Film/Genre:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
BFI
2009
|
| Ausgabe: | Repr. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | X, 246 S. Ill. |
| ISBN: | 0851707173 9780851707174 0851707181 9780851707181 |
Internformat
MARC
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| 020 | |a 9780851707174 |c pbk. |9 978-0-85170-717-4 | ||
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Datensatz im Suchindex
| _version_ | 1804142796330762240 |
|---|---|
| adam_text | Contents
Preface
vii
1
What s at stake in the history of literary genre theory?
1
Classical genre theory
1
Neoclassical genre theory
4
Nineteenth-century genre theory
5
Twentieth-century genre theory
7
Ten tendencies of literary genre theory
11
2
What is generally understood by the notion of film genre?
13
Genre is a useful category, because it bridges multiple concerns
14
Genres are defined by the film industry and recognized by the
mass audience
15
Genres have dear, stable identities and borders
16
Individual films belong wholly and permanently to a single genre
18
Genres are transhistorical
19
Genres undergo predictable development
21
Genres are located in a particular topic, structure and corpus
22
Genrefilms
share certain fundamental characteristics
24
Genres have either a ritual or an ideological function
26
Genre critics are distanced from the practice of genre
28
3
Where do genres come from?
30
The musical
31
The Western
34
The biopic
38
Producers as critics
44
Joel Silver, the Sebnick of schlock
46
4
Are genres stable?
49
Adjectives and nouns
50
Genre as process
54
Noir as
adjective and noun
60
Genrificßtian
as
ptûcess
62
5
Are genres subject to redefinition?
69
Post-mortem for a phantom genre
70
Rebirth
afa
phantom genre ?2
Critics as producers
77
Setting The Creature
frům
the Bhck Lagoon
78
6
Where are genres located?
83
A multiplicity of locations
84
Genre and nation
86
Genre as textual structure: Semantics and syntax
87
Genre as institution, institution as genre
90
More than just
a gamei
96
7
How are genres used?
100
A day at Walt Disney World
101
Majors and independents
102
Hollywood and Washington
107
Genres as good andbad objects
110
Ratings as genre
110
Name-brand marketing strategies
113
Brand-name movies
115
Generic discursivity
121
8
Why are genres sometimes mixed?
123
Critical investments
123
Studio strategies
128
The genre-mixing game
130
Hollywood cocktail
132
Classical versus postmodern
139
Mixing instructions
142
9
What role do genres play in the viewing process?
144
The generic crossroads
145
Genrefilms
on television
150
Generic economy
152
The generic community
156
How spectators use genres
164
10
What communication
modei
is appropriate for genres?
166
The four-hoot call of the barred owl
166
Modelling generic communication
169
Saussure
revisited
173
How it worh in practice
175
A new communication model
178
11
Have genres and genre functions changed over time?
179
The neoclassical nature of standard genre theory
180
Audience or audience ?
182
Genre in the age of remote consumption
184
Pseudo-memorials Igg
The passed-along song
190
Sports, stars and advertising
192
Genre in the new millennium
193
VI
12
What can genres teach us about nations?
195
Hegel s newspaper
196
Regenrifying the national anthem
199
The name of the father
202
Hyphenating the margins
203
Genre/nation
205
Condusion: A semantic/syntactic/pragmatic approach to genre
207
A semantic/syntactic/pragmatic approach
208
Reception, opposition, poaching
211
Planning and using cities and texts
213
Appendix: A semantic/syntactic approach to film genre
216
Bibliography
227
Index
237
|
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| building | Verbundindex |
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| contents | Literaturverz. S. 227 - 236 |
| ctrlnum | (OCoLC)554207391 (DE-599)BVBBV036125908 |
| dewey-full | 791.436 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.436 |
| dewey-search | 791.436 |
| dewey-sort | 3791.436 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | Repr. |
| format | Book |
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| id | DE-604.BV036125908 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:37:27Z |
| institution | BVB |
| isbn | 0851707173 9780851707174 0851707181 9780851707181 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-020208322 |
| oclc_num | 554207391 |
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| owner | DE-473 DE-BY-UBG DE-11 DE-355 DE-BY-UBR DE-29 |
| owner_facet | DE-473 DE-BY-UBG DE-11 DE-355 DE-BY-UBR DE-29 |
| physical | X, 246 S. Ill. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | BFI |
| record_format | marc |
| spelling | Altman, Rick Verfasser aut Film/Genre Rick Altman Repr. London BFI 2009 X, 246 S. Ill. txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Literaturverz. S. 227 - 236 Film genres Filmgenre ; IND: s ; SWD-ID: 43284279 Filmgenre (DE-588)4328427-9 gnd rswk-swf Filmgenre (DE-588)4328427-9 s DE-604 Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020208322&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Altman, Rick Film/Genre Literaturverz. S. 227 - 236 Film genres Filmgenre ; IND: s ; SWD-ID: 43284279 Filmgenre (DE-588)4328427-9 gnd |
| subject_GND | (DE-588)4328427-9 |
| title | Film/Genre |
| title_auth | Film/Genre |
| title_exact_search | Film/Genre |
| title_full | Film/Genre Rick Altman |
| title_fullStr | Film/Genre Rick Altman |
| title_full_unstemmed | Film/Genre Rick Altman |
| title_short | Film/Genre |
| title_sort | film genre |
| topic | Film genres Filmgenre ; IND: s ; SWD-ID: 43284279 Filmgenre (DE-588)4328427-9 gnd |
| topic_facet | Film genres Filmgenre ; IND: s ; SWD-ID: 43284279 Filmgenre |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020208322&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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