H. C. Artmann's structuralist imagination: a semiotic study of his aesthetic and postmodernity
Gespeichert in:
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Würzburg
Königshausen & Neumann
2010
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| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | 585 S. 24 cm, 990 g |
| ISBN: | 9783826044731 |
Internformat
MARC
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Datensatz im Suchindex
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| adam_text |
TABLE OF CONTENTS INTRODUCTION 11 I THREE CONTEXTS OF ARTMANN'S WORK 23
1.1 BIOGRAPHIC CONTEXT 23 1.2 SCHOLARLY CONTEXT 40 1.2.1 ARTMANN'S
AESTHETIC IN HIS PLAYS 41 1.2.2 ARTMANN'S AESTHETIC IN HIS WORK
GENERALLY 48 1.3 CULTURAL CONTEXT OF AUSTRIANNESS 56 1.3.1 AUSTRIANNESS
AS IDEOLOGY 56 1.3.2 ARTMANN'S "SCHNEEWITTGENSTEIN": THE MOTIF OF THE
SURFACE 63 1.3.3 ARTMANN'S SYNCHRONY IN BI-PARADIGMATIC OPPOSITION 72 TO
AUSTRIAN DIACHRONY II METHODOLOGY: THEORIZING POSTMODERNITY 77 II.L
GERMAN-LANGUAGE/AUSTRIAN DISCOURSES ON POSTMODERNITY 77 AND ARTMANN'S
POTENTIAL FOR POSTMODERNITY N.1.1 GERMAN-LANGUAGE DISCOURSES ON
POSTMODERNITY. THE ISSUE OF HISTORY 78 II. 1.2 ARTMANN'S DEFENSE OF
POPULAR CULTURE 83 11.1 .3 AUSTRIAN CONTEXTS OF POSTMODERNITY:
LITERATURE AND CRITICAL DISCOURSES 92 II.L.4 ARTMANN'S POTENTIAL FOR
POSTMODERNITY 98 11.2 METHODOLOGICAL FRAMEWORK 105 N.2.1 RADICAL
CONSTRUCTIVISM (MCHALE, GLASERSFELD, SCHMIDT) 105 11.2.2 PARADIGMS OF
SIGNIFICATION: TWO PERSPECTIVES (DIACHRONY, SYNCHRONY), 109 THREE
IDEOLOGIES (COMMUNICATIONISM, POSTSTRUCTURALISM, STRUCTURALISM) 11.2.2.1
LITERARY THEORY AND ANALYTIC PHILOSOPHY OF SCIENCE 109 11.2.2.2 GENERAL
SEMIOTICS 113 11.2.3 SEMIOTICS AND POSTMODERNITY 120 11.2.4 DEFINITION
OF POSTMODERNITY (POSTMODERN SIGNIFICATION): 123 BI-PARADIGMATIC IRONY
11.2.4.1 STRUCTURAL (STATIC) IRONY: THE MINIMAL VERSION OF IRONY 123
11.2.4. BIBLIOGRAFISCHE INFORMATIONEN HTTP://D-NB.INFO/1008233552
DIGITALISIERT DURCH ILL ARTMANN'S AESTHETIC OF AUTONOMY AND SMALLNESS
131 111.1 THREE AESTHETIC PRINCIPLES 134 (AESTHETIC CO-NOTATIONS CI, CN,
CM) III.L.1 SMALLNESS: TERTIARY PRINCIPLE (CO-NOTATION CM) 135 111.1.1.1
SPECIAL SMALLNESS: CONCRETENESS 141 111.1.1.2 PSYCHOLOGICAL SMALLNESS IN
ARTMANN'S SELF-PORTRAITS 152 III. 1.2 AREALISM: SECONDARY PRINCIPLE
(CO-NOTATION CN) 157 III. 1.3 SYNCHRONY: PRIMARY PRINCIPLE (CO-NOTATION
CI) 165 111.1.3.1 SURFACE DISPLAY, ANALYTIC REASONING, NON-BRETONIAN
SURREALISM 166 111.1.3.2 APRAGMATIC AND STRUCTURALIST AUTHORSHIP 171
111.1.3.3 STRUCTURALIST RHETORIC: PARODY, IRONY, METAPHOR 180 111.1.3.4
CONTAINMENT: 196 THE METHODIC IDEAL OF CONTEXTUAL CLOSURE, THE AESTHETIC
IDEAL OF CO-TEXTUAL ENCLOSURE 111.1.3.5 FOUR SPECIAL ASPECTS OF
CONTEXTUAL CLOSURE: 222 MULTIPLE CLOSURE, STRUCTURAL ENCLOSURE OF
COMMUNICATIVE CLOSURE, MISE-EN-TABLEAU, METHODIC HORROR OF
POSTSTRUCTURAL DISCLOSURE 111.1.3.6 SPACE AND VISUAHTY 238 111.2 FROM
CO-TEXT [TEXT] TO CIC U CIN[.]: 250 THE STRUCTURALIST DESIGN OF
ARTMANN'S WORK 111.2.1 CO-TEXT[TEXTJ: THE PARADIGMATIC FORMULA OF
ARTMANN'S WORK 251 111.2.2 CO-NOTATION[NOTATION]: RELATIVE PRIMACY OF
SIGNIFIED OVER SIGNIFIER 256 111.2.3 CO-NOTATIONF.]: ABSOLUTE PRIMACY
OF CO-NOTATION OVER NOTATION 267 111.2.4 QCNCM [.]: ABSOLUTE PRIMACY
OF ARTMANN'S AESTHETIC CO-NOTATIONS 272 111.3 IDEOLOGY-RHETORIC: 283
ARTMANN' IV ARTMANN'S POSTMODERNITY AS BI-PARADIGMATIC IRONY 369 IV.L
DRACULA DRACULA (1966): 376 "A HIGHLY EMBARRASSING SITUATION HAS
ARISEN!" RV.1.1 VAMPIRISM AS A WHITE-BLACK SIGN 380 RV.1.1.1 WHITE-BLACK
VAMPIRES: HEAVY MORFER DRACULA, LIGHT MONSTER CARMILLA 380 IV.L.1.2
VICTIMS OF VAMPIRISM: CORNWALLIS AND BANCROFT 390 IV. 1.1.3 APOMTYM
APAMPA: VAMPIRIC TYPOGRAPHY AS A HEAVY MONSTER 405 IV.L.1.4 VAMPIRISM AS
A RHETORICALLY BLACK METAPHOR OF 418 IDEOLOGICALLY WHITE STASIS IV.1.2
POSTMODERNITY: 427 ANTI-VAMPIRIST COMMUNICATIONISM AS THE IRONICALLY
"SAID" IV.1.2.1 PARODIE DIFFERENCES: ANTI-VAMPIRISM AS THE TARGET OF 427
APRAGMATIC PARODY IV. 1.2.2 IRONIC OPPOSITION: COMMUNICATIONISM AS THE
TARGET OF 435 BI-PARADIGMATIC IRONY IV.2 TOEK PH'TONG SULENG (1967): 442
"RIDDLES WITHIN RIDDLES" IV.2.1 RIDDLES 444 IV.2.1.1 RIDDLES ABOUT THE
FIGURES INVOLVED WITH THE HUNTING PARTY 444 IV.2.1.2 RIDDLES ABOUT
SUSPECT FIGURES CONCERNING LYCANTHROPY 460 IV.2.1.3 RIDDLES ABOUT
WHITE-BLACK LYCANTHROP |
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| author | Schuster, Marc-Oliver 1968- |
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| dewey-full | 838.91409 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| dewey-sort | 3838.91409 |
| dewey-tens | 830 - Literatures of Germanic languages |
| discipline | Germanistik / Niederlandistik / Skandinavistik |
| format | Thesis Book |
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| spelling | Schuster, Marc-Oliver 1968- Verfasser (DE-588)141545933 aut H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity Marc-Oliver Schuster Würzburg Königshausen & Neumann 2010 585 S. 24 cm, 990 g txt rdacontent n rdamedia nc rdacarrier Zugl.: Diss. Artmann, H. C. 1921-2000 (DE-588)118504533 gnd rswk-swf Postmoderne (DE-588)4115604-3 gnd rswk-swf Strukturalismus (DE-588)4058129-9 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Artmann, H. C. 1921-2000 (DE-588)118504533 p Ästhetik (DE-588)4000626-8 s Strukturalismus (DE-588)4058129-9 s Postmoderne (DE-588)4115604-3 s DE-604 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=3562952&prov=M&dok_var=1&dok_ext=htm Inhaltstext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020704776&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Schuster, Marc-Oliver 1968- H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity Artmann, H. C. 1921-2000 (DE-588)118504533 gnd Postmoderne (DE-588)4115604-3 gnd Strukturalismus (DE-588)4058129-9 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)118504533 (DE-588)4115604-3 (DE-588)4058129-9 (DE-588)4000626-8 (DE-588)4113937-9 |
| title | H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity |
| title_auth | H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity |
| title_exact_search | H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity |
| title_full | H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity Marc-Oliver Schuster |
| title_fullStr | H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity Marc-Oliver Schuster |
| title_full_unstemmed | H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity Marc-Oliver Schuster |
| title_short | H. C. Artmann's structuralist imagination |
| title_sort | h c artmann s structuralist imagination a semiotic study of his aesthetic and postmodernity |
| title_sub | a semiotic study of his aesthetic and postmodernity |
| topic | Artmann, H. C. 1921-2000 (DE-588)118504533 gnd Postmoderne (DE-588)4115604-3 gnd Strukturalismus (DE-588)4058129-9 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Artmann, H. C. 1921-2000 Postmoderne Strukturalismus Ästhetik Hochschulschrift |
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