Sansningens poetikk: John Cages estetiske - "a non-knowledge of something that had not yet happened"
Gespeichert in:
1. Verfasser: | |
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Format: | Abschlussarbeit Buch |
Sprache: | English |
Veröffentlicht: |
Oslo
Univ. Oslo
2009
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | VI, 247 S. Ill. |
Internformat
MARC
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245 | 1 | 0 | |a Sansningens poetikk |b John Cages estetiske - "a non-knowledge of something that had not yet happened" |c Mia Göran |
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502 | |a Zugl.: Oslo, Univ., Diss., 2009 | ||
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Datensatz im Suchindex
_version_ | 1804143066070646784 |
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adam_text | Innhold
Kapittel
1
Innledning
......................................................................................................................................1
Fouró
/
opus
74.......................................................................................................................................................................1
John
Саде од
sansningens poetikk
..................................................................................................................................2
Avhandlingens
materiale
од
begreper
.........................................................................................................................4
Kapittel
2
Modernismens
rutenett..........................................................................................................1
3
Innledning...............................................................................................................................................................................13
Rutenettet
од
modernisme
1
...........................................................................................................................................15
Cages nytelsesdomene
.......................................................................................................................................................18
Rutenettet
од
modernisme
U.
.........................................................................................................................................22
Seríalisme,
rutenett
од
åndelighet
..............................................................................................................................23
Structure ¡a
............................................................................................................................................................................28
Komposisjonsprosessen
som
system
і
Music of Changes
...................................................................................33
Boulez
krítikk
av tilfeldighet
.........................................................................................................................................41
Sentripetal
-
sentrifugal.
..................................................................................................................................................47
Konklusjon: Verket som system
.....................................................................................................................................52
Carl Jung:
I Ching og synkronisitetens prinsipp
....................................................................................................54
Kapittel
3
Cages
estetiske
eksperiment,
1............................................................................................61
Innledning
...............................................................................................................................................................................61
Cages
estetiske
eksperiment...........................................................................................................................................
65
Kunsthandlingen i New York-skolen
...........................................................................................................................71
Jackson Pollocks prosess
...................................................................................................................................................77
Cage: Composition
as Process
-
Fra
verk til prosess
.......................................................................................82
Avslutning
............................................................................................................................................................................100
Kapittel
4
Cages
estetiske
eksperiment,
2:
Tre
performative
verkanalyser
..................................................................................................103
Innledning
............................................................................................................................................................................103
OVO ........................................................................................................................................................................................
104
Disiplin
од
förpliktelse.
...................................................................................................................................................114
ÅfremfureOOO
................................................................................................................................................................118
VariationsIV
.......................................................................................................................................................................123
Four6
......................................................................................................................................................................................133
Four6 og fremf0ringspraksis.......................................................................................................................................
136
Kunsthandlingens automatistiske prosess som gjennomstr0mmingsstruktur....................................
145
Kapittel
5
Tegnrensning,
1:
Museumcircle og Europeras
.........................................................................................................153
Innledning
............................................................................................................................................................................153
Museumcircle.
.....................................................................................................................................................................156
Tegnrensning av museumsgjenstanden
.................................................................................................................159
Michel Foucault: Tingenes orden og Museumcircle
.........................................................................................162
Oppmerksomhetsform
....................................................................................................................................................167
Cages
tegnrensede rom
..................................................................................................................................................173
Oppmerksomhet og gjennomstremming
...............................................................................................................177
Europeras
-
innledning
..................................................................................................................................................180
Europeras:
Materiale
og komposisjonsteknikk
..................................................................................................182
Narrativitet og oppmerksomhetsform
...................................................................................................................185
Europeras
-
en synkronistisk tolkning
...................................................................................................................188
Å
vaere
grammofonoperat0r
i Europeras
3&4
....................................................................................................191
Kapittel
6
Tegnrensning,
2:
Empty Words......................................................................................................................................
195
Inniedning
............................................................................................................................................................................195
Tegnrensning
од
komposisjonsteknikk
..................................................................................................................200
Empty Words, del I
-
Strofe-tid
..................................................................................................................................206
Roland Barthes:
Genosang og fenosang
.................................................................................................................209
Materialitet/form
.............................................................................................................................................................215
Strofen
-
meningens temporalitet
............................................................................................................................217
Empty Words, del ¡I
-
Tegnrensning
.......................................................................................................................220
Empty Words, del III
-
Ikke strofe-tid
.....................................................................................................................224
Empty Words, del IV
-
Stillhet
....................................................................................................................................232
Kapittel
7
Konklusjon
...............................................................................................................................235
Kilder og
litteraturiiste
............................................................................................................................239
VI
|
any_adam_object | 1 |
author | Göran, Mia |
author_facet | Göran, Mia |
author_role | aut |
author_sort | Göran, Mia |
author_variant | m g mg |
building | Verbundindex |
bvnumber | BV036501512 |
ctrlnum | (OCoLC)705587061 (DE-599)BVBBV036501512 |
format | Thesis Book |
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genre_facet | Hochschulschrift |
id | DE-604.BV036501512 |
illustrated | Illustrated |
indexdate | 2024-07-09T22:41:45Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-020423922 |
oclc_num | 705587061 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | VI, 247 S. Ill. |
publishDate | 2009 |
publishDateSearch | 2009 |
publishDateSort | 2009 |
publisher | Univ. Oslo |
record_format | marc |
spelling | Göran, Mia Verfasser aut Sansningens poetikk John Cages estetiske - "a non-knowledge of something that had not yet happened" Mia Göran Oslo Univ. Oslo 2009 VI, 247 S. Ill. txt rdacontent n rdamedia nc rdacarrier Zugl.: Oslo, Univ., Diss., 2009 Cage, John 1912-1992 (DE-588)118518291 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Cage, John 1912-1992 (DE-588)118518291 p Musikästhetik (DE-588)4040808-5 s DE-604 Digitalisierung BSB Muenchen 3 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020423922&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Göran, Mia Sansningens poetikk John Cages estetiske - "a non-knowledge of something that had not yet happened" Cage, John 1912-1992 (DE-588)118518291 gnd Musikästhetik (DE-588)4040808-5 gnd |
subject_GND | (DE-588)118518291 (DE-588)4040808-5 (DE-588)4113937-9 |
title | Sansningens poetikk John Cages estetiske - "a non-knowledge of something that had not yet happened" |
title_auth | Sansningens poetikk John Cages estetiske - "a non-knowledge of something that had not yet happened" |
title_exact_search | Sansningens poetikk John Cages estetiske - "a non-knowledge of something that had not yet happened" |
title_full | Sansningens poetikk John Cages estetiske - "a non-knowledge of something that had not yet happened" Mia Göran |
title_fullStr | Sansningens poetikk John Cages estetiske - "a non-knowledge of something that had not yet happened" Mia Göran |
title_full_unstemmed | Sansningens poetikk John Cages estetiske - "a non-knowledge of something that had not yet happened" Mia Göran |
title_short | Sansningens poetikk |
title_sort | sansningens poetikk john cages estetiske a non knowledge of something that had not yet happened |
title_sub | John Cages estetiske - "a non-knowledge of something that had not yet happened" |
topic | Cage, John 1912-1992 (DE-588)118518291 gnd Musikästhetik (DE-588)4040808-5 gnd |
topic_facet | Cage, John 1912-1992 Musikästhetik Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020423922&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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