Rubens - copies and adaptations from Renaissance and later artists: 2,2,1 Italian artists ; 2, Titian and North Italian art ;1
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
London
Miller
2010
|
Schriftenreihe: | Corpus Rubenianum Ludwig Burchard
26,2,2,1 |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | 443 S. Ill. |
ISBN: | 9781905375400 9781905375738 |
Internformat
MARC
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490 | 1 | |a Corpus Rubenianum Ludwig Burchard |v 26,2,2,1 | |
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700 | 1 | |a Wood, Jeremy |d 1950- |e Sonstige |0 (DE-588)141205946 |4 oth | |
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Datensatz im Suchindex
_version_ | 1820157997703233536 |
---|---|
adam_text |
CONTENTS
VOLUME ONE
Editor's Preface
7
Abbreviations
9
Introduction
25
Colour Plates
51
Catalogue
Raisonné
67
Rejected Attributions
427
VOLUME TWO
List of Illustrations
5
Illustrations
13
Indexes:
I: Collections
183
II: Subjects
187
III: Other Works by Rubens mentioned in the Text
193
IV: Names and Places
199
Sources of photographs
233
CORPUS
LUDWIG
PART
XXVI
COPIES AND ADAPTATIONS FROM
RENAISSANCE A
1ST
D
LATER ARTISTS
ITALIAN ARTISTS
JEREMY WOOID
This section of the Corpus RubertiuTiurrt is
with Rubens's
remaxLcable
study of past art as
revealed by his numerous copies and adaptations
from Italian sources. The material is so extensive
that it has been divided into three separate volumes
covering
CI)
Raphael and his School,
CU)
Titiarx
ärvd
JSTorth Italian artists, and (III) artists who worked in
Central Italy as well as in France.
Rubens's study of tVie
Cinquecent
о
lasted
throughout his life and was not just the focus of his
early years in Antwerp when he learned his craft
and often used prints and copy drawings as mod¬
els. Perhaps surprisingly Rubens made relatively
few draw^ings directly from paintings while in Italy
between
16OO
гипс! 16О8,
although some survive
after frescoes that he saw^ on his travels. Instead,
Rubens was a rapacious collector of
Itali
an draw¬
ings, both working studies and journeyman
records. He kept them in his cabinet in Antwerp,
and took ttvexn out from time to time to retouch
аггсі
rework them so that they became his own. By this
means he was able to return to the art of Italy long
after he had left that country.
Rubens's most important painted copies were
also made late in his career, in
1628-ЗО
when he had
travelled to IVIadrid and
T^otxčíotx
and was in his
fifties, a point w\hen many artists would have
thought they no longer needed to study. These
replicas may have been made because he could not
buy the originals for his collection, but they also
reveal ttxe thoro\ighrvess of rvis dialogue
v»7ith T t
ali
an
art. In total, this material amounts to the largest
group of painted and drawn, copies by any late
Renaissance painter. |
any_adam_object | 1 |
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bvnumber | BV036883950 |
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id | DE-604.BV036883950 |
illustrated | Illustrated |
indexdate | 2025-01-02T17:12:13Z |
institution | BVB |
isbn | 9781905375400 9781905375738 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-020799270 |
oclc_num | 706853008 |
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physical | 443 S. Ill. |
publishDate | 2010 |
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publisher | Miller |
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series | Corpus Rubenianum Ludwig Burchard |
series2 | Corpus Rubenianum Ludwig Burchard |
spelling | Rubens - copies and adaptations from Renaissance and later artists 2,2,1 Italian artists ; 2, Titian and North Italian art ;1 by Kristin Lohse Belkin London Miller 2010 443 S. Ill. txt rdacontent n rdamedia nc rdacarrier Corpus Rubenianum Ludwig Burchard 26,2,2,1 Corpus Rubenianum Ludwig Burchard 26 Belkin, Kristin Lohse Sonstige (DE-588)138123330 oth Wood, Jeremy 1950- Sonstige (DE-588)141205946 oth (DE-604)BV035383942 2,2,1 Corpus Rubenianum Ludwig Burchard 26,2,2,1 (DE-604)BV009331114 26,2,2,1 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020799270&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020799270&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Rubens - copies and adaptations from Renaissance and later artists Corpus Rubenianum Ludwig Burchard |
title | Rubens - copies and adaptations from Renaissance and later artists |
title_auth | Rubens - copies and adaptations from Renaissance and later artists |
title_exact_search | Rubens - copies and adaptations from Renaissance and later artists |
title_full | Rubens - copies and adaptations from Renaissance and later artists 2,2,1 Italian artists ; 2, Titian and North Italian art ;1 by Kristin Lohse Belkin |
title_fullStr | Rubens - copies and adaptations from Renaissance and later artists 2,2,1 Italian artists ; 2, Titian and North Italian art ;1 by Kristin Lohse Belkin |
title_full_unstemmed | Rubens - copies and adaptations from Renaissance and later artists 2,2,1 Italian artists ; 2, Titian and North Italian art ;1 by Kristin Lohse Belkin |
title_short | Rubens - copies and adaptations from Renaissance and later artists |
title_sort | rubens copies and adaptations from renaissance and later artists italian artists 2 titian and north italian art 1 |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020799270&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020799270&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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