The self as object in modernist fiction: James, Joyce, Hemingway
Gespeichert in:
1. Verfasser: | |
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Format: | Abschlussarbeit Buch |
Sprache: | English |
Veröffentlicht: |
Würzburg
Königshausen & Neumann
2010
|
Schriftenreihe: | Text und Theorie
11 |
Schlagworte: | |
Online-Zugang: | Inhaltstext Inhaltsverzeichnis Klappentext |
Beschreibung: | 301 S. |
ISBN: | 9783826043529 |
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Datensatz im Suchindex
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adam_text |
TABLE OF CONTENTS INTRODUCTION 1 TOWARD THE MODERNIST SELF 21 1.1
SELF-WRITING BEFORE MODERNISM: A SHORT HISTORY 21 1.2 RELATIONALITY AND
LITERARY PRODUCTION 38 1.3 THE AESTHETICS OF OBJECTIVITY: HULME, POUND,
ELIOT 59 1.4 PERSONA, MASK, AND THE SELF AS OBJECT: POETIC PRECURSORS 71
2 JAMES: THE RELATIONAL SELF 91 2.1 WRITING (IN) THE MODERNIST EPISTEME
93 2.2 RELATIONAL SELVES: THE BOSTONIANS TO THE AMBASSADORS 104 2.3
OBJECTIFIED SELVES: THEASPERN PAPERS TO THE SACRED FOUNT 119 2.4
NARRATING (AND) THE SELF AS OBJECT 127 3 JOYCE: THE FRAGMENTED SELF 151
3.1 AUTOBIOGRAPHY AND OBJECTIFICATION: STEPHEN HERO TO A PORTRAIT 154
3.2 FRAGMENTED SELVES: DUBLINERS 168 3.3 INTERACTING SELVES: ULYSSES 180
3.4 DECONSTRUCTING OBJECTIVITY: FINNEGANS WAKE 202 4 HEMINGWAY: THE
CONSTRUCTED SELF 221 4.1 FIELD STUDIES: THE EARLY NOVELS 225 4.2
POSTURES DEVELOPED, 1925-1926 235 4.3 POSTURES APPLIED, 1927-1937 245
4.4 BEYOND THE RIVER, BEYOND OBJECTIVITY 261 CONCLUSION 277 WORKS CITED
283 BIBLIOGRAFISCHE INFORMATIONEN HTTP://D-NB.INFO/1003336728
DIGITALISIERT DURCH
The beginnings of literary modernism brought a radically new
attitude to the narrated self. Drawing on Bourdieu's theory of the
literary field, the study traces this change to an
epistemic
shift
from hierarchical to relational patterns of identity-formation
—
a shift that writers were among the first to confront. It shows
how the modernist avant-garde responded to these developments
by developing an objective, analytic perspective on their fictional
selves, in effect turning their fiction into laboratories for social
action in a relational world. Through detailed readings in the
works of Henry James, James Joyce, and Ernest Hemingway, it
traces the emergence of a new set of narrative techniques that
was at the same time a new epistemological category: the self as
object in modernist fiction. |
any_adam_object | 1 |
author | Müller, Timo 1980- |
author_GND | (DE-588)142105783 |
author_facet | Müller, Timo 1980- |
author_role | aut |
author_sort | Müller, Timo 1980- |
author_variant | t m tm |
building | Verbundindex |
bvnumber | BV036650184 |
classification_rvk | HM 1071 HM 1331 HM 3135 HT 5855 HU 3865 |
ctrlnum | (OCoLC)665158615 (DE-599)DNB1003336728 |
dewey-full | 823.912 813.009 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 823 - English fiction 813 - American fiction in English |
dewey-raw | 823.912 813.009 |
dewey-search | 823.912 813.009 |
dewey-sort | 3823.912 |
dewey-tens | 820 - English & Old English literatures 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
format | Thesis Book |
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spelling | Müller, Timo 1980- Verfasser (DE-588)142105783 aut The self as object in modernist fiction James, Joyce, Hemingway Timo Müller Würzburg Königshausen & Neumann 2010 301 S. txt rdacontent n rdamedia nc rdacarrier Text und Theorie 11 Zugl.: Augsburg, Univ., Diss., 2009 Hemingway, Ernest 1899-1961 (DE-588)118549030 gnd rswk-swf Joyce, James 1882-1941 (DE-588)118558501 gnd rswk-swf James, Henry 1843-1916 (DE-588)118556835 gnd rswk-swf Selbst Motiv (DE-588)4399198-1 gnd rswk-swf Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Objekt Philosophie, Motiv (DE-588)7686139-9 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content James, Henry 1843-1916 (DE-588)118556835 p Joyce, James 1882-1941 (DE-588)118558501 p Hemingway, Ernest 1899-1961 (DE-588)118549030 p Selbst Motiv (DE-588)4399198-1 s Objekt Philosophie, Motiv (DE-588)7686139-9 s Erzähltechnik (DE-588)4124854-5 s DE-604 Text und Theorie 11 (DE-604)BV019344562 11 text/html http://deposit.dnb.de/cgi-bin/dokserv?id=3489610&prov=M&dok_var=1&dok_ext=htm Inhaltstext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020569698&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020569698&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Müller, Timo 1980- The self as object in modernist fiction James, Joyce, Hemingway Text und Theorie Hemingway, Ernest 1899-1961 (DE-588)118549030 gnd Joyce, James 1882-1941 (DE-588)118558501 gnd James, Henry 1843-1916 (DE-588)118556835 gnd Selbst Motiv (DE-588)4399198-1 gnd Erzähltechnik (DE-588)4124854-5 gnd Objekt Philosophie, Motiv (DE-588)7686139-9 gnd |
subject_GND | (DE-588)118549030 (DE-588)118558501 (DE-588)118556835 (DE-588)4399198-1 (DE-588)4124854-5 (DE-588)7686139-9 (DE-588)4113937-9 |
title | The self as object in modernist fiction James, Joyce, Hemingway |
title_auth | The self as object in modernist fiction James, Joyce, Hemingway |
title_exact_search | The self as object in modernist fiction James, Joyce, Hemingway |
title_full | The self as object in modernist fiction James, Joyce, Hemingway Timo Müller |
title_fullStr | The self as object in modernist fiction James, Joyce, Hemingway Timo Müller |
title_full_unstemmed | The self as object in modernist fiction James, Joyce, Hemingway Timo Müller |
title_short | The self as object in modernist fiction |
title_sort | the self as object in modernist fiction james joyce hemingway |
title_sub | James, Joyce, Hemingway |
topic | Hemingway, Ernest 1899-1961 (DE-588)118549030 gnd Joyce, James 1882-1941 (DE-588)118558501 gnd James, Henry 1843-1916 (DE-588)118556835 gnd Selbst Motiv (DE-588)4399198-1 gnd Erzähltechnik (DE-588)4124854-5 gnd Objekt Philosophie, Motiv (DE-588)7686139-9 gnd |
topic_facet | Hemingway, Ernest 1899-1961 Joyce, James 1882-1941 James, Henry 1843-1916 Selbst Motiv Erzähltechnik Objekt Philosophie, Motiv Hochschulschrift |
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