Filming the nation: Jung, film, neo-realism and Italian national identity
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2011
|
| Ausgabe: | 1.publ. |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | "Italian Neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious. Combining a Jungian reading with traditional theorisations of film and national identity, Filming The Nation re-interprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films. Providing an illuminating analysis of film images across a particularly traumatic and complex historical period, Filming The Nation revisits the concept of national identity and its 'construction' from a perspective which combines cultural, psychoanalytic and post-Jungian theories. As such this book will be essential reading for all students and scholars of film and psychoanalysis"-- Provided by publisher. |
| Beschreibung: | X, 229 S. Ill. |
| ISBN: | 9780415555142 9780415555135 |
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Datensatz im Suchindex
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| adam_text |
Italian neorealism
has inspired film audiences and fascinated critics and film scholars for
decades. This book offers an original analysis of the movement and its defining films from
the perspective of the cultural unconscious.
Combining a Jungian reading with traditional theorizations of film and national identity,
Filming the Nation reinterprets familiar images of well-known masterpieces by Roberto
Rossellini,
Vittorio de
Sica and
Luchino Visconti
and introduces some of their less
renowned yet equally significant films.
Providing an illuminating analysis of film images across a particularly traumatic and
complex historical period, Filming the Nation revisits the concept of national identity and
its "construction" from a perspective that combines cultural, psychoanalytic and post-
Jungian theories. As such this book will be essential reading for all students and scholars
of film and psychoanalysis.
DONATELLA
SPINELLI COLE
M AN
teaches Film and is Honorary Research
Fellow at the Cinema and Television History (CATH) Research Centre at
De Montfort
University, Leicester.
Filming the Nation
Jung, Film, neo-realism and Italian
national identity
Donatella Spinelli Coleman
Routledge
Taylor amp; Francis Group
LONDON AND NEW YORK
Contents
Acknowledgments ix
Introduction 1
Primo tempo 9
1 The uninvited guest: film, psychoanalysis and the Jungian
absence 11
2 Archetype and complex: the paradox of dynamic structures 31
3 Jung, film and nation: image as witness of a process
of becoming 48
Intervallo 67
4 Italian neo-realism and the unmitigated darkness of
historical truth 69
Secondo tempo 95
5 1942-1945: War and archetypes - an orphan nation with
a legacy of murder 97
6 1947-1949: clearing the debt to the maternal between war
and reconstruction 141
7 1949-1952: Redeemers, tricksters and the wisdom of the
unconscious 167
viii Contents
Conclusion 204
Bibliography 216
Index 225 |
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| callnumber-first | P - Language and Literature |
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| spelling | Spinelli Coleman, Donatella 1963- Verfasser (DE-588)143819070 aut Filming the nation Jung, film, neo-realism and Italian national identity Donatella Spinelli Coleman 1.publ. London [u.a.] Routledge 2011 X, 229 S. Ill. txt rdacontent n rdamedia nc rdacarrier "Italian Neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious. Combining a Jungian reading with traditional theorisations of film and national identity, Filming The Nation re-interprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films. Providing an illuminating analysis of film images across a particularly traumatic and complex historical period, Filming The Nation revisits the concept of national identity and its 'construction' from a perspective which combines cultural, psychoanalytic and post-Jungian theories. As such this book will be essential reading for all students and scholars of film and psychoanalysis"-- Provided by publisher. Geschichte 1942-1952 gnd rswk-swf Film Psychologie Motion pictures Italy Italy in motion pictures Motion pictures Psychological aspects Culture in motion pictures Neorealismus (DE-588)4171455-6 gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf Psychoanalyse (DE-588)4047689-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Italien Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Film (DE-588)4017102-4 s Neorealismus (DE-588)4171455-6 s Psychoanalyse (DE-588)4047689-3 s Nationalbewusstsein (DE-588)4041282-9 s Geschichte 1942-1952 z DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021145032&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021145032&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Spinelli Coleman, Donatella 1963- Filming the nation Jung, film, neo-realism and Italian national identity Film Psychologie Motion pictures Italy Italy in motion pictures Motion pictures Psychological aspects Culture in motion pictures Neorealismus (DE-588)4171455-6 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Psychoanalyse (DE-588)4047689-3 gnd Film (DE-588)4017102-4 gnd |
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| title | Filming the nation Jung, film, neo-realism and Italian national identity |
| title_auth | Filming the nation Jung, film, neo-realism and Italian national identity |
| title_exact_search | Filming the nation Jung, film, neo-realism and Italian national identity |
| title_full | Filming the nation Jung, film, neo-realism and Italian national identity Donatella Spinelli Coleman |
| title_fullStr | Filming the nation Jung, film, neo-realism and Italian national identity Donatella Spinelli Coleman |
| title_full_unstemmed | Filming the nation Jung, film, neo-realism and Italian national identity Donatella Spinelli Coleman |
| title_short | Filming the nation |
| title_sort | filming the nation jung film neo realism and italian national identity |
| title_sub | Jung, film, neo-realism and Italian national identity |
| topic | Film Psychologie Motion pictures Italy Italy in motion pictures Motion pictures Psychological aspects Culture in motion pictures Neorealismus (DE-588)4171455-6 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Psychoanalyse (DE-588)4047689-3 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film Psychologie Motion pictures Italy Italy in motion pictures Motion pictures Psychological aspects Culture in motion pictures Neorealismus Nationalbewusstsein Psychoanalyse Italien |
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