Verfügbarkeit: The musical experience

The musical experience:

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Bibliographische Detailangaben
1. Verfasser:	Chiego, John J. (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Dubuque, IA Kendall Hunt 2010
Ausgabe:	2. ed.
Schlagworte:	Geschichte Music appreciation Musik Rezeption Musikhören Einführung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Includes bibliographical references and index
Beschreibung:	xxv, 289 S. Ill., Kt., graph. Darst. 26 cm
ISBN:	9780757570711 9780757574801

Internformat

MARC


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Datensatz im Suchindex

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adam_text	Brief Contents Chapter 1 Introduction and Historical Overview 1 Chapter 2 Music of the Religious Experience 21 Chapter 3 Music for the Stage 51 Chapter 4 Music for Dancing 75 Chapter 5 Songs 99 Chapter 6 Music for Mourning 131 Chapter 7 Music for Celebration, Inspiration, and Commemoration 149 Chapter 8 Music for the Concert Hall 171 Chapter 9 Music for the Movies 211 Chapter 10 The Experience of Improvisation 235 Contents Preface xv New to the Second Edition xvii Features of this Book xix Acknowledgments xxi About the Author xxv Chapter 1 Introduction and Historical Overview 1 Focus Points 1 What Is Music? 1 Elements of Music 2 Melody 2 Harmony 3 Rhythm 4 Form 4 Texture 5 Timbre -5 Historical Periods and Characteristics 6 Medieval Period ca. ad 500-1450 6 О Fortuna from the Carmina Burana 7 Kyrie —Hildegard of Bingen 7 Renaissance Period 1450-1600 8 Ave Maria — Josquin des Prez 9 Canzon XVII — Giovanni Gabrieli 9 Baroque Period 1600-1750 9 Canon a tre in D wajor-^-Joharm Pachelbel 10 Hallelujah Chorus from Messiah— George Friderić Handel 10 ClassicalPeriod 1750-1825 11 Eine Kleine Nachtmusik (A Little Night MmsícJ— Wolfgang Amadeus Mozart 11 Symphony #5 in С minor —1st movement — Ludwig van Beethoven 11 Romantic Period 1825-1900 11 Perspective—Art and Music 12 Symphony #4 in F minor, 4th movements- Peter Tchaikovsky 15 Intermezzo in A major — Johannes Brahms 15 Twentieth Century 1900-Present 15 Timeline of the Historical Periods 16 Listening Chart 17 The Rite ofSpring (excerpt) — Igor Stravinsky 18 Hoedown from Rodeo — Aaron Copland 18 О Fortuna from Carmina Burana (Songs from Benediktbeuern)—Carl Orff 18 Summary 18 Suggested Further Listening 19 Chapter 2 Music of the Religious Experience 21 Focus Points 21 Different Approaches to Common Elements of Music 22 Rhythm 22 Melody 23 Harmony 23 Verses and Choruses 24 Timbre 24 Gregorian Chant 24 The Mass 25 Early Monophonie Style 26 Kyrie from First Mass for Christmas — Anonymous 26 Polyphonic Style — Renaissance and Baroque 26 Gloria from Musa Fange Lingua- — Josquin des Prez 27 Credo (excerpt) from Mass in В minor — Johann Sebastian Bach 28 Classical Style 28 Sanctus from Requiem Mass — Wolfgang Amadeus Mozart 29 Romantic Style 29 Agnus Dei from Messe di Gloria— Giacomo Puccini 29 VII Contents Chapter 5 Songs 99 Focus Points 99 Folk Songs, Art Songs, and Popular Songs 100 Representative Folk Songs 101 English Folk Songs 101 Greensleeves— Traditional English Folk Song (poss. Henry VIII of England, 1500s) 102 Blow the Man Down — Traditional English Sea Chantey 102 African Folk Songs 102 Gumbukumbu — Traditional African Folk Song 103 Kumbaya — Traditional African Folk Song 104 American Folk Songs 104 Folk Song Inspired by War 105 The Cruel War—Traditional Folk Song 105 Folk Song Born of Slavery 106 All the Pretty Little Horses— Traditional Folk Song 106 Folk Song to Accompany Work 106 John Henry — Traditional American Work Song 107 Box: A Unique Type of Folk Song 107 Pilentze Pee (Little Bird) — Traditional Bulgarian Folk Song. Translated by Milena Albrecht 108 Art Songs in the Western Historical Periods 108 A Medieval Troubadour Song 109 Ahi! Amours (Alas Love) — Conon de Bethune, ca. 1150-1220 110 A Renaissance Lute Song 110 / Care Not for These Ladies— Thomas Campion, 1567-1620 111 A Classical/Romantic Art Song 111 Erlkönig (The Erlking) — Franz Schubert 112 Art Songs with Orchestral Accompaniment 113 The Drunkard in Spring from Das Lied Von Der Erde—-GustavZahler 113 The Emergence of Popular Song 114 Stephen Foster 114 Perspective—Worçls in Song 115 ;. Timeline of Songs 1 1£» : The Blues 117 Twelve-Bar Blues Chord Progression 117 Chord Names 118 Every Day (I Have the Blues)—B.B. King 118 Tin Pan Alley 119 Puttin on the Ritz— Irving Berlin 119 Jazz Songs 119 Blue Skies—Irving Berlin 119 Strange Fruit — Lewis Allan (Abel Meeropol) 120 Rock and Roll 120 Good Golly Miss Molly—Little Richard 121 Roll Over Beethoven — Chuck Berry 121 Rock Around the Clock — Bill Haley and the Comets 121 The Impact of Rock and Roll 121 Box: Rock and Roll Icons 121 Blue Suede Shoes — Elvis Presley 122 (I Can t Get No) Satisfađion — The Rolling Stones 122 Other Popular Styles 122 Urban Folk 122 The Times They Are a Changin — Bob Dylan 123 R&B/Motown 123 My Girl—The Temptations 123 Blues/Rock 123 Crossroads — Robert Johnson, performed by Cream 124 Heavy Metal 124 Metal Meltdown — Judas Priest 124 Country 124 Folsom Prison Blues — Johnny Cash 125 Pop Music 125 Candle in the Wind—Elton John, lyrics by Bernie Taupin 125 Alternative Rock 125 Listening Chart 126 Jeremy — Pearl Jam 127 Higher Ground — The Red Hot Chili Peppers 127 Rap/Hip-Hop 127 Hard Time—Rxm-DM-C. 127 Lose Yourself— Eminem 127 Swagga Like Us — T.i, Jay-Z, L il Wayne Í28 Summary 128 Contents XI Chapter 6 Music for Mourning 131 Focus Points 131 The Requiem Mass 132 The Dies Irae 133 Sequence (Dies Irae excerpt) from Requiem Mass in D minor — Wolfgang Amadeus Mozart 134 Sequence (Dies Irae excerpt) from Messa da Requiem—Giuseppe Verdi 135 A Requiem without the Dies Irae 136 In Paradisum from Requiem in D minor — Gabriel Faúré 136 Songs of Mourning 137 Tears in Heaven — Eric Clapton 137 Perspective — On the Transmigration of Souls by John Adams 138 Nun will die Sonn... (Now the Sun will Rise ...) from Kindertotenlieder — Gustav Mahler 139 Instrumental Music of Mourning 139 The Funeral March 139 3rd Movement Funeral March from Piano Sonata #2 in B-flat minor — Frederic Chopin 140 2nd Movement Marcia Funebre from Symphony #3 in Е -flat major — Ludwig van Beethoven 140 Threnody 140 Timeline of Music for Mourning 141 Threnody to the Victims of Hiroshima— Krzysztof Pendercela 142 The Adagio for Strings 142 Adagio for Strings—Samuel Barber 142 Dogon Funeral Musk 142 Dogon Funeral Musk 143 The New Orleans Jazz Funeral 143 Just a Closer Walk with Thee— Jazz Funeral Dirge 144 When the Saints Go Marching In — Traditional 144 Native American Funeral Music 144 Funeral Song — Watapai (Walapai) 145 Warrior Death Song (for Sitting BuÜ)— Assinboine (Assiniboine) 145 Listening Chart 146 Summary:: Д47;- ,·,,[:..-;,;,.■,,,;,-; ^-., .;, . ■ ^ Chapter 7 Music for Celebration, Inspiration, and Commemoration 149 Focus Points 149 Music for Celebration 150 Happy Birthday 150 Aulă Lang Syne 151 Aulă Lang Syne — Traditional Scottish Folk Song performed by Guy Lombardo s Orchestra 152 The Wedding March from A Midsummer Night s Dream 152 Wedding March from A Midsummer Night s Dream — Felix Mendelssohn 153 Jewish Wedding Music 153 Hava Nagila (Come Let Us Be Glad)— Traditional Jewish Folk Dance 153 Wedding Dance — Traditional Jewish Klezmer Music 154 Mexican Hat Dance 154 Jarabe Tapatío—Jesús Rubio 155 Music of Inspiration 155 Fanfares 155 Hail to the Chief—Ceremonial Fanfare 155 Olympic Fanfare (opening flourish) — John Williams 156 Olympic Fanfare (entire composition) — John Williams 156 Fanfare for the Common Man — Aaron Copland 156 National Anthems 156 The Star Spangled Banner (verses 1 and 4)— words by Francis Scott Key, music by John Stafford Smith 157 Marches 157 The Stars and Stripes Forever — John Philip Sousa 158 Music of Commemoration 159 The Concert Overture 159 Festive Overture—Dmitri Shostakovich 159 The 1812 Overture 159 Perspective—Monuments and Memorials 160 Timeline of Music for Celebration, Inspiration, and Commemoration 162 1812 Overture— Vetet flyich Tchaikovsky 164 Lincoln Portrait 165 Lincoln РогіЩр~-МЕШп<^фяпа 165 A Змт&іоС^ ■:;: r;· ? XII Contents Listening Chart 167 We Shall Overcome — Pete Seeger, Guy Carawan, and Frank Hamilton 168 Summary 168 Suggested Further Listening 169 Chapter 8 Music for the Concert Hall 171 Focus Points 171 Development of the Concert Tradition 171 Box: Musical Experiences Before the Twentieth Century 173 Music for the Concert Hall — Historical Periods, Common Genres, and Composers 173 Baroque Period, 1600-1750 173 Style and Characteristics 173 Musical Elements 174 Baroque Instruments 174 Box: The Baroque Orchestra 175 The Basso Continuo 175 Baroque Instrumental Genres 176 Concerto Grosso 176 Brandenberg Concerto #2,1st movement — Johann Sebastian Bach 176 Concerto 177 Lute Concerto in D major, 2nd movement — Antonio Vivaldi 177 The Fugue 177 Little Organ Fugue in G minor — Johann Sebastian Bach 177 Little Organ Fugue in G minor — Johann Sebastian Bach 178 Little Fugue in G minor (orchestrated)— Johann Sebastian Bach 178 The Trio Sonata and the Sonata 178 Sonata, Opus 1 #3, Presto— Arcangelo Corelli 178 Box: Italian Terms 179 Classical Period, 1750-1825 179 Style and Characteristics 179 Perspective—Baroque to the Twentieth Century (Part 1) 180 Musical Elements 181 Single-Movement Forms of the Classical Period 182 SonataForrn -ѓЏЏ, :: ■ : : .. .-;. ;:;v;Vv ■ : ;: Box: The Classica! Orchestra 184 Classical Instrumental Genres 185 The Symphony 185 Symphony #5 in С minor, 1st movement— Ludwig van Beethoven 186 The String Quartet 186 String Quartet in D minor, 2nd movement (Andante con moto) — Franz Schubert 186 Box: Composition 187 The Concerto 187 Concerto for Trumpet and Orchestra, 1st movement — Franz Joseph Haydn 187 The Sonata 188 Piano Sonata, Opus 13,2nd movement — Ludwig van Beethoven 188 Romantic Period, 1825-1900 188 Style and Characteristics 188 Timeline of Music for the Concert Hall 189 Musical Elements 190 Box: The Romantic Orchestra 191 The Romantic Piano 191 Ballade in G minor — Frederic Chopin 192 Romantic Period Instrumental Genres 192 Program Music, Nationalism, and Impressionism 192 Program Music 192 Til Eulenspiegeľs Lustige Streiche (Til Eulenspiegeľs Merry Pranks)— Richard Strauss 193 Nationalism 194 Night on Bald Mountain—-Modest Mussorgsky, revised by Nicolai Rimsky-Korsakov 194 Impressionism 194 L Apres-midi d un faun (The Afternoon of a Faun)—Claude Debussy 195 The Romantic Symphony 195 The New World Symphony 196 Symphony #9,2nd movement, Large— excerpt Antonin Dvořák 196 Goin Home—Melody composed by Antonin Dvořák, words by William Arms Fishër 196 Symphony #9, 4th movement, Allegro con fuoco (East with fire) — Antonin Dvořák 196 Perspective—Baroque to the Twentieth Century (Part 2) 197 Twentieth Century, 1900-1999 198 Style and Characteristics 198 Ш^ 198 ■;;;;,· :{. ¿Y.·. ; ■■:■::.:■:■■■■; Contents XIII Serialism 199 Expressionism 199 Five Piano Pieces, two movements — Arnold Schoenberg 200 Langsam (Slowly) 200 Sehr rasch (very quickly) 200 Primitivism 200 The Rite ofSpring, excerpt Adoration of the Earth —Igor Stravinsky 200 Neodassicism 200 Pulcinella, Overture and Allegro — Igor Stravinsky 201 Avant-garde: Experiments in Modern Music 201 The Banshee—Henry Cowell 202 Traditionalism 202 Twentieth-Century Tonality-Based Compositions 203 Rhapsody in Blue 203 Rhapsody in Blue — George Gershwin 203 Afro-American Symphony 203 Afro-American Symphony, 3rd movement Animato — William Grant Still 204 Symphony #2, Mysterious Mountain 204 Symphony #2, Mysterious Mountain, double fugue excerpt — Alan Hovhannes 204 In С 204 In C—Terry Riley 204 Symphony #3, 4th movement — Philip Glass 205 Crossover Music 205 Blackberry Winter, 3rd movement — Conni EHisor 205 Vivace from Concerto Suite for Electric Guitar and Orchestra—-Yngwie Malmsteen with David Rosenthal 206 Listening Chart 207 Summary 208 Suggested Further Listening 209 Chapter 9 Music for the Movies 211 Focus Points 211 Early Years of Movie Music 212 The Jazz Singer 212 Toot, Toot, Tootsie, Goodbye—Gm Kahn, Ernie Erdman, Dan Russo 213 KolNidre—Jewish Prayer 213 Orchestral Scores 213 King Kong, Main Title Sequence — Max Steiner 214 The Sea Hawk, Main Title Sequence — Erich Wolfgang Korngold 214 Gone with the Wnd, Main Title Sequence — Max Steiner 214 Alexander Nevsky — A Milestone in Movie Music 215 Alexander Nevsky, Battle on the Ice — Sergei Prokofiev, Two excerpts 216 Songs in Film 216 Somewhere, Over the Rainbow — music by Harold Arlen, lyrics by E.Y. Harburg 217 As Time Goes By from Casablanca — Herman Hupfield 217 An Evolving View of the Role of Music in Movies 217 Circus Music from The Red Pony- Aaron Copland 219 Musical Performances as Pivotal Scenes 219 Die Wacht am Rhein/La Marseillaise from Casablanca 219 The Storm Cloud Cantata — Arthur Benjamin, from The Man Who Knew Too Much 220 Tosca, Act I — Te Deum (We Praise Thee О God ...) and Va, Tosca (Go, Tosca); Act II final scene, excerpts — Giacomo Puccini 220 Staged Musical Adaptations 220 Dat s Love from Carmen Jones — lyrics by Oscar Hammerstein, music by Georges Bizet 221 Classical Compositions that Appear in Movies 221 Rhapsody on a Theme ofPaganinni, Variation #18— Sergei Rachmaninoff 222 Musical Biopics 222 Timeline of Music for Movies 223 Music for Animated Movies and Cartoons 224 Cartoon Shorts 224 Powerhouse — Raymond Scott 225 House Hunting Mice 225 William Tell Overture— Gioacchino Rossini 226 Electronic Scores 226 Forbidden Planet, Main Title Sequence — Louis and Bebe Barren 226 XIV Contents Forbidden Planet, Ancient Krell Music — Louis and Bebe Barron 226 Perspective — Music on Radio and Television 227 Forbidden Planet, Battle with Invisible Monster — Louis and Bebe Barron 227 Chariots of Fire, Main Title Sequence— Vangelis 228 The Day the Earth Stood Still, Prelude — Bernard Herrmann 228 The Influence of the Director 228 Ride of the Valkyries from Die Walküre— Richard Wagner 229 Prominent Composers of Movie Music 229 Murder (Shower Scene from Psycho)— Bernard Herrmann 229 The Good, The Bad and The Ugly— Main Theme — Ennio Morricone 230 Gabriel s Oboe from The Mission— - Ennio Morricone 230 Dr. No, James Bond Theme — John Barry 230 Listening Chart 231 Jaws, Main Title and First Victim — John Williams 232 Star Wars, Main Title Sequence -- John Williams 232 Summary 232 Suggested Further Listening/Watching 233 Chapter 10 The Experience of Improvisation 235 Focus Points 235 Improvisation A Uniquely Musical Experiences 1235 ·■.<■· ;■.,·: :, : ; ■ ■■ The Improvisajtóŕy Framework 236 Improvisation in Western Art Music 236 Lute Concerto in D major, 2ηά movement— - Antonio Vivaldi 237 Piano Concerto #1 in С tnajor, 1st movement- Ludwig van BeethovenV 23? Improvisation in the Contemporary Classical ^C 237 ■■ ■ť :ľv;K v.i,5 \|.r: rľ:· - Ę^ in Tunisia— DizzjtGÌBèsjp^ * , -: ^^^med by the Turtle IsjianÅ String , ■ ■. Muir Woods Suite, Phase 5 — George Duke 238 Improvisation in Jazz 238 When the Saints Go Marching In — performed by Louis Armstrong 239 West End Blues- Louis Armstrong and His Hot Five 239 One O clock Jump— Count Basie and His Orchestra 239 Take the A Train — Billy Strayhorn, performed by the Duke Ellington Orchestra 240 In the Mood—Glenn Miller Big Band 240 Straight No Chaser — Thelonious Monk 240 A Night in Tunisia — Dizzy Gillespie 240 Yvette — Stan Getz 241 So What— Miles Davis 241 Bitches Brew — Miles Davis 241 The Experience of Improvisation Timeline 242 Perspective — Improvisation in Theatre and Dance 243 Improvisation in Rock Music 244 Good Golly Miss Molly— Little Richard 244 Roll Over Beethoven—Chuck Berry 244 Rock Around the Clock— Bill Haley and the Comets 244 Spoonful—Willie Dixon, performed by Cream 245 You Enjoy Myself — Trey Anastasio, performed by Phish 245 Improvisation in Ñon- Western Musie 246 Maqam Kurd—Traditional Arabic Improvisation 247 Raga: TШkShayam~PeIÍoтmeá by RaviShankar 248 Listening Chart 249 V.Summary :r25O:-: f: ■ ■■ : Ι- ^γ^·: .-.f:;-.^,··/^·:^ Suggested Further listening ; 250 Glossary of Key Terms 251 Glossary of Key People and Compositions 263 Appendix 2?! Index of Key Terms 275 Index of Key People and Cprnpositiöns 285
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spelling	Chiego, John J. Verfasser aut The musical experience John J. Chiego 2. ed. Dubuque, IA Kendall Hunt 2010 xxv, 289 S. Ill., Kt., graph. Darst. 26 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte gnd rswk-swf Music appreciation Musik (DE-588)4040802-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Musikhören (DE-588)4075127-2 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Musikhören (DE-588)4075127-2 s Geschichte z DE-604 Musik (DE-588)4040802-4 s Rezeption (DE-588)4049716-1 s Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020671797&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Chiego, John J. The musical experience Music appreciation Musik (DE-588)4040802-4 gnd Rezeption (DE-588)4049716-1 gnd Musikhören (DE-588)4075127-2 gnd
subject_GND	(DE-588)4040802-4 (DE-588)4049716-1 (DE-588)4075127-2 (DE-588)4151278-9
title	The musical experience
title_auth	The musical experience
title_exact_search	The musical experience
title_full	The musical experience John J. Chiego
title_fullStr	The musical experience John J. Chiego
title_full_unstemmed	The musical experience John J. Chiego
title_short	The musical experience
title_sort	the musical experience
topic	Music appreciation Musik (DE-588)4040802-4 gnd Rezeption (DE-588)4049716-1 gnd Musikhören (DE-588)4075127-2 gnd
topic_facet	Music appreciation Musik Rezeption Musikhören Einführung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020671797&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT chiegojohnj themusicalexperience

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