The American stage: writing on theater from Washington Irving to Tony Kushner
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Library of America
2010
|
| Schriftenreihe: | The Library of America
203 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XXXI, 867 S. Ill. |
| ISBN: | 9781598530698 1598530690 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Foreword, by John Lithgow
...................... xiii
Introduction
................................. xvii
Washington Irving
from Letters of Jonathan Oldstyle, Gent.
.............
ι
Charles Sprague
Prologue for the Opening of the Chestnut Street Theatre,
Philadelphia
..............................
ю
William
Dunlap
from History of the American Theatre
.............. 13
Erances Trollope
from Domestic Manners of the Americans
............ 21
Alexis
de Tocqueville
Some Observations on the Theater of Democratic
Peoples
................................. 25
Edgar Allan
Poe
On Anna Cora Mowatt s Fashion
................. 31
Walt Whitman
The Gladiator
—
Mr. Forrest
—
Acting
............... 44
Miserable State of the Stage
.................... 47
The Old Bowery
............................ 48
Philip Hone
The Astor Place Riot
......................... 56
Anna Cora Mowatt
from Mimic Life; or, Before and Behind the Curtain
.... 60
Mark Twain
The Menken
............................... 80
The Model Artists
........................... 82
The Minstrel Show
........................... 84
Charles King Newcomb
from The Journals
............................ 90
Olive Logan
About Nudity in Theatres
...................... 99
Edward P. Hingston
from The Genial Showman: The Church in the Theatre
and the Theatre in the Church
................. 115
Henry James
Notes on the Theatres
........................ 125
from A Small Boy and Others
.................... 130
Vlil
CONTENTS
Alan
Dale
Clara Morris ............................... 141
William Winter
The Art of
Edwin
Booth:
Hamlet ................ 150
Willa
Cather
Uncle Tom s Cabin
.......................... 163
Antony and Cleopatra
(1) ...................... 165
Antony and Cleopatra
(2) ...................... 167
Hutchins Hapgood
from The Spirit of the Ghetto: Theatres, Actors and
Audience
................................ 172
Rollin Lynde
Hartt
Melodrama
................................ 185
Lottie Blair Parker
My Most Successful Play
....................... 204
Channing Pollock
Stage Struck
............................... 212
Stark Young
Some American Dramatic Material
................ 227
Hamlet
................................... 236
William Gillette
The Illusion of the First Time in Drama
.......... 243
Ezra Pound
Mr. James Joyce and the Modern Stage
............ 258
Alexander Woollcott
Mrs.
Fiske
on Ibsen the Popular
................. 268
James G. Huneker
Frank
Wedekind............................. 281
Lee
Simonson
The Painter and the Stage
...................... 294
Carl Van
Vechten
Mimi
Aguglia as Salome
....................... 305
Dorothy Parker
The Jest
...................................... 313
Ludwig Lewisohn
Mr. Belasco Explains
.......................... 317
Susan Glaspell
.............................. 321
Robert Benchley
Abie s Irish Rose Review and Bulletins
..............
328
Ring Lardner
I Gaspiri
—
The Upholsterers : A Drama in
Three Acts
............................... 331
CONTENTS
IX
Gilbert Seldes
The Demonic in the
American
Theatre
............ 334
Edmund Wilson
Burlesque
Shows ............................ 343
Alain Locke
The Negro and the
American
Stage
............... 350
Don Marquis
the old trouper
............................. 357
George Jean Nathan
The Audience Emotion
........................ 363
On Vaudeville
.............................. 366
Eugene O Neill
............................. 368
Djuna Barnes
The Days of Jig Cook
......................... 385
Alia Nazimova
.............................. 389
Hamlin Garland
James A. and Katharine
Herne
................... 395
Sidney
Školsky
Cain s Warehouse
.............................. 414
Langston
Hughes
Trouble with the Angels
....................... 418
Thomas Wolfe
from Of Time and the River
.................... 425
S. J. Perelman
Waiting for Santy
............................ 435
Brooks Atkinson
Our Town
.................................... 439
Standards in Drama Criticism
................... 441
Morton Eustis
The Man Who Came to Dinner with
George Kaurman Directing
................... 445
Hallie
Flanagan
from Arena
................................ 456
Thornton Wilder
Some Thoughts on Playwriting
.................. 463
Elia
Kazan
Audience Tomorrow: Preview in New Guinea
........ 4.74
Mary McCarthy
A Streetcar Called Success
...................... 482
Harold Clurman
Tennessee Williams
........................... 487
The Famous Method
........................ 495
X
CONTENTS
from The Theatre of the Thirties
.................... 503
John Mason Brown
Even as You and I
........................... 514
Frances Parkinson Keyes
Terry Helburn
.............................. 521
Eric Bentley
Folklore on Forty-Seventh Street
.................
536
from
Bentley
on
Brecht
......................... 540
Arthur Miller
The American Theater
........................ 548
Fred Allen
The Life and Death of Vaudeville
................. 567
Walter Kerr
Barns
.................................... 586
Tennessee Williams
Author and Director: A Delicate Situation
........... 592
Gore
Vidal
Eugene O Neill s A Touch of the Poet
.............. 597
The Commercialites
.......................... 601
Bernard Shaw s Heartbreak House
................ 606
Lorraine Hansberry
Me tink me hear sounds in
de
night
............. 614
Edward Albee
Which Theater Is the Absurd One?
............... 622
Charles L.
Mee,
Jr.
The Becks Living Theatre
...................... 630
John Simon
Boredom in the Theatre
....................... 642
Luis Valdéz
El Teatro Campesino .........................
651
Susan
Sontag
Marat/Sade/Artaud.......................... 658
Ed
Bullins
A Short
Statement
on
Street
Theatre
.............. 669
Elizabeth Hardwick
Notes on the New Theater
..................... 671
William Goldman
from The Season
............................. 677
John Lahr
from Notes on a Cowardly Lion
.................. 697
CONTENTS Xl
John Houseman
from Run-Through: A Memoir
................... 718
Spalding Gray
from A Personal History of the American Theatre
....... 744
Thomas M. Disch
The Death of Broadway
....................... 754
Charles Ludlam
Gay Theatre
............................... 771
Frank Rich
Dolly Goes Away
.......................... 778
Wendy
Wasserstein
Heidi Chronicled
............................ 781
Henry Louis Gates, Jr.
The Chitlin Circuit
........................... 784
David Mamet
The Problem Play
........................... 807
Anne Bogart
from A Director Prepares: Terror
................. 814
Tony Kushner
Kushner on Miller
........................... 822
Sources and Acknowledgments
....................... 831
Index
...................................... 839
Here is the story, told firsthand through electric, deeply
engaged writing, of America s living theater, high and
low, mainstream and experimental. Drawing on his¬
tory, criticism, memoir, fiction, poetry, and parody, edi¬
tor Laurence Senelick presents writers with the special
knack to distill both the immediate experience and
the recollected impression, to draw the reader into the
charmed circle and conjure up what has already van¬
ished. Through the words of playwrights and critics,
actors and directors, and others behind the footlights,
the entertainments and high artistic strivings of succes¬
sive eras come vividly, sometimes tumultuously, to life.
Observers from Washington Irving and Fanny Trol-
lope to Walt Whitman and Mark Twain evoke the world
of the lgth-century playhouse in all its raucous vitality.
Henry James confesses his early enthusiasm for play-
going;
Willa
Cather reviews provincial productions of
Uncle Tom s Cabin and Antony and Cleopatra. The increas¬
ing diversity and ambition of the American theater is
reflected in Hutchins Hapgood s account of New York s
Yiddish theaters at the turn of the century, Carl Van
Vech¬
ten
s
review of the Sicilian actress
Mimi Aguglia,
Alain
Locke s comments on the emerging African-American
theater in the
1920s,
and Ezra Pound s response to James
Joyce s play Exiles and theatrical modernism. Enthusi¬
asts for the New Stagecraft, such as Lee
Simonson
and
Djuna Barnes, are matched by champions of pop culture
such as Gilbert Seldes and Fred Allen.
S. J.
Perelman lam¬
poons Clifford
Odets;
Edmund Wilson acclaims Min-
sky s Burlesque; Harold Clurman explains Stanislavski s
Method; Gore
Vidal
dissects the compromises of com¬
mercial playwriting. A host of playwrights
—
among
them ThorntonWilder, Arthur Miller, Tennessee Wil¬
liams, Lorraine Hansbeny, Edward Albee, Wendy Was-
serstein,
Dayid,Mâmet,
and Tony Kushner
—
are joined
by such rettoWffid critics as Stark Young, George Jean
Nathan,
Щ
|
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| spellingShingle | The American stage writing on theater from Washington Irving to Tony Kushner The Library of America American drama / History and criticism Theater / United States / History Geschichte Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
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| title | The American stage writing on theater from Washington Irving to Tony Kushner |
| title_auth | The American stage writing on theater from Washington Irving to Tony Kushner |
| title_exact_search | The American stage writing on theater from Washington Irving to Tony Kushner |
| title_full | The American stage writing on theater from Washington Irving to Tony Kushner Laurence Senelick, ed. |
| title_fullStr | The American stage writing on theater from Washington Irving to Tony Kushner Laurence Senelick, ed. |
| title_full_unstemmed | The American stage writing on theater from Washington Irving to Tony Kushner Laurence Senelick, ed. |
| title_short | The American stage |
| title_sort | the american stage writing on theater from washington irving to tony kushner |
| title_sub | writing on theater from Washington Irving to Tony Kushner |
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