Verfügbarkeit: The reinvention of the British and Irish novel

The reinvention of the British and Irish novel: 1880 - 1940

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Bibliographische Detailangaben
Format:	Buch
Sprache:	English
Veröffentlicht:	Oxford [u.a.] Oxford Univ. Press 2011
Ausgabe:	1. publ.
Schriftenreihe:	The Oxford history of the novel in English 4
Schlagworte:	Geschichte 1880-1940 Roman Englisch Irland Aufsatzsammlung
Online-Zugang:	Inhaltsverzeichnis Klappentext
Beschreibung:	XXIII, 633 S. graph. Darst.
ISBN:	9780199559336

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Datensatz im Suchindex

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adam_text	Contents Acknowledgments ix List of Contributors xi General Editor s Preface xiii Introduction xv Editorial Note xxv Part I: The Fiction Industry 1880-1940 1. The Production of the Novel, 1880-1940 3 Andrew Nash 2. Novelists, Literary Property, and Copyright 20 Catherine Seville 3. Libraries, Reading Patterns, and Censorship 36 Nicola Wilson Partii: The Novel 1880-1914 4. Fiction as an Art: Henry James, Joseph Conrad, and Ford Madox Ford 55 Max Saunaers 5. From Balzac to Proust: English Novelists and Foreign Novels 72 David Gervais 6. Realism and the Fiction of Modern Life: From Meredith to Forster 87 Simon J. James 7. Metropolitan Fiction: Slums, Suburbs, and Tales of Mean Streets 103 Patrick Parrinder 8. Provincial Fiction and the Decline of Puritan England 118 William Greenslade 9. New Women and the New Fiction 133 Angélique Richardson VI [ CONTENTS 10. Masters of Male Romance 148 David Glover 11. Scottish, Irish, and Welsh Fiction in the Late Nineteenth Century 164 David Goldie 12. Bestselling Fiction Before and After the First World War 180 Clive Bloom Part III: Sub-generic and Specialized Fictional Forms 13. Political Novels and Utopian Romances 197 Chris Baldick 14. The English Detective Story 213 Christopher Pittard 15. Adventure Novels and Thrillers 227 Nicholas Daly 16. Science Fiction and Fantasy 242 Roger Luckhurst 17. Gothic and Supernatural Fiction 258 David Punter 18. The Children s Novel 273 Norma Clarke 19. Short Stories and Short Fiction 288 Clare Hanson Part IV: The Novel 1914-1940 20. James Joyce 305 John McCourt 21. Virginia Woolf and Consciousness 321 Bonnie Kime Scott 22. D. H. Lawrence and Metaphysical Fiction 337 Fiona Becket 23. Modernism and the Fiction of the City 353 Peter Brooker 24. Cinema and the Novel 370 David Trotter and Andrew Shail 25. The Novel and the Empire 387 John Marx 26. The Novel and the First World War 402 Vincent Sherry CONTENTS I VII 27. Women s Novels Between the Wars 417 Elizabeth Maslen 28. Aristocratic Comedy and Intellectual Satire 433 Len Platt Part V: National and Regional Fiction in the Early Twentieth Century 29. The Irish Novel 1914-1940 451 Maud Ellmann 30. Scottish Fiction 473 Cairns Craig 31. Welsh Fiction 490 Jane Aaron 32. English Regional Fiction and National Culture 506 Steven Matthews 33. Working-class Fiction 522 Christopher Hilliard Part VI: The Critical Understanding of Fiction 34. Impressionism, Naturalism, and Aestheticism: Novel Theory, 1880-1914 539 Jesse Matz 35. Popular Fiction and the Critique of Mass Culture 555 John Baxendale 36. Inside and Outside the Whale 571 Andrzej Gąsiorek Composite Bibliography 588 Index of British and Irish Novelists, 1880-1940 609 General Index 623 lhe 37 expert contributors to Volume 4 trace the dramatic changes in British and Irish fiction from the cumbersome 3-volume novels of the 1880s to the paperback revolution in the late 1930s. They look at the intense debates over the nature and purpose of the novel in the period, the development of new popular sub-genres, and the stratification of the readership of fiction. In a period characterized by huge political and economic upheavals and wholesale revisions of personal morality and sexual and linguistic taboos, the volume traces both the process of modernist experimentation and the work of no elists who registered the social and cultural impact of modernity. The topics covered include national (Irish, Scottish, and Welsh), regional, and women s fiction; the influence of the European novel, of the cinema, and the growth of the modern city; the impact of the Empire, class-consciousness, and the First World War; and such specialized forms as the children s novel, detective stories, thrillers, science fiction and fantasy, and the short story.
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title	The reinvention of the British and Irish novel 1880 - 1940
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