Our musical world: a creative program to greet humanity's coming of age
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Ann Arbor, Michigan
Visions & Vibrations International
2006
|
Ausgabe: | 1. ed. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references (p. [513]-518) and index |
Beschreibung: | xxiv, 537 p. Ill. 28 cm. 4 sound discs (digital; 4 3/4 in.) |
ISBN: | 9780738021348 9780981660905 |
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245 | 1 | 0 | |a Our musical world |b a creative program to greet humanity's coming of age |c Michael L. Naylor |
250 | |a 1. ed. | ||
264 | 1 | |a Ann Arbor, Michigan |b Visions & Vibrations International |c 2006 | |
300 | |a xxiv, 537 p. |b Ill. |c 28 cm. |e 4 sound discs (digital; 4 3/4 in.) | ||
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500 | |a Includes bibliographical references (p. [513]-518) and index | ||
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 4 | |a Music appreciation | |
650 | 4 | |a World music |x Analysis, appreciation | |
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Datensatz im Suchindex
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adam_text | Table
of
Contents
List of CD tracks and Recording Information
..............................................................viii
Acknowledgments
............................................................................................................
Preface
...............................................................................................................................
Unit I: Introduction: Envisioning a Single Humanity Through Music
.........................1
Why Study Creativity?
............................................................................................................2
The Journey
.............................................................................................................................3
The NatureCs) of Music Composition
.....................................................................................9
Listening to Music: Hearing vs. Listening
............................................................................10
Change and Time: Concepts in Motion
.................................................................................14
Musical Terms and Concepts
.................................................................................................18
Uniti:
Activities
.....................................................................................................................21
Unit II: Human
Universais
...............................................................................................25
Building the Mind s Files
...................................................................................................27
Music: the Universal—
Noř
the Universal Language
............................................................29
The Life Cycle: Stories and Rituals
......................................................................................30
The Influence of Culture
....................................................................................................33
Families, Communities, and Subcultures
.............................................................................40
Media and Technology: and the Influence on Musical Affinity
...........................................46
Musical Terms and Concepts
................................................................................................49
Unit II: Activities
...................................................................................................................51
Unit III: Native America: The Spirit of Symbolism
.......................................................57
Perceptual Tools for Decoding Symbolism
..........................................................................58
Exercising Our Intuition
.......................................................................................................60
Native American Symbolism: The World of the Circle
.......................................................62
Honoring the Gift
..................................................................................................................64
Songkeepers:
Music
asa
Way of Life
....................................................................................74
Respecting the Circle: Culture Balancing
............................................................................77
The Talking Circle: Listening below the Surface
.................................................................82
Musical Terms and Concepts (the Sonograph)
......................................................................88
Unit III: Activities
.................................................................................................................92
Unit IV: The African Diaspora: Re-Visions of History
and Triumphs Over Racial Bias
.......................................................................................97
The Legacy of Bias
...........................................................................................................99
Recognizing Biases toward Music
.......................................................................................101
R-E-S-RE-CT. and the Human Condition
............................................................................105
Understanding Racial Barriers and Biases
.........................................................................106
Assimilation and Fusion: Spirituals and Gospel Music
......................................................108
Communication from the Heart: Blues and Hip-hop
..........................................................116
Hip-hop: Today s Voice of Truth
.........................................................................................124
Encoding and Signifying: Reclaiming the Voice
...............................................................127
Pan African-American
......................................................................................................130
Pan Have We
DNA:
Calypso and the Calypsonian of Trinidad
..........................................133
Unit IV: Activities
................................................................................................................
Unit V: The Middle East (and Southern Asia): Religion and Music
...........................145
Categorization and Stereotyping
..........................................................................................
I49
Music and Religion: Reconciling Belief Systems
................................................................151
Counterculture Music
...........................................................................................................155
Intoning the Verses: Chant, Melody of the Spirit
................................................................157
When Is It Culture? When Nation? When Religion?
..........................................................166
Overcoming Stereotypes: Melodies of the Islamic World
....................................................168
Pillars and Practices of Islam
..............................................................................................170
Islamic Chant
.......................................................................................................................172
The Diversity of Musical Practices
......................................................................................176
Instrumental Music
..............................................................................................................181
Persian Poetry and Music
.....................................................................................................187
Overcoming Religious and Cultural Separation
..................................................................189
Religion, Youth, and Media Today
......................................................................................195
Unit V: Activities
.................................................................................................................201
Unit VI: Europe: Evolution of Influences and Imperialism Through Music
............209
European Classical, or Art, Music in Perspective
.........................................................212
Respecting and Understanding History and Ancestry
........................................................214
The Impact of the Empire Mindset
..................................................................................218
The Renaissance and Harmony
...........................................................................................219
More on Harmony
...............................................................................................................224
Musical Terms and Concepts
..............................................................................................226
Baroque: The Reformation to Bach
....................................................................................229
Classicism Personified
........................................................................................................236
Artistry and Humanness: Mozart and Beethoven
..............................................................237
Romanticism and Nationalism: The Culmination of Empire
.............................................243
Italian Opera
.......................................................................................................................245
Programmatic Music and the Tone Poem
...........................................................................247
Classical Music Today
.....................................................................................................249
Unit VI Activities
.................................................................................................................252
Unit
VII:
Jewish and Romany: Stories of Creativity and Influence
..........................258
Under the Radar: The Jewish Diaspora
..............................................................................259
Sephardic and Ashkenazi Music
..........................................................................................261
Jewish Music and Influences Today
....................................................................................265
Under the Radar (Part II): The Creativity of the Romany
..............................................270
Poetry in Motion
-
Romany Dance Traditions
...................................................................277
Jewish-Rom Connection
.....................................................................................................280
The Trans-ZIntercontinental Musician:
Harmonia
..........................................................282
Beyond Nation: Spain
.........................................................................................................286
Musical Terms and Concepts
..............................................................................................289
Flamenco: Anthem of Spanish Fusion
.................................................................................291
The Guitar
-
Ancestors and Descendants
..........................................................................293
Greece-The Cradle of Western Civilization?
...............................................................295
Unit
VII
Activities
...............................................................................................................300
Unit
VIII:
Africa and Latin America: Rites, Rituals, and Community Life
............305
Rituals
-
Community Rites of Passage
..............................................................................307
Rites of Passage Rituals
.......................................................................................................310
Africa: Respecting Ancestry
/
Protecting the Community
.................................................314
The
Griot
-
The Ancestry of Storytelling
...........................................................................315
Growing up with Music: Congolese Drums, Dance, and Community
................................318
Highlife
-
A Fusion of Functions and Cultures
..................................................................323
Process, Not Goal
...............................................................................................................328
Struggles in Africa
-
Balancing the Equation
...............................................................·.....329
Today s Africa
......................................................................................................................332
Fluidity in Latin American Communities
.........................................................·.................335
Salsa: The Sauce of Life
................................,.;.............„..
^.„*.„..л..^......
........,.................343
Mexican
Hospitality
............................................................................................................347
South American
Fusion
.......................................................................................................352
Samba:
Music of, and for, Community
................................................................................353
Colombian Cumbia
..............................................................................................................356
Dance and Music
-
Unit Postscript
......................................................................................359
Unit
VIII
Activities
.............................................................................................................364
Unit IX: Asia: Seeking Balance (and Healing) Through Music
.................................369
Understanding the Healing Powers of Music
...................................................................371
The Healing Power in Musical Storytelling
........................................................................376
Out of India
-
History and Music Across Generations
......................................................377
The Role of the Teacher
.......................................................................................................381
Indian Instrumental Music
..................................................................................................385
Rasa and the Rasika
............................................................................................................386
The Ancient and the Modern
..............................................................................................389
China: Spirit Greater Than Reality?
...................................................................................390
Chinese Opera
-
Dynamic Stories of a Complex History
..................................................393
Chinese Music Today
..........................................................................................................400
Korea and Japan
-
Cultures of Contrast
.............................................................................404
Korean Pansori
-
A Study of Time and Order
...................................................................405
Telling Stories of Others
-
Seeking a Balance in Presentation
......................................408
Japanese Storytelling
-
Contrasts in Time and Space
.........................................................410
Coming to Know
Noh
(or
Kabuki)
..................................................................................412
Modeling Cultural Motion: Indonesian
Gamelan
Outside
-
In
.......................................421
Summary: Music and the Power of Balance
.......................................................................428
Unit IX Activities
.................................................................................................................435
Unit X: Creating Community Beyond Race and Nation
.............................................441
Music in the United States: Take Two
................................................................................445
Toward a Just Perception
.................................................................................................447
Creolization: Acceptance of the Human Condition
............................................................449
Heeding the Creole Voice
....................................................................................................455
Jazz: An Embodiment of the American Creole
..................................................................464
An Evolving Creole Art
......................................................................................................466
Early Jazz
-
And the Legacy of New Orleans
....................................................................468
Jazz
-
From Mainstream to Backroom
................................................................................473
Other Visions of Creolization
...........................................................................................478
Celtic Connections
..............................................................................................................480
Our World Today
.................................................................................................................483
Gospel Music Today
.............................................................................................................491
Unit X Activities: Creative Collaboration
...........................................................................504
Appendix:
Further Exploration: Websites
.............................................................................................513
Glossary
...............................................................................................................................519
Index
.....................................................................................................................................531
|
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author | Naylor, Michael L. |
author_facet | Naylor, Michael L. |
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dewey-ones | 780 - Music |
dewey-raw | 780.9 |
dewey-search | 780.9 |
dewey-sort | 3780.9 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
edition | 1. ed. |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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spelling | Naylor, Michael L. Verfasser aut Our musical world a creative program to greet humanity's coming of age Michael L. Naylor 1. ed. Ann Arbor, Michigan Visions & Vibrations International 2006 xxiv, 537 p. Ill. 28 cm. 4 sound discs (digital; 4 3/4 in.) txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. [513]-518) and index Geschichte gnd rswk-swf Music appreciation World music Analysis, appreciation Ethnomusicology Cross-cultural studies Musikethnologie (DE-588)4127833-1 gnd rswk-swf Weltmusik (DE-588)4267804-3 gnd rswk-swf (DE-588)4123623-3 Lehrbuch gnd-content Weltmusik (DE-588)4267804-3 s Musikethnologie (DE-588)4127833-1 s Geschichte z DE-604 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020887968&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Naylor, Michael L. Our musical world a creative program to greet humanity's coming of age Music appreciation World music Analysis, appreciation Ethnomusicology Cross-cultural studies Musikethnologie (DE-588)4127833-1 gnd Weltmusik (DE-588)4267804-3 gnd |
subject_GND | (DE-588)4127833-1 (DE-588)4267804-3 (DE-588)4123623-3 |
title | Our musical world a creative program to greet humanity's coming of age |
title_auth | Our musical world a creative program to greet humanity's coming of age |
title_exact_search | Our musical world a creative program to greet humanity's coming of age |
title_full | Our musical world a creative program to greet humanity's coming of age Michael L. Naylor |
title_fullStr | Our musical world a creative program to greet humanity's coming of age Michael L. Naylor |
title_full_unstemmed | Our musical world a creative program to greet humanity's coming of age Michael L. Naylor |
title_short | Our musical world |
title_sort | our musical world a creative program to greet humanity s coming of age |
title_sub | a creative program to greet humanity's coming of age |
topic | Music appreciation World music Analysis, appreciation Ethnomusicology Cross-cultural studies Musikethnologie (DE-588)4127833-1 gnd Weltmusik (DE-588)4267804-3 gnd |
topic_facet | Music appreciation World music Analysis, appreciation Ethnomusicology Cross-cultural studies Musikethnologie Weltmusik Lehrbuch |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020887968&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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