Real men don't sing: crooning and American culture, 1928 - 1933
The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, th...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Ausgabe: | Ann Arbor, Mich. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture |
| Beschreibung: | Kopie, erschienen im Verl. UMI, Ann Arbor, Mich. Includes bibliographical references (leaves 321-332) |
| Beschreibung: | IX, 332 S. Ill. |
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| 520 | |a The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture | ||
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Datensatz im Suchindex
| _version_ | 1804143703077421056 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
Page
LIST OF
FIGURES
.......................................................................................viii
INTRODUCTION
......................................................................................... 1
Approaching Early Crooners
.............................................................
б
CHAPTER ONE CROONING S ROOTS: THE DEVELOPMENT OF
POPULAR SONG AND THE CROONER IN AMERICAN
CULTURE,
1880-1928........................................................................... 21
Popular Song and the Male Singing Star.
.......................................... 28
A Genealogy of the Croon
............................................................. 41
The Voice in the Machine: The Development of Early Radio
.......... 52
The Disembodied Voice in Domestic Space
..................................... 57
Sweet Jazz Music and the Rise of the Band Crooner
...................... 66
CHAPTER TWO FALLING IN LOVE WITH A VOICE : RUDY
VALLEE,
RADIO FANS, AND THE BIRTH OF THE MODERN
POPULAR SINGER,
1928-1929............................................................112
The
1920s
Domestic Audience
.........................................................117
The Mouth in the Machine : Rudy
Vallee
and his Radio Fans
.......120
Outing the Audience: Rudy
Vallee
Goes Public
............................140
Defining the Crooner Persona
..........................................................145
Crooning Goes National,
1929..........................................................163
Conclusion
.........................................................................................172
CHAPTER THREE CROONING AND
ГГЅ
DISCONTENTS,
1929-1932.._
............................................................................................195
Crooning Dominates Popular Culture
____........................................198
Gender Becomes Central: Androgyny and Grapefruit
......................205
Policing and Censorship in the Early
1930s..-..................................211
Broad Institutional Attacks
..................................................-............216
Popular Culture Response
.................................................................233
Conclusion............................
.............................................................252
CHAPTER FOUR THE KIND OF NATURAL THAT WORKED :
THE CROONER REDEFINED,
1932-1933
(AND BEYOND)
.......256
Vallee:
From Crooner to Showman
..................................................260
Crosby the Playboy Crooner
..............................................................271
Making the Crooning Man: Crosby s Early Films,
1931-1933.........
28S
Crosby as America s Crooner,
1934-1944.....................................298
CONCLUSION: THE CROONER S LEGACY
...........................................313
APPENDIX
...................................................................................................320
BIBLIOGRAPHY
.........................................................................................321
|
| any_adam_object | 1 |
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| title | Real men don't sing crooning and American culture, 1928 - 1933 |
| title_auth | Real men don't sing crooning and American culture, 1928 - 1933 |
| title_exact_search | Real men don't sing crooning and American culture, 1928 - 1933 |
| title_full | Real men don't sing crooning and American culture, 1928 - 1933 by Allison Maura McCracken |
| title_fullStr | Real men don't sing crooning and American culture, 1928 - 1933 by Allison Maura McCracken |
| title_full_unstemmed | Real men don't sing crooning and American culture, 1928 - 1933 by Allison Maura McCracken |
| title_short | Real men don't sing |
| title_sort | real men don t sing crooning and american culture 1928 1933 |
| title_sub | crooning and American culture, 1928 - 1933 |
| topic | Vallée, Rudy 1901-1986 (DE-588)119472015 gnd Crosby, Bing 1903-1977 (DE-588)118677411 gnd Geschichte Gesellschaft Musik Crooning Male singers United States Popular music United States 1921-1930 History and criticism Popular music United States 1931-1940 History and criticism Crooning (DE-588)1292589388 gnd Popmusik (DE-588)4046781-8 gnd Männlichkeit (DE-588)4123701-8 gnd Schlagersänger (DE-588)4432401-7 gnd |
| topic_facet | Vallée, Rudy 1901-1986 Crosby, Bing 1903-1977 Geschichte Gesellschaft Musik Crooning Male singers United States Popular music United States 1921-1930 History and criticism Popular music United States 1931-1940 History and criticism Popmusik Männlichkeit Schlagersänger USA Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020889500&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mccrackenallison realmendontsingcrooningandamericanculture19281933 |