................................................248
Discussion
................................................................................................................................252
5.3
Recording project of
28
Organ Magnificat verses by
Heinrich Scheidemann
and
5
anonymous verses
.......................................................................................................................255
6.
Conclusions
......................................................................................................................................265
7.
Ei ilogui;
............................................................................................................................................278
Summary
...................................................................................................................................................279
Bibliography
..........................................................................................................................................283
Indux of Namus
.....................................................................................................................................297
iv
|
| any_adam_object | 1 |
| author | Nelson, Karin |
| author_GND | (DE-588)13538396X |
| author_facet | Nelson, Karin |
| author_role | aut |
| author_sort | Nelson, Karin |
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| bvnumber | BV037248824 |
| ctrlnum | (OCoLC)711833687 (DE-599)DNB101016760X |
| dewey-full | 786.51360943509032 786.5171092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.51360943509032 786.5171092 |
| dewey-search | 786.51360943509032 786.5171092 |
| dewey-sort | 3786.51360943509032 |
| dewey-tens | 780 - Music |
| discipline | Pädagogik Musikwissenschaft |
| era | Geschichte 1600-1700 gnd |
| era_facet | Geschichte 1600-1700 |
| format | Thesis Book |
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| spelling | Nelson, Karin Verfasser (DE-588)13538396X aut Improvisation and pedagogy through Heinrich Scheidemann's Magnificat settings Karin Nelson Göteborg Department of Cultural Sciences, University of Gothenburg 2010 302 S. Ill., Noten txt rdacontent n rdamedia nc rdacarrier Skrifter från musikvetenskap, Göteborgs universitet 96 Zugl.: Göteborg, Univ., Diss., 2010 Scheidemann, Heinrich 1596-1663 (DE-588)118754343 gnd rswk-swf Geschichte 1600-1700 gnd rswk-swf Improvisation (DE-588)4127993-1 gnd rswk-swf Notenschrift (DE-588)4135339-0 gnd rswk-swf Orgelmusik (DE-588)4043852-1 gnd rswk-swf Musikerziehung (DE-588)4040843-7 gnd rswk-swf Magnificat-Vertonung (DE-588)1115218204 gnd rswk-swf Norddeutschland (DE-588)4075454-6 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Norddeutschland (DE-588)4075454-6 g Orgelmusik (DE-588)4043852-1 s Improvisation (DE-588)4127993-1 s Notenschrift (DE-588)4135339-0 s Musikerziehung (DE-588)4040843-7 s Geschichte 1600-1700 z DE-604 Scheidemann, Heinrich 1596-1663 (DE-588)118754343 p Magnificat-Vertonung (DE-588)1115218204 s Skrifter från musikvetenskap, Göteborgs universitet 96 (DE-604)BV023090645 96 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021162171&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Nelson, Karin Improvisation and pedagogy through Heinrich Scheidemann's Magnificat settings Skrifter från musikvetenskap, Göteborgs universitet Scheidemann, Heinrich 1596-1663 (DE-588)118754343 gnd Improvisation (DE-588)4127993-1 gnd Notenschrift (DE-588)4135339-0 gnd Orgelmusik (DE-588)4043852-1 gnd Musikerziehung (DE-588)4040843-7 gnd Magnificat-Vertonung (DE-588)1115218204 gnd |
| subject_GND | (DE-588)118754343 (DE-588)4127993-1 (DE-588)4135339-0 (DE-588)4043852-1 (DE-588)4040843-7 (DE-588)1115218204 (DE-588)4075454-6 (DE-588)4113937-9 |
| title | Improvisation and pedagogy through Heinrich Scheidemann's Magnificat settings |
| title_auth | Improvisation and pedagogy through Heinrich Scheidemann's Magnificat settings |
| title_exact_search | Improvisation and pedagogy through Heinrich Scheidemann's Magnificat settings |
| title_full | Improvisation and pedagogy through Heinrich Scheidemann's Magnificat settings Karin Nelson |
| title_fullStr | Improvisation and pedagogy through Heinrich Scheidemann's Magnificat settings Karin Nelson |
| title_full_unstemmed | Improvisation and pedagogy through Heinrich Scheidemann's Magnificat settings Karin Nelson |
| title_short | Improvisation and pedagogy through Heinrich Scheidemann's Magnificat settings |
| title_sort | improvisation and pedagogy through heinrich scheidemann s magnificat settings |
| topic | Scheidemann, Heinrich 1596-1663 (DE-588)118754343 gnd Improvisation (DE-588)4127993-1 gnd Notenschrift (DE-588)4135339-0 gnd Orgelmusik (DE-588)4043852-1 gnd Musikerziehung (DE-588)4040843-7 gnd Magnificat-Vertonung (DE-588)1115218204 gnd |
| topic_facet | Scheidemann, Heinrich 1596-1663 Improvisation Notenschrift Orgelmusik Musikerziehung Magnificat-Vertonung Norddeutschland Hochschulschrift |
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| work_keys_str_mv | AT nelsonkarin improvisationandpedagogythroughheinrichscheidemannsmagnificatsettings |