Pictorial law: modern law and the power of pictures
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin [u.a.]
Springer
2011
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | IX, 226 S. |
| ISBN: | 9783642118883 |
Internformat
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| 245 | 1 | 0 | |a Pictorial law |b modern law and the power of pictures |c Volker Boehme-Neßler |
| 264 | 1 | |a Berlin [u.a.] |b Springer |c 2011 | |
| 300 | |a IX, 226 S. | ||
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Datensatz im Suchindex
| _version_ | 1804143463524990976 |
|---|---|
| adam_text | IMAGE 1
V
CONTENTS
1* *CAUGHT*BETWEEN*TECHNOPHILIA*AND*TECHNOPHOBIA:*CULTURE,*
TECHNOLOGY*AND*THE*LAW*
...........................................................................
1
1.1 INTERACTION -
TECHNOLOGY AND CULTURE ................................................
1
1.1.1
TECHNOLOGY: THE PRODUCT OF CULTURE? ....................................
2
1.1.2
CULTURE: THE PRODUCT OF TECHNOLOGY? ....................................
4
1.2
TECHNOLOGICAL IMPERATIVE OR TRANSFORMATIONAL POWER OF LAW? ........ 7
1.2.1
THE STANDARD-SETTING POWER OF TECHNOLOGY. HOW TECHNOLOGY CHANGES THE LAW
................................................ 8
1.2.2
THE TECHNICAL FORCE OF STANDARD-SETTING. HOW LAWS CHANGE TECHNOLOGY
...................................................... 10
BIBLIOGRAPHY
...............................................................................................
15
2* *CULTURAL*T
ECHNOLOGY*AND*THE*LAW*-*THE*EXAMPLE*OF*WRITING .............. 19 2.1
LANGUAGE AS A TOOL FOR THINKING
....................................................... 19
2.2
FROM SPEAKING TO WRITING
.................................................................. 21
2.2.1
SOCIETIES WITHOUT WRITING: THINKING WITHOUT WRITING .......... 21 2.2.2
LITERATE SOCIETIES: THINKING BY WRITING
................................. 24
2.3
GUTENBERG - AND HIS EFFECTS
............................................................... 29
2.3.1
THE MANUSCRIPT CULTURE: SINGLE COPIES OF BOOKS ................. 29
2.3.2
GUTENBERG S REVOLUTION: BOOKS AS A MASS MEDIUM .............. 30 2.3.3
DEMOCRACY WITHOUT BOOKS?
.................................................. 31
2.4
SPEAK IN JUDGEMENT OR WRITE LAWS - FROM SPOKEN TO WRITTEN LAW
...................................................................................
32
2.4.1
THE RULE OF LAW
.................................................................... 33
2.4.2
THE IDEA OF THE SELF - EQUALITY AND SUBJECTIVE RIGHTS ENTER THE LAW
.............................................................. 34
2.4.3
WRITTEN SOURCES OF LAW - AND THEIR EFFECTS ...........................
36
2.4.4
LAW SUITS - REDUCTION OF SCOPE AND CLEAR DECISIONS ........... 39 2.4.5
WRITTEN LAW - AN AMBIVALENT HERITAGE ................................ 41
BIBLIOGRAPHY
...............................................................................................
44
IMAGE 2
VI VI
3* *THE*POWER*OF*IMAGES
.................................................................................
51
3.1 PICTORIAL T
URN - FROM A CULTURE OF WRITING TO A CULTURE OF PICTURES
.........................................................................................
51
3.2
THE END OF WRITING?
...........................................................................
53
3.3
WHAT IS AN IMAGE - AND WHAT DOES IT DO?
........................................ 54
3.4
COPY OR CONSTRUCT: HOW ARE IMAGES RECEIVED?
............................... 58
3.5
IMAGES AS TOOLS FOR COMMUNICATION
................................................. 59
3.5.1
HURRY, HURRY - THE SPEED OF VISUAL COMMUNICATION ............ 59 3.5.2
LOOKING AT IMAGES - VISUAL COMMUNICATION IS CONCRETE .... 60 3.5.3 I SEE
- THE SUBJECTIVITY OF VISUAL COMMUNICATION ............... 62 3.5.4
EXCURSUS: COLLECTIVE MEMORY
................................................ 63
3.5.5
IMAGES ARE TOUCHING - THE EMOTIONALITY OF VISUAL COMMUNICATION
......................................................................
64
3.5.6
WHAT IS THE PAINTER S MESSAGE? THE AMBIGUITY OF VISUAL COMMUNICATION
........................................................... 69
3.5.7
AT A GLANCE - CONCISENESS OF VISUAL COMMUNICATION ........... 72 3.
6 ONE IMAGE OR A THOUSAND WORDS? - ON THE SUPERIORITY OF IMAGES ..... 73
3.6.1 DUAL ENCODING. HOW IMAGES ARE PROCESSED .........................
73
3.6.2
BIOLOGICAL BASIS: A HIERARCHY OF SENSES ...............................
74
3.6.3
IMAGES ARE BETTER! ARE IMAGES BETTER? .................................
75
3.6.4
IMAGES: COMMUNICATION SANS FRONTIERES ? ............................ 76
3.7
DO ALL IMAGES LIE?
............................................................................
77
3.7.1
CREDIBILITY OF IMAGES - AN ILLUSION?
...................................... 77
3.7.2
PHOTOSHOP & CO . - IMAGE MANIPULATION IN THE DIGITAL AGE
................................................................... 79
3.7.3
HEALTHY MISTRUST - ON THE EVALUATION OF IMAGES IN THE DIGITAL ERA
........................................................................
81
3.8
TEXT AND IMAGES: COMBINE AND COMPETE
.......................................... 82
3.8.1
LANGUAGE IMAGERY - THE VIVIDNESS OF LANGUAGE .................. 83 3.8.2
IMAGE STORIES - THE NARRATIVE SKILL OF IMAGES ...................... 85
3.8.3
COMPLEMENTARITY AND COMPETITION ........................................
86
3.9
THE ANARCHY OF IMAGES
......................................................................
88
3.9.1
WORDS VERSUS IMAGES - CONTROL OR FREEDOM? ........................ 88
3.9.2
LAW S SCEPTICISM ABOUT IMAGES - A REACTION TO THE ANARCHY OF IMAGES?
......................................................... 90
BIBLIOGRAPHY
...............................................................................................
*
* 90
4* *THE*LAW
*AND*IMAGES*-*A*DIFFICULT*RELATIONSHIP
..................................... * 101
4.1 WHERE HAVE
ALL THE IMAGES GONE? - MODERN LAW WITHOUT IMAGES
..................................................................................
101
4.1.1 BETWEEN IDOLATRY AND ICONOCLASM - IMAGES IN SOCIETY ......... 101
4.1.2 DEEPLY SCEPTICAL - MODERN LAW AND IMAGES ........................
105
4.1.3 SOLA
SCRIPTURA - THE LOGOCENTRIC BIAS OF LAW ..................... 106
4.2 SYMBOLS - SEARCHING FOR IMAGES IN LAW
........................................... 107
4.2.1 SYMBOLS
..................................................................................
108
CONTENTS
IMAGE 3
VII VII
4.2.2 SYMBOLS IN LAW
.....................................................................
109
4.2.3 SYMBOLIC LAW
........................................................................
112
4.3
CHANGING A PARADIGM? - IMAGES IN MODERN LAW
.............................. 115
4.4
THE STRANGE VIEW - IMAGES OF JUSTICE
............................................... 118
4.4.1
(LEGAL) IMAGE AND (LEGAL) REALITY
......................................... 118
4.4.2
JUDGE JOSEPH WAPNER SAYS HELLO
........................................... 120
4.4.3 PUBLIC OPINION AS JUDGE? THE LAW UNDER PRESSURE
FROM PUBLIC OPINION
.............................................................. 121
4.4.4 LACK OF CONFIDENCE? WHEN JUSTICE DOES NOT MEET
EXPECTATIONS
...........................................................................
124
4.5 ABILITY TO CONVINCE - OPPORTUNITIES FOR VISUAL LEGAL COMMUNICATION
..................................................................................
126
4.5.1 IMAGES AS EYE-CATCHERS: MORE ATTENTION ON THE ARGUMENT
.....................................................................
126
4.5.2 FORM FOLLOWS FUNCTION? IMAGES IN JUDICIAL FORMS OF LANGUAGE
...........................................................................
127
4.5.3 FAST LAW IS GOOD LAW: SPEEDING UP LEGAL
COMMUNICATION
......................................................................
129
4.5.4 NO POINT IN CONTRADICTING. THE IMPERATIVE OF IMAGES ...........
130
4.5.5 CAN
YOU BELIEVE IMAGES? IMAGES AS EVIDENCE ..................... 131 4.6
FAREWELL
ABSTRACTION?
........................................................................
132
4.6.1 ABSTRACTION IN THE LAW - IMPORTANCE AND LIMITS ...................
132
4.6.2 T
AKING EACH CASE ON ITS MERITS - THE OPPOSITE OF ABSTRACTION
.........................................................................
133
4.6.3 FACES AND STORIES - MAKING THE LAW PERSONAL ......................
134
4.7 FEAR OF CLOSENESS? EMOTIONS IN LEGAL COMMUNICATION
.................... 137
4.8 DISORDERLY
THINKING? - SUCCESSIVITY AND ASSOCIATIVITY .................... 138
BIBLIOGRAPHY
...............................................................................................
139
5* *FUZZY*COMMUNICATION:
*COMPOSITION*AND*PERFORMANCE*OF*THE*LAW .... 151 5.1 FUZZY CONTROL -
HOW CAN VISUAL (LEGAL) COMMUNICATION
BE GUIDED?
.........................................................................................
151
5.2 PERFORMANCE AND COMPOSITION - THE CLASSICAL MEANS OF VISUAL
COMMUNICATION
.......................................................................
152
5.2.1 PAINTING, GRAPHICS, PHOTOGRAPHY - HOW ARE IMAGES COMPOSED?
................................................................ 153
5.2.2 THEATRE, FILM, TELEVISION - HOW ARE MOVING IMAGES PERFORMED?
................................................................ 154
5.2.3 DRAMA, BABY , DRAMA! - VISUAL COMMUNICATION IN TELEVISION
...........................................................................
155
5.3 IMAGE SCIENCES AS TEACHER - THE COMPOSITION
OF LEGAL-IMAGES
.................................................................................
157
5.4 APPLIED
THEATRE STUDIES - PERFORMING LEGAL PROCESSES .................... 158
5.4.1 STAGE-MANAGING THE LAW -
WHY? .......................................... 158
5.4
.2 BEING SERIOUS AND AUTHENTIC - THE PERFORMANCE OF THE LAW ... 161
CONTENTS
IMAGE 4
VIII VIII
5.4.3 RITUALS - THE CONDENSING OF PERFORMANCE
............................ 166
5.4.4 LEGAL RITUALS - PERFORMANCE AND EMOTION IN THE LAW .......... 171
5.5 ON THE DANGERS OF PERFORMANCES
....................................................... 175
BIBLIOGRAPHY
...............................................................................................
176
6* *UNDERSTANDING*IMAGES
*-*THE*INTERPRETATION*OF*VISUAL*LEGAL*
COMMUNICATION
.........................................................................................
183
6.1 WHAT
S TO BE DONE? - OVERSTRETCHING LEGAL DOGMATICS ................... 183
6.2 LEARNING FROM
ART HISTORY - WHAT CAN IMAGES TELL US? .................. 184 6.3
LEARNING FROM THE THEORY OF THE THEATRE - INTERPRETATION
OF MOVING LEGAL IMAGES
.................................................................... 186
6.3.1 HOW SHOULD MOVING IMAGES BE UNDERSTOOD? ...................... 187
6.3.2 PERFORMANCE
ANALYSIS - A NEW METHOD OF LEGAL INTERPRETATION
..........................................................................
188
6.4 NOT CHANCE, BUT NECESSITY - CROSS-BORDER INTERPRETATIONS
............... 190
BIBLIOGRAPHY
...............................................................................................
191
7* *VISUAL*
LAW*-*THE*LAW*AS*DRAMA?
........................................................... 193
7.1 ENTERTAINMENT - IMAGES IN THE MEDIA
................................................ 193
7.1.1 OVERLAPS
- IMAGE LOGIC AND TABLOID LOGIC .......................... 193
7.1.2 THE SHOW MUST GO ON
- THE LOGIC OF TELEVISION .................. 194
7.1.3 BETWEEN ENLIGHTENMENT AND DUMBING-DOWN -
OPPORTUNITY AND RISK OF THE ENTERTAINMENT PARADIGM ........... 199 7.2
POLITICS AS DRAMA - A (DISSUASIVE?) EXAMPLE
................................... 200
7.2.1 SYMBIOSIS - POLITICS AND TELEVISION
....................................... 201
7.2.2 THEATRIFICATION -
ANOTHER KIND OF POLITICS ............................ 204
7.2.3 POLITAINMENT: LESS DEMOCRACY - OR MORE? ..........................
205
7.3 THE LAW AS ENTERTAINMENT? -
THE LOGIC OF ENTERTAINMENT
AND THE LAW
........................................................................................
207
7.3.1 HIT THE RATINGS WITH THE LAW?
............................................... 208
7.3.2 SPECULATION: SCANDAL AND THE LAW
......................................... 209
7.3.3 LIMITED INDEPENDENCE - THE LAW S MEDIA AND
IMAGE RESISTANCE
................................................................... 209
BIBLIOGRAPHY
...............................................................................................
212
8* *WORDS*
AND*IMAGES*IN*THE*LAW*-*LOOKING*FOR*THE*LOST*BALANCE ............ 217
8.1 W
RITING AND TEXT: A BASIS FOR THE LEGAL SYSTEM?
.............................. 217
8.2 IMAGES IN THE LAW - OPPORTUNITIES AND RISKS
................................... 218
8.3 W
ORDS AND IMAGES - USEFUL COMPLEMENTARITY AND MUTUAL REINFORCEMENT
....................................................................................
219
8.4 IMAGES OR NOT? THE LAW IN A DILEMMA
............................................. 220
BIBLIOGRAPHY
...............................................................................................
221
INDEX*
................................................................................................................
223
CONTENTS
|
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| author | Boehme-Neßler, Volker 1962- |
| author_GND | (DE-588)123273897 |
| author_facet | Boehme-Neßler, Volker 1962- |
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| building | Verbundindex |
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| dewey-full | 340.115 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 340 - Law |
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| dewey-tens | 340 - Law |
| discipline | Rechtswissenschaft |
| format | Book |
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| id | DE-604.BV036786019 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T22:48:04Z |
| institution | BVB |
| isbn | 9783642118883 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-020702527 |
| oclc_num | 686759361 |
| open_access_boolean | |
| owner | DE-523 DE-355 DE-BY-UBR DE-M382 |
| owner_facet | DE-523 DE-355 DE-BY-UBR DE-M382 |
| physical | IX, 226 S. |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Springer |
| record_format | marc |
| spelling | Boehme-Neßler, Volker 1962- Verfasser (DE-588)123273897 aut Pictorial law modern law and the power of pictures Volker Boehme-Neßler Berlin [u.a.] Springer 2011 IX, 226 S. txt rdacontent n rdamedia nc rdacarrier Visuelle Kommunikation (DE-588)4131112-7 gnd rswk-swf Recht (DE-588)4048737-4 gnd rswk-swf Recht (DE-588)4048737-4 s Visuelle Kommunikation (DE-588)4131112-7 s DE-604 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020702527&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Boehme-Neßler, Volker 1962- Pictorial law modern law and the power of pictures Visuelle Kommunikation (DE-588)4131112-7 gnd Recht (DE-588)4048737-4 gnd |
| subject_GND | (DE-588)4131112-7 (DE-588)4048737-4 |
| title | Pictorial law modern law and the power of pictures |
| title_auth | Pictorial law modern law and the power of pictures |
| title_exact_search | Pictorial law modern law and the power of pictures |
| title_full | Pictorial law modern law and the power of pictures Volker Boehme-Neßler |
| title_fullStr | Pictorial law modern law and the power of pictures Volker Boehme-Neßler |
| title_full_unstemmed | Pictorial law modern law and the power of pictures Volker Boehme-Neßler |
| title_short | Pictorial law |
| title_sort | pictorial law modern law and the power of pictures |
| title_sub | modern law and the power of pictures |
| topic | Visuelle Kommunikation (DE-588)4131112-7 gnd Recht (DE-588)4048737-4 gnd |
| topic_facet | Visuelle Kommunikation Recht |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020702527&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT boehmeneßlervolker pictoriallawmodernlawandthepowerofpictures |