From Gutenberg to opentype: an illustrated history of type from the earliest letterforms to the latest digital fonts
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Vancouver [u.a.]
Hartley & Marks
2006
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes index Before printing -- The Renaissance : Johannes Gutenberg & movable type ; Aldus Manutius & the Italian Old-face ; Bembo: the Italian Old-face ; Claude Garamond & the French Old-face ; Christopher Plantin & the Netherlands -- The Enlightenment : William Caslon & the English Old-face ; Caslon: the last Old-face ; The king's Roman: the transition begins ; Pierre Simon Fournier & the point system ; Baskerville & typography as an art form ; The Didot family & the Modern face ; Giambattista Bodoni & the Modern face ; Bodoni: the typeface itself -- The machine age : The fat-face & the slab-serif Egyptians ; Slab-serifs: the types ; Clarendon: the Fann Street Foundry ; The 19th century: technical developments ; William Morris & looking back for the way ahead ; Cheltenham: the Old-style ; The 19th century: making type ; Theodore L. De Vinne & New Century -- Introduction to early modernism : Morris Fuller Benton & Franklin Gothic ; Modernism: 20th-century influences ; The Bauhaus & the New Typography ; Paul Renner & Futura ; Futura: the typeface itself ; Stanley Morison & Times New Roman ; Times New Roman: the typeface itself ; The 20th century: four American type designers ; Eric Gill & his sans-serif -- After the second world war : Max Miedinger & Helvetica ; Helvetica: the typeface itself ; The International style: the impact on Europe ; Adrian Frutiger & the photo sans-serif ; Univers: the typeface itself ; Hermann Zapf & Palatino ; Palatino: the typeface itself ; American graphic design: before and after the Second World War ; Optima sans-serif: the typeface itself ; Technical developments: from letterpress to offset lithography ; Technical developments: from metal type to phototypesetting ; Frutiger: the other sans-serif -- The postmodern era : The New Wave: postmodern typographic design ; Adobe and the personal computer ; Hermann Zapf: script fonts and Zapfino ; Zapfino: better with Open Type -- Digital typefoundries : The relative newcomers: larger foundries ; More relative newcomers: smaller foundries -- A brief introduction to type recognition and classification -- Glossary |
| Beschreibung: | 192 S. Ill. 26 cm |
| ISBN: | 0881792101 9780881792102 |
Internformat
MARC
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| 100 | 1 | |a Dodd, Robin |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a From Gutenberg to opentype |b an illustrated history of type from the earliest letterforms to the latest digital fonts |c Robin Dodd |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Vancouver [u.a.] |b Hartley & Marks |c 2006 | |
| 300 | |a 192 S. |b Ill. |c 26 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes index | ||
| 500 | |a Before printing -- The Renaissance : Johannes Gutenberg & movable type ; Aldus Manutius & the Italian Old-face ; Bembo: the Italian Old-face ; Claude Garamond & the French Old-face ; Christopher Plantin & the Netherlands -- The Enlightenment : William Caslon & the English Old-face ; Caslon: the last Old-face ; The king's Roman: the transition begins ; Pierre Simon Fournier & the point system ; Baskerville & typography as an art form ; The Didot family & the Modern face ; Giambattista Bodoni & the Modern face ; Bodoni: the typeface itself -- The machine age : The fat-face & the slab-serif Egyptians ; Slab-serifs: the types ; Clarendon: the Fann Street Foundry ; The 19th century: technical developments ; William Morris & looking back for the way ahead ; Cheltenham: the Old-style ; The 19th century: making type ; Theodore L. De Vinne & New Century -- | ||
| 500 | |a Introduction to early modernism : Morris Fuller Benton & Franklin Gothic ; Modernism: 20th-century influences ; The Bauhaus & the New Typography ; Paul Renner & Futura ; Futura: the typeface itself ; Stanley Morison & Times New Roman ; Times New Roman: the typeface itself ; The 20th century: four American type designers ; Eric Gill & his sans-serif -- After the second world war : Max Miedinger & Helvetica ; Helvetica: the typeface itself ; The International style: the impact on Europe ; Adrian Frutiger & the photo sans-serif ; Univers: the typeface itself ; Hermann Zapf & Palatino ; Palatino: the typeface itself ; American graphic design: before and after the Second World War ; Optima sans-serif: the typeface itself ; Technical developments: from letterpress to offset lithography ; Technical developments: from metal type to phototypesetting ; Frutiger: the other sans-serif -- | ||
| 500 | |a The postmodern era : The New Wave: postmodern typographic design ; Adobe and the personal computer ; Hermann Zapf: script fonts and Zapfino ; Zapfino: better with Open Type -- Digital typefoundries : The relative newcomers: larger foundries ; More relative newcomers: smaller foundries -- A brief introduction to type recognition and classification -- Glossary | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Type and type-founding / History | |
| 650 | 4 | |a Type and type-founding / Design | |
| 650 | 4 | |a Caractères d'imprimerie / Histoire | |
| 650 | 4 | |a Caractères d'imprimerie / Design | |
| 650 | 4 | |a Geschichte | |
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Datensatz im Suchindex
| _version_ | 1804143842733064192 |
|---|---|
| adam_text | Contents
6
Introduction
Ш
Bef
ore Printing
The Renaissance
1
8
Johannes Gutenberg
&
Movable Type
24
Aldus Manutius
&
the Italian Old-Face
26
Bembo:
the Italian Old-Face
30
Claude
Garamond &
the French Old-Face
34
Christopher Plantin &c the Netherlands
Old-Face
First published in North America by
Ä j vŕŕ ?
Hartley
&
Marks Publishers Inc. I
ЙЙ К
3Ć6i
West Broadway
~%:í Jn:
Vancouver,
bc
v6r
2в8
ÍV
ч Л-^Я,
Canada/
·. · · .·■· .
Йц :^ >;^;;Хи,
Copyright
©
ZOO6 The Hex Press Limited
- 2:5 ;
This book was conceived by
ILEX, Cambridge, England
Library-of-Congress control number
20069x1981
ISBN
0-8 8
1
79-2
1 o-I
All rights reserved.
Nôpart
of this publication may
b¿
reproduced or used in any form, or by any means—graphic,
electronic, or mechanical, including photocopying, recording,
or information storage-and-retrieval systems—without the
prior permission of the publisher.
; , :
Printed and bound in China
ON TENTS
Bayerische
Staatsbibliothek
München
The Enlightenment
38
William Caslon &c the English Old-Face
40
Caslon: the Last Old-Face
44
The King s Roman: the Transition Begins
46
Pierre Simon Fournier
&
the Point System
48
Baskerville
&
Typography as an Art Form
52
The Didot Family &c the Modern Face
54
Giambattista Bodoni
&
the Modern Face
j6 Bodoni: the Typeface Itself
The Machine Age
62
The Fat-Face
&
the Slab-Serif Egyptians
64
Slab-Serifs: the Types
68
Clarendon: the
Fann
Street Foundry
72
The 19th Century: Technical Developments
76
William Morris
&
Looking Back for
the Way Ahead
;
;
80
Cheltenham: the Old-style
84
The 19th Century: Making Type
86
Theodore L.
De Vinne
&
New Century
Ò
Introduction
to Early Modernism
/
The Postmodern Era
92
Morris Fuller Benton
&
Franklin Gothic
96
Modernism: loth-Century Influences
100
The
Bauhaus &
the New Typography
102
Paul
Renner &c
Futura
104
Futura:
the Typeface Itself
108
Stanley Morison
&
Times New Roman
no Times New Roman: the Typeface Itself
114
The zoth Century:
Four American Type Designers
118
Eric Gill
&
his Sans-Serif
After the Second World War
126
Max Miedinger
&
Helvetica
128
Helvetica: the Typeface Itself
132
The International Style: the Impact on Europe
134
Adrian Frutiger
бе
the Photo Sans-Serif
136
Univers:
the Typeface Itself
140
Hermann
Zapf & Palatino
142 Palatino:
the Typeface Itself
146
American Graphic Design:
Before and After the Second World War
150
Optima Sans-Serif: the Typeface Itself
154
Technical Developments:
from Letterpress to Offset Lithography
ij6 Technical Developments:
from Metal Type to Phototypesetting
158
Frutiger: The Other Sans-Serif
164
The New Wave: Postmodern Typographic
D
168
Adobe and the Personal Computer
ΐγο
Hermann
Zapf:
Script Fonts and Zapfino
172
Zapfino: Better with OpenType®
О
Digital
Typefoundńes
176
The Relative Newcomers: Larger Foundriei
180
More Relative Newcomers: Smaller Found
A Brief Introduction to Type
Recognition and
Classificatie
184
Glossary
188
Index
192
Acknowledgments
CONTI
|
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| era | Geschichte gnd |
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| spelling | Dodd, Robin Verfasser aut From Gutenberg to opentype an illustrated history of type from the earliest letterforms to the latest digital fonts Robin Dodd 1. publ. Vancouver [u.a.] Hartley & Marks 2006 192 S. Ill. 26 cm txt rdacontent n rdamedia nc rdacarrier Includes index Before printing -- The Renaissance : Johannes Gutenberg & movable type ; Aldus Manutius & the Italian Old-face ; Bembo: the Italian Old-face ; Claude Garamond & the French Old-face ; Christopher Plantin & the Netherlands -- The Enlightenment : William Caslon & the English Old-face ; Caslon: the last Old-face ; The king's Roman: the transition begins ; Pierre Simon Fournier & the point system ; Baskerville & typography as an art form ; The Didot family & the Modern face ; Giambattista Bodoni & the Modern face ; Bodoni: the typeface itself -- The machine age : The fat-face & the slab-serif Egyptians ; Slab-serifs: the types ; Clarendon: the Fann Street Foundry ; The 19th century: technical developments ; William Morris & looking back for the way ahead ; Cheltenham: the Old-style ; The 19th century: making type ; Theodore L. De Vinne & New Century -- Introduction to early modernism : Morris Fuller Benton & Franklin Gothic ; Modernism: 20th-century influences ; The Bauhaus & the New Typography ; Paul Renner & Futura ; Futura: the typeface itself ; Stanley Morison & Times New Roman ; Times New Roman: the typeface itself ; The 20th century: four American type designers ; Eric Gill & his sans-serif -- After the second world war : Max Miedinger & Helvetica ; Helvetica: the typeface itself ; The International style: the impact on Europe ; Adrian Frutiger & the photo sans-serif ; Univers: the typeface itself ; Hermann Zapf & Palatino ; Palatino: the typeface itself ; American graphic design: before and after the Second World War ; Optima sans-serif: the typeface itself ; Technical developments: from letterpress to offset lithography ; Technical developments: from metal type to phototypesetting ; Frutiger: the other sans-serif -- The postmodern era : The New Wave: postmodern typographic design ; Adobe and the personal computer ; Hermann Zapf: script fonts and Zapfino ; Zapfino: better with Open Type -- Digital typefoundries : The relative newcomers: larger foundries ; More relative newcomers: smaller foundries -- A brief introduction to type recognition and classification -- Glossary Geschichte gnd rswk-swf Type and type-founding / History Type and type-founding / Design Caractères d'imprimerie / Histoire Caractères d'imprimerie / Design Geschichte Typografie (DE-588)4136341-3 gnd rswk-swf Letter (DE-588)4167453-4 gnd rswk-swf Font (DE-588)4225414-0 gnd rswk-swf Letter (DE-588)4167453-4 s Geschichte z DE-604 Typografie (DE-588)4136341-3 s Font (DE-588)4225414-0 s Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021149039&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Dodd, Robin From Gutenberg to opentype an illustrated history of type from the earliest letterforms to the latest digital fonts Type and type-founding / History Type and type-founding / Design Caractères d'imprimerie / Histoire Caractères d'imprimerie / Design Geschichte Typografie (DE-588)4136341-3 gnd Letter (DE-588)4167453-4 gnd Font (DE-588)4225414-0 gnd |
| subject_GND | (DE-588)4136341-3 (DE-588)4167453-4 (DE-588)4225414-0 |
| title | From Gutenberg to opentype an illustrated history of type from the earliest letterforms to the latest digital fonts |
| title_auth | From Gutenberg to opentype an illustrated history of type from the earliest letterforms to the latest digital fonts |
| title_exact_search | From Gutenberg to opentype an illustrated history of type from the earliest letterforms to the latest digital fonts |
| title_full | From Gutenberg to opentype an illustrated history of type from the earliest letterforms to the latest digital fonts Robin Dodd |
| title_fullStr | From Gutenberg to opentype an illustrated history of type from the earliest letterforms to the latest digital fonts Robin Dodd |
| title_full_unstemmed | From Gutenberg to opentype an illustrated history of type from the earliest letterforms to the latest digital fonts Robin Dodd |
| title_short | From Gutenberg to opentype |
| title_sort | from gutenberg to opentype an illustrated history of type from the earliest letterforms to the latest digital fonts |
| title_sub | an illustrated history of type from the earliest letterforms to the latest digital fonts |
| topic | Type and type-founding / History Type and type-founding / Design Caractères d'imprimerie / Histoire Caractères d'imprimerie / Design Geschichte Typografie (DE-588)4136341-3 gnd Letter (DE-588)4167453-4 gnd Font (DE-588)4225414-0 gnd |
| topic_facet | Type and type-founding / History Type and type-founding / Design Caractères d'imprimerie / Histoire Caractères d'imprimerie / Design Geschichte Typografie Letter Font |
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