Shakespeare's memory theatre: recollection, properties, and character
"Ranging from Yorick's skull to Desdemona's handkerchief, Shakespeare's mnemonic objects help audiences to recall, or imagine, staged and unstaged pasts. This study reinterprets the 'places' and 'objects' of the memory arts as a conceptual model for theatrical...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2010
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Zusammenfassung: | "Ranging from Yorick's skull to Desdemona's handkerchief, Shakespeare's mnemonic objects help audiences to recall, or imagine, staged and unstaged pasts. This study reinterprets the 'places' and 'objects' of the memory arts as a conceptual model for theatrical performance. While the memory arts demand a 'masculine' mental and physical discipline, recollection in Shakespeare's plays exploits the distrusted physicality of women and clowns. In Shakespeare's 'memory theatre', some mnemonic objects, such as Prospero's books, are notable by their absence; others, such as the portraits of Claudius and Old Hamlet, embody absence. Absence creates an atmosphere of unfulfilled desire. Engaging this desire, the plays create a theatrical community that remembers past performances. Combining materialist, historicist, and cognitive approaches, Wilder establishes the importance of recollection for understanding the structure of Shakespeare's plays and the social work done by performance in early modern London"-- |
| Beschreibung: | Includes bibliographical references Machine generated contents note: Introduction. Staging memory; 1. Mnemonic desire and place-based memory systems: body, book, and theatre; 2. 'I do remember': the nurse, the apothecary, and Romeo; 3. Wasting memory: competing mnemonics in the Henry plays; 4. 'Baser matter' and mnemonic pedagogy in Hamlet; 5. 'The handkerchief, my mind misgives': false past in Othello; 6. 'Flaws and starts': fragmented recollection in Macbeth; 7. Mnemonic control and watery disorder in The Tempest; Conclusion. A 'most small fault': feminine 'nothings' and the spaces of memory; Bibliography |
| Beschreibung: | VII, 221 S. Ill. |
| ISBN: | 9780521764551 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV036770179 | ||
| 003 | DE-604 | ||
| 005 | 20131106 | ||
| 007 | t | ||
| 008 | 101111s2010 a||| |||| 00||| eng d | ||
| 015 | |a GBB090898 |2 dnb | ||
| 020 | |a 9780521764551 |9 978-0-521-76455-1 | ||
| 035 | |a (OCoLC)699849109 | ||
| 035 | |a (DE-599)BVBBV036770179 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-19 |a DE-12 |a DE-11 | ||
| 084 | |a HI 3385 |0 (DE-625)50020: |2 rvk | ||
| 084 | |a HI 3390 |0 (DE-625)50023: |2 rvk | ||
| 100 | 1 | |a Wilder, Lina Perkins |d 1976- |e Verfasser |0 (DE-588)14283422X |4 aut | |
| 245 | 1 | 0 | |a Shakespeare's memory theatre |b recollection, properties, and character |c Lina Perkins Wilder |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Cambridge [u.a.] |b Cambridge Univ. Press |c 2010 | |
| 300 | |a VII, 221 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references | ||
| 500 | |a Machine generated contents note: Introduction. Staging memory; 1. Mnemonic desire and place-based memory systems: body, book, and theatre; 2. 'I do remember': the nurse, the apothecary, and Romeo; 3. Wasting memory: competing mnemonics in the Henry plays; 4. 'Baser matter' and mnemonic pedagogy in Hamlet; 5. 'The handkerchief, my mind misgives': false past in Othello; 6. 'Flaws and starts': fragmented recollection in Macbeth; 7. Mnemonic control and watery disorder in The Tempest; Conclusion. A 'most small fault': feminine 'nothings' and the spaces of memory; Bibliography | ||
| 520 | |a "Ranging from Yorick's skull to Desdemona's handkerchief, Shakespeare's mnemonic objects help audiences to recall, or imagine, staged and unstaged pasts. This study reinterprets the 'places' and 'objects' of the memory arts as a conceptual model for theatrical performance. While the memory arts demand a 'masculine' mental and physical discipline, recollection in Shakespeare's plays exploits the distrusted physicality of women and clowns. In Shakespeare's 'memory theatre', some mnemonic objects, such as Prospero's books, are notable by their absence; others, such as the portraits of Claudius and Old Hamlet, embody absence. Absence creates an atmosphere of unfulfilled desire. Engaging this desire, the plays create a theatrical community that remembers past performances. Combining materialist, historicist, and cognitive approaches, Wilder establishes the importance of recollection for understanding the structure of Shakespeare's plays and the social work done by performance in early modern London"-- | ||
| 600 | 1 | 4 | |a Shakespeare, William / 1564-1616 / Criticism and interpretation |
| 600 | 1 | 4 | |a Shakespeare, William / 1564-1616 / Dramatic production |
| 600 | 1 | 7 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Memory in literature | |
| 650 | 4 | |a Recollection (Psychology) in literature | |
| 650 | 0 | 7 | |a Erinnerung |g Motiv |0 (DE-588)4193441-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |D p |
| 689 | 0 | 1 | |a Erinnerung |g Motiv |0 (DE-588)4193441-6 |D s |
| 689 | 0 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-020687055 | ||
Datensatz im Suchindex
| _version_ | 1804143440905109504 |
|---|---|
| any_adam_object | |
| author | Wilder, Lina Perkins 1976- |
| author_GND | (DE-588)14283422X |
| author_facet | Wilder, Lina Perkins 1976- |
| author_role | aut |
| author_sort | Wilder, Lina Perkins 1976- |
| author_variant | l p w lp lpw |
| building | Verbundindex |
| bvnumber | BV036770179 |
| classification_rvk | HI 3385 HI 3390 |
| ctrlnum | (OCoLC)699849109 (DE-599)BVBBV036770179 |
| discipline | Anglistik / Amerikanistik |
| edition | 1. publ. |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03167nam a2200445 c 4500</leader><controlfield tag="001">BV036770179</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20131106 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">101111s2010 a||| |||| 00||| eng d</controlfield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB090898</subfield><subfield code="2">dnb</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780521764551</subfield><subfield code="9">978-0-521-76455-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)699849109</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV036770179</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 3385</subfield><subfield code="0">(DE-625)50020:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 3390</subfield><subfield code="0">(DE-625)50023:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wilder, Lina Perkins</subfield><subfield code="d">1976-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)14283422X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Shakespeare's memory theatre</subfield><subfield code="b">recollection, properties, and character</subfield><subfield code="c">Lina Perkins Wilder</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge [u.a.]</subfield><subfield code="b">Cambridge Univ. Press</subfield><subfield code="c">2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">VII, 221 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Machine generated contents note: Introduction. Staging memory; 1. Mnemonic desire and place-based memory systems: body, book, and theatre; 2. 'I do remember': the nurse, the apothecary, and Romeo; 3. Wasting memory: competing mnemonics in the Henry plays; 4. 'Baser matter' and mnemonic pedagogy in Hamlet; 5. 'The handkerchief, my mind misgives': false past in Othello; 6. 'Flaws and starts': fragmented recollection in Macbeth; 7. Mnemonic control and watery disorder in The Tempest; Conclusion. A 'most small fault': feminine 'nothings' and the spaces of memory; Bibliography</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Ranging from Yorick's skull to Desdemona's handkerchief, Shakespeare's mnemonic objects help audiences to recall, or imagine, staged and unstaged pasts. This study reinterprets the 'places' and 'objects' of the memory arts as a conceptual model for theatrical performance. While the memory arts demand a 'masculine' mental and physical discipline, recollection in Shakespeare's plays exploits the distrusted physicality of women and clowns. In Shakespeare's 'memory theatre', some mnemonic objects, such as Prospero's books, are notable by their absence; others, such as the portraits of Claudius and Old Hamlet, embody absence. Absence creates an atmosphere of unfulfilled desire. Engaging this desire, the plays create a theatrical community that remembers past performances. Combining materialist, historicist, and cognitive approaches, Wilder establishes the importance of recollection for understanding the structure of Shakespeare's plays and the social work done by performance in early modern London"--</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Shakespeare, William / 1564-1616 / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Shakespeare, William / 1564-1616 / Dramatic production</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shakespeare, William</subfield><subfield code="d">1564-1616</subfield><subfield code="0">(DE-588)118613723</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Memory in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Recollection (Psychology) in literature</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Erinnerung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4193441-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Shakespeare, William</subfield><subfield code="d">1564-1616</subfield><subfield code="0">(DE-588)118613723</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Erinnerung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4193441-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-020687055</subfield></datafield></record></collection> |
| id | DE-604.BV036770179 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:47:42Z |
| institution | BVB |
| isbn | 9780521764551 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-020687055 |
| oclc_num | 699849109 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-12 DE-11 |
| owner_facet | DE-19 DE-BY-UBM DE-12 DE-11 |
| physical | VII, 221 S. Ill. |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Cambridge Univ. Press |
| record_format | marc |
| spelling | Wilder, Lina Perkins 1976- Verfasser (DE-588)14283422X aut Shakespeare's memory theatre recollection, properties, and character Lina Perkins Wilder 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2010 VII, 221 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references Machine generated contents note: Introduction. Staging memory; 1. Mnemonic desire and place-based memory systems: body, book, and theatre; 2. 'I do remember': the nurse, the apothecary, and Romeo; 3. Wasting memory: competing mnemonics in the Henry plays; 4. 'Baser matter' and mnemonic pedagogy in Hamlet; 5. 'The handkerchief, my mind misgives': false past in Othello; 6. 'Flaws and starts': fragmented recollection in Macbeth; 7. Mnemonic control and watery disorder in The Tempest; Conclusion. A 'most small fault': feminine 'nothings' and the spaces of memory; Bibliography "Ranging from Yorick's skull to Desdemona's handkerchief, Shakespeare's mnemonic objects help audiences to recall, or imagine, staged and unstaged pasts. This study reinterprets the 'places' and 'objects' of the memory arts as a conceptual model for theatrical performance. While the memory arts demand a 'masculine' mental and physical discipline, recollection in Shakespeare's plays exploits the distrusted physicality of women and clowns. In Shakespeare's 'memory theatre', some mnemonic objects, such as Prospero's books, are notable by their absence; others, such as the portraits of Claudius and Old Hamlet, embody absence. Absence creates an atmosphere of unfulfilled desire. Engaging this desire, the plays create a theatrical community that remembers past performances. Combining materialist, historicist, and cognitive approaches, Wilder establishes the importance of recollection for understanding the structure of Shakespeare's plays and the social work done by performance in early modern London"-- Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Memory in literature Recollection (Psychology) in literature Erinnerung Motiv (DE-588)4193441-6 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Erinnerung Motiv (DE-588)4193441-6 s DE-604 |
| spellingShingle | Wilder, Lina Perkins 1976- Shakespeare's memory theatre recollection, properties, and character Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William 1564-1616 (DE-588)118613723 gnd Memory in literature Recollection (Psychology) in literature Erinnerung Motiv (DE-588)4193441-6 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4193441-6 |
| title | Shakespeare's memory theatre recollection, properties, and character |
| title_auth | Shakespeare's memory theatre recollection, properties, and character |
| title_exact_search | Shakespeare's memory theatre recollection, properties, and character |
| title_full | Shakespeare's memory theatre recollection, properties, and character Lina Perkins Wilder |
| title_fullStr | Shakespeare's memory theatre recollection, properties, and character Lina Perkins Wilder |
| title_full_unstemmed | Shakespeare's memory theatre recollection, properties, and character Lina Perkins Wilder |
| title_short | Shakespeare's memory theatre |
| title_sort | shakespeare s memory theatre recollection properties and character |
| title_sub | recollection, properties, and character |
| topic | Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William 1564-1616 (DE-588)118613723 gnd Memory in literature Recollection (Psychology) in literature Erinnerung Motiv (DE-588)4193441-6 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William 1564-1616 Memory in literature Recollection (Psychology) in literature Erinnerung Motiv |
| work_keys_str_mv | AT wilderlinaperkins shakespearesmemorytheatrerecollectionpropertiesandcharacter |