Under Construction: kontextbezogene Analyse afroamerikanischer Popmusik 2 Kapitel IV: Materialien
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German |
| Veröffentlicht: |
Köln
Dohr
2010
|
| Ausgabe: | 1. Aufl. |
| Schriftenreihe: | Musicolonia
6,2 |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 203 S. Ill., zahlr. Notenbeisp. |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804142918843236352 |
|---|---|
| adam_text | Inhalt
IV.
Materialien
1. Tabelle: Übersicht Signifyin und verbal
duelling
.........................7
2. Der
Take Me To
The
Mardi
Grass-Breakbeat
............................13
2.1. Der Gebrauch des
Take Me To The
Mardi
Grass-Breakbeats
in Hip Hop-
und R&B-Tracks (Auswahl).....................13
2.2. Notenbeispiel:
Take Me To
The
Mardi
Grass-Breakbeat
(Ausschnitt).. .14
3. Work
It
..........................................................15
3.1.
Work It
- der Songtext.........................................15
3.2. Die
Interludes
des Albums
Under Construction.....................
20
3.3. Notenbeispiel: Delayschichtungen in
Work It
.....................22
3.4. Tabelle:
Work It
- Ablauf.......................................23
3.5. Tabelle:
Work It
- Chronologie der
Samples
.......................23
3.6. Tabelle:
Work It
- Die Quellen der
Samples,
Sounds &
Breakbeats
.. .25
3.7. Worklt(Partitur)..............................................28
3.8. Tabelle: die 13 Bilder in
Work It
.................................56
3.9. Tabelle: die 13 Bilder und deren Szenen in
Work It
.................56
3.10. Tabelle: Chronologie der Szenen/Bilder und die
wichtigsten Bildinhalte in
Work It
............................57
3.11. Audiovisuelle Partitur Work
It (Vertikalmontage)
.................62
4. Peter Piper.......................................................117
4.1. Tabelle: Text & Referenz in Peter Piper (1986) von Run-D.M.C......117
4.2. Tabelle: Peter Piper - Ablauf...................................120
4.3. Tabelle: Peter Piper - Chronologie der
Scratches
&
Breakbeats......
120
4.4. Notenbeispiel: Run-D.M.C. Peter Piper (Takte 54-69)..............123
5. Notationssysteme................................................125
5.1.
Drum-Notation
..............................................125
5.2. Perkussion-Notation (für
Drumcomputer
Roland CR 78 etc.)......125
5.3.
Delay-Notation (tap delay)
.....................................125
5.4.
Scratch-Notation
.............................................126
Inhalt
6. Die Entwicklung und Techniken des DJing..........................133
6.1.
Beat Mixing,
Plattenmischen..................................133
6.2.
Scratches
...................................................133
6.3. Breakbeating, Trick
Mixing / Beat Juggling
u. a..................
138
6.4. Kombinationen und Effekte...................................140
7. Glossar.........................................................145
7.1.
Hip Hop
....................................................145
7.2. Film .......................................................155
8. Quellen.........................................................159
8.1. Musik .....................................................159
8.2. Film.......................................................166
8.3. Literatur....................................................168
8.4. Internet.....................................................200
|
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| discipline | Musikwissenschaft |
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| illustrated | Illustrated |
| indexdate | 2024-07-09T22:39:24Z |
| institution | BVB |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-020310246 |
| oclc_num | 643671677 |
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| physical | 203 S. Ill., zahlr. Notenbeisp. |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Dohr |
| record_format | marc |
| series | Musicolonia |
| series2 | Musicolonia |
| spelling | Rappe, Michael 1964- Verfasser (DE-588)140921230 aut Under Construction kontextbezogene Analyse afroamerikanischer Popmusik 2 Kapitel IV: Materialien Michael Rappe 1. Aufl. Köln Dohr 2010 203 S. Ill., zahlr. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Musicolonia 6,2 Musicolonia ... (DE-604)BV036437821 2 Musicolonia 6,2 (DE-604)BV023230829 6,2 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020310246&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rappe, Michael 1964- Under Construction kontextbezogene Analyse afroamerikanischer Popmusik Musicolonia |
| title | Under Construction kontextbezogene Analyse afroamerikanischer Popmusik |
| title_auth | Under Construction kontextbezogene Analyse afroamerikanischer Popmusik |
| title_exact_search | Under Construction kontextbezogene Analyse afroamerikanischer Popmusik |
| title_full | Under Construction kontextbezogene Analyse afroamerikanischer Popmusik 2 Kapitel IV: Materialien Michael Rappe |
| title_fullStr | Under Construction kontextbezogene Analyse afroamerikanischer Popmusik 2 Kapitel IV: Materialien Michael Rappe |
| title_full_unstemmed | Under Construction kontextbezogene Analyse afroamerikanischer Popmusik 2 Kapitel IV: Materialien Michael Rappe |
| title_short | Under Construction |
| title_sort | under construction kontextbezogene analyse afroamerikanischer popmusik kapitel iv materialien |
| title_sub | kontextbezogene Analyse afroamerikanischer Popmusik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020310246&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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