Studying theatre: phenomena, structures and functions
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Münster [u.a.]
LIT Verl.
2010
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| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | III, 274 S. Ill. |
| ISBN: | 9783643800220 |
Internformat
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Datensatz im Suchindex
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| adam_text |
ANDREAS KOTTE STUDYING THEATRE PHENOMENA, STRUCTURES AND FUNCTIONS LIT
CONTENTS PROLOGUE 1 1. SCENIC SEQUENCES 5 1.1. SITUATION AND SEQUENCE 5
1.2. FORMS OF EMPHASIS 9 A. SPATIAL EMPHASIS 12 B. GESTIC EMPHASIS 13 C.
ACOUSTIC EMPHASIS 14 D. EMPHASIS BY MEANS OF OBJECTS 15 1.3. VARIATIONS
OF PLAY 18 A. CONSEQUENCES OF ACTIONS 21 B. REDUCED CONSEQUENCES AS A
CRITERION 26 1.4. FORMULA FOR SCENIC SEQUENCES 29 1.5. LIMITS 31 1.6.
TYPES OF SEQUENCES 37 1.7. FROM BEHAVIOUR TO SCENIC SEQUENCES 39 2.
THEATRE DEFINITIONS 45 2.1. SOME SEQUENCES ARE KNOWN AS THEATRE 45 2.2.
SPACE - SPATIAL EMPHASIS 48 A. DANCE CIRCLE, DANCE SPACE, THEATRON 49 B.
TYPOLOGIES OF THEATRE SPACES 52 C. STAGE IN A SPACE 57 2.3. USE OF THE
BODY -GESTIC EMPHASIS 60 A. MIMUS AND PANTOMIME 60 B. MIMES, HISTRIONS
AND JESTERS 65 C. COMMEDIA ITALIANA 66 2.4. DRAMA - ACOUSTIC EMPHASIS 68
A. DRAMATIC THEATRE 70 B. EPIC THEATRE 80 I CONTENTS C. POSTDRAMATIC
THEATRE 84 2.5. THEORETICAL APPROACHES TO THE FORMATION OF DOMINANTS 87
A. ROLE 88 B. INTERACTION 90 C. SIGNS 92 2.6. AESTHETICS AS AN
INTERSECTION 98 2.7. CLASSIFICATION SYSTEM FOR THEATRE DEFINITIONS 105
3. TRANSITIONS AND LIMITS ILL 3.1. INSTALLATIONS, ILLUMINATIONS ILL 3.2.
PERFORMANCE AND PERFORMATIVITY 116 3.3. DANCE, RITUAL 123 3.4. THE
THEATRE METAPHOR 128 4. ACTING THEORIES AND STYLES 137 4.1. THE PARADOX
137 4.2. THE ACTOR LIVES THE ROLE 138 4.3. THE PLAYER DEMONSTRATES THE
ROLE 141 4.4. THE BODY AS THE ACTOR'S MATERIAL 142 4.5. SHIFTING THEATRE
TERMS 146 4.6. THE DOUBLING OF THE ACTOR 148 4.7. THE 'AS-IF ' 151 4.8.
ALTERNATING BETWEEN SELF-/RE-/PRESENTATION 154 A. THE PRESENTATION MODEL
156 B. COMPATIBILITY 159 4.9. QUALITATIVE DIFFERENCES 164 5. DRAMATURGY
167 ' 5.1. DRAMATURGY AND DRAMA ANALYSIS 167 5.2. BASIC DEFINITIONS 171
5.3. CLOSED AND OPEN STRUCTURES 177 5.4. DRAMATURGICAL SCORES 178 II
CONTENTS 5.5. VARIOUS READINGS 182 6. QUESTIONS ABOUT ORIGINS 187 6.1.
ORIGIN THEORIES 187 6.2. EVIDENCE AND CONCLUSIONS BY ANALOGY 192 6.3.
ASPECTS OF MASKS 197 A. EXPRESSIVE FUNCTION 198 B. DEMONISATION 200 C.
DISGUISING FUNCTION 201 D. THE EFFECT OF THE MASK 204 E. CHARACTER MASK
204 F. THE PUPPET AND THE CHARACTER 207 7. INTERSECTION: MEDIA 211 7.1.
MEDIA DEFINITIONS AND MEDIA METAPHORS 211 7.2. SEQUENCES IN FRONT OF THE
CAMERA 215 7.3. MEDIA HISTORIES 220 7.4. CULTURAL MODELS 222 7.5.
THEATRE AND MEDIA STUDIES 225 8. THEATRICALITY 229 8.1. MODELS OF
THEATRICALITY 229 A. ASPECTS OF THEATRE 231 B. DISCOURSE ANALYSIS 232 C.
INTERLACING THEATRICALITIES 233 D. THEATRICALISATION 234 8.2. SCENIC
SEQUENCES WITHIN INTERLACING THEATRICALITIES 235 A. CO-EXISTENCE OF
THEATRE FORMS 236 B. ON THE TYPOLOGY OF NON-THEATRE 238 C. THEATRIC PLAY
FLUCTUATES IN PUBLIC SPACE 250 D. THEATRICALITY CONSTITUTES SOCIETY 254
EPILOGUE 265 SUGGESTED READING 269 INDEX OF PERSONS 271 IN |
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| dewey-full | 792 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792 |
| dewey-search | 792 |
| dewey-sort | 3792 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| title | Studying theatre phenomena, structures and functions |
| title_auth | Studying theatre phenomena, structures and functions |
| title_exact_search | Studying theatre phenomena, structures and functions |
| title_full | Studying theatre phenomena, structures and functions Andreas Kotte |
| title_fullStr | Studying theatre phenomena, structures and functions Andreas Kotte |
| title_full_unstemmed | Studying theatre phenomena, structures and functions Andreas Kotte |
| title_short | Studying theatre |
| title_sort | studying theatre phenomena structures and functions |
| title_sub | phenomena, structures and functions |
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