Brahms and the scherzo: studies in musical narrative
Introduction : theoretical and repertorial contexts -- The early minor-mode scherzos : ghosts of Schumann and Beethoven -- Minuets, scherzos, and neoclassicism -- The pastoral scherzos -- Some intermezzos -- The late minor-mode scherzos -- Waltzing away with the minuet -- Three imposters -- The case...
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| 1. Verfasser: | |
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2010
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Introduction : theoretical and repertorial contexts -- The early minor-mode scherzos : ghosts of Schumann and Beethoven -- Minuets, scherzos, and neoclassicism -- The pastoral scherzos -- Some intermezzos -- The late minor-mode scherzos -- Waltzing away with the minuet -- Three imposters -- The case of the Fourth symphony and some concluding thoughts |
| Beschreibung: | XIV, 320 S. Notenbeisp. |
| ISBN: | 9780754668107 |
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| 100 | 1 | |a McClelland, Ryan |e Verfasser |0 (DE-588)142189189 |4 aut | |
| 245 | 1 | 0 | |a Brahms and the scherzo |b studies in musical narrative |c Ryan McClelland |
| 264 | 1 | |a Farnham [u.a.] |b Ashgate |c 2010 | |
| 300 | |a XIV, 320 S. |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |a Teilw. zugl.: Toronto, Univ., Diss. | ||
| 520 | |a Introduction : theoretical and repertorial contexts -- The early minor-mode scherzos : ghosts of Schumann and Beethoven -- Minuets, scherzos, and neoclassicism -- The pastoral scherzos -- Some intermezzos -- The late minor-mode scherzos -- Waltzing away with the minuet -- Three imposters -- The case of the Fourth symphony and some concluding thoughts | ||
| 600 | 1 | 4 | |a Brahms, Johannes 1833-1897 / Criticism and interpretation |
| 600 | 1 | 7 | |a Brahms, Johannes |d 1833-1897 |0 (DE-588)118514253 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Scherzo | |
| 650 | 0 | 7 | |a Scherzo |0 (DE-588)4179504-0 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Brahms, Johannes |d 1833-1897 |0 (DE-588)118514253 |D p |
| 689 | 0 | 1 | |a Scherzo |0 (DE-588)4179504-0 |D s |
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Datensatz im Suchindex
| _version_ | 1804143228475146240 |
|---|---|
| adam_text | Contents
List of Tables
vìi
List of Music Examples
ix
Acknowledgements
xv
1
Introduction: Theoretical and
Repertorial
Contexts
1
2
The Early Minor-Mode Scherzos: Ghosts of Schumann
and Beethoven
27
3
Minuets, Scherzos, and Neoclassicism
73
4
The Pastoral Scherzos
127
5
Some Intermezzos
155
6
The Late Minor-Mode Scherzos
195
7
Waltzing Away with the Minuet
251
8
Three
Imposters
267
9
The Case of the Fourth Symphony and Some
Concluding Thoughts
287
Appendix: Piano Trio in A Major
301
Bibliography
305
Index
315
List of Tables
1.1
Scherzo-type movements in Brahms
s
multi-movement instrumental
works
21
2.1
Brahms, Piano Quintet, Op.
34,
III, formal, tonal, and metric design
of scherzo
64
3.1
Brahms, Serenade, Op.
16,
II, formal and tonal design of scherzo
91
3.2
Brahms, String Quartet, Op.
51,
No.
2,
III, formal and tonal design
126
5.1
Brahms, Piano Quartet, Op.
25,
II, formal and tonal design
156
5.2
Brahms, Symphony No.
1,
Op.
68,
III, formal and tonal design
174
6.1
Brahms, Piano Trio, Op.
101,
II, formal and tonal design
202
6.2
Brahms, Piano Concerto, Op.
83,
II, form
225
7.1
Brahms, Clarinet Trio, Op.
114,
III, formal and tonal design
253
List of Music Examples
2.1
Brahms, Piano Sonata, Op.
2,
III, mm.
1-21 30
2.2
Brahms, Piano Sonata, Op.
2,
III, mm.
22-51
(simplified score)
31
2.3
Brahms, Piano Sonata, Op.
1,
III, mm.
1-5 33
2.4
Brahms, Piano Sonata, Op.
1,
III, mm.
80-100 34
2.5
Brahms, Piano Sonata, Op.
1,
III, bass-line sketch of scherzo
35
2.6
Brahms, Piano Sonata, Op.
1,
III, mm.
101-20 36
2.7
Brahms, Piano Sonata, Op.
1,
III, tonal sketch of trio
37
2.8
Brahms, Piano Sonata, Op.
1,
III, mm.
179-96 39
2.9
Schumann, Piano Quintet, Op.
44,
1, mm.
1-10
(piano)
40
2.10
Beethoven, Piano Sonata, Op.
14,
No.
1,
II, mm.
59-65 41
2.11
Beethoven, Piano Sonata, Op.
14,
No.
1,
II, mm.
1-4,17-18,
and
41-4 41
2.12
Brahms, Piano Sonata, Op.
5,
III, mm.
1-6 42
2.13
Brahms, Piano Sonata, Op.
5,
III, mm.
36-43 43
2.14
Brahms, Piano Sonata, Op.
5,
III, trio
44
2.15
Brahms, F-A-E scherzo, mm.
1-27 50
2.16
Brahms, F-A-E scherzo, durational reduction of mm.
1-ЗОа
52
2.17
Brahms, F-A-E scherzo, durational reduction of mm.
54-74 53
2.18
Brahms, F-A-E scherzo, mm.
140-45 54
2.19
Brahms, F-A-E scherzo, durational reduction of coda
(mm.
238-59) 54
2.20
Brahms, Piano Quintet, Op.
34,
III, mm.
1-22 56
2.21
Brahms, Piano Quintet, Op.
34,
III, tonal sketch of scherzo
57
2.22
Brahms, Piano Quintet, Op.
34,
III, tonal sketch of mm.
1-13 57
2.23
Brahms, Piano Quintet, Op.
34,
III, parallel-sixth embellishment
in mm.
9-13 58
2.24
Brahms, Piano Quintet, Op.
34,
III, mm.
37-53 59
2.25
Brahms, Piano Quintet, Op.
34,
III, mm.
134-49 60
2.26
Brahms, Piano Quintet, Op.
34,
III, durational reduction of melody
in mm.
1-13, 23-57,
and
110-58 62
2.27
Brahms, Piano Quintet, Op.
34,
III, mm.
173-93
(reduced score)
65
2.28
Brahms, Piano Quartet, Op.
60,
II, mm.
1-22
(piano)
69
2.29
Brahms, Piano Quartet, Op.
60,
II, rhythmic-metric instability in
mm.
23-6 70
2.30
Brahms, Piano Quartet, Op.
60,
II, mm.
52-65
(piano)
71
3.1
Brahms, Serenade, Op.
11,
IV
(Menuette
I), mm.
1-10 76
3.2
Brahms, Serenade, Op.
11,
IV
(Menuette
II), mm.
1-8 77
x
Brahms
and the Scherzo
3.3
Brahms, Serenade, Op.
11,
V, mm.
1-16
(reduced score)
79
3.4
Brahms, Serenade, Op.
11,
V, durational reduction of rounding
(mm.
23-51)
80
3.5
Brahms, Serenade, Op.
11,
V, trio (reduced score)
81
3.6
Beethoven, Symphony No.
2,
Op.
36,
III, start of trio
82
3.7
Brahms, Serenade, Op.
11,
II, mm.
1-28
(strings)
83
3.8
Brahms, Serenade, Op.
11,
II, mm.
55-67
(strings)
85
3.9
Brahms, Serenade, Op.
16,
II, mm.
1-Ю 87
3.10
Brahms, Serenade, Op.
16,
II, comparison of
2/4
and
3/4
notation
88
3.11
Brahms, Serenade, Op.
16,
II, Y-derived passages in mm.
15-17
and
29-31
(reduced score)
90
3.12
Brahms, Serenade, Op.
16,
II, mm.
35-^łl
(reduced score)
92
3.13
Brahms, Serenade, Op.
16,
II, mm.
82-97
(reduced score)
93
3.14
Brahms, Serenade, Op.
16,
II, mm.
45-52
(reduced score)
94
3.15
Brahms, Serenade, Op.
16,
IV, mm.
1-9
(reduced score)
95
3.16
Brahms, Serenade, Op.
16,
IV, mm.
18-22
(reduced score)
95
3.17
Brahms, Serenade, Op.
16,
IV, start of trio (reduced score)
96
3.18
Brahms, Serenade, Op.
16,
IV, structural cadence of trio
(reduced score)
97
3.19
Brahms, Serenade, Op.
16,
IV, tonal sketch of trio
98
3.20
Brahms, Sextet, Op.
18,
III, mm.
1-12
(reduced score)
99
3.21
Brahms, Sextet, Op.
18,
III, tonal sketch of scherzo
100
3.22
Brahms, Sextet, Op.
18,
III, mm.
40-52
(reduced score)
101
3.23
Brahms, Sextet, Op.
18,
III, tonal sketch of trio
103
3.24
Brahms, Sextet, Op.
18,
III, tonal sketch of coda
103
3.25
Brahms, Sextet, Op.
36,
II, mm.
1-29 106
3.26
Brahms, Sextet, Op.
36,
II, mm.
50-69 108
3.27
Brahms, Sextet, Op.
36,
II, mm.
96-120 109
3.28
Brahms, Sextet, Op.
36,
II, mm.
359-71
(first violin)
111
3.29
Brahms, Sextet, Op.
36,
II, start of trio (first violin and cellos)
111
3.30
Brahms, Sextet, Op.
36,
II, return of scherzo
113
3.31
Brahms, Cello Sonata, Op.
38,
II, mm.
1-15 115
3.32
Brahms, Cello Sonata, Op.
38,
II,
recomposition
of mm.
2-Ю 115
3.33
Brahms, Cello Sonata, Op.
38,
II, mm.
59-76 116
3.34
Brahms, Cello Sonata, Op.
3 8,
II, start of trio
118
3.35
Brahms, Cello Sonata, Op.
38,
II, hypermetric analysis of trio
118
3.36
Brahms, Cello Sonata, Op.
38,
II, mm.
97-104 118
3.37
Brahms, Cello Sonata, Op.
38,
II, tonal sketch of trio
119
3.38
Brahms, String Quartet, Op.
51,
No.
2,
III, mm.
1-24 121
3.39
Brahms, String Quartet, Op.
51,
No.
2,
III,
recomposition
of
mm.
19-24 122
3.40
Brahms, String Quartet, Op.
51,
No.
2,
III, mm.
33-9
and
166-78 123
List of Music Examples
xi
3.41
Brahms, String Quartet, Op.
51,
No.
2,
III, allusion to variation
technique
125
3.42
Brahms, String Quartet, Op.
51,
No.
2,
III, mm.
73-8 126
4.1
Brahms, Piano Trio, Op.
8,
II, mm. l^t (cello)
129
4.2
Brahms, Piano Trio, Op.
8,
II, durational reduction of mm. l-32a
130
4.3
Brahms, Piano Trio, Op.
8,
II, mm.
18-25 130
4.4
Brahms, Piano Trio, Op.
8,
II, second part of
retransition
and
possible prototypes
132
4.5
Brahms, Piano Trio, Op.
8,
II, mm.
145-64 133
4.6
Brahms, Piano Trio, Op.
8,
II, durational reduction of mm.
233-60 134
4.7
Brahms, Piano Trio, Op.
8,
II, coda and sixteen-measure prototype
135
4.8
Brahms, Piano Quartet, Op.
26,
III, mm.
1-4, 9-12
and
127-30
(reduced score)
136
4.9
Brahms, Piano Quartet, Op.
26,
III, interpretations of melodic
framework in mm.
1-4 137
4.10
Brahms, Piano Quartet, Op.
26,
III, mm.
96-122 138
4.11
Brahms, Piano Quartet, Op.
26,
III, mm.
234—7
and interpretations
of melodic framework
140
4.12
Brahms, Horn Trio, Op.
40,
II, mm.
1-9
and structural
interpretation
141
4.13
Brahms, Horn Trio, Op.
40,
II, durational reduction of mm.
1-17 143
4.14
Brahms, Horn Trio, Op.
40,
II, durational reduction of mm.
49-60 144
4.15
Tonal structure in major-mode sonata-like movements and in Op.
40 146
4.16
Brahms, Horn Trio, Op.
40,
II, durational reduction of mm.
121-36 147
4.17
Brahms, Horn Trio, Op.
40,
II, durational reduction of piano
accompaniment in mm.
122-37 148
4.18
Brahms, Horn Trio, Op.
40,
II, tonal sketch of scherzo (emphasis
on mm.
81-171) 150
4.19
Brahms, Horn Trio, Op.
40,
II, durational reduction of mm.
227-78 151
4.20
Brahms, Horn Trio, Op.
40,
II, durational reduction of trio
153
5.1
Brahms, Piano Quartet, Op.
25,
II, mm.
1-16 158
5.2
Brahms, Piano Quartet, Op.
25,
II, mm.
51-62 160
5.3
Brahms, Piano Quartet, Op.
25,
II, mm.
104-11 162
5.4
Brahms, Piano Quartet, Op.
25,
II, mm.
35-8
and
71-8 163
5.5
Brahms, Piano Quartet, Op.
25,
II, mm.
117-31 165
5.6
Brahms, String Quartet, Op.
51,
No.
1,
III, mm.
1-8
and
15-24 167
5.7
Brahms, String Quartet, Op.
51,
No.
1,
III, mm.
38-9,45-7,
and
53-6 169
5.8
Brahms, String Quartet, Op.
51,
No.
1,
III, mm.
76-86 171
5.9
Brahms, Symphony No.
1,
Op.
68,
III, thematic connection
between opening and second reprise
175
x¡¡
Brahms
and the Scherzo
5 10
Brahms, Symphony No.
1,
Op.
68,
III, expansive tendencies in
mm.
1-5 177
5.11
Brahms, Symphony No.
1,
Op.
68,
III, hypermeter at start of trio
179
5.12
Brahms, Symphony No.
1,
Op.
68,
III, hypermeter in trio s
second reprise °0
5.13
Brahms, Symphony No.
3,
Op.
90,
III, mm.
1-12
(reduced score)
183
5.14
Brahms, Symphony No.
3,
Op.
90,
III, mm.
70-78 184
5.15
Brahms, Symphony No.
3,
Op.
90,
III, mm.
51-61
(reduced score)
185
5.16
Brahms, Symphony No.
3,
Op.
90,
III, coda (mm.
150-63;
reduced score)
186
5.17
Brahms, String Quintet, Op.
111,
III, mm.
1-12 189
5.18
Brahms, String Quintet, Op. Ill, III, mm.
41-7 190
5.19
Brahms, String Quintet, Op.
111,111,
bass-line sketches
191
5.20
Brahms, String Quintet, Op.
111,
III, preparations of rounding
192
5.21
Brahms, String Quintet, Op. Ill, III, mm.
56-62 193
6.1
Brahms, Piano Trio, Op.
87,
III, mm.
1-8 197
6.2
Brahms, Piano Trio, Op.
87,
III, tonal sketch of scherzo
197
6.3
Brahms, Piano Trio, Op.
87,
III, mm.
26-41 199
6.4
Brahms, Piano Trio, Op.
87,
III, durational reductions of
mm.
1-8
and
33-40 200
6.5
Brahms, Piano Trio, Op.
101,
II, mm.
1-37 203
6.6
Brahms, Piano Trio, Op.
101,
II, mm.
4-30
notated in displaced
meter
206
6.7
Brahms, Piano Trio, Op.
101,
II, durational reduction of
mm.
1-30
with fixed motivic-metric identity
208
6.8
Brahms, Piano Trio, Op.
101,
II, durational reductions of
mm.
1-30
and
95-124
with metric periodicity
209
6.9
Brahms, Piano Trio, Op.
101,
II, mm.
95-106 210
6.10
Brahms, Piano Trio, Op.
101,
II, mm.
123-45 212
6.11
Brahms, Piano Trio, Op.
101,
II,
recomposition
of mm.
133-45 214
6.12
Brahms, String Quartet, Op.
67,
III, mm.
1-13 217
6.13
Brahms, String Quartet, Op.
67,
III, mm.
23-8 218
6.14
Brahms, String Quartet, Op.
67,
III, mm.
69-82 219
6.15
Brahms, String Quartet, Op.
67,
III, mm.
110-45 220
6.16
Brahms, String Quartet, Op.
67,
III, coda (mm.
186-203) 223
6.17
Brahms, Piano Concerto, Op.
83,
II, hypermeter in mm.
1-16 226
6.18
Brahms, Serenade, Op.
11,
II, hypermeter in mm.
1-9 227
6.19
Brahms, Piano Concerto, Op.
83,
II, hypermeter in mm.
42-54 227
6.20
Brahms, Piano Concerto, Op.
83,
II, hypermeter in mm.
74-94 228
6.21
Brahms, Piano Concerto, Op.
83,
II, hypermeter in the
development
230
6.22
Brahms, Piano Concerto, Op.
83,
II, hypermeter in the coda
(mm.
419-57) 231
List of Music Examples
xiii
6.23
Brahms, Cello Sonata, Op.
99,
III, mm.
1-24 233
6.24
Brahms, Cello Sonata, Op.
99,
III, durational reduction of
mm.
1-21 235
6.25
Brahms, Cello Sonata, Op.
99,
III, durational reduction of
mm.
33-84 236
6.26
Brahms, Cello Sonata, Op.
99,
III, mm.
59-67 238
6.27
Brahms, Cello Sonata, Op.
99,
III, mm.
109-18 239
6.28
Brahms, Clarinet Sonata, Op.
120,
No.
2,
II, tonal sketch
of scherzo
241
6.29
Brahms, Clarinet Sonata, Op.
120,
No.
2,
II, mm.
17-38 242
6.30
Brahms, Clarinet Sonata, Op.
120,
No.
2,
II, hypermeter in
mm.
41-8 244
6.31
Brahms, Clarinet Sonata, Op.
120,
No.
2,
II, prototype for
mm.
49-80 245
6.32
Brahms, Clarinet Sonata, Op.
120,
No.
2,
II, hypermeter in
mm.
59-82 246
6.33
Brahms, Clarinet Sonata, Op.
120,
No.
2,
II, mm.
134-41
and
tonal sketch
248
6.34
Brahms, Clarinet Sonata, Op.
120,
No.
2,
II, mm.
118-24
and
tonal sketches
250
7.1
Brahms, Clarinet Trio, Op.
114,
III, mm.
1-24 255
7.2
Brahms, Clarinet Trio, Op.
114,
III, embellishment in mm.
1-8 256
7.3
Brahms, Clarinet Trio, Op.
114,
III, mm.
49-64
and tonal analysis
257
7.4
Brahms, Clarinet Trio, Op.
114,
III, mm.
93-8 258
7.5
Brahms, Clarinet Sonata, Op.
120,
No.
1,
III, mm.
1-8 260
7.6
Brahms, Clarinet Sonata, Op.
120,
No.
1,
III, mm.
35^16
and
prototype
262
7.7
Brahms, Clarinet Sonata, Op.
120,
No.
1,
III, mm.
47-8
and
75-80 264
8.1
Brahms, Symphony No.
2,
Op.
73,
III, mm.
1-22
(reduced score)
269
8.2
Brahms, Symphony No.
2,
Op.
73,
III, mm.
33-42
(reduced score)
269
8.3
Brahms, Symphony No.
2,
Op.
73,
III, mm.
57-64
and
150-57
(reduced score)
270
8.4
Brahms, Symphony No.
2,
Op.
73,
III, mm.
107-14
(reduced
score)
271
8.5
Brahms, Symphony No.
2,
Op.
73,
III, mm.
201-8
(reduced
score)
271
8.6
Brahms, Symphony No.
2,
Op.
73,
III, linkage in mm.
101-7,
188-94, 124-31,
and
29-34 272
8.7
Brahms, Violin Sonata, Op.
108,
III, tonal sketch
277
8.8
Brahms, Violin Sonata, Op.
108,
III, mm.
1-13 278
8.9
Brahms, Violin Sonata, Op.
108,
III, mm.
1-9
and transformations
(in durational reduction)
279
xiv
Brahms and the Scherzo
8.10
Brahms, Clarinet Quintet, Op.
115,
III, thematic relationships
282
8.11
Brahms, Clarinet Quintet, Op.
115,
III, mm.
29-33 282
8.12
Brahms, Clarinet Quintet, Op.
115,
III, beginnings of
development and coda
284
8.13
Brahms, Clarinet Quintet, Op.
115,
III, expansion in coda
(mm.
172-85) 285
8.14
Brahms, Clarinet Quintet, Op.
115,
III, variation as thematic
generation
285
9.1
Brahms, Symphony No.
4,
Op.
98,
III, hypermeter in
mm.
1-26 289
9.2
Brahms, Symphony No.
4,
Op.
98,
III, hypermeter in
mm.
89-121 290
9.3
Brahms, Symphony No.
4,
Op.
98,
III, hypermeter in
mm.
311-57 292
9.4
Brahms, Symphony No.
4,
Op.
98,
III, thematic relationships
294
|
| any_adam_object | 1 |
| author | McClelland, Ryan |
| author_GND | (DE-588)142189189 |
| author_facet | McClelland, Ryan |
| author_role | aut |
| author_sort | McClelland, Ryan |
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| building | Verbundindex |
| bvnumber | BV036619470 |
| classification_rvk | LP 63391 LP 63406 LR 55520 |
| ctrlnum | (OCoLC)699733689 (DE-599)BSZ319315843 |
| discipline | Musikwissenschaft |
| format | Thesis Book |
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| genre_facet | Hochschulschrift |
| id | DE-604.BV036619470 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:44:20Z |
| institution | BVB |
| isbn | 9780754668107 |
| language | English |
| lccn | 2009050045 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-020539520 |
| oclc_num | 699733689 |
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| physical | XIV, 320 S. Notenbeisp. |
| publishDate | 2010 |
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| publisher | Ashgate |
| record_format | marc |
| spelling | McClelland, Ryan Verfasser (DE-588)142189189 aut Brahms and the scherzo studies in musical narrative Ryan McClelland Farnham [u.a.] Ashgate 2010 XIV, 320 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Teilw. zugl.: Toronto, Univ., Diss. Introduction : theoretical and repertorial contexts -- The early minor-mode scherzos : ghosts of Schumann and Beethoven -- Minuets, scherzos, and neoclassicism -- The pastoral scherzos -- Some intermezzos -- The late minor-mode scherzos -- Waltzing away with the minuet -- Three imposters -- The case of the Fourth symphony and some concluding thoughts Brahms, Johannes 1833-1897 / Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd rswk-swf Scherzo Scherzo (DE-588)4179504-0 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Brahms, Johannes 1833-1897 (DE-588)118514253 p Scherzo (DE-588)4179504-0 s DE-604 Erscheint auch als Online-Ausgabe 978-1-409-40417-0 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020539520&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | McClelland, Ryan Brahms and the scherzo studies in musical narrative Brahms, Johannes 1833-1897 / Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd Scherzo Scherzo (DE-588)4179504-0 gnd |
| subject_GND | (DE-588)118514253 (DE-588)4179504-0 (DE-588)4113937-9 |
| title | Brahms and the scherzo studies in musical narrative |
| title_auth | Brahms and the scherzo studies in musical narrative |
| title_exact_search | Brahms and the scherzo studies in musical narrative |
| title_full | Brahms and the scherzo studies in musical narrative Ryan McClelland |
| title_fullStr | Brahms and the scherzo studies in musical narrative Ryan McClelland |
| title_full_unstemmed | Brahms and the scherzo studies in musical narrative Ryan McClelland |
| title_short | Brahms and the scherzo |
| title_sort | brahms and the scherzo studies in musical narrative |
| title_sub | studies in musical narrative |
| topic | Brahms, Johannes 1833-1897 / Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd Scherzo Scherzo (DE-588)4179504-0 gnd |
| topic_facet | Brahms, Johannes 1833-1897 / Criticism and interpretation Brahms, Johannes 1833-1897 Scherzo Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020539520&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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