Frame drums in the medieval Iberian Peninsula:
Gespeichert in:
1. Verfasser: | |
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Format: | Abschlussarbeit Buch |
Sprache: | English |
Veröffentlicht: |
Kassel
Edition Reichenberger
2010
|
Schriftenreihe: | DeMusica
14 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XVI, 198 Seiten Illustrationen 24 cm |
ISBN: | 9783937734712 |
Internformat
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Datensatz im Suchindex
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adam_text | Titel: Frame drums in the medieval Iberian Peninsula
Autor: Molina, Mauricio
Jahr: 2010
Table of contents
Foreword .............................................xv
Acknowledgements ...................................xvn
Introduction: Of Skin Stretched on a Frame
or Hoop.............................................i
I. Frame Drums in Medieval Iberian Iconographical
Sources ............................................15
1. The Reemergence of Frame Drums in Medieval Iberian
Christian Art ......................................18
2. Approaching the Iconographical Sources...............20
2.1 Style and Realism ...............................21
3. The Sources .......................................24
II. Terminology of the Medieval Iberian
Frame Drums .......................................55
1. The Generic Tympanum ............................55
2. The Double Character of the Arabic Duff..............57
3. The Term Pandero .................................60
3.1 Bandair and Pandeiro: Terms Related to the Noun
Pandero........................................67
3.2 The Pandero/Panderete and its Brass Jingles.........69
4. The Romance adufe and its Connection with the Square
Type .............................................71
5. Tarr, Mizbar, Mazhar and Ghirbal: Other Names
Associated with Frame Drums in Medieval Iberia........78
vin Contents
III. Frame Drum players and the instruments
SOCIAL CONTEXT......................................83
i. Identifying Frame Drum Players in the Sources .........85
2. Female Frame Drum Players .........................87
2.1 Professional Female Performers ...................90
2.2 Non-Professional Female Performers...............93
3. Male Frame Drum Players ...........................94
4. The Differing Status of Female and Male Players ........95
5. Social Functions and Performance Context
of Frame Drums.................................... ) )
5.1 Recreation .....................................99
5.2 Civic Events...................................101
5.3 Family and Community Events...................102
5.4 Non-Liturgical Religious Occasions...............103
5.5 Attention Caller................................105
IV. The Symbolism of the Iberian Frame Drum...........107
1. The Frame Drum as Symbol ........................107
2. Decoding the Message..............................109
3. The Ambivalent Frame Drum .......................112
4. Negative Symbolism...............................113
4.1 The Frame Drum as a Symbol of Lust, Seduction,
and Deception.................................113
4.2 The Frame Drum as a Symbol of the Pagan
Other ............ ..........................116
5. Positive Symbolism of the Frame Drum...............119
5.1 The Frame Drum as a Symbol of Worship .........119
5.2 The Frame Drum as a Symbol of Christ on the
Cross and The Old Testament s Order ............122
V. Reconstruction of the Sound Color of Medieval
Iberian Frame Drums: A Study of their Structures
and Materials .....................................127
1. The Basic Elements and Historical Materials
of Frame Drums ..................................127
2. Implications of the Structure of Frame Drums
for Sound Production ..............................128
Contents ix
2.1 Size ..........................................128
2.2 Depth ........................................129
2.3 Thickness of the Shells..........................130
2.4 Shape.........................................131
2.5 Addition of Resonators .........................132
3. Finding Specific Historical Materials..................133
3.1 Historical Membranes and their Sound Qualities .... 133
3.2 Historical Woods and Shells .....................137
3.3 Historical Resonators...........................139
3.3.1 Jingles ...................................140
3.3.2 Snares ...................................144
VI. Reconstructing the Performance Practice
of Medieval Iberian Frame Drums...................147
1. Learning Historical Performance Practice from
Medieval Sources and Live Traditions.................147
2. Playing Techniques of the Medieval Pandero/Panderete ... 149
3. Playing Techniques of the Medieval Adufe ............154
4. Frame Drums and Voices...........................156
5. The Combination of the Pandero and Adufe
in Performance....................................158
6. Frame Drums in Combination with Other Percussion
Instruments.......................................161
7. Frame Drums and Melodic Instruments...............163
8. The Repertoire of Frame Drums.....................166
Bibliography .........................................173
Index ................................................191
List of Illustrations
i Elder of the apocalypse playing a round frame drum,
circa 123 5-1240. Burgos (Castile), archivolt of the
Sarmental portal of the Cathedral of Santa Maria...............16
2 Elder of the Apocalypse playing a square frame drum,
circa 1235-1240. Burgos (Castile), archivolt of the
Sarmental portal of the Cathedral of Santa Maria...............16
3 Traditional western Mediterranean round and square
frame drums..............................................17
4 Miriam and Israelite women playing round frame drums.
Bible of Leon of 960, circa 960. Leon, Biblioteca de la
Real Colegiata de San Isodoro. Ms. 2, fol. 40V.................24
5 One of King David s minstrels playing a square frame
drum in duo with a rebec player, eleventh century.
Leon, Puerta del cordero of the Real Colegiata de San Isidoro. ... 26
6 Women playing round frame drums in the margin of
The Doubting Thomas, late twelfth century. Silos (Castile),
pillar from the lower cloister of the Monastery of Silos..........27
7 Female with a round frame drum and male with a horn.
Detail of the left corner of The Doubting Thomas. ...........28
8 Female playing a round frame drum, twelfth century.
Amandi (Asturias), Church of San Juan.......................29
9 Female playing a square frame drum, twelfth century.
Amandi (Asturias), Church of San Juan.......................29
10 Woman playing a square frame drum, twelfth century.
Yermo (Santander), Church of Santa Maria....................30
11 Woman playing a square frame drum with a male rebec
player, thirteenth century. La Lloraza (Asturias), Church
of Santa Eulalia...........................................31
List of Illustrations xi
12 Male playing a square frame drum with a fiddle player
and a dancer, twelfth century. Chantada (Galicia), Church
of San Miguel do Monte....................................33
13 Miriam and Israelite women playing round frame drums.
Second Bible of Leon, twelfth century. Leon, Biblioteca
de la Real Colegiata de San Isodoro. Ms. 3, fol. 38V.............34
14 Woman playing a square frame drum during the sexual
encounter of the Hebrews and the Moabite women.
Pamplona Bible, circa 1197. Amiens, Bibliotheques d Amiens
Metropole. Ms. Lat. 108 fol. 64V.............................36
15 Men playing square frame drums at the Adoration
of the Golden Calf. Pamplona Bible, circa 1197. Amiens,
Bibliotheques d Amiens Metropole. Ms. Lat. 108, fol. 52V.......37
16 Elder of the Apocalypse performing on a square frame
drum, thirteenth century. Toro (Castile), archivolt of the
Majestad gate of the Colegiata de Santa Maria la Mayor.........39
17 Miriam performing on a square frame drum while
the Israelite women dance. Sister Haggadah, mid-fourteenth
century. London, British Library. Ms. Or 2884, fol. i6v.........40
18 Woman playing a round frame drum with jingles with
a male fiddle player. Cancioneiro da Ajuda, between 1290
and 1330. Lisbon, Biblioteca da Ajuda, fol. 61.................42
19 Woman playing a round frame drum with jingles with
a male citole player. Cancioneiro da Ajuda, between 1290
and 1330. Lisbon, Biblioteca da Ajuda, fol. 88.................43
20 Woman playing a round frame drum with jingles with
a female cymbal player, two female singers, and a male
rebec player. Libro de la coronacion de los Reyes de Castilla,
fourteenth century. Real Biblioteca del Monasterio de
El Escorial. Ms. III.3, fol. 29V...............................44
21 Miriam performing on a square frame drum and a second
Israelite woman playing on a round frame drum with jingles.
Golden Haggadah, Catalonia, circa 1320. London, British
Library. Ms. 27210, fol. 5...................................45
22 Master of Santa Coloma de Queralt, Salome performing
before Herod and Herodias with a round frame drum with
jingles. Detail from the altarpiece Retaule dels Sants Joans,
circa 1379. Barcelona, Museu Nacional d Art de Catalunya.
MB 515/507..............................................47
xii List of Illustrations
23 Angel playing a round frame drum with jingles from a choir
stall of the Cathedral of Girona (Catalonia), mid-fourteenth
century. Fundacio Mauri de la Garriga.......................49
24 Attributed to Antoni Claperos, angel performing on
a square frame drum, early fifteenth century. Barcelona,
Palau Dalmases...........................................49
25 Female accompanying a male fiddle player with a round
frame drum with jingles, fourteenth century. Vic (Catalonia),
Cathedral of Sant Pere.....................................51
26 Attributed to Reinard des Fonoll, male jongleur playing
a round frame drum with jingles, fourteenth century.
Tarragona (Catalonia), Cathedral of Santa Maria...............51
27 Muslim woman playing a round frame drum,
thirteenth century. Islamic chest. Museu de la Catedral
de Palma de Mallorca......................................52
28 Three women from Granada playing a square frame drum,
sonajas, and dancing. Civitates Orbis Terrarum. Cologne:
Georg Braun, 1572-1617...................................53
29 One of King David s minstrels playing a square frame drum.
Pierpont Morgan Library Old Testament, thirteenth century.
New York, Pierpont Morgan Library. Ms. 638. fol. 39V.........jj
30 Square frame drum. Michael Praetorius, Syntagma
Musicum II: The organographia, PL 30. Wolfenbiittel, 1619.....78
31 Stroke with the thumb....................................153
32 Stroke with the pads of the fingers..........................153
33 Stroke with the holding hand..............................153
34 Sideways motion of the instrument.........................153
3 5 Resonant stroke with the first type of holding technique.......155
36 Resonant stroke with the second type of holding technique.....155
37 Stroke with the holding hand..............................156
38 Bandair and duff players from Oarzazate (Morocco)..........160
|
any_adam_object | 1 |
author | Molina, Mauricio |
author_GND | (DE-588)135764491 |
author_facet | Molina, Mauricio |
author_role | aut |
author_sort | Molina, Mauricio |
author_variant | m m mm |
building | Verbundindex |
bvnumber | BV036787112 |
classification_rvk | LR 12103 LQ 82802 |
ctrlnum | (OCoLC)640124199 (DE-599)DNB1001565541 |
dewey-full | 786.950946 |
dewey-hundreds | 700 - The arts |
dewey-ones | 786 - Keyboard & other instruments |
dewey-raw | 786.950946 |
dewey-search | 786.950946 |
dewey-sort | 3786.950946 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte 500-1500 gnd |
era_facet | Geschichte 500-1500 |
format | Thesis Book |
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spelling | Molina, Mauricio Verfasser (DE-588)135764491 aut Frame drums in the medieval Iberian Peninsula Mauricio Molina Kassel Edition Reichenberger 2010 XVI, 198 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier DeMusica 14 Dissertation Graduate center, City University of New York 2006 Geschichte 500-1500 gnd rswk-swf Rahmentrommel (DE-588)4176887-5 gnd rswk-swf Iberische Halbinsel (DE-588)4047912-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Iberische Halbinsel (DE-588)4047912-2 g Rahmentrommel (DE-588)4176887-5 s Geschichte 500-1500 z DE-604 DeMusica 14 (DE-604)BV013653733 14 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020703595&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Molina, Mauricio Frame drums in the medieval Iberian Peninsula DeMusica Rahmentrommel (DE-588)4176887-5 gnd |
subject_GND | (DE-588)4176887-5 (DE-588)4047912-2 (DE-588)4113937-9 |
title | Frame drums in the medieval Iberian Peninsula |
title_auth | Frame drums in the medieval Iberian Peninsula |
title_exact_search | Frame drums in the medieval Iberian Peninsula |
title_full | Frame drums in the medieval Iberian Peninsula Mauricio Molina |
title_fullStr | Frame drums in the medieval Iberian Peninsula Mauricio Molina |
title_full_unstemmed | Frame drums in the medieval Iberian Peninsula Mauricio Molina |
title_short | Frame drums in the medieval Iberian Peninsula |
title_sort | frame drums in the medieval iberian peninsula |
topic | Rahmentrommel (DE-588)4176887-5 gnd |
topic_facet | Rahmentrommel Iberische Halbinsel Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020703595&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV013653733 |
work_keys_str_mv | AT molinamauricio framedrumsinthemedievaliberianpeninsula |