Exhibition design:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Laurence King
2010
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 224 S. Ill. (chiefly col.), graph. Darst. 26 cm |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
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| 003 | DE-604 | ||
| 005 | 20211217 | ||
| 007 | t | ||
| 008 | 100614s2010 ad|| |||| 00||| eng d | ||
| 015 | |a GBA9B4211 |2 dnb | ||
| 020 | |z 9781856696401 |9 978-1-85669-640-1 | ||
| 020 | |z 1856696405 |9 1-85669-640-5 | ||
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| 100 | 1 | |a Hughes, Philip |d 1964- |e Verfasser |0 (DE-588)141308605 |4 aut | |
| 245 | 1 | 0 | |a Exhibition design |c Philip Hughes |
| 264 | 1 | |a London |b Laurence King |c 2010 | |
| 300 | |a 224 S. |b Ill. (chiefly col.), graph. Darst. |c 26 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 4 | |a Exhibitions / Design | |
| 650 | 0 | 7 | |a Ausstellungsbau |0 (DE-588)4143650-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Design |0 (DE-588)4011510-0 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4151278-9 |a Einführung |2 gnd-content | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-020422582 | ||
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Datensatz im Suchindex
| DE-BY-863_location | 1340 |
|---|---|
| DE-BY-FWS_call_number | 1340/AK 86500 H894 |
| DE-BY-FWS_katkey | 401075 |
| DE-BY-FWS_media_number | 083101299411 |
| _version_ | 1806174693064966144 |
| adam_text | exhibition design
Introduction
Who this book is for
6 /
The modern exhibition
7 /
The history of exhibition design
10 /
Recent developments
18 /
The role of the exhibition designer
19 /
How to use this book
20 /
1.
The brief
The nature of a design brief
24 /
Should the brief be tightly written?
24 /
What kind of language to use?
25 /
The context document
25 /
The exhibition premise or rationale
26 /
The storyline
26 /
The target audience
26 /
Coordinating visits to the exhibition
28 /
Activities
28 /
The content document
28 /
Visitor outcomes/messages
29 /
Object-based or experience-based?
30 /
The tone of voice
30 /
The client s responsibilities
30 /
Visual identity and brand information
31 /
Workshop sessions
32 /
2.
The visitor
Engaging the visitor
34 /
Layering for diverse audiences
40 /
Learning styles
42 /
Branding
44 /
The brand environment
45 /
Children and exhibitions
46 /
Teenagers and museums
53
/Designing for disability/accessibility
53/
3.
The site
The permanent exhibition site
56
/Signposting the exhibition site
57/
Signposting
џаав
fairs
58 /
Open exhibition spaces
59 /
Closed exhibition spaces
61 /
internal
organizątiort:
arcHttèèture
62 /
Internal organization: content
62 /
; ■■;■..
Hcjvv to survey a site
70 / .
; · -. ;
* ■ *
:
· . ■·.. · ■· ■·. .■■■ . ■ ·
4·
ixhtbii
What is an exhibitionstrategy?
74
/Classifying exhibits
74
/Devising a path
75/
The importance of experiences
78 /
5·
ЂШ
4еЩп
skills
Generating guiding ideas
80/
Evolving
ą
design
82
/Developing
thè
design using
sketches, models and
plani
88/
Planning the circulation
94
/Developing elevations
97 /
-Thedirectton^offlowV^
Л
6.
2-D
design
skills
The role of graphics in an exhibition
102 /
Approaches to exhibition graphics
106 /
Designing for legibility
114 /
Designing for readability
117 /
Reproducing graphics
122 /
7.
Lighting
How lighting is used in exhibitions
130 /
The human eye
130 /
Surveying the site
134 /
The lighting plan
136 /
Exhibit-focused lighting
136 /
Environmental lighting
139 /
Feature lighting
140 /
Coloured lighting
141 /
Lighting for comfort
145 /
Conservation
145 /
Lighting specifications
145 /
Trade fairs
150 /
Professional practice
150 /
8.
Interaction
Interaction design
154 /
The visitor experience
154 /
Controls and
interactives
156 /
9·
Sound and film
The benefits of sound and film
162 /
The immersive environment
163 /
Scripted films
165 /
Archive footage
165 /
Technological devices
166 /
The audiovisual brief
166 /
The equipment
168 /
10.
Materials
Choosing materials
170 /
Deciding on suitable materials
173 /
11.
Portable exhibitions
Flexible designs
178 /
12·
Technical drawing
The purpose of technical drawings
184 /
Labels, details and notes
188 /
Official approvals
191 /
Tenders
191 /
Amending drawings
192 /
13.
Co nst
r u
et
і о
n a n d
del
i
very
Construction
194 /
Trade fairs
198
/The green agenda
200 / ■ /■ ■
■u.M:,-
Уіл- - Ї^-ч? Ш ,
The designer s responsibilities
203 /
Trade practices
203/
Children s
f
Project management
204 /
Ancillary services
204 ƒ
Handover
206 ƒ
14.
Conclusion
:-
An evolving discipline
208 /
Green design
209 /
The future
211 ./■
··.
Accessibility guidelines
214/
Sample storyline
217/
Glossary
218/
addresses
219 /
Index
220 /
Picture credits
223 ƒ
Acknowledgements
224 /
Related study material is available on the Laurence King website 9t
www.laurenceking.com
-.- -.
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v^V^K^V;
|
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| illustrated | Illustrated |
| indexdate | 2024-08-01T10:53:35Z |
| institution | BVB |
| language | English |
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| publishDate | 2010 |
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| publisher | Laurence King |
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Inhaltsverzeichnis
THWS Würzburg Teilbibliothek SHL, Raum I.2.11
| Signatur: |
1340 AK 86500 H894 |
|---|---|
| Exemplar 1 | nicht ausleihbar Verfügbar Bestellen |