Guido Cantelli: just eight years of fame
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge
GC Publ.
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes indexes |
| Beschreibung: | VIII, 488 S. Ill., Kt. 26 cm |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804143550271586304 |
|---|---|
| adam_text | Contents
Entries in italics indicate that the Table is contained within the previous Chapter
Preliminaries
і
-
vii
Portrait
Guido Cantelli
viii
Preface
1-4
Foreword
Harris Goldsmith
5-7
Chapter
1
The Career
8-12
Table
1
Appearances by Country
13
Table
2
Appearances with European Orchestras
14
Table
3
Appearances with American Orchestras
15
Chapter
2
The Known Concerts
1941-1948
16-35
Table
4
Summary of Opera Performances
1943-1945
21
Chapter
3
The Known Concerts and Recording
Sessions
1949-1956
36-100
Table
5
Comparison of Appearances with European
and American Orchestras
1949-1956
101
Portrait
Arturo
Toscanini
102
Chapter
4
The Repertoire and Performances
103-163
Chapter
5
A Brief History of the Recording Industry
164-166
Chapter
6
The Commercial Recordings and Related
Correspondence
167-211
Table
6
Revised Decisions regarding Rome Recordings
1949
114
Table
7
Recording of Tchaikovsky Symphony No.
5 1950
111
Table
8
Proposed Schedule for
1951
Recording Sessions
182
Table
9
Alterations to Agreed Recording Schedules
1951-
1956
184
Table
10
Printed Schedule for
1952
Recording Sessions
185
Table
11
Proposed Schedule and Actual Recordings
1953
188
Table
12
Agreed Schedule for
1954
Recording Sessions
195
Table 12a
Changes to Agreed Schedule
196
Table 12b
Actual Recordings in Summer
1954
191
Table 12c
Final Actual Recording Autumn
1954
198
Table
13
Proposed Schedule and Actual Recordings
1955
203/4
Table
14
Proposed Schedule and Actual Recordings
1956
210
Chapter
7
A Riddle concerning Wagner s
Eine Faust-
Ouvertüre
212-213
Ul
Contents
continued
Chapter
8
The Recording with the Philharmonic-
Symphony Orchestra of New York (or the
Saga leading to the Recording of Vivaldi s
Le
quattro stagioni)
214-231
Chapter
9
A Graphologist s View by Margaret White
232-233
Chapter
10
The Discography
234-294
Table
15
Chronological List of the Commercial Recordings
235-237
Table
16
Commercial Recordings issued in the UK in all
formats
242-250
Table
17
Commercial Recordings issued in Italy
251-253
Table
18
Commercially Recorded LPs issued in USA
253-255
Table
19
Commercially Recorded LPs issued in Argentina,
Australia, France and Germany
256-257
Table
20
Commercially Recorded LPs issued in Japan,
South Africa, Spain, Sweden and The Netherlands
257-258
Chapter
11
Marketing
295-301
Chapter
12
An Appraisal of the Commercial
Recordings, Recorded Broadcasts and
Selected Comparisons
302-444
Chapter
13
Disposing of Some Myths
445-452
Chapter
14
What might have been
453-456
Appendix
1
Instrumentalists who appeared with
Cantelli
457-458
Appendix
2
Vocalists who appeared with
Cantelli
459-460
Appendix
3
EMI Personnel involved in some capacity
with the Commercial Recordings
461-464
Appendix
4
Author s Selected Preferences
465-467
Index
468-488
IV
Illustrations
Coloured
Portrait of
Guido Cantelli
by
Iris Cantelli
vni
Map No.l
American Tour
by the Philharmonic-Symphony
Orchestra
of New York
81
Map No.
2
European Tours by the Philharmonic-Symphony
Orchestra of New York and the Orchestra
della Scala
87
Map No.3 Tour of Italy by the Orchestra
della Scala
91
Photograph of Poster advetising Cantelli s Final Concert
99
Portrait of
Arturo Toscanini
by
Iris Cantelli
102
Photograph of Poster advertising the European Tour by the
Orchestra
della Scala in
1955
452
Black and White
Photograph of
Cantelli
with Poster announcing
his first appearance at the
Teatro alla Scala
21
May
1948
33
Cantelli
pondering a point at Rehearsal
35
Photograph of
Cantelli
acknowledging applause at his final
concert in the
Teatro Coccia,
Novara
17
November
1956
100
Photograph of
Cantelli
bearing his signature
232
|
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