From face to face: recarving of Roman portraits and the late-antique portrait arts
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden [u.a.]
Brill
2011
|
| Schriftenreihe: | Monumenta Graeca et Romana
18 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXII, 202, 155 S. Ill., Kt. |
| ISBN: | 9789004182714 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV037199815 | ||
| 003 | DE-604 | ||
| 005 | 20111010 | ||
| 007 | t | ||
| 008 | 110201s2011 ab|| |||| 00||| eng d | ||
| 020 | |a 9789004182714 |c (hbk.) 159. Eu |9 978-90-04-18271-4 | ||
| 024 | 3 | |a 9789004182714 | |
| 035 | |a (gbd)0966567 | ||
| 035 | |a (OCoLC)702318938 | ||
| 035 | |a (DE-599)BSZ335816274 | ||
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| 100 | 1 | |a Prusac-Lindhagen, Marina |d 1974- |e Verfasser |0 (DE-588)136337600 |4 aut | |
| 245 | 1 | 0 | |a From face to face |b recarving of Roman portraits and the late-antique portrait arts |c by Marina Prusac |
| 264 | 1 | |a Leiden [u.a.] |b Brill |c 2011 | |
| 300 | |a XXII, 202, 155 S. |b Ill., Kt. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Monumenta Graeca et Romana |v 18 | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Politik | |
| 650 | 0 | 7 | |a Bildnis |0 (DE-588)4006627-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Römerzeit |0 (DE-588)4076769-3 |2 gnd |9 rswk-swf |
| 653 | |a Portrait sculpture, Roman | ||
| 653 | |a Portrait sculpture, Roman / Political aspects | ||
| 653 | |a Sculpture--Mutilation, defacement, etc / History / To 1500 | ||
| 688 | 7 | |a Römisches Portrait |0 (DE-2581)TH000008317 |2 gbd | |
| 689 | 0 | 0 | |a Bildnis |0 (DE-588)4006627-7 |D s |
| 689 | 0 | 1 | |a Römerzeit |0 (DE-588)4076769-3 |D s |
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| 830 | 0 | |a Monumenta Graeca et Romana |v 18 |w (DE-604)BV000005928 |9 18 | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-021114090 | ||
| 942 | 1 | 1 | |c 709 |e 22/bsb |g 37 |
Datensatz im Suchindex
| _version_ | 1804143787978522624 |
|---|---|
| adam_text | CONTENTS
Preface
............................................................................ xi
Editorial
note
...................................................................... xii
Acknowledgments
.................................................................. xiii
List of diagrams and sketches
........................................................ xv
List of figures and photo credits
............................................-........ xvii
Introduction The history of sculpture reuse and related problems
...................... 1
The Stand
der Forschung
of sculpture reuse
.......................................... 1
The identification of recarved sculpture
............................................ 3
Organisation of the material
....................................................... 4
Terminology
.................................................................... 6
Definitions of style
............................................................. 7
The function of recarved portraits
.................................................. 10
Chapter One The reuse of sculpture and recarving of portraits
......................... 13
Criteria for identification
......................................................... 13
Spolia
and the recarving of portraiture
............................................. 15
The reuse of private sculpture
..................................................... 17
Relocated and discarded sculpture
................................................. 18
Portrait heads in secondary contexts
............................................... 19
Pagan sculpture in the early Christian period
....................................... 20
The reuse of statuary in late-antique Constantinople
................................. 22
Marmora
et
ornamenta ..........................................................
22
The archetype of portraits
........................................................ 23
Chapter Two Statistical analyses
..................................................... 29
The relationship between new and recarved portraits
................................. 32
Test case within a defined geographical area
......................................... 33
Chapter Three The lst-2nd centuries
ce
and the damnatio memoriae portraits
............. 37
The significance of imperial portraiture
............................................. 37
The damnatio memoriae portraits
........................................·......... 38
Female portraits
.......................................................■......... 44
Chapter Four The 3rd century
ce
..........................................·......... 47
Economy and reuse
....................................................·......... 47
The styles of the recarved portraits from the 3rd century
ce
..................·......... 50
VÍM
CONTENTS
Gallienus
and a break with tradition
................................................ 52
The soldier emperor portraits
..................................................... 54
The philosopher portraits
......................................................... 54
A change in portrait function
...................................................... 56
Chapter Five Late Antiquity and the emergence of new visual expressions
............... 59
The
Tetrarchie
period
............................................................ 61
The Constantinian period
........................................................ 63
Visual expression in the Constantinian period
....................................... 69
From Valentinian I to Justinian I
.................................................. 73
Private recarved portraits in Late Antiquity
......................................... 76
Chapter Six Recarving methods
..................................................... 79
Marble and quarries
.............................................................. 79
Workshops
...................................................................... 83
Tools
........................................................................... 83
From face to face
................................................................ 83
Hairstyles
....................................................................... 84
Facial features
................................................................... 85
Ears
............................................................................ 86
Eyes
............................................................................ 87
The lower facial features and the mouth
............................................ 89
Techniques
...................................................................... 90
Chapter Seven Classifications
....................................................... 93
The Bandit group
................................................................ 93
The Helmet group
................................................................ 94
The Ephesos-Tetrarch group
....................................................... 96
The Athens group
................................................................ 98
The Plotinus group
............................................................... 99
The Eutropius group
............................................................. 101
The Iamblichus group
............................................................ 102
From the Bandit group to the Eutropius group: a development of
technique?
...................................................................... 103
Chapter Eight Social aspects
....................................................... 109
Imperial vs. private portraits
...................................................... 109
Gods and humans
............................................................... 110
Recarvings across gender lines
..................................................... 112
Recarved female portraits
........................................................ 113
Recarved portraits on sarcophagi
................................................... 118
Norms
......................................................................... 122
Conclusions Oblivion and reinvention
............................................... 123
Summary
......................................................................... 125
CONTENTS
ІХ
Map
with portrait provenances
................................................... 126-127
The Roman imperial succession until Justinian I
....................................... 129
Catalogue of recarved portraits
...................................................... 131
Introduction to the catalogue
..................................................... 131
Period
1.
Male portraits Imperial
.......................................... 131
Private
........................................... 138
Female portraits Imperial
.......................................... 139
Private
........................................... 140
Period
2.
Male portraits Imperial
.......................................... 141
Private
........................................... 143
Female portraits Imperial
.......................................... 145
Private
........................................... 145
Period
3
Male portraits Imperial
.......................................... 145
Private
........................................... 149
Female portraits Imperial
.......................................... 156
Private
........................................... 157
Bibliography
....................................................................... 159
Ancient sources
................................................................. 159
Modern sources
................................................................. 161
Index of museums and collections
.................................................... 177
Concordances
..................................................................... 187
General index
...................................................................... 195
Figure plates
1-155
|
| any_adam_object | 1 |
| author | Prusac-Lindhagen, Marina 1974- |
| author_GND | (DE-588)136337600 |
| author_facet | Prusac-Lindhagen, Marina 1974- |
| author_role | aut |
| author_sort | Prusac-Lindhagen, Marina 1974- |
| author_variant | m p l mpl |
| building | Verbundindex |
| bvnumber | BV037199815 |
| classification_rvk | LG 3200 NH 8575 |
| ctrlnum | (gbd)0966567 (OCoLC)702318938 (DE-599)BSZ335816274 |
| discipline | Geschichte Klassische Archäologie |
| format | Book |
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| id | DE-604.BV037199815 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:53:13Z |
| institution | BVB |
| isbn | 9789004182714 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-021114090 |
| oclc_num | 702318938 |
| open_access_boolean | |
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| owner_facet | DE-19 DE-BY-UBM DE-12 DE-739 DE-11 DE-355 DE-BY-UBR DE-824 DE-29 |
| physical | XXII, 202, 155 S. Ill., Kt. |
| psigel | gbd_4_1102 |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Brill |
| record_format | marc |
| series | Monumenta Graeca et Romana |
| series2 | Monumenta Graeca et Romana |
| spelling | Prusac-Lindhagen, Marina 1974- Verfasser (DE-588)136337600 aut From face to face recarving of Roman portraits and the late-antique portrait arts by Marina Prusac Leiden [u.a.] Brill 2011 XXII, 202, 155 S. Ill., Kt. txt rdacontent n rdamedia nc rdacarrier Monumenta Graeca et Romana 18 Geschichte Politik Bildnis (DE-588)4006627-7 gnd rswk-swf Römerzeit (DE-588)4076769-3 gnd rswk-swf Portrait sculpture, Roman Portrait sculpture, Roman / Political aspects Sculpture--Mutilation, defacement, etc / History / To 1500 Römisches Portrait (DE-2581)TH000008317 gbd Bildnis (DE-588)4006627-7 s Römerzeit (DE-588)4076769-3 s DE-604 Monumenta Graeca et Romana 18 (DE-604)BV000005928 18 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021114090&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Prusac-Lindhagen, Marina 1974- From face to face recarving of Roman portraits and the late-antique portrait arts Monumenta Graeca et Romana Geschichte Politik Bildnis (DE-588)4006627-7 gnd Römerzeit (DE-588)4076769-3 gnd |
| subject_GND | (DE-588)4006627-7 (DE-588)4076769-3 |
| title | From face to face recarving of Roman portraits and the late-antique portrait arts |
| title_auth | From face to face recarving of Roman portraits and the late-antique portrait arts |
| title_exact_search | From face to face recarving of Roman portraits and the late-antique portrait arts |
| title_full | From face to face recarving of Roman portraits and the late-antique portrait arts by Marina Prusac |
| title_fullStr | From face to face recarving of Roman portraits and the late-antique portrait arts by Marina Prusac |
| title_full_unstemmed | From face to face recarving of Roman portraits and the late-antique portrait arts by Marina Prusac |
| title_short | From face to face |
| title_sort | from face to face recarving of roman portraits and the late antique portrait arts |
| title_sub | recarving of Roman portraits and the late-antique portrait arts |
| topic | Geschichte Politik Bildnis (DE-588)4006627-7 gnd Römerzeit (DE-588)4076769-3 gnd |
| topic_facet | Geschichte Politik Bildnis Römerzeit |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021114090&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000005928 |
| work_keys_str_mv | AT prusaclindhagenmarina fromfacetofacerecarvingofromanportraitsandthelateantiqueportraitarts |