Film theory and criticism: introductory readings
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; New York
Oxford University Press
2009
|
| Ausgabe: | 7th edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVII, 905 Seiten Illustrationen |
| ISBN: | 9780195365627 0195365623 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804143315911704576 |
|---|---|
| adam_text | Titel: Film theory and criticism
Autor: Braudy, Leo
Jahr: 2009
CONTENTS
Preface, xv
I ? Film Language 1
VSEVOLOD PUDOVKIN From Film Technlque
[On Editing], 7
SERGEJ EISENSTEIN from Film Form
Beyond the Shot Uhe Cinematographic Principle and the Ideogram], 13
The Dramaturgy of Film Form [The Dialectical Approach to Film Form], 24
ANDRÉ BAZ1N from What Is Cinema?
The Evolution of the Language of Cinema, 41
BRIAN HENDERSON Toward a Non-Bourgeois Camera Style, 54
CHRISTIAN METZ From Film Language
Some Points in the Semiotics of Cinema, 65
Problems of Denotation in the Fiction Film, 71
GILBERT HARMAN Semiotics and the Cinema: Metz and Wollen, 78
STEPHEN PRINCE The Discourse of Plctures: Iconlclty and Film Studles, 87
DANIEL DAYAN The Tutor-Code of Classica! Cinema, 106
IX
x CONTENTS
WILLIAM ROTHMAN Agalnst The System of the Suture, 118
NICK BROWNE The Spectator-in-the-Text: The Rhetoric of Stagecoach, 125
II ? Film and Reality 141
SIEGFRIED KRACAUER From Theory of Film
Basic Concepts, 147
ANDRÉ BAZIN From What Is Cinema?
The Ontology of the Photographic Image, 159
The Myth of Total Cinema, 163
RUDOLF ARNHEIM From Film as Art
The Complete Film, 167
JEAN-LOUIS BAUDRY The Apparatus: Metapsychological
Approaches to the Impression of Reality In Cinema, 171
NOÉL CARROLL From Mystifying Movies
Jean-Louis Baudry and The Apparatus, 189
JONATHAN CRARY From Vision and Vlsualtty
Modernizing Vision, 206
GILLES DELEUZE From Cinema 1 and Cinema 2
Preface to the English Edition, 216
The Orìgin of the Crisis: Italian Neo-Realism and the French New Wave, 218
Beyond the Movement-Image, 227
III ? The Film Medium: Image and Sound 241
ERW1N PANOFSKY Style and Medium in the Motion Plctures, 247
SIEGFRIED KRACAUER From Theory of Film
The Establishment of Physical Existence, 262
BÉLA BALASZ From Theory of the Film
The Close-Up, 273
The Face of Man, 275
CONTENTS xi
RUDOLF ARNHEIM From Film as Art
Film and Reality, 282
The Making of a Film, 286
NOÉL CARROLL From Phllosophical Problems of Classica! Film Theory
The Specificity Thesis, 292
GERALD MAST From Hlm/CInema/Movle
Projection, 299
STANLEY CAVELL From The World Viewed
Photograph and Screen, 304
Audience, Actor, and Star, 305
Types; Cycles as Genres, 307
Ideas of Origin, 312
SERGEI EISENSTEIN, VSEVELOD PUDOVKIN, AND
GRIGORI ALEXANDROV Statement on Sound, 315
MARY ANN DOANE The Voice In the Cinema: The Artlculatlon
of Body and Space, 318
JOHN BELTON Technology and AesthetJcs of Film Sound, 331
IV ? Film Narrative and the Other Arts 341
ANDRÉ BAZIN From What Is Cinema?
Theater and Cinema, 345
LEO BRAUDY From The World In a Frame
Acting: Stage vs. Screen, 356
SERGEI EISENSTEIN From Film Form
Dickens, Griffith, and Ourselves
[Dickens, Griffith, and Film Today], 363
DUDLEY ANDREW From Concepts In FHm Theory
Adaptarion, 372
BRIAN MCFARLANE From Novello
Backgrounds, 381
xii CONTENTS
TOM GUNNING From D.W. Griffith and the Orlglns of American Narrative
Film
Narrative Discourse and the Narrator System, 390
JERROLD LEVINSON Film Music and Narrative Agency, 402
PETER WOLLEN Godard and Counter Cinema: Venr d est, 418
DAVID BORDWELL From Poetics of Cinema
Cognition and Comprehension: Viewing and Forgetting in Mildred Pierce, 427
V ? The Film Artist 445
ANDREW SARRIS Notes on the Auteur Theory in 1962, 451
PETER WOLLEN From Signs and Meaning in the Cinema
The Auteur Theory [Howard Hawks and John Ford], 455
ROLAND BARTHES The Face of Garbo, 471
GILBERTO PEREZ From The Material Ghost
[On Keaton and Chaplin], 474
RICHARD DYER From Stare, 480
JAMES NAREMORE From Actlng In the Cinema
Katherine Hepburn in Holiday, 486
MOLLY HASKELL From From Reverence to Rape
Female Stars of the 1940s, 501
RICHARD B. JEWELL How Howard Hawks Brought Baby Up:
An Apologia for the Studio System, 515
THOMAS SCH ATZ From The Genius of the System
The Whole Equation of Pictures, 523
VI ? Film Genres 529
LEO BRAUDY From The World In a Frame
Genre: The Conventions of Connection, 535
CONTENTS xiii
RICK ALTMAN A Semantic/Syntactic Approach to Film Genre, 552
THOMAS SCHATZ From Hollywood Genres
Film Genre and the Genre Film, 564
ROBERT WARSHOW The Gangster as Traglc Hero, 576
PAUL SCHRADER Notes on Film Nolr, 581
ROBIN WOOD Ideology, Genre, Auteur, 592
LINDA WILLIAMS Film Bodies: Gender, Genre, and Excess, 602
TANIA MODLESKI The Terror of Pleasure: The Contemporary Horror Film
and Postmodern Theory, 617
CYNTHIA A. FREELAND Femlnist Frameworks for Horror Films, 627
DAVID BORDWELL The Art Cinema as a Mode of Film Practlce, 649
VII ? Film: Spectator and Audience 659
WALTER BENJAMIN The Work of Art In the Age of Mechanlcal
Reproduction, 665
JEAN-LUC COMOLLI AND JEAN NARBON1 Oneina/Ideology/Crhlclsm, 686
CHRISTIAN METZ From The Imaginary Slgnlfler
Identification, Mirror, 694
The Passion for Perceiving, 701
Disavowal, Fetishism, 705
LAURA MULVEY Visual Pleasure and Narrative Cinema, 711
TANIA MODLESKI From The Women Who Knew Too Mudi: Hhxhcock
and Femlnist Theory
The Master s Dollhouse: Rear Wìndow, 723
TOM GUNNING An Aesthetic of Astonishment: Earty FUm and the
(ln)Credulous Spectator, 736
ROBERT SIAM AND LOUISE SPENCE Colonlallsm, Raclsm, and
Representatìon: An Introduction, 751
xiv CONTENTS
MANTHIA DIAWARA Black Spectatorshlp: Problems of Identification and
Reslstance, 767
Vili ? Digitization and Globalization 777
LEV MANOVICH From The Language of New Media
Synthetic Realism and Its Discontents, 785
The Synthetic Image and Its Subject, 790
Digital Cinema and the History of a Moving Image, 794
ANNE FRIEDBERG, The End of Cinema: Multimedia and Technologlcal
Change, 802
PHILIP ROSEN From Change Mummlfied, 814
MICHAEL ALLEN The Impact of Digital Technologies on Film Aesthetics, 824
KR1STEN WHISSEL Tales of Upward Mobllhy: The New Vertìcallty and
Dlghal Special Effects, 834
STEPHEN CROFTS Reconceptuallzlng National Clnema(s), 853
MITSUHIRO YOSHIMOTO The Dlfficulty of Belng Radicai: The Discipline
of Film Studles and the Postcolonial World Order, 865
WIMAL DISSANAYAKE Issues In World Cinema, 877
Index, 887
|
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