Landscape as world picture: tracing cultural evolution in images 2 Early modernity
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Aarhus [u.a.]
Aarhus Univ. Press [u.a.]
2009
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Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | VIII, 520 S. Ill. |
Internformat
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Datensatz im Suchindex
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adam_text | CONTENTS VOLUME II EARLY MODERNITY Q TIS ALL IN PEECES, ALL COHAERENCE
GONE MODERN PICTORIAL SPACE BETWEEN SELF-CONSCIOUSNESS AND WORLD
PICTURE * I INTRODUCTION: BREAKTHROUGH OF THE MODERN PICTORIAL PARADIGM
* I 8.1 THE POLE OF VANTAGE POINT: MODEM PICTORIAL SPACE AND THE
EMERGENCE OF SELF-CONSCIOUSNESS * 6 FROM WORLD CAVE TO EYE SOCKET J |
HEGEL S ROMANTICISM AS IMPRINT OF CONSCIOUSNESS & THE PERSPECTIVAL
VISTA THROUGH A PIAGETIAN LENS * 9 | SELF-CONSCIOUSNESS AS NOMINALISM,
I: RAMIFICATIONS IN RELIGIOUS AND NATURAL PHILOSOPHY * 11 |
SELF-CONSCIOUSNESS AS NOMINALISM, II: THE AESTHETIC RAMIFICATION * 14 |
LANDSCAPE AS EXPRESSION OF URBAN ALIENATION -17 8.2 THE POLE OF
REMOTENESS: MODERN PICTORIAL SPACE. AND THE GENESIS OF THE OPEN COSMOS *
19 GENESIS OF THE COPEMICAN WORLD PICTURE -19 | THE IMAGE AS WINDOW ON
THE WORLD * 24 | PERSPECTIVE BETWEEN INTUITION AND LINEARITY * 27 | THE
GAZE FROM ABOVE: VOYAGES OF DISCOVERY, CARTOGRAPHY, PERSPECTIVE * 35 |
THE TRIUMPH OF SIGHT AND COLONISATION -41 | PETRARCH ON THE WINDY
MOUNTAIN * 45 | THE SEARCHING GAZE: CROSS SECTION * 46 L A N D S C A P E
A S W O R L D P I C T U R E * V O L U M E I I _. PRESSURE AND
COUNTER-PRESSURE THE PICTORIAL PARADIGM OF MODERNITY AND ITS CURBING IN
THE RENAISSANCE * 51 INTRODUCTION * 51 9.1 MODERNITY VERSUS RENAISSANCE:
A HISTORIOGRAPHICAL PERSPECTIVE * 53 THE RENAISSANCE - MASK OR FACE? *
53 | GOTHIC MODERNITY, RENAISSANCE CONSERVATISM * 59 9.2 MODERNITY S
PICTORIAL SPACE AND ITS GOTHIC ORIGINS * 64 ERGON-PARERGON * 64 |
NORTHERN LANDSCAPE SENSIBILITY IN THE 15TH CENTURY * 67 | ETYMOLOGY
OFLANDSCAPE * 70 | RISE OF THE AUTONOMOUS LANDSCAPE IMAGE * 71 | ORIGINS
OF LANDSCAPE SPACE: THE GOTHIC-ROMANTIC AXIS * 82 9.3 GOTHIC VERSUS
RENAISSANCE IN ITALIAN I4TH-I5TH-CENTURY PAINTING * 89 GIOTTO AND THE
SIENESE * 89 | MASACCIO AND GENTILE DA FABRIANO * 94 | PISANELLO AND
GUARINO DA VERONA * 98 | ALBERTI S DE PICTURA * 99 | GHIBERTI AND THE
SIENESE -IOI 9.4 SUPREMACY OF THE AMORPHOUS: NATURALISM WITHOUT
RENAISSANCE * 104 LANDSCAPE IMAGERY BETWEEN WALL STAINS AND
HYPEMATURALISM * 104 | NATURALISM IN RECENT ART CRITICISM: SOME
ADJUSTMENTS * 10& | WOLFFLIN S PRINCIPLES: A REAPPRAISAL * 113 | THE
LAST BASTION OFNEOCLASSICISM: PANOJIKY S ICONOGRAPHY * 114 TIME,
TERRITORY AND WILDERNESS IN EARLY MODERN LANDSCAPE IMAGES, I BEFORE THE
PARADIGM SHIFT 1420 * 117 INTRODUCTION * 117 10.1 CAPITALISM, WORK AND
PICTORIAL SPACE * 119 10.2 SIENESE BEGINNINGS * 123 TRIAL RUN FOR THE
MODERN LANDSCAPE IMAGE: AMBROGIO LORENZETTI S PORTRAIT OF SIENA * 123 |
PORTRAIT OF CONQUEST: SIMONE MARTINI S GUIDORICCIO DA FOGLIANO * 129
10.3 LANDSCAPE-PROMOTING THEMES * 132 TIME * 132 | TOPOGRAPHY * 13 9 |
THE ENCYCLOPAEDIC TRADITION, I: LANDSCAPE IMAGES IN MIRABILIA
COLLECTIONS AND ENCYCLOPAEDIAS * 142 | THE ENCYCBPAEDIC TRADITION, II:
LANDSCAPE IMAGES IN ANIMAL, MEDICAL AND HEALTH COMPENDIA * 145 | THE
FOREST * 149 * - T I S A L L I N P E E C E S , A L L C O H A E R E N
C E G O N E 10.4 ON THE THRESHOLD TO THE PARADIGM OF MODERNITY * 151
THE LABOURS OF THE MONTHS AROUND 1400 * 151 | THE LANDSCAPE PARADIGM
AROUND 1400 * 157 TIME, TERRITORY AND WILDERNESS IN EARLY MODERN
LANDSCAPE IMAGES, II AFTER THE PARADIGM SHIFT 1420 * 167 INTRODUCTION *
167 11.1 TIME AS WEATHER AND LIGHT * 173 SCANNING THE PARADIGM * 173 |
WEATHER BETWEEN 1420 AND 1500: SUNSHINE WITHOUT SUN * 180 | POST 1470:
OVERCAST SKIES * 192 | POST-I;OO: NOCTURNAL CLOUDS TO THE SOUTH, DIURNAL
CLOUDS TO THE NORTH * 200 11.2 TERRITORY AND WILDERNESS * 203 SCANNING
THE PARADIGM * 203 | FARM LAND AS PARK TERRITORY AND WILDERNESS IN THE
I$TIXENTURY LANDSCAPE IMAGE * 208 | THE FIELD OF WORK IDEOLOGY * 218 |
PARADISIACAL RUDIMENTS OF THE LANDSCAPE IMAGE * 221 I RETURN OF THE
CHTHONIC: MARY AS EARTH GODDESS * 229 11.3 THE RENAISSANCE AND THE IDEAL
LANDSCAPE: PRELUDE * 233 ALBERTI S LANDSCAPE GENRES * 234 | ARCADIA *
236 | A CASE STORY: PAN SATURNUS MEDICEA AND SIGNORELLI S SCHOOL OF PAN
* 238 THE ARCHITECTURE OF THE UNDERWORLD 15TH-CENTURY PICTORIAL ROCKS IN
A FIELD OF CONFLICT BETWEEN MIDDLE AGES, MODERNITY AND RENAISSANCE * 247
INTRODUCTION * 247 12.1 SELF-GROWN ARCHITECTURE * 250 EXPOSING THE
TENSIONS OF THE PARADIGM-SHIFT FILIPPO LIPPI S ROCKS VERSUS THOSE OF THE
FERRARESE- 250 | NATURAL ARCHITECTURE * 256 | THE ART-PHILOSOPHICAL AND
ALCHEMICAL CONTEXT * 263 I MOUNTAIN ALCHEMY * 272 | ROCKS AND PICTORIAL
SPACE * 28 0 | THE MIRROR IMAGE OF THE ABYSS: LEONARDO S VIRGIN OF THE
ROCKS * 282 L A N D S C A P E AS W O R L D P I C T U R E V O L U M E II
12.2 HEWING, MINE-WORK AND QUARRYING * 290 BETWEEN AUTOCHTBONY AND
CULTIVATION * 290 | QUARRYING AND MINING -296 | MANTEGNA I: CAMERA DEGLI
SPOSI * 307 | MANTEGNA II: MADONNA OF THE STONECUTTERS AND CHRIST AS THE
SUFFERING REDEEMER * 312 | MANTEGNA III: PARNASSUS * 325 12.3 RUINS *
330 12.4 LATENT IMAGES IN NATURE * 345 IMAGES IN STONE, TREES AND CLOUDS
* 347 | MANTEGNA IV: PALLAS EXPELLING THE VICES FROM THE GARDEN OF
VIRTUE * 353 | MANTEGNA V: THE MARTYRDOM OF SAINT SEBASTIAN IN VIENNA *
356 I THE GORGO GAZE OF THE PO PLAIN: STONE GUESTS IN 15TH-CENTURY
PAINTING * 357 CONCLUSION * 365 NOTES VOLUME N * 383 BIBLIOGRAPHY * 425
LIST OF TERMS * 465 INDEX * 477
|
any_adam_object | 1 |
author | Wamberg, Jacob 1961- |
author_GND | (DE-588)131564277 |
author_facet | Wamberg, Jacob 1961- |
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building | Verbundindex |
bvnumber | BV036109133 |
ctrlnum | (OCoLC)644122613 (DE-599)BVBBV036109133 |
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indexdate | 2024-07-09T22:11:49Z |
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language | English |
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spelling | Wamberg, Jacob 1961- Verfasser (DE-588)131564277 aut Landskabet som verdensbillede Landscape as world picture tracing cultural evolution in images 2 Early modernity Jacob Wamberg Aarhus [u.a.] Aarhus Univ. Press [u.a.] 2009 VIII, 520 S. Ill. txt rdacontent n rdamedia nc rdacarrier (DE-604)BV036109125 2 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018999344&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Wamberg, Jacob 1961- Landscape as world picture tracing cultural evolution in images |
title | Landscape as world picture tracing cultural evolution in images |
title_alt | Landskabet som verdensbillede |
title_auth | Landscape as world picture tracing cultural evolution in images |
title_exact_search | Landscape as world picture tracing cultural evolution in images |
title_full | Landscape as world picture tracing cultural evolution in images 2 Early modernity Jacob Wamberg |
title_fullStr | Landscape as world picture tracing cultural evolution in images 2 Early modernity Jacob Wamberg |
title_full_unstemmed | Landscape as world picture tracing cultural evolution in images 2 Early modernity Jacob Wamberg |
title_short | Landscape as world picture |
title_sort | landscape as world picture tracing cultural evolution in images early modernity |
title_sub | tracing cultural evolution in images |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018999344&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV036109125 |
work_keys_str_mv | AT wambergjacob landskabetsomverdensbillede AT wambergjacob landscapeasworldpicturetracingculturalevolutioninimages2 |