Boulez, music and philosophy:
"While acknowledging that Pierre Boulez is not a philosopher, and that he is wary of the potential misuse of philosophy with regard to music, this study investigates a series of philosophically charged terms and concepts which he uses in discussion of his music. Campbell examines significant en...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2010
|
| Ausgabe: | First published |
| Schriftenreihe: | Music in the twentieth century
27 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "While acknowledging that Pierre Boulez is not a philosopher, and that he is wary of the potential misuse of philosophy with regard to music, this study investigates a series of philosophically charged terms and concepts which he uses in discussion of his music. Campbell examines significant encounters which link Boulez to the work of a number of important philosophers and thinkers, including Adorno, Lévi-Strauss, Eco and Deleuze. Relating Boulez's music and ideas to broader currents of thought, the book illuminates a number of affinities linking music and philosophy, and also literature and visual art. These connections facilitate enhanced understanding of post-war modernist music and Boulez's distinctive approach to composition. Drawing on a wide range of previously unpublished documentary sources and providing musical analysis of a number of key scores, the book traces the changing musical, philosophical and intellectual currents which inform Boulez's work"-- |
| Beschreibung: | Machine generated contents note: 1. Preparing the ground; 2. Early influences and movements; 3. Dialectic, negation and binary oppositions; 4. Boulez, Adorno and serial critique; 5. Deduction and the scientific model; 6. Serialism and structuralism; 7. Post-structuralist encounters; 8. Boulez, difference and repetition; 9. Expanding the virtual; 10. Continuity and discontinuity of space and time; Conclusion; Bibliography |
| Beschreibung: | XV, 281 Seiten Illustrationen, Notenbeispiele |
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| 490 | 1 | |a Music in the twentieth century |v 27 | |
| 500 | |a Machine generated contents note: 1. Preparing the ground; 2. Early influences and movements; 3. Dialectic, negation and binary oppositions; 4. Boulez, Adorno and serial critique; 5. Deduction and the scientific model; 6. Serialism and structuralism; 7. Post-structuralist encounters; 8. Boulez, difference and repetition; 9. Expanding the virtual; 10. Continuity and discontinuity of space and time; Conclusion; Bibliography | ||
| 520 | |a "While acknowledging that Pierre Boulez is not a philosopher, and that he is wary of the potential misuse of philosophy with regard to music, this study investigates a series of philosophically charged terms and concepts which he uses in discussion of his music. Campbell examines significant encounters which link Boulez to the work of a number of important philosophers and thinkers, including Adorno, Lévi-Strauss, Eco and Deleuze. Relating Boulez's music and ideas to broader currents of thought, the book illuminates a number of affinities linking music and philosophy, and also literature and visual art. These connections facilitate enhanced understanding of post-war modernist music and Boulez's distinctive approach to composition. Drawing on a wide range of previously unpublished documentary sources and providing musical analysis of a number of key scores, the book traces the changing musical, philosophical and intellectual currents which inform Boulez's work"-- | ||
| 600 | 1 | 4 | |a Boulez, Pierre / 1925- / Criticism and interpretation |
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| 648 | 4 | |a Geschichte 1900-2000 | |
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| 650 | 4 | |a Music and philosophy | |
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Datensatz im Suchindex
| _version_ | 1804143258613317632 |
|---|---|
| adam_text | Contents
List of figures x
List of music examples
xi
List of tables
xiii
Acknowledgements
xiv
Abbreviations
xvi
1
Preparing the ground
1
2
Early influences and movements
10
3
Dialectic, negation and binary oppositions
37
4
Boulez,
Adorno
and serial critique
68
5
Deduction and the scientific model
97
6
Ser
ialism and structuralism
112
7
Post-structuralist encounters
138
8
Boulez,
difference and repetition
154
9
Expanding the virtual
193
10
Continuity and discontinuity of space and time
219
In conclusion
253
References
258
Index
274
|
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| discipline | Musikwissenschaft |
| edition | First published |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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| language | English |
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| spelling | Campbell, Edward 1958- Verfasser (DE-588)143485822 aut Boulez, music and philosophy Edward Campbell First published Cambridge Cambridge University Press 2010 XV, 281 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music in the twentieth century 27 Machine generated contents note: 1. Preparing the ground; 2. Early influences and movements; 3. Dialectic, negation and binary oppositions; 4. Boulez, Adorno and serial critique; 5. Deduction and the scientific model; 6. Serialism and structuralism; 7. Post-structuralist encounters; 8. Boulez, difference and repetition; 9. Expanding the virtual; 10. Continuity and discontinuity of space and time; Conclusion; Bibliography "While acknowledging that Pierre Boulez is not a philosopher, and that he is wary of the potential misuse of philosophy with regard to music, this study investigates a series of philosophically charged terms and concepts which he uses in discussion of his music. Campbell examines significant encounters which link Boulez to the work of a number of important philosophers and thinkers, including Adorno, Lévi-Strauss, Eco and Deleuze. Relating Boulez's music and ideas to broader currents of thought, the book illuminates a number of affinities linking music and philosophy, and also literature and visual art. These connections facilitate enhanced understanding of post-war modernist music and Boulez's distinctive approach to composition. Drawing on a wide range of previously unpublished documentary sources and providing musical analysis of a number of key scores, the book traces the changing musical, philosophical and intellectual currents which inform Boulez's work"-- Boulez, Pierre / 1925- / Criticism and interpretation Boulez, Pierre 1925-2016 (DE-588)118514024 gnd rswk-swf Geschichte 1900-2000 Music / 20th century / Philosophy and aesthetics Music and philosophy Musik Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Boulez, Pierre 1925-2016 (DE-588)118514024 p Musikphilosophie (DE-588)4123809-6 s DE-604 Music in the twentieth century 27 (DE-604)BV004443411 27 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020565191&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Campbell, Edward 1958- Boulez, music and philosophy Music in the twentieth century Boulez, Pierre / 1925- / Criticism and interpretation Boulez, Pierre 1925-2016 (DE-588)118514024 gnd Music / 20th century / Philosophy and aesthetics Music and philosophy Musik Musikphilosophie (DE-588)4123809-6 gnd |
| subject_GND | (DE-588)118514024 (DE-588)4123809-6 |
| title | Boulez, music and philosophy |
| title_auth | Boulez, music and philosophy |
| title_exact_search | Boulez, music and philosophy |
| title_full | Boulez, music and philosophy Edward Campbell |
| title_fullStr | Boulez, music and philosophy Edward Campbell |
| title_full_unstemmed | Boulez, music and philosophy Edward Campbell |
| title_short | Boulez, music and philosophy |
| title_sort | boulez music and philosophy |
| topic | Boulez, Pierre / 1925- / Criticism and interpretation Boulez, Pierre 1925-2016 (DE-588)118514024 gnd Music / 20th century / Philosophy and aesthetics Music and philosophy Musik Musikphilosophie (DE-588)4123809-6 gnd |
| topic_facet | Boulez, Pierre / 1925- / Criticism and interpretation Boulez, Pierre 1925-2016 Music / 20th century / Philosophy and aesthetics Music and philosophy Musik Musikphilosophie |
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