Petko Stajnov v pametta na vremeto: = Petko Staynov in the memory of time
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | Bulgarian |
Veröffentlicht: |
Sofija
Fondacija "Petko Gruev Stajnov" [u.a.]
2009
|
Ausgabe: | 1. izd. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Abstract |
Beschreibung: | In kyrill. Schr., bulg. - Zsfassung in engl. Sprache |
Beschreibung: | 363 S., [16] Bl. Ill. |
ISBN: | 9789549246612 |
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246 | 1 | 1 | |a Petko Staynov in the memory of time |
250 | |a 1. izd. | ||
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338 | |b nc |2 rdacarrier | ||
500 | |a In kyrill. Schr., bulg. - Zsfassung in engl. Sprache | ||
600 | 1 | 7 | |a Stajnov, Petko |d 1896-1977 |0 (DE-588)10383544X |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |y 2006 |z Sofia |2 gnd-content | |
689 | 0 | 0 | |a Stajnov, Petko |d 1896-1977 |0 (DE-588)10383544X |D p |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Vălčinova-Čendova, Elisaveta |d 1954- |e Sonstige |0 (DE-588)1036523039 |4 oth | |
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856 | 4 | 2 | |m Digitalisierung BSB Muenchen |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020409675&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Abstract |
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Datensatz im Suchindex
_version_ | 1811916892144664576 |
---|---|
adam_text |
СЪДЪРЖАНИЕ
Стмх.
I cm.
д.изк. Елисавета Вълчинова-Чендова
За сборника „Петко Стайнов в паметта на времето".
МАТЕРИАЛИ В ПЕЧАТА, В ЕЛЕКТРОННИТЕ МЕДИИ, ИНТЕРВЮТА
.13
„ПЕТКО СТАЙНОВ
-
ТАКА СИ ГО СПОМНЯМЕ."
Среща разговор, София,
6
декември
1999,
организирана
от фондация „Петко Груев Стайнов", НМА
„Проф.
„Панчо Владигеров",
Съюза на българските композитори и Българския хоров съюз
.121
Музикален празник „Петко Стайнов
-
София
2000"
105
години от рождението на композитора
„ПЕТКО СТАЙНОВ И НАРОДНАТА ПЕСЕН" И
„НОВООТКРИТИ АРХИВИ И ПРОИЗВЕДЕНИЯ НА ПЕТКО СТАЙНОВ"
Кръгла маса, София,
1
декември
2000,
организирана от фондация
„Петко Груев Стайнов", НМА
„Проф.
Панчо Владигеров", Българското
национално радио, Съюза на българските композитори, Института за
изкуствознание при БАН, Българския хоров съюз, Община Казанлък
.141
Музикален празник „Петко Стайнов
-
София
2001"
„ПЕТКО СТАЙНОВ И ХОРОВОТО ДЕЛО В БЪЛГАРИЯ"
Среща разговор, София,
1
декември
2001,
организирана от фондация
„Петко Груев Стайнов", НМА
„Проф.
Панчо Владигеров", Националния
дворец на културата, Съюза на българските композитори, Института
за изкуствознание при БАН и Българския хоров съюз
.179
Музикален празник „Петко Стайнов
-
София
2005"
„ПЕТКО СТАЙНОВ И ЗРИМИЯ СВЯТ'
Среща разговор, София,
19
ноември
2005,
организирана от фондация
»Петко Груев Стайнов" и Националната художествена академия
.207
6
ПО ГОДИНИ
ОТ
РОЖДЕНИЕТО
НА АКАД.
ПЕТКО СТАЙНОВ
„КАЗАНЛЪК В МИНАЛОТО И ДНЕС"
Стефан Стайное
Акад.
Петко Стайнов
-
жизнен
път и личност
.223
Стм.с.
I
ст. д.изк.
Елисавета Вълчинова-Чендова
Петко
Стайнов в
спомените
на
Дончо Петков.
230
Цвятко
Цветков
За приноса на
Петко
Стайнов в
музикалния
живот на
Казанлък
в периода
1945-1977
година
.238
Цвятко
Цветков
Чудомир
за
Петко
Стайнов
.272
Петя Павлович
Петко
Стайнов
-
Мъдрецът Българин.
275
Цвятко
Цветков
Казанлъчани
за
Петко
Стайнов
според спомените на Дончо Петков
.281
Иво
Косее
Дом „Петко Стайнов" като част от ИМ „Искра"
-
една
нетрадиционна форма на музейното дело в България
.285
„АРТИСТЪТ и ВРЕМЕТО"
Научна конференция, организирана от Института за изкуствознание
при БАН и фондация „Петко Груев Стайнов"
Доц. д-р
Марияна Булева
Модални и тонални пластове в симфоничното творчество
на Петко Стайнов
.291
Доц. д-р
Ружа Маринска
Яетко Стайнов и изобразителното изкуство
.303
Доц. д-р Юлиан Куюмджиев
Петко Стайнов и българската църковна музика
.313
Ст.н.с. д-р Росица Драганова
Относно представянето на композитора Петко Стайнов
в среден курс на общообразователното училище (практика
на историко-естетическите интерпретации)
.320
Ст.нх. д-р Ангелина Петрова
Драгостинфолк
-
модел на преобразяване на съотношението
фолклор
-
сцена в края на
XX
век
.327
Доц. д-р
Спартак Паскалевски
Петко Стайнов и проблемът за първичното в контекста
на парадигмите в изкуството през 20-те и 30-те години на
XX
век
.334
Проф.
д.изк. Стефан Хьрков
Премиерата на „Легенда" в българския периодичен печат
до
1944
година
.349
РЕЗЮМЕТА НА АНГЛИЙСКИ ЕЗИК
.354
CONTENTS
Prof. Elisaveta Valchinova-Chendova, DSc
About the Collection
Pětko
Staynov In The Memory of Time
.9
PUBLICATIONS IN PRINT AND IN ELECTRONIC MEDIA, INTERVIEWS.
13
PETKO STAYNOV
-
SO WE REMEMBER HIM.
Meeting
-
Discussion, Sofia, Dec.
6, 1999
Organizers: The Foundation Petko Gruev Staynov, the State Academy of Music
Pantcho Vladigerov, the Union of Bulgarian Composers, and the Bulgarian Choirs'
Union
. 121
Musical Celebrations Petko Staynov
-
Sofia,
2000
PETKO STAYNOV AND OUR TRADITIONAL SONG AND NEWLY
DISCOVERED ARCHIVES AND WORKS OF PETKO STAYNOV
Roundtables, Sofia, Dec.
1, 2000
Organizers: The Foundation Petko Gruev Staynov, the State Academy of Music
Pantcho Vladigerov, the Bulgarian National Radio, the Union of Bulgarian
Composers, the Institute of Art Studies
(BAS),
the Bulgarian Choirs' Union,
and the Kazanlak Municipality
. 141
Musical Celebrations Petko Staynov
-
Sofia,
2001
105th Birthday Anniversary of the Composer
PETKO STAYNOV AND THE CHORAL TRADITION IN BULGARIA
Meeting
-
Discussion,
Sofía,
Dec.
1, 2001
Organizers: The Foundation Petko Gruev Staynov, the State Academy of Music
Pantcho Vladigerov, the National Palace of Culture, the Union of Bulgarian
Composers, the Institute of Art Studies
(BAS),
and the Bulgarian Choirs' Union
. 179
Musical Celebrations Petko Staynov
-
Sofia,
2005
TALK: PETKO STAYNOV AND VISIBLE WORLD
Meeting
-
Discussion, Sofia, Nov.
19, 2005
Organizers." The Foundation Petko Gruev Staynov and the National Academy of Art
. 207
110™
BIRTHDAY ANNIVERSARY
OF THE ACADEMICIAN PETKO STAYNOV
KAZANLAK IN THE PAST AND TODAY
Stefan Staynov
Academician Petko Staynov
-
Life Time Path and Personality
223
Prof. Elisaveta Valchinova-Chendova, DSc
Petko Staynov in the Memories of Doncho Petkov
Tsvyatko Tsvetkov
About Petko Staynov's Contribution to the Musical Life of Kazanlak
in the Period
1945-1977.230
Tsvyatko Tsvetkov
Chudomir for Petko Staynov
.238
Petya Pavlovich
Petko Staynov
-
A Bulgarian Wise-man
.
Tsvyatko Tsvetkov
Kazanlak-ers about Petko Staynov According to the Memories of
Doncho Petkov
.272
Ivo Kosev
The House Petko Staynov as Part of the Historical Museum
Iskra
-
An Unusual Form of Museum in Bulgaria
.285
ARTIST AND TIME
Papers presented at a conference, Sofia, Nov.
27, 2006.
Organizer: The Institute of Arts Studies
(BAS)
and the Foundation Petko Gruev Staynov
Assoc. Prof. Mariana Buleva, Ph.D
Modal and Tonal Layers In The Symphonic
Worte
Of Petko Staynov
.291
Assoc. Prof. Ruzha Marinska, Ph.D
Petko Staynov and Art
.303
Assoc. Prof. Julian Kuyumdjiev, Ph.D
Petko Staynov and Bulgarian Church Music
.313
Assoc. Prof. Rossitsa
Draganova, Ph.D
About the Presentation of the Composer Petko Staynov on High School Level
in the General Education School (Practices of Historic and Aesthetic
Interpretations)
.320
Assoc. Prof. Angelina
Petrova, Ph.D
Ensemble Dragostin-Folk
-
A Model of Transformation of the Ratio Folklore
-
Scene at the End of the 20th Century
.327
Assoc.
Prof. Spartak Paskalevski,
Ph.D
Petko Staynov and the Problem of the Archetypal in the Context of the
Art Paradigms ofl920's and 1930's
.334
Prof. Stefan
Harkov, DSc
Petko Staynov's Symphonic Poem Legend in Bulgarian Periodicals
Until
1944.:.349
SUMMARIES
.354
354
PETKO
STAYNOV
IN THE MEMORY OF TIME
Collection
SUMMARIES
About the Collection Petko Staynov in the Memory of Time
Prof. Elisaveta Valchinova-Chendova, DSc
The life-work of Petko Staynov
(1896-1977)
is engraved in time, but the vision of
others about him remains scattered in various publications and unpublished
statements from scientific and other forums, in conversations and interviews.
The collection Petko Staynov in the Memory of Time is devoted to a many-sided
reflection of the personality of Petko Staynov in the cultural spirit of his time, traced
over the years in the context of artistic and aesthetic perspective and spiritual values.
Here in are chronologically presented: dozens of materials devoted to the composer,
the pianist and the public figure Petko Staynov, as they appeared in periodicals and
other publications from the 1920's until now; unpublished papers and speeches
from conferences and roundtables; unpublished photographs from Petko Staynov's
archives as well as portraits of the composer by famous Bulgarian artists.
PUBLICATIONS IN PRINT AND IN ELECTRONIC MEDIA,
INTERVIEWS.
Here in are presented publications (in printed and electronic media) and interviews
(from the 1920's until now), which chronologically represent Petko Staynov as a
pianist, a composer and a public figure. The first article (printed in
1924)
was dedicated
to the young pianist Petko Staynov. Several articles reflect the premiere of the
symphonic suite Thracian Dances
(1927)
as an event in the professional Bulgarian
music
ofthat
time. Each occurrence or performance of Petko Staynov's works caused
sincere admiration and appreciation. With no less respect and recognition was assessed
also his work as a public figure, as the President of the Association of Bulgarian
Composers Contemporary music
(1933).
After
1944
Petko Staynov was one of the
strategists of the new music culture. His work is regarded as the work of a classic, the
patriarch of Bulgarian music. As a bibliography, are chronologically listed (the
unpublished in this publication), titles of articles from 1950's until now in specialized
periodicals, collections and others.
SUMMARIES
355
The included materials are part of the electronic archives of the composer
Acad.
Petko Gruev Staynov (http://arc.staynov.net).
In the archive are presented (in electronic form) all organized documents and
materials from the Record Register of the Composer
Acad.
Petko Gruev Staynov
supported by a Foundation Petko Gruev Staynov (see: http://www.staynov.org)
-
materials and documents from the collections of the Bulgarian Academy of
Sciences, the Historical Museum
Iskra,
the Central State Archive, the Union of
Bulgarian Composers, the National Academy of Music Professor Pantcho
Vladigerov, the National Library St. St. Cyril and Methodius, the
Iskra
Library,
Kazanlak and family records of Staynov family.
They are subdivided in the following categories: publications about Petko Staynov
in Bulgarian press and books; publications about Petko Staynov abroad and/ or
by foreign authors; scores of his music; articles, speeches, papers, interviews,
reviews and other publications of Petko Staynov in Bulgarian and foreign press;
and photo and video materials. The catalog is in the process of completion.
MEETING
-
DISCUSSION: PETKO STAYNOV- SO WE REMEMBER HIM.
Union of Bulgarian Composers, Sofia, Dec.
6, 1999
Organizers: The Foundation Petko Gruev Staynov, the State Academy of Music
Pantcho Vladigerov, the Union of Bulgarian Composers, and the Bulgarian Choirs'
Union
Presenter: Prof.
Rozalia
Biks, D.Sc.
Participants (in the order of the speeches):
Stefan Staynov
-
Architect, Chairman of the Board of the Foundation Petko
Gruev Staynov, Petko Staynov's Son
Prof.
Rozalia Biks,
DSc
-
Musicologist, Institute of Art Studies
(BAS)
Prof. Nikolai Kaufman, DSc
-
Music
Folklorist,
Academician of Academy
of Sciences
Prof.
Petar Petrov
-
Actor, National Academy of Theatre and Cinema Krastio
Sarafov
Zlatina Kotseva
-
Music Producer
Spas Karafezov
-
Musician and Lawyer, President of the National Library
for the Blind Louis
Brăila
Lily Rankova
-
Pianist
Prof. Hristo Arishtirov
-
Choral Conductor, Southwestern University
Neophyte Rilski, Blagoevgrad; President of the Bulgarian Choirs' Union,
Conductor of the Mixed Choir Harmony, Sofia
Sabcho Milkov
-
Actor, Friend of Staynov Family
356 _
SUMMARIES
_
Rositsa Batalova
-
Conductor
Prof. Agapiya
Balareva, DSc
-
Musicologist, Member of the Board of the
Foundation Pet
ko
Gruev Stay
nov
Assoe.
Prof. Michael Bukureshtliev, Ph.D
-
Music
Folklorist,
Conductor of
the Choir lzvorche, Sofia
Radina Nancheva -
Petko Staynov's Niece
Musical Celebrations Petko Staynov
-
Sofia,
2000
ROUNDTABLES: PETKO STAYNOV AND OUR TRADITIONAL SONG AND
NEWLY DISCOVERED ARCHIVES AND WORKS OF PETKO STAYNOV
Union of Bulgarian Composers, Sofia, Dec.
1, 2000
Organizers: The Foundation Petko Gruev Staynov, the State Academy of Music
Pantcho Vladigerov, the Bulgarian National Radio, the Union of Bulgarian
Composers, the Institute of Art Studies at
BAS,
the Bulgarian Choirs' Union, and
the Kazanlak Municipality
Moderator: Prof. Elena Toncheva, DSc
Participants (in the order of the speeches):
Stefan Staynov
-
Architect, Chairman of the Board of the Foundation Petko
Gruev Staynov, Petko Staynov's Son
Prof. Elena Toncheva, DSc
-
Musicologist, Director of the Institute of Art
Studies
(BAS)
Prof. Nikolai Kaufman, DSc
-
Music
Folklorist,
Academician of Academy
of Sciences, Institute of Folklore
(BAS)
Prof. Anna Ilieva, DSc
-
Music
Folklorist,
Institute of Folklore
(BAS)
Prof. Dimitar Sagaev
-
Composer
Svetoslav Dermendzhiev
-
Cellist, Staynov Family Relative
Stoyan Babekov
-
Choral Conductor, Composer
Prof. Venelin Krastev
-
Musicologist
Prof.
Svetlana Zaharieva,
DSc
-
Musicologist, Institute of Art Studies
(BAS)
Prof. Elena Kuteva, Ph.D
-
Musicologist, State Academy of Music Pantcho
Vladigerov, Chief Artistic Director of the National Folklore Ensemble Philip
Kutev, Daughter of Philip Kutev
Valentin Bobevski
-
Choral Conductor
Petya Pavlovich
-
Choral Conductor, Member of the Board of the Foundation
Petko Gruev Staynov
Prof. Todor Dzhidzhev, DSc
-
Music
Folklorist
Luben Botoucharov
-
Music
Folklorist,
Researcher
SUMMARIES
357
Musical Celebrations Petko Staynov
-
Sofia,
2001
Dedicated to the 105th Birthday Anniversary of the Composer
MEETING ~ DISCUSSION: PETKO STAYNOV AND
THE CHORAL TRADITION IN BULGARIA
National Palace of Culture, Sofia, Dec.
1, 2001
Organizers: The Foundation Petko Gruev Staynov, the State Academy of Music
Pantcho Vladigerov, the National Palace of Culture, the Union of Bulgarian
Composers, the Institute of Art Studies at the Bulgarian Academy of Science
(BAS),
and the Bulgarian Choirs' Union
Moderators: Prof. Agapiya
Balareva,
DSc and Prof. Hristo Arishtirov
Participants in the conversation:
Stefan Staynov
-
Architect, Chairman of the Board of the Foundation Petko
Gruev Staynov, Petko Staynov's Son
Prof. Agapiya
Balareva, DSc
-
Musicologist, Member of the Board of the
Foundation Petko Gruev Staynov
Prof. Hristo Arishtirov
-
Choral Conductor, Southwestern University
Neophyte Rilski, Blagoevgrad; President of the Bulgarian Choirs' Union,
Conductor of the Mixed Choir Harmony, Sofia
Stoyan Babekov
-
Choral Conductor and Composer
Nikolai Gradev
-
Musicologist
Prof. Dragomir Nenov
-
Conductor
Assoc.
Prof. Lachezar Karanlakov -
Musicologist, State Academy of Music
Pantcho Vladigerov
Prof.
Kram Angelov
-
Musicologist
Michael Karamihaylov
-
Choral Conductor
Prof. Elena Toncheva, DSc
-
Musicologist, Director of the Institute of Art
Studies
(BAS)
Prof. Zahary Mednikarov
-
Choral Conductor
Assoc. Prof. Theodora Pavlovitch
-
Choral Conductor, State Academy of
Music Pantcho Vladigerov
Musical Celebrations Petko Staynov
-
Sofia,
2005
MEETING-DISCUSSION: PETKO STAYNOV AND VISIBLE WORLD
Gallery Academy, National Academy of Art, Sofia, Nov.
19, 2005
Organizers: The Foundation PetL· Gruev Staynov and the National Academy of Art
Presenter: Stefan Staynov
-
Chairman of the Board of the Foundation Petko Gruev
Staynov, Petko Staynov's Son
Participants (in the order of the speeches):
SUMMARIES
Penyo Vulchanov
-
Artist and Curator of the Studio-Gallery Dechko Uzunov,
Nephew of the Artist
Assos. Prof.
Boyan
Penkov
-
Sofia University St.
Kliment Ohridski,
Artist
Ivan Penkov's Son
Dora Boneva
-
Artist and Daughter of the Closest Friend of Petko Staynov,
Ivan Bonev
Prof. Elena Kuteva, Ph.D
-
Musicologist, State Academy of Music Pantcho
Vladigerov, Chief Artistic Director of the National Folklore Ensemble Philip
Kutev, Daughter of Philip Kutev
In the gallery are exhibited the following pictures:
Portrait of Petko Staynov by Dechko Uzunov
Portrait of Petko Staynov by
Constantine
Tringov
Portrait of Petko Staynov by Dora Boneva (reproduction)
Caricature of Petko Staynov by Alexander Dobrinov
Caricature Petko Stajnov and Chudomir by Tenyu Pindarev
Watercolor sketch of the decor of ballet performances of Petko Staynov's
symphonic poem Thrace by Dechko Uzunov
MATERIALS DEVOTED TO THE
110™
BIRTHDAY ANNIVERSARY
OF THE ACADEMICIAN PETKO STAYNOV
THE COLLECTION KAZANLAK IN THE PAST AND
TODA
Academician Petko Staynov
-
Life Time Path and Personality
Arch. Stefan Staynov
Based on newly discovered materials are traced back the biography and the work
of Petko Staynov. First, Petko Staynov has graduated from the Dresden
Conservatory in the spring of
1923,
not in
1924.
From
1923
to early 1930's he
was touring actively as a pianist, initially in Germany, then in Sofia and Bulgaria.
At that time he was recognized as one of the best performers of the piano works of
Beethoven. Second, the symphonic suite Thracian Dances was already created in
1924,
not in
1925
as know before. The discovered original score provides evidence
that the original version was called Bulgarian Dances and was performed on a
concert in Kazanlak (January
1925).
Even then the composition was conceived as
a suite of four dances, but only three of them (first, third and fourth) were written.
The second dance, Mechkarskiyat was composed as the second part of Thracian
SUMMARIES
Dances. Discussed is also the question: was Petko Staynov religious? The composer
was a deep believer without showing it, which is evidenced by two facts: an article
from
1940
dedicated to
Dobri Hristov,
as well as the creation of the troparion
Christ Has Risen
(1946),
in a hard for Staynov period of his life. The troparion
was discovered and premiered in
2001
on the 5th International Choral Festival of
Eastern Orthodox Music.
Petko Staynov in the Memories ofDoncho Petkov
Prof. Elisaveta Valchinova-Chendova, DSc, Institute of Art Studies
-
BAS
The life-time path of Petko Staynov was closely linked to his hometown. This is
the focal point of Doncho Petkov's work Musical Past of the Town of Kazanlak.
The manuscript stores rich information about the musical culture of the city from
mid
19*
century to the 1960's. He refers to a memoir type of research, which
reveals in a unique way the specific spirit of the time and towards which
increasingly our modern musicology is referring to. To the personality of Staynov
Doncho Petkov devotes a special place. In about
150
pages the author provides
evidence of the composer's musical activity in Kazanlak.
About Petko Staynov's Contribution to the Musical Life of Kazanlak in
the Period
1945-1977
Tsvyatko Tsvetkov, Cultural Activist
The author testifies the love and the gratitude of Kazanlak people to their fellow
townsman Petko Staynov. The composer has contributed a great deal of work for
the development of Kazanlak's music life. Here in are described some meetings
of Kazanlak-er with Petko Staynov as well as author's introduction to the composer,
and memories of their get-togethers. The first meeting was at the 60th Birthday
Anniversary of the composer in
1957.
Petko Staynov's contribution was crucial
to the revival of the music (especially the singing) traditions of Kazanlak and its
community center
Iskra.
Chudomir for Petko Staynov
Tsvyatko Tsvetkov, Cultural Activist
The author comments the Diary of the great Bulgarian writer Chudomir where
the writer expresses his admiration for Petko Staynov. On June
12, 1947
was
noted:
".
Petko is an exceptional person. Everybody who knows him could not
be able to not admire this talented, cultured and wonderful person". On January
23, 1955
Chudomir has recorded comments on his correspondence with Petko
SUMMARIES
Staynov and writer's insistence that the score of the first Bulgarian opera
Siromahkinya by Emanuil Manolov, should be stored in Kazanlak Historical
Museum
Iskra.
Until
1967,
several more times Chudomir expresses his respect
for Petko Staynov and the need for a public recognition of his work.
Petko Staynov
-
A Bulgarian Wise-man
Petya Pavlovich, Choral Conductor
The author shares memories of her relationship with Petko Staynov. They date
from
1951
to the composer's death in
1977,
as a partnership between friends and
colleagues. The text highlights the human qualities of Petko Staynov and the wise
and timely decisions that he has taken as a professional. The author argues that
those who remember Petko Staynov, those who know about him, continue to
verify their deeds with his scale. His life-work continues to live and his creative
work will abide! So it fits to call him
-
a Bulgarian wise-man.
Kazanlak-ers about Petko Staynov
According to the Memories of Doncho Petkov
Tsvyatko Tsvetkov, Cultural Activist
The author comments the memories of Andrei
Georgiev
for the first performance
of Thracian Dances (published in
1938)
and the famous singer and pedagogue
Ilya Yosifov, reflected in the ethnographic survey of Doncho Petkov Musical Past
of the Town of Kazanlak. The memories of Andrei
Georgiev
contain interesting
information about the concert on January
15, 1927
in Sofia. Besides the work of
then unknown as a composer Petko Staynov, in the concert program are included
the
d
moll Concerto
Grosso
by Handel and 5th Symphony of Tchaikovsky. The
inclusion of the suite Thracian Dances in the concert program has become under
some dramatic circumstances, because the chairman of the Philharmony (at that
time) has been the cello professor Ivan
Cibulka,
and the concertmaster Jan Koch
-
both foreigners, Czechs. In the memories of Iliya Yosifov is commented also
the celebration on January
30, 1938,
in Bulgaria Hall in Sofia, with a concert
program of Petko Staynov's choir Native Song.
The House Petko Staynov as Part of the Historical Museum
Iskra
-
An Unusual Form of Museum in Bulgaria
Ivo Kosev,
Curator of the House Petko Staynov
The native house
-
museum of the great Bulgarian composer and founder of the
Bulgarian national symphonism
Acad.
Petko Staynov preserve the atmosphere of
SUMMARIES
361
his time, the tangible evidence of his life time and his rich creative work. The
House Petko Staynov, founded by the Foundation Petko Gruev Staynov is a cultural
monument of a national importance. After the restitution of the house, the heirs of
the composer repaired it and donated it to the Foundation for use in accordance
with its objectives. Conceived originally as a house museum in the course of
realization of the idea, despite the small size of the building, the house was arranged
as a small cultural center with a wider range of functions. It was opened officially
on June
1, 2002.
In it was established a permanent museum exhibition Petko
Staynov, which was developed in two rooms and includes
15
modules, a music
hall and office, in which operates the electronic archive containing documents
and materials about the composer. The museum presentation is with a status
oí
on
going exhibition of the Kazanlak Historical Museum
¡skra.
The majority of the
exhibits there are from the fund Petko Staynov of the museum.
ARTIST AND TIME
Papers Presented at a Conference Celebrating the HO"1 Birthday Anniversary
of Petko Staynov Sofia, Nov.
27, 2006
Organizer: The Institute of Arts Studies
-
BAS
and the Foundation Petko Gruev Staynov
Modal and Tonal Layers in the Symphonic Works of Petko Staynov
Assoc. Prof. Mariana
Bulev
a, Ph.D,
St. Cyril and St. Methodius University of
Veliko Turnovo
Based upon harmonic analysis of Petko Staynov's symphonic works (from the
1930's) are examined some specific phenomenas of his musical thinking. Stated
is a thesis that the Bulgarian artists
-
the pioneers or the classics of the Bulgarian
National Composer School
-
provide an unorthodox, nationally and historically
conditioned creative interpretation of the tonality, which has no direct analogues.
The uniqueness of the tonal-modal synthesis in Bulgarian music, which has many
idiosyncratic composer's manifestations, is a significant event not only for the
understanding of our cultural history. This uniqueness is an urge to look into the
logic of different types of musical thinking and the ability of accomplishing new
creative breakthroughs in later historical periods or in new cultural regions. And
in this sense the music of Petko Staynov can tell us a lot.
SUMMARIES
Petko Staynov and Art
Assoc. Prof. Ruzha Marinska, Ph.D, New Bulgarian University
Examined is a vast iconography of Petko Staynov, which reveals the composer's
communication with many Bulgarian artists from different generations
-
the
drawings of
Assen
Petrov
and Iliya Popov, and the caricatures of Iliya Beshkov
and Alexander Dobrinov, the marble bust of Ivan Mandov, the picturesque portraits
of the composer by Bencho Obreshkov and DechkoUzunov from the 1920's, by
Konstantin
Tringov and Zlatyu Boyadzhiev, by Dora Boneva and other artists in
the later years of Petko Staynov's life. Among them special place is given to the
synthetic image, created by Dimitar Arnaudov.
Petko Staynov and Bulgarian Church Music
Assoc. Prof. Julian Kuyumdjiev, Ph.D,
Academy of Music, Dance and Fine Arts
-
Plovdiv
Here in is examined an unknown until recently manuscript from
1946 -
of the
troparion Christ Has Risen by Petko Staynov, found in his personal archives in
2001.
Alleged are two hypotheses regarding its creation. First, the troparion was
commissioned, and most likely performed, perhaps there are others, unknown
until now in braille encoding. Second, the troparion was written in a difficult for
the composer moment, and it could be assumed that reflects the need of creating a
sung prayer. Staynov himself says: "Seeking God is an expression of the spiritual
nature of man. It is his striving towards the absolute virtuousness.". The troparion
music brings out the beauty of the composer's choral works.
About the Presentation of the Composer Petko Staynov on High School Level
in the General Education School
(Practices of Historic and Aesthetic Interpretations)
Assoc. Prof. Rossitsa
Draganova, Ph.D,
Institute of Art Studies
-
BAS
Analyzed is the composer Petko Staynov's presentation in some of the textbooks
for high school level of the general education school system, problematized is the
question of the historic and the aesthetic interpretations of his work. They are
considered in the light of issues such as building and strengthening the notion of
identity and/ or formation of a flexible system of values, belonging to the core of
our national musical culture. In other words, the report speaks primarily about
textbook texts dedicated to the composer Petko Staynov, which became the basis
for gaining knowledge about
specific
works, and with that
-
about a specific
period of the development of the Bulgarian musical culture.
SUMMARIES
Ensemble Dragostin-Folk
-
A Model of Transformation of the Ratio Folklore
-
Scene at the End of the 20th Century
Assoc. Prof. Angelina
Petrova, Ph.D,
Institute of Art Studies
-
BAS
In the context of the relationship folklore
-
scene specifically are examined the
works of the composer Stefan Dragostinov and his ensemble Dragostin-Folk as an
example of
alternati
veness
in the artistic and media life of the folklore. The validation
of the ensemble takes place during the period of transformations of the genre
framework, typical for the period after 1990's. The creative breakthrough in the
ratio folklore
-
scene, made by the composer with Auditory Icons, is mostly looking
towards the future. In the synthesis of its linguistic purity, and in an incredibly high
performance standard and purification, Stefan Dragostinov achieved unity of the
untranslatable
-
Bulgarian. This is the stage at which the idiosyncratic
-
Bulgarian
became a part of multi-diversity compositional discoveries in the world.
Petko Stay
nov
and the Problem of the Archetypal in the Context of the Art
Paradigms of1920's and 1930's
Assoc.
Prof. Spartak Paskalevski,
Ph.D,
St.
Konstantin
Preslavsky University of Shumen
It is well known, that Petko Staynov was in contact with musicians, writers and
artists and was constantly surrounded by them. He himself was an interesting and
desirable conversationalist, and for the artists
-
also a model for creative
transformation. His portraits were painted by outstanding Bulgarian artists at the
beginning of his creative life as well as in his later years. In this paper is analyzed
Petko Staynov's position toward the musical material in the light of European
cultural processes and their paradigms for the period of the 1920's
-
1940's.
Petko Staynov's Symphonic Poem Legend in Bulgarian Periodicals Until
1944
Prof. Stefan
Harkov, DSc^t.
Konstantin
Preslavsky University of Shumen
The symphonic poem Legend occupies a special place in the creative work of Petko
Staynov. This is the first work of the composer created after his establishment in Sofia
in
1927.
The premiere took place on January
1, 1928
by the Sofia Opera Orchestra
conducted by Isay Dobroven. Unlike the symphonic suite Thracian Dances, the
symphonic poem Legend remained misunderstood in the Bulgarian periodical press
until
1944.
It was a subject of serious analysis only once- in the newspaper Bulgarian
National Theater in
1931.
Examined are the published materials about the composition,
as the author's reactions are rationalized in the context of the entire body of the creative
work of Petko Staynov and the Bulgarian music life at that time. |
any_adam_object | 1 |
author_GND | (DE-588)1036523039 |
building | Verbundindex |
bvnumber | BV036487001 |
ctrlnum | (OCoLC)705573724 (DE-599)BVBBV036487001 |
edition | 1. izd. |
format | Book |
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genre_facet | Konferenzschrift 2006 Sofia |
id | DE-604.BV036487001 |
illustrated | Illustrated |
indexdate | 2024-10-03T18:03:23Z |
institution | BVB |
isbn | 9789549246612 |
language | Bulgarian |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-020409675 |
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spelling | Petko Stajnov v pametta na vremeto = Petko Staynov in the memory of time [Elisaveta Vălčinova-Čendova ... săst.] Petko Staynov in the memory of time 1. izd. Sofija Fondacija "Petko Gruev Stajnov" [u.a.] 2009 363 S., [16] Bl. Ill. txt rdacontent n rdamedia nc rdacarrier In kyrill. Schr., bulg. - Zsfassung in engl. Sprache Stajnov, Petko 1896-1977 (DE-588)10383544X gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2006 Sofia gnd-content Stajnov, Petko 1896-1977 (DE-588)10383544X p DE-604 Vălčinova-Čendova, Elisaveta 1954- Sonstige (DE-588)1036523039 oth Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020409675&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020409675&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
spellingShingle | Petko Stajnov v pametta na vremeto = Petko Staynov in the memory of time Stajnov, Petko 1896-1977 (DE-588)10383544X gnd |
subject_GND | (DE-588)10383544X (DE-588)1071861417 |
title | Petko Stajnov v pametta na vremeto = Petko Staynov in the memory of time |
title_alt | Petko Staynov in the memory of time |
title_auth | Petko Stajnov v pametta na vremeto = Petko Staynov in the memory of time |
title_exact_search | Petko Stajnov v pametta na vremeto = Petko Staynov in the memory of time |
title_full | Petko Stajnov v pametta na vremeto = Petko Staynov in the memory of time [Elisaveta Vălčinova-Čendova ... săst.] |
title_fullStr | Petko Stajnov v pametta na vremeto = Petko Staynov in the memory of time [Elisaveta Vălčinova-Čendova ... săst.] |
title_full_unstemmed | Petko Stajnov v pametta na vremeto = Petko Staynov in the memory of time [Elisaveta Vălčinova-Čendova ... săst.] |
title_short | Petko Stajnov v pametta na vremeto |
title_sort | petko stajnov v pametta na vremeto petko staynov in the memory of time |
title_sub | = Petko Staynov in the memory of time |
topic | Stajnov, Petko 1896-1977 (DE-588)10383544X gnd |
topic_facet | Stajnov, Petko 1896-1977 Konferenzschrift 2006 Sofia |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020409675&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020409675&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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