Shakespeare's lyricized drama:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newark
Univ. of Delaware Press
2010
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 311 S. Ill. |
| ISBN: | 9780874130867 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804143063227957248 |
|---|---|
| adam_text | SHAKESPEARE S LYRICIZED DRAMA
/ SHURBANOV, ALEKSANDUR
: 2010
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION
GENERIC MIXTURE: LYRICAL INCURSIONS INTO DRAMA
GENERIC INTEGRATION: LYRICAL PRESENCE IN DRAMA.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
This book explores Shakespeare s poetic
drama as a blend of the dramatic and the
lyrical. Through a series of minute textual
analyses, it traces the gradual integration of
the two modes from Love s Labour s Lost to
Hamlet and the other mature tragedies. How
this combination is effected in its details is a
question that can help us understand better
the specificity of Shakespeare s innovative
work for the theater and the power of its
impact.
To start with, the Introduction provides a
critical survey of the theoretical discourse
around the notions of dramatic and lyric as
the two basic terms of all further discussion
in the study. It draws attention to the Renais¬
sance s keen interest in genre and its
potential for combination and change.
The analytical section of the book,
devoted to a concrete study of Shakespeare s
plays, is divided into two parts: Generic
Mixture: Lyrical Incursion into Drama and
Generic Integration: Lyrical Presence in
Drama.
The first of these focuses on three plays of
different genres written in the mid-1590s.
Love s Labour s Lost is viewed as an
example of the consistent insertion of lyrical
elements into the dramatic text, above all in
the form of poetic insets: poems and songs,
as well as a number of the monologues,
especially those of Berowne. The penetra¬
tion of the lyric into this play is also
discovered in the characteristic molding of
tracts of dialogue. The interplay of the two
modes and their mutual influences are
observed at every level of the dramatic
composition. In Romeo
and Juliet we
witness a further development of the same
methods, but also a tendency of gradual
relaxation of the isolated lyrical forms and
their merging into the dramatic text with the
effect of the latter
s
fuller generic modu¬
lation. The architectonic levels of plot and
character too are now clearly dependent on
lyrical structuring. This is even more so in
Richard II, the pivot of whose construction
is the contrast between two central dramatic
figures: the contemplative man, the poet
King Richard, and the man of action, the
hero Henry Bolingbroke.
What follows in the second part of the
analytical section is a consideration of two
dramas, a comedy and a tragedy, produced
at the turn of the century and ushering in the
period of Shakespeare s artistic maturity, As
You Like It and Hamlet. In its own way,
each of them is suffused with an
overwhelmingly dominant individuality,
which approaches the status of the lyrical
persona, monopolizing and thus in effect
lyricizing the drama.
The Conclusion sums up the most impor¬
tant tendencies of the process of generic
integration in Shakespeare s dramaturgy and
then glances at their consummation in the
subsequent period of the Great Tragedies.
|
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| discipline | Anglistik / Amerikanistik |
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| indexdate | 2024-07-09T22:41:42Z |
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| isbn | 9780874130867 |
| language | English |
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| spelling | Šurbanov, Aleksandăr 1941- Verfasser (DE-588)124675344 aut Shakespeare's lyricized drama Alexander Shurbanov Shakespeare's lyricised drama Newark Univ. of Delaware Press 2010 311 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Shakespeare, William 1564-1616 Technique Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Drama Technique Lyrik (DE-588)4036774-5 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Lyrik (DE-588)4036774-5 s DE-604 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020421698&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020421698&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Shakespeare's lyricized drama |
| title_alt | Shakespeare's lyricised drama |
| title_auth | Shakespeare's lyricized drama |
| title_exact_search | Shakespeare's lyricized drama |
| title_full | Shakespeare's lyricized drama Alexander Shurbanov |
| title_fullStr | Shakespeare's lyricized drama Alexander Shurbanov |
| title_full_unstemmed | Shakespeare's lyricized drama Alexander Shurbanov |
| title_short | Shakespeare's lyricized drama |
| title_sort | shakespeare s lyricized drama |
| topic | Shakespeare, William 1564-1616 Technique Shakespeare, William 1564-1616 (DE-588)118613723 gnd Drama Technique Lyrik (DE-588)4036774-5 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Shakespeare, William 1564-1616 Technique Shakespeare, William 1564-1616 Drama Technique Lyrik Drama |
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