Tuning the soul: music as a spiritual process in the teachings of Rabbi Naḥman of Bratzlav
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Leiden [u.a.]
Brill
2010
|
Ausgabe: | 1. ed. |
Schriftenreihe: | IJS studies in Judaica
10 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | IX, 231 S. Ill. 25 cm |
ISBN: | 9789004183810 9004183817 |
Internformat
MARC
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245 | 1 | 0 | |a Tuning the soul |b music as a spiritual process in the teachings of Rabbi Naḥman of Bratzlav |c by Chani Haran Smith |
250 | |a 1. ed. | ||
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300 | |a IX, 231 S. |b Ill. |c 25 cm | ||
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490 | 1 | |a IJS studies in Judaica |v 10 | |
500 | |a Includes bibliographical references and index | ||
600 | 1 | 4 | |a Naḥman / of Bratslav / 1772-1811 / Views on music |
600 | 1 | 4 | |a Naḥman / of Bratslav / 1772-1811 / Teachings |
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Datensatz im Suchindex
_version_ | 1804143228835856384 |
---|---|
adam_text | CONTENTS
Preface
................................................................. xi
Note
on
Translation
of Sources and Transliteration
..................xiii
Introduction
........................................................... 1
Chapter One The Doctrine of the Good Points and Its
Kabbalistic Sources
................................................. 11
1.1.
Background
.................................................... 11
l.i.i. The Doctrine of the Good Points in LM 1,
282 ....... 14
1.2.
The Concept of Points in the Kabbalistic Sources
........... 18
1.2.1.
Points as Sefirot
........................................ 19
Point as Beginning
..................................... 20
Point as Centre
........................................ 23
1.2.2.
Vowel Points and Cantillation Accents
................ 24
The Animating Quality of Cantillation Accents and
VowelPoints
........................................ 29
1.2.3.
Points as Musical Notes
............................... 31
1.3.
Points in Nahman s Teachings
............................... 33
Point as Beginning
..................................... 34
Point as Centre
........................................ 34
1.3.1.
The Innermost Point as the Centre of One s Spiritual
Life
...................................................... 37
1.4.
Points
ofHeseď:
Loving-Kindness, Longing and Soul
...... 41
1.4.1.
Good Points and Evil Points
......................... 46
1.5.
Concluding Remarks
.......................................... 48
Chapter Two Music as a Spiritual Process
.......................... 49
Introduction
........................................................ 49
2.1.
Berur—Extraction of Good Points from Evil
................ 51
2.2.
The Imagination
............................................... 55
2.3.
Music as Metaphor
............................................ 61
2.4.
Tuning the Soul by Means of Music
.......................... 64
2.5.
David the Skilled Musician and His Lyre
..................... 69
2.5.1.
North Wind, Darkness, Concealment and Creativity
.. 76
2.6.
The Aspect of Hands
......................................... 79
VIII CONTENTS
2.7.
The Music of the Cosmos
..................................... 84
2.8.
Holy Sparks and Good Points
............................... 93
The Origin and Destination of Sparks
................. 98
2.9.
Concluding Remarks
.......................................... 100
Chapter Three The Dual Personality of the Tzadiq: Moses and
Joseph
............................................................... 101
Introduction
........................................................101
3.1.
The Tzadiq as Intermediary between Worlds in Hasidic
Thought
........................................................103
3.2.
The Dual Aspect of the Tzadiq in Nahmans Thought:
.......105
3.2.1.
Two Worlds
.............................................105
3.2.2.
Two Spirits (ruhot)
.....................................107
3.2.3.
TvfoTzadiqim
...........................................108
3.2.4.
The Identity of the Two Tzadiqim
......................
Ill
3.3.
Moses—The Worldly Leader
..................................113
3.3.1.
Moses—Music out of Silence
...........................118
3.3.2.
Moses—Present in Every Generation, in Every
Tzadiq
................................................... 122
3.4.
Joseph—the True Tzadiq : The Tzadiq in the Divine
Realm
.......................................................... 127
3.4.1.
Joseph s Beauty, Glory and Grace
......................130
3.4.2.
TzadiqlYesod and Hesed
...............................131
3.4.3.
Yesod and Malkhut
—
The Tzadiq and His
Congregation
........................................... 135
3.5.
Transcendence and Immanence: Two Aspects of the
Tzadiq
..........................................................136
3.5.1.
The Language of the Tzadiq
............................137
3.5.2.
Encompassing Root , Encompassing Point
...........140
3.5.3.
The Tzadiq as Cantor
...................................144
3.6.
The Tzadiq in the Tale of The Seven Beggars
................148
Introduction to the tale
.................................148
3.6.1.
The Tzadiq as Beggar
...................................152
3.6.2.
The Heart and the Spring
...............................154
3.6.3.
Two Aspects of the Tzadiq in The Heart and the
Spring
...................................................158
3.7.
Concluding Remarks
.......................................... 161
CONTENTS
IX
Chapter Four New Time, New Song
................................ 163
4.1.
Time and Music
............................................... 163
4.2.
Transcending Time
............................................ 167
4.2.1.
Adherence to God (devequt) as Transcendence of
Time
..................................................... 169
4.3.
Cosmic and Personal Renewal (hidush)
...................... 172
4.3.1.
Renewal by Means of Original Torah Insights
......... 176
4.3.2.
Prayer, Music and Renewal
............................. 179
4.4.
Renewal through Loving-Kindness (hesed): New Song
.....182
4.4.1.
The New Song: Leaping and Skipping
................. 188
4.5.
Three Modes of Music
......................................... 191
David
.................................................... 191
Moses
................................................... 192
Joseph
................................................... 192
4.5.1.
Three in One
............................................ 193
4.6.
Conclusion
..................................................... 195
Glossary
............................................................... 197
The Ten Sefirot
........................................................ 199
Bibliography
...........................................................201
Index
...................................................................215
|
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language | English |
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spelling | Smith, Chani Haran Verfasser (DE-588)142458295 aut Tuning the soul music as a spiritual process in the teachings of Rabbi Naḥman of Bratzlav by Chani Haran Smith 1. ed. Leiden [u.a.] Brill 2010 IX, 231 S. Ill. 25 cm txt rdacontent n rdamedia nc rdacarrier IJS studies in Judaica 10 Includes bibliographical references and index Naḥman / of Bratslav / 1772-1811 / Views on music Naḥman / of Bratslav / 1772-1811 / Teachings Naḥman mi-Braslav 1772-1810 (DE-588)119278227 gnd rswk-swf Music / Religious aspects / Judaism Spiritual life / Judaism Judentum Musik Religion Judentum (DE-588)4114087-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musik, Altes Israel (DE-2581)TH000006169 gbd Naḥman mi-Braslav 1772-1810 (DE-588)119278227 p Judentum (DE-588)4114087-4 s Musik (DE-588)4040802-4 s DE-604 IJS studies in Judaica 10 (DE-604)BV017360768 10 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020539766&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Smith, Chani Haran Tuning the soul music as a spiritual process in the teachings of Rabbi Naḥman of Bratzlav IJS studies in Judaica Naḥman / of Bratslav / 1772-1811 / Views on music Naḥman / of Bratslav / 1772-1811 / Teachings Naḥman mi-Braslav 1772-1810 (DE-588)119278227 gnd Music / Religious aspects / Judaism Spiritual life / Judaism Judentum Musik Religion Judentum (DE-588)4114087-4 gnd Musik (DE-588)4040802-4 gnd |
subject_GND | (DE-588)119278227 (DE-588)4114087-4 (DE-588)4040802-4 |
title | Tuning the soul music as a spiritual process in the teachings of Rabbi Naḥman of Bratzlav |
title_auth | Tuning the soul music as a spiritual process in the teachings of Rabbi Naḥman of Bratzlav |
title_exact_search | Tuning the soul music as a spiritual process in the teachings of Rabbi Naḥman of Bratzlav |
title_full | Tuning the soul music as a spiritual process in the teachings of Rabbi Naḥman of Bratzlav by Chani Haran Smith |
title_fullStr | Tuning the soul music as a spiritual process in the teachings of Rabbi Naḥman of Bratzlav by Chani Haran Smith |
title_full_unstemmed | Tuning the soul music as a spiritual process in the teachings of Rabbi Naḥman of Bratzlav by Chani Haran Smith |
title_short | Tuning the soul |
title_sort | tuning the soul music as a spiritual process in the teachings of rabbi nahman of bratzlav |
title_sub | music as a spiritual process in the teachings of Rabbi Naḥman of Bratzlav |
topic | Naḥman / of Bratslav / 1772-1811 / Views on music Naḥman / of Bratslav / 1772-1811 / Teachings Naḥman mi-Braslav 1772-1810 (DE-588)119278227 gnd Music / Religious aspects / Judaism Spiritual life / Judaism Judentum Musik Religion Judentum (DE-588)4114087-4 gnd Musik (DE-588)4040802-4 gnd |
topic_facet | Naḥman / of Bratslav / 1772-1811 / Views on music Naḥman / of Bratslav / 1772-1811 / Teachings Naḥman mi-Braslav 1772-1810 Music / Religious aspects / Judaism Spiritual life / Judaism Judentum Musik Religion |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020539766&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV017360768 |
work_keys_str_mv | AT smithchaniharan tuningthesoulmusicasaspiritualprocessintheteachingsofrabbinahmanofbratzlav |