Determination und Freiheit: Studien zum Formbau in den Motetten Josquins
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German |
| Veröffentlicht: |
Tutzing
Schneider
2010
|
| Schriftenreihe: | Regensburger Studien zur Musikgeschichte
8 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Zugl.: Regensburg, Univ., Diss., 2008 u.d.T.: Thema und Motiv in den Motetten von Josquin des Prez |
| Beschreibung: | 260 S. Notenbeisp. |
| ISBN: | 9783862960064 |
Internformat
MARC
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| 100 | 1 | |a Dippon, Martin Christian |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Determination und Freiheit |b Studien zum Formbau in den Motetten Josquins |c Martin Dippon |
| 264 | 1 | |a Tutzing |b Schneider |c 2010 | |
| 300 | |a 260 S. |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Regensburger Studien zur Musikgeschichte |v 8 | |
| 500 | |a Zugl.: Regensburg, Univ., Diss., 2008 u.d.T.: Thema und Motiv in den Motetten von Josquin des Prez | ||
| 600 | 0 | 7 | |a Josquin |c Desprez |d 1440-1521 |0 (DE-588)118524895 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Motette |0 (DE-588)4040357-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikalische Form |0 (DE-588)4040821-8 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Josquin |c Desprez |d 1440-1521 |0 (DE-588)118524895 |D p |
| 689 | 0 | 1 | |a Motette |0 (DE-588)4040357-9 |D s |
| 689 | 0 | 2 | |a Musikalische Form |0 (DE-588)4040821-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 830 | 0 | |a Regensburger Studien zur Musikgeschichte |v 8 |w (DE-604)BV012648208 |9 8 | |
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Datensatz im Suchindex
| _version_ | 1804143553955233792 |
|---|---|
| adam_text | Inhaltsverzeichnis
Vorwort..................................................................................................................9
Abkürzungen und Siglen........................................................................................10
I.
Zugänge zu Josquin.............................................................................................13
a. Textvertonung und Rhetorik.....................................................................14
b. Modus und Symbolik...............................................................................16
с
„Fingerprints ...........................................................................................
18
d.
Motivik....................................................................................................18
e.
Ausgangspunkt.........................................................................................21
Editorischer Hinweis..............................................................................................22
II.
Formen satztechnischer Organisation in Josquins Motettenwerk.......................23
a. Formen des motettischen Satzes bei Josquin............................................23
b. Motivik als ein Gestaltungsmittel satztechnischer
Freiräume bei Josquin..............................................................................26
с
Untersuchungsbereich der Arbeit und Gang der Darstellung....................28
III.
Motetten mit Cantus
prius
factus .....................................................................29
1. Präfiguration: Doppelter Kanon und doppelter Cantus
prius
factus...............29
a. Salve
regina
.............................................................................................30
b.
Alma redemptoris mater/Ave
regina celorum
..........................................33
с
Victime paschali laudes...........................................................................
39
2. Präsenz und Absenz: Choralparaphrasen.......................................................44
a. Die Genealogien Factum
est
autem
und
Liber generationis
.....................44
b.
Domine,
non secundum
peccata nostra
...................................................61
c.
Mittit ad virginem
....................................................................................65
d.
Die Antiphonenmotetten
Ave Maria
...
benedicta tu,
Missus
est
Gabriel
angelus
und
Virgo
prudentíssima
..............................68
e.
Der
O admirabile commercium-Zyklus
...................................................73
3. Synthese
I:
Kanonmotetten
...........................................................................82
a.
Alma redemptoris
mater..........................................................................
83
b.
Homo
quidam
fecit cenam magnam
.........................................................86
c.
Virgo
salutiferi
........................................................................................89
d.
Inviolata, integra et casta
........................................................................95
e. De profundis
............................................................................................101
f. O
virgo
prudentíssima
..............................................................................102
g.
Benedicta
es, celorum
regina..................................................................
109
h. Pater noster/Ave Maria
...........................................................................113
4.
Synthese
II:
Tenormotetten
..........................................................................119
a. Illibata dei virgo
.......................................................................................119
b.
Hue
me
sydereo
........................................................................................124
c. Stabat mater
.............................................................................................134
d. Salve
regina
.............................................................................................139
e.
Miserere
mei, deus
...................................................................................144
f.
Prêter rerum
seriem
..................................................................................159
5.
Dienst
am Wort: Evangelienmotetten............................................................169
a. In
Ulo tempore assumpsit
.........................................................................169
b.
In principio erat
verbum..........................................................................
173
IV.
Motetten
ohne Cantus
prius
factus....................................................................178
1. Große Formen
I:
Die Motettenzyklen............................................................178
a. О
Domine Jesu Christe.............................................................................179
b.
Qui
velatus
facie
fuisti
und Christum
ducem
............................................181
c.
Vultum tuum deprecabuntur
.....................................................................191
2. Große Formen
II:
Motivische Rahmenstrukruren..........................................199
a.
Gaude
virgo,
mater
Christi.......................................................................199
b.
Memor
esto
verbi
tui
................................................................................204
c.
Qui habitat in adiutorio altissimi
.............................................................212
d. In
exitu
Israel
de Egypto
..........................................................................219
3. Durchformung: Motivische Großstrukturen..................................................227
a.
Misericordias
domini
...............................................................................227
b.
Domine, ne in furore
................................................................................236
e. Ecce tu pulchra
es....................................................................................242
V.
Schlussbemerkung.............................................................................................248
Literaturverzeichnis................................................................................................253
|
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| author_sort | Dippon, Martin Christian |
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| building | Verbundindex |
| bvnumber | BV036856647 |
| classification_rvk | LP 18240 |
| ctrlnum | (OCoLC)706045461 (DE-599)BVBBV036856647 |
| discipline | Musikwissenschaft |
| format | Book |
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| genre_facet | Hochschulschrift |
| id | DE-604.BV036856647 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:49:30Z |
| institution | BVB |
| isbn | 9783862960064 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-020772499 |
| oclc_num | 706045461 |
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| physical | 260 S. Notenbeisp. |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Schneider |
| record_format | marc |
| series | Regensburger Studien zur Musikgeschichte |
| series2 | Regensburger Studien zur Musikgeschichte |
| spelling | Dippon, Martin Christian Verfasser aut Determination und Freiheit Studien zum Formbau in den Motetten Josquins Martin Dippon Tutzing Schneider 2010 260 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Regensburger Studien zur Musikgeschichte 8 Zugl.: Regensburg, Univ., Diss., 2008 u.d.T.: Thema und Motiv in den Motetten von Josquin des Prez Josquin Desprez 1440-1521 (DE-588)118524895 gnd rswk-swf Motette (DE-588)4040357-9 gnd rswk-swf Musikalische Form (DE-588)4040821-8 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Josquin Desprez 1440-1521 (DE-588)118524895 p Motette (DE-588)4040357-9 s Musikalische Form (DE-588)4040821-8 s DE-604 Regensburger Studien zur Musikgeschichte 8 (DE-604)BV012648208 8 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020772499&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Dippon, Martin Christian Determination und Freiheit Studien zum Formbau in den Motetten Josquins Regensburger Studien zur Musikgeschichte Josquin Desprez 1440-1521 (DE-588)118524895 gnd Motette (DE-588)4040357-9 gnd Musikalische Form (DE-588)4040821-8 gnd |
| subject_GND | (DE-588)118524895 (DE-588)4040357-9 (DE-588)4040821-8 (DE-588)4113937-9 |
| title | Determination und Freiheit Studien zum Formbau in den Motetten Josquins |
| title_auth | Determination und Freiheit Studien zum Formbau in den Motetten Josquins |
| title_exact_search | Determination und Freiheit Studien zum Formbau in den Motetten Josquins |
| title_full | Determination und Freiheit Studien zum Formbau in den Motetten Josquins Martin Dippon |
| title_fullStr | Determination und Freiheit Studien zum Formbau in den Motetten Josquins Martin Dippon |
| title_full_unstemmed | Determination und Freiheit Studien zum Formbau in den Motetten Josquins Martin Dippon |
| title_short | Determination und Freiheit |
| title_sort | determination und freiheit studien zum formbau in den motetten josquins |
| title_sub | Studien zum Formbau in den Motetten Josquins |
| topic | Josquin Desprez 1440-1521 (DE-588)118524895 gnd Motette (DE-588)4040357-9 gnd Musikalische Form (DE-588)4040821-8 gnd |
| topic_facet | Josquin Desprez 1440-1521 Motette Musikalische Form Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020772499&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV012648208 |
| work_keys_str_mv | AT dipponmartinchristian determinationundfreiheitstudienzumformbauindenmotettenjosquins |