The Cambridge introduction to the novel:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2011
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge introductions to literature
|
| Schlagworte: | |
| Online-Zugang: | Cover image Contributor biographical information Publisher description Table of contents only Inhaltsverzeichnis Klappentext |
| Beschreibung: | "Beginning its life as the sensational entertainment of the eighteenth century, the novel has become the major literary genre of modern times. Drawing on hundreds of examples of famous novels from all over the world, Marina MacKay explores the essential aspects of the novel and its history: where novels came from and why we read them; how we think about their styles and techniques, their people, plots, places, and politics. Between the main chapters are longer readings of individual works, from Don Quixote to Midnight's Children. A glossary of key terms and a guide to further reading are included, making this an ideal accompaniment to introductory courses on the novel"-- Provided by publisher. Includes bibliographical references and index |
| Beschreibung: | X, 217 S. |
| ISBN: | 9780521885751 9780521713344 |
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Datensatz im Suchindex
| _version_ | 1804143442281889792 |
|---|---|
| adam_text | IMAGE 1
THE CAMBRIDGE INTRODUCTION TO
THE NOVEL
/ MARINA MACKAY
CAMBRIDGE UNIVERSITY PRESS
IMAGE 2
CONTENTS
ACKNOWLEDGMENTS ABOUT THIS BOOK
PAGE VIU RX
CHAPTER 1 WHY THE NOVEL MATTERS
PASSIONS AWAKENED: THE DANGERS OF FICTION WOMEN AND THE NOVEL THE NOVEL
BECOMES AN ART , NOVELISTIC REALISMS AND REALITIES
2 4 8
12
INTERCHAPTER: DON QUIXOTE 16
CHAPTER 2 ORIGINS OF THE NOVEL
DATES AND DEFINITIONS THE (EIGHTEENTH-CENTURY) RISE OF THE NOVEL BUT IS
IT A NOVEL?
ORIGINS IN THE NOVEL
21
21 23 26
29
INTERCHAPTER: TRISTRAM SHANDY 34
CHAPTER 3 NARRATING THE NOVEL
OMNISCIENT NARRATION FOCALIZATION AND FREE INDIRECT DISCOURSE INTERIOR
MONOLOGUE AND STREAM OF CONSCIOUSNESS FIRST-PERSON NARRATION AND THE
PROBLEM OF RELIABILITY
STORIES WITHIN STORIES AND OTHER COMPOSITE FICTIONS
39
40 43 50 52 56
IMAGE 3
VI CONTENTS
INTERCHAPTER: JUSTIFIED SINNER 60
CHAPTER 4 CHARACTER AND THE NOVEL 64
CONSTRUCTING AND CONSTRUING CHARACTER 65
FLAT/ROUND, MAJOR/MINOR, TRANSPARENT/OPAQUE 69
CHARACTER AS TEXT 70
CHARACTER AS FUNCTION AND PERSON 73
INTERCHAPTER: THE SCARLET LETTER 79
/
CHAPTER 5 PLOTTING THE NOVEL 83
SUSPENSE, INTERRUPTION, AND DELAY 84
CONSEQUENTIALITY AND MEANING 87
CONNECTIVITY AND SOCIAL ORDER 90
PLOTS AND MASTERPLOTS 92
INTERCHAPTER: MADAME BOVARY 95
CHAPTER 6 SETTING THE NOVEL 99
IMPROVING YOUR ESTATE 100
THE MONSTER AT THE MARGINS 103
LAND, SEA, AND LABOR 105
CITYSCAPES 108
NOWHERE AND EVERYWHERE 112
INTERCHAPTER: BLEAK HOUSE 115
CHAPTER 7 TIME AND HISTORY 119
HISTORY AND STORY 119
TRANSFORMATIONS OF TIME IN THE MODERN NOVEL 125
INTERCHAPTER: TO THE LIGHTHOUSE 131
IMAGE 4
CONTENTS VII
CHAPTER 8 GENRE A ND S U B G E N RE 135
GENRE FICTION/LITERARY FICTION 135
LITERARY VALUE AND ITS ARBITERS 137
GENRE FICTION AS CULTURAL TEXT 139
ORIGINALITY AND EXPECTATIONS 141
INTERCHAPTER: THE MINISTRY OF FEAR 144
CHAPTER 9 NOVEL A ND ANTI-NOVEL 148
MAGICAL REALISM 149
THE RISE OF METAFICTION 150
WRITING AND REWRITING 155
POSTMODERNISM, POLITICS, HISTORY 156
INTERCHAPTER: THE CRYING OF LOT 49 159
CHAPTER 10 NOVEL, N A T I O N, C O M M U N I TY 162
REPRESENTING THE PART AND THE WHOLE 162
E PLURIBUS UNUM: THE NATION-MAKING NOVEL 165
MULTICULTURALISM AND THE LANGUAGES OF FICTION 167
INTERCHAPTER: MIDNIGHT S CHILDREN ILL
CHAPTER 11 C O N C L U D I NG 176
APOCALYPTIC THINKING 177
OPEN ENDINGS 178
CLOSURE AND ANTI-CLOSURE 181
ONGOINGNESS 182
NOTES 184
GLOSSARY 197
FURTHER READING 206
INDEX 211
Beginning its life as the sensational entertainment of the eighteenth
century, the novel has become the major literary form of modern
times. Drawing on a wide range of examples of famous novels from all
over the world, Marina MacKay explores the essential aspects of the
novel and its history: where novels came from and why we read them;
how we think about their styles and techniques, their people, plots,
places, and politics. Between the main chapters are longer readings of
individual works, from Don Quixote to Midnight s Children. A glossary
of key terms and a guide to further reading are included, making this
an ideal accompaniment to introductory courses on the novel.
|
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| discipline | Literaturwissenschaft |
| edition | 1. publ. |
| era | Geschichte gnd |
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| title | The Cambridge introduction to the novel |
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| title_full | The Cambridge introduction to the novel Marina MacKay |
| title_fullStr | The Cambridge introduction to the novel Marina MacKay |
| title_full_unstemmed | The Cambridge introduction to the novel Marina MacKay |
| title_short | The Cambridge introduction to the novel |
| title_sort | the cambridge introduction to the novel |
| topic | Fiction History and criticism Romantheorie (DE-588)4076830-2 gnd Roman (DE-588)4050479-7 gnd |
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