Terminal identity: the virtual subject in postmodern science fiction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham [u.a.]
Duke Univ. Press
1993 [erschienen] 2005
|
| Ausgabe: | 6. print. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XII, 404 S. Ill. |
| ISBN: | 0822313405 0822313324 |
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Datensatz im Suchindex
| _version_ | 1804142818297380865 |
|---|---|
| adam_text | CONTENTS
Acknowledgments
xi
INTRODUCTION
1
1
ΤΙΞΚΜΙΝΛΙ.
IMAGI:
23
INTRODUCTION
25
THE IMAGE ADDICT
32
The Society of the Spectacle
35
Cut-ups and White Noise
38
J. G. Ballard and the
Mediascape
41
The Man Who Fell to Earth—Loving the Alien
46
The Schizoculture of Philip K. Dick
48
Superheroes for a New Era
55
1.
American Hogg! and Nam June Paik
55
2.
Max Headroom—
20
Minutes into the Future
63
THE IMAGE VIRUS
69
The Electronic Nervous System
70
The Electronic Virus
72
William Burroughs, the Nova Mob, and the Silence Virus
74
Burroughs and Cronenberg—Word and Body
78
Videodmme
85
Ubik
and the Reality Fix
93
Videodmme-The Death of Representation
97
2
TERMINAI.
SPACE
101
INTRODUCTION-ELECTRONIC SPACE
103
CYBERSPACE
119
The Cybernetic (City) State
121
Blade Runner and Fractal Geography
130
Cyberpunk
137
Neuromancer
146
The Production of Cyberspace
154
PARASPACE 157
The Paraspaces of Science Fiction
157
v
¡ ¡ ¡
Worlds in Collision
161 --------------
Urban Zones and Cyber Zones
165
Return to Paraspace (Into the Quanta)
172
COMTfHTS
The SF Text as Paraspace
174
Coda-Baudrillard in the Zone
180
3
TERMINAL PI-NI-TRATICN
183
NARRATIVE AND VIRTUAL REALITIES
185
FUN IN CYBERSPACE
196
JACKING IN
201
True Names
201
Cyberspace Cowboys—Kinetic Urban Subjects
204
1.
Cyberspace and the Omnipotence of Thoughts
208
2.
A Tactics of Kinesis
210
TKCW-Cinema in Cyberspace
215
There s Always
. . .
Tomorrowland
227
4
TERMINAL FLESH
241
INTRODUCTION
243
LIFESTYLES OF THE ELECTRONICALLY ENHANCED
247
The Persistence of Memory
248
Cyberpunks with a Plan
250
Terminal Cyborgs
251
їх
INTO
THE PLASMA
POOL
259
The Extrusion of the Flesh
259
Alien
262
The Fly
267
Blood Music
268
Schismatrix—
Living in the
Posthuman
Solar System
272
BATAILLE
AND THE NEW FLESH
278
Cosmic Continuity
279
Panic Subjects in the Machine Civilization
284
1.
Buttonheads, Wireheads, and Charge Addicts
284
2.
Antibodies
286
Boys Toys from Hell
288
Crash
291
Limbo
293
Techno-Surrealism
295
S
HERMINÁI.
RIESISTANCIE/GYIÎCRG
сони
мтѕ
ACŒPTANŒ
299
TERMINAL RESISTANCE
301
The Armored Body (and the Armored Arnold)
301
Feminist Resistance and a Romance Novel for Cyborgs
311
CYBORG ACCEPTANCE
321
The End of Eden
321
The Body without Organs
325
CONCLUSION
328
Notes
331
Filmography
373
Bibliography
375
Index
397
Cultural
Stu
Scott Bukatman
is a
smart man
who has been
thinking hard and paying
a lot of attention. People
should listen to him.
—
Bruce Sterling, author
of The Hacker Crackdown:
Law and Disorder on the
Electronic Frontier
Duke University Press
Box
90660
Durham, North
Carotina
27708-0660
ΤΙΞΙΪΜΙΝ ΑΙ.
IDENTITY puts to rest any lingering doubts of the sig¬
nificance of science fiction in contemporary cultural studies. Demonstrat¬
ing a comprehensive knowledge of both the history of science
fiction narrative from its earliest origins and cultural theory and philoso¬
phy, Bukatman redefines the nature of human identity in the Informa¬
tion Age.
ISBN
0-8853-1340-5
Drawing on a wide range of contemporary theories of the
postmoder
including Fredric Jameson, Donna Haraway, and Jean Baudrillard
—
Bukatman begins with the proposition that Western culture is suffering
a crisis brought on by advanced electronic technologies. Then, in a series
of chapters richly supported by analyses of literary texts, visual arts,
film, video, television, comics, computer games, and graphics,
Bukatman takes the reader on an
Odyssey
that traces the postmodern
subject from its current crisis, through its close encounters with technol¬
ogy, and finally to new self-recognition. This new virtual subject, as
Bukatman defines it, situates the human and the technological as coex¬
istent, codependent, and mutually defining. Bukatman not only offers
the most detailed map to date of the intellectual terrain of postmodern
technology studies
—
he arrives at new frontiers, providing a propitious
launching point for further inquiries into the relationship of electronic
technology and culture.
A major addition to the critical study of science fiction.
. . .
[Bukatman s] analyses of the tropes and metaphors found in recent SF
illuminate key areas of concern for postmodernism generally.
—
Larry
McCaffery, editor of Storming the Reality Studio: A Casebook of
Cyberpunk and Postmodern Fiction
This book should appeal to
...
anyone in the humanities disciplines
working within the discourses of postmodernism. The scholarship is ab¬
solutely superior.
—
Vivian Sobchack, author of Screening Space: The
American Science Fiction Film
Scott Bukatman teaches film at New York University.
|
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| spelling | Bukatman, Scott 1957- Verfasser (DE-588)141136073 aut Terminal identity the virtual subject in postmodern science fiction Scott Bukatman 6. print. Durham [u.a.] Duke Univ. Press 1993 [erschienen] 2005 XII, 404 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1960-1990 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Cyberpunk (DE-588)4291327-5 gnd rswk-swf Science-Fiction-Literatur (DE-588)4054021-2 gnd rswk-swf Cyberspace (DE-588)4266146-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Englisch (DE-588)4014777-0 s Science-Fiction-Literatur (DE-588)4054021-2 s Cyberpunk (DE-588)4291327-5 s DE-604 USA (DE-588)4078704-7 g Geschichte 1960-1990 z 1\p DE-604 2\p DE-604 Cyberspace (DE-588)4266146-8 s 3\p DE-604 Erscheint auch als Online-Ausgabe 978-0-8223-7928-7 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020222434&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020222434&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Bukatman, Scott 1957- Terminal identity the virtual subject in postmodern science fiction Englisch (DE-588)4014777-0 gnd Cyberpunk (DE-588)4291327-5 gnd Science-Fiction-Literatur (DE-588)4054021-2 gnd Cyberspace (DE-588)4266146-8 gnd |
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| title | Terminal identity the virtual subject in postmodern science fiction |
| title_auth | Terminal identity the virtual subject in postmodern science fiction |
| title_exact_search | Terminal identity the virtual subject in postmodern science fiction |
| title_full | Terminal identity the virtual subject in postmodern science fiction Scott Bukatman |
| title_fullStr | Terminal identity the virtual subject in postmodern science fiction Scott Bukatman |
| title_full_unstemmed | Terminal identity the virtual subject in postmodern science fiction Scott Bukatman |
| title_short | Terminal identity |
| title_sort | terminal identity the virtual subject in postmodern science fiction |
| title_sub | the virtual subject in postmodern science fiction |
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| topic_facet | Englisch Cyberpunk Science-Fiction-Literatur Cyberspace USA |
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| work_keys_str_mv | AT bukatmanscott terminalidentitythevirtualsubjectinpostmodernsciencefiction |