Landscape as world picture: tracing cultural evolution in images 1 From the Palaeolithic period to the Middle Ages
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Aarhus [u.a.]
Aarhus Univ. Press [u.a.]
2009
|
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVIII, 579 S. Ill. |
Internformat
MARC
| LEADER | 00000nam a2200000 cc4500 | ||
|---|---|---|---|
| 001 | BV036109128 | ||
| 003 | DE-604 | ||
| 005 | 20100916 | ||
| 007 | t | ||
| 008 | 100407s2009 a||| |||| 00||| eng d | ||
| 035 | |a (OCoLC)644122610 | ||
| 035 | |a (DE-599)BVBBV036109128 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-11 | ||
| 100 | 1 | |a Wamberg, Jacob |d 1961- |e Verfasser |0 (DE-588)131564277 |4 aut | |
| 240 | 1 | 0 | |a Landskabet som verdensbillede |
| 245 | 1 | 0 | |a Landscape as world picture |b tracing cultural evolution in images |n 1 |p From the Palaeolithic period to the Middle Ages |c Jacob Wamberg |
| 264 | 1 | |a Aarhus [u.a.] |b Aarhus Univ. Press [u.a.] |c 2009 | |
| 300 | |a XVIII, 579 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 773 | 0 | 8 | |w (DE-604)BV036109125 |g 1 |
| 856 | 4 | 2 | |m SWB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018999340&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n gbd | |
| 940 | 1 | |q gbd_4_1107 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-018999340 | ||
Datensatz im Suchindex
| _version_ | 1804141183591514112 |
|---|---|
| adam_text | CONTENTS VOLUME I FROM THE PALAEOLITHIC PERIOD TO THE MIDDLE AGES
PREFACE * XV INTRODUCTION AN EMPIRICAL VISUALISATION * I INTERLUDE
THEORETICAL SETTING * 33 INTRODUCTION * 33 DIACHRONIC ASPECTS * 35 THE
CONCEPT OF EVOLUTION AND ITS FUNCTION IN A MODEL OFCULTURE 35 |
SOCIOLOGICAL AND ANTHROPOLOGICAL THEORIES ON THE EVOLUTION OF SOCIETIES
* 37 | EVOLUTION OF THE LANDSCAPE IMAGE IN A TRIPARTITE CONTEXT * 43
SYNCHRONIC ASPECTS * 52 THE LANDSCAPE IMAGE AND PANOFSKY S MODEL * 52 |
ICONOLOGY, STRUCTURALISM - AND ICONOGRAPHY * 55 | THE PARADIGM IN A
SOCIOLOGICAL CONTEXT: BOURDIEU S CONCEPT OF FIELD-61 I THE DYNAMICFIELD:
SPENDER S CONCEPTOF CULTURE- 63 | SUMMING UP- 64 L A N D S C A P E A S W
O R L D P I C T U R E * V O L U M E I M. TOWARDS A FUSION OF DIACHRONIC
AND SYNCHRONIC * 65 GENERAL SYSTEMS THEORY * 65 | EVOLUTION AS UNIVERSAL
PHENOMENON * 69 IV. THEORY OF SCIENCE REFLECTIONS AND CRITICAL DIALOGUE
WITH ANTI-EVOLUTIONISM * 72 THREE CRITERIA FOR SCIENTIFIC LEGITIMACY:
ANALYTICAL LEVEL, MORPHOLOGICAL CORRESPONDENCE, PREDICTIVE POWER * 74 |
PROTECTORS OF THE SINGULAR SOCIAL CONSTRUCTIVISM AND POSITIVISM * 78 |
THE BODY OF HISTORY * 82 V. CRACKS IN THE GENERALISATIONS: RESERVATIONS
REGARDING FUNCTION AND ICONITITY * 87 FUNCTION-^ | THEICONICFY VI. IMAGE
AND SIGHT * 93 VII. IMAGE AND WORD * 96 VIII. CONCLUDING REMARKS: THE
LANDSCAPE IMAGE IN LITERATURE * 99 T FOR GOOD IS A FORM OF THE LIMITED
PRE-MODERN PICTORIAL SPACE BETWEEN SELF-CONSCIOUSNESS AND WORLD PICTURE
* 103 INTRODUCTION * 103 1.1 AN EMPIRICAL SCANNING OF THE EVOLUTION OF
PICTORIAL SPACE UP UNTIL ANTIQUITY, WITH SOCIOLOGICAL SPOTLIGHTS * 104
FROM THE PALAEOLITHIC PERIOD TO ASSYRIA * 104 | PICTORIAL AND LANDSCAPE
SPACE IN CLASSICAL ANTIQUITY * 123 | PICTORIAL SPACE AND SOCIAL
STRUCTURES IN CLASSICAL ANTIQUITY * 134 | A LATERAL GLANCE: PICTORIAL
SPACE AND SOCIAL EVOLUTION IN NON-WESTERN CULTURES * 135 1.2 THE POLE OF
VANTAGE POINT: PICTORIAL SPACE AND EVOLUTION OF CONSCIOUSNESS UP UNTIL
ANTIQUITY * 138 THE LEGACY OF HEGELIAN PHILOSOPHY OF CONSCIOUSNESS * 138
| PIAGET S ONTOGENETIC MODEL * 139 PSYCHOANALYTICAL ONTOGENESIS * 143 |
FROM ONTO-TO PHYLOGENESIS: ARGUMENTS IN FAVOUR OF BRIDGE-BUILDING -144 |
PHYLOGENESIS FROM THE PALAEOLITHIC PERIOD TO ANTIQUITY -145 | LANDSCAPE
IMAGE AND NUMEN * 154 | CONCLUDING COMPARISON: ONTO- AND PHYLOGENETIE
EVOLUTION OF THE PICTORIAL SPACE * 156 VI CONTENTS 1.3 THE POLE OF
REMOTENESS: PICTORIAL SPACE AS WORLD PICTURE UP UNTIL ANTIQUITY * 161 A
CHRONOLOGICAL SCANNING * 161 | ANTIQUITY S PHILOSOPHICAL LEPTIMISATION
OFCLOSEDNESS * 170 1.4 CELESTIAL INFINITY: PICTORIAL SPACE,
CONSCIOUSNESS AND WORLD PICTURE IN LATE ANTIQUITY AND THE MIDDLE AGES *
181 ^ THE FIRST REMOTENESS OF THE DEPTH OF FIELD ROCKS IN POST-EGYPTIAN
PRE-MODERN IMAGES * 187 INTRODUCTION * 187 EMPIRICAL CORPUS * 187
INTERPRETATIVE CONSIDERATIONS * 195 2.1 THERE STANDS A HOUSE UNDER THE
MOUNTAIN OF THE WORLD : ROCKS AND THEIR FOUNDATION IN THE UNDERWORLD *
204 MOTHER EARTH * 204 | WILDERNESS AND BODY OF THE EARTH * 208 |
PICTORIAL ROCKS * 215 | THE CHTHONIC WILDERNESS * 222 2.2 CHORA * 230
CHAOS -230 I ABYSSES -236 | WATER -241 2.3 THE LIVING ROCK * 250 GROWTH
OF THE ROCKS: THE MINOAN-MYCENAEAN LANDSCAPE IMAGES AND THEIR CULTURAL
BASIS -250 I THE GROWING PARADISE MOUNTAIN: TAKHT-E SULEIMAN AND
ZENDAN-E SULEIMAN -264 | BETWEEN GROWTH AND ABYSS: THE TERRACED ROCK
-268 I PRE-MODERN THEORIES OF STONE FORMATION * 275 | THE TERRACED ROCK
IN MEDIEVAL LANDSCAPE IMAGES * 27 7 THE SECOND REMOTENESS OF THE DEPTH
OF FIELD SKIES IN ANTIQUE AND MEDIEVAL IMAGES * 287 INTRODUCTION * 287
3.1 CLASSICAL ANTIQUITY * 291 THE ABSENCE OF LIGHT SOURCES, ATMOSPHERE
AND TIME IN ROMAN WALL PAINTINGS * 291 | CLASSICAL CONCEPTS OF LIGHT *
294 | CLASSICAL CONCEPTS OF CLOUDS * 295 VII L A N D S C A P E AS W O R
L D P I C T U R E V O L U M E I 3.2 LATE ANTIQUITY AND THE MIDDLE AGES *
298 ODOURS, BANDS, PATTERNS: THE SKY IN MEDIEVAL IMAGES * 298 |
CELESTIAL ARCHITECTURE * 300 | PARADISE-$04 | HALOES- 308 | VEILS 316 |
CLOUDSCAPESIN CAROLINIAN MINIATURES * 323 . SOCIOLOGY OF THE MIDDLE
DISTANCE BETWEEN WILDERNESS AND TILLED FIELD IN IMAGES FROM THE
NEOLITHIC PERIOD TO THE MIDDLE AGES * 331 INTRODUCTION * 331 4.1
BEGINNINGS 337 THE NEOLITHIC PERIOD AND THE EARLY METAL AGE- 337 | EGYPT
-340 | MESOPOTAMIA * 346 | THE MAPPING GAZE IN EGYPT AND MESOPOTAMIA AND
ITS PARTIAL APPEARANCE IN THE ASSYRIAN PICTORIAL VIEW * 352 4.2 TRIUMPH
OF THE GOLDEN AGE PARADIGM: CLASSICAL ANTIQUITY - WITH A VIEW TO THE
MIDDLE AGES * 356 THE GOLDEN AGE PARADIGM -356 | BETWEEN TIME AND SPACE:
GOLDEN AGE MYTH AND EVOLUTION, GOLDEN AGE FIELD AND GEOGRAPHY * 365 |
THE HIGHLANDS BETWEEN HARD PRIMITIVISM AND DEMONISM * 371 4.3
DISPLACEMENT OF RURAL WORK IN CLASSICAL IMAGES, I: VISUAL EVIDENCE AND
POETIC PARALLELS * 373 PRIMITIVISM * 373 | ABSENCE OF AGRICULTURE * 382
| ABSENCE OF MINE-WORK * 389 4.4 DISPLACEMENT OF RURAL WORK IN CLASSICAL
IMAGES, II: CULTIC, PHILOSOPHICAL AND POLITICAL PARALLELS * 392 THE
DISPLACEMENT OF CEREAL CULTURE FROM THE CENTRE OF POWER-192
AGRICULTURE AND WORK IN CLASSICAL THINKING -393 | PICTORIAL SPACE AND
TERRITORY: EVIDENCE OF THE AGRIMENSORES * 399 VIII CONTENTS _ FORMS OF
PARADISE - IN IMAGES FROM MESOPOTAMIA TO THE MIDDLE AGES * 405
INTRODUCTION * 405 5.1 THE ESSENCE OF THE WILDERNESS: THE TREE OF LIFE
ON THE MOUNTAIN OF LIFE ABOVE THE FOUNTAIN OF LIFE * 406 MESOPOTAMIAN
BACKGROUND * 410 | JUDAISM AND CHRISTIANITY * 414 5.2 LOCUS AMOENUS *
423 THE SATYRIC CAVE AND THE GARDEN * 424 | THE PLACE OF IMMORTALITY:
FROM THE SACRED GROVE TO THE WILDERNESS * 426 5.3 THE QUANTUM LEAP
BETWEEN PARADISE AND UNDERWORLD * 429 AMBIVALENCE OFTHE WILDERNESS * 429
| THE SPLITLANDSCAPE IMAGE- 431 | THE DREAM OF A MOUNTAINLESS EARTH *
436 ^ PROBING THE GOLDEN AGE FIELD THE SACRAL-IDYLLIC LANDSCAPE IN ROMAN
WALL PAINTINGS * 441 INTRODUCTION * 441 6.1 PICTORIAL SPACE, NUTNEN AND
HUMAN PRESENCE * 444 FROM LIMITED TO DISTANT VISTAS * 444 | LITERARY
PARALLELS: STATIUS AND PLINY THE YOUNGER * 451 6.2 THE CHARACTER OF THE
LANDSCAPE -452 ROCKS AND WATER -454 | TREES 456 6.3 THE CULT * 458
PICTORIAL EVIDENCE * 458 | THE CULTBEYOND THE IMAGES- 464 IX LANDSCAPE
AS WORLD PICTURE VOLUME I 6.4 THE LEISURE LANDSCAPE * 470 DESCRIPTIONS
BY VITRUVIUS AND PLINY THE ELDER VS. EXTANT VISUAL EVIDENCE * 470 LIFE
IN THE ACTUAL ROMAN COUNTRYSIDE * 475 6.5 ORIGINS OF THE SACRAL-IDYLLIC
LANDSCAPE * 480 7.2 EMBRYONIC MODERNITY TIME AND AGRICULTURAL WORK IN
THE IMAGES OF LATE ANTIQUITY AND THE MIDDLE AGES * 485 INTRODUCTION *
485 IMAGES OF TIME AND AGRICULTURAL WORK IN LATE ANTIQUITY - FROM O TO
400 AD * 487 TRANSFORMATION OFTHE NOTION OFTIME * 487 | SECULARISATION
OF THE GOLDEN AGE * 489 | FORMATION OFTBE FEUDAL SYSTEM-495 | THE
LANDSCAPE PARADIGM IN LATE ANTIQUITY * 497 | SEASONS $00 | AGRICULTURAL
WORK * 505 | ROADS -515 | MINING AND QUARRYING- 516 IMAGES OF TIME AND
AGRICULTURAL WORK IN THE MIDDLE AGES - AFTER 400 AD * 518
AGRICULTURALWORK -518 | SEASONAL WEATHER * 521 | WEATHER BEYOND THE
SEASONS- 523 NOTES VOLUME I * 527 VOLUME II EARLY MODERNITY 8 8.1 8.2
TIS ALL IN PEECES, ALL COHAERENCE GONE MODERN PICTORIAL SPACE BETWEEN
SELF-CONSCIOUSNESS AND WORLD PICTURE * I INTRODUCTION: BREAKTHROUGH OF
THE MODERN PICTORIAL PARADIGM * I THE POLE OF VANTAGE POINT: MODEM
PICTORIAL SPACE AND THE EMERGENCE OF SELF-CONSCIOUSNESS * 6 FROM WORLD
CAVE TO EYE SOCKET * Y | HEGEL S ROMANTICISM AS IMPRINT OF CONSCIOUSNESS
* 8 | THE PERSPECTIVAL VISTA THROUGH A PIAGETIAN LENS * $ |
SELFCONSCIOUSNESS AS NOMINALISM, I: RAMIFICATIONS IN RELIGIOUS AND
NATURAL PHILOSOPHY * N | SELF-CONSCIOUSNESS AS NOMINALISM, II: THE
AESTHETIC RAMIFICATION * 14 | LANDSCAPE AS EXPRESSION OF URBAN
ALIENATION * 17 THE POLE OF REMOTENESS: MODEM PICTORIAL SPACE AND THE
GENESIS OF THE OPEN COSMOS * 19 GENESIS OF THE COPEMICAN WORLD PICTURE *
19 | THE IMAGE AS WINDOW ON THE WORLD * 24 | PERSPECTIVE BETWEEN
INTUITION AND LINEARITY * 27 | THE GAZE FROM ABOVE: VOYAGES OF
DISCOVERY, CARTOGRAPHY, PERSPECTIVE * 35 | THE TRIUMPH OF SIGHT AND
COLONISATION -41 | PETRARCH ON THE WINDY MOUNTAIN * 45 | THE SEARCHING
GAZE: CROSS SECTION * 46 9.1 PRESSURE AND COUNTER-PRESSURE THE PICTORIAL
PARADIGM OF MODERNITY AND ITS CURBING IN THE RENAISSANCE * 51
INTRODUCTION * 51 MODERNITY VERSUS RENAISSANCE: A HISTORIOGRAPHICAL
PERSPECTIVE * 53 THE RENAISSANCE-MASK OR FACE?-S3 I GOTHIC MODERNITY,
RENAISSANCE CONSERVATISM * 59 XI L A N D S C A P E A S W O R L D P I C T
U R E - V O L U M E I 9.2 MODERNITY S PICTORIAL SPACE AND ITS GOTHIC
ORIGINS * 64 ERGON-PARERGON * 64 | NORTHERN LANDSCAPE SENSIBILITY IN THE
I$A CENTURY * 67 | ETYMOLOGY OF LANDSCAPE * 70 | RISE OF THE AUTONOMOUS
LANDSCAPE IMAGE * 71 I ORIGINS OF LANDSCAPE SPACE: THE GOTHIC-ROMANTIC
AXIS * 82 9.3 GOTHIC VERSUS RENAISSANCE IN ITALIAN I4TH-I5TH-CENTURY
PAINTING * 89 GIOTTO AND THE SIENESE-89 I MASACCIO AND GENTILE DA
FABRIANO * 94 | PISANELLOAND GUARINO DA VERONA -98 | ALBERTI S DE
PICTURA * 99 | GHIBERTI AND THE SIENESE * 101 9.4 SUPREMACY OF THE
AMORPHOUS: NATURALISM WITHOUT RENAISSANCE * 104 LANDSCAPE IMAGERY
BETWEEN WALL STAINS AND HYPEMATURALISM * 104 I NATURALISM IN RECENT ART
CRITICISM: SOME ADJUSTMENTS * 108 | WOLJFLIN S PRINCIPLES: A
REAPPRAISAL * 113 | THE LAST BASTION OFNEOCLASSKISM: PANOFSKY S
ICONOGRAPHY * 114 T _ TIME, TERRITORY AND WILDERNESS IN EARLY MODERN
LANDSCAPE IMAGES, I BEFORE THE PARADIGM SHIFT 1420 * 117 INTRODUCTION *
117 10.1 CAPITALISM, WORK AND PICTORIAL SPACE * 119 10.2 SIENESE
BEGINNINGS * 123 TRIAL RUN FOR THE MODERN LANDSCAPE IMAGE: AMBROGIO
LORENZETTI S PORTRAIT OF SIENA * 123 | PORTRAIT OF CONQUEST SIMONE
MARTINI S GUIDORICCIO DA FOGLIANO * 129 10.3 LANDSCAPE-PROMOTING THEMES
* 132 TIMEVFL. I TOPOGRAPHY * 139 | THE ENCYCLOPAEDIC TRADITION, I:
LANDSCAPE IMAGES IN MIRABILIA COLLECTIONS AND ENCYCLOPAEDIAS * 142 | THE
ENCYCLOPAEDIC TRADITION, II: LANDSCAPE IMAGES IN ANIMAL, MEDICAL AND
HEALTH COMPENDIA * 145 | THE FOREST * 149 10.4 ON THE THRESHOLD TO THE
PARADIGM OF MODERNITY * 151 THE LABOURS OF THE MONTHS AROUND 1400 * 151
| THE LANDSCAPE PARADIGM AROUND 1400 * 157 XII CONTENTS JJ TIME,
TERRITORY AND WILDERNESS IN EARLY MODERN LANDSCAPE IMAGES, II AFTER THE
PARADIGM SHIFT 1420 * 167 INTRODUCTION * 167 N.I TIME AS WEATHER AND
LIGHT * 173 SCANNING THE PARADIGM * 17 3 | WEATHER BETWEEN 1420 AND
1500: SUNSHINE WITHOUT SUN 180 | POST 1470: OVERCAST SKIES -192 |
POST-1500: NOCTURNAL CLOUDS TO THE SOUTH, DIURNAL CLOUDS TO THE NORTH *
200 N.2 TERRITORY AND WILDERNESS * 203 SCANNING THE PARADIGM * 203 |
FARM LAND AS PARK: TERRITORY AND WILDERNESS IN THE 15TH-CENTURY
LANDSCAPE IMAGE * 208 | THE FIELD OF WORK IDEOLOGY * 218 | PARADISIACAL
RUDIMENTS OF THE LANDSCAPE IMAGE * 221 | RETURN OF THE CHTHONIC: MARY AS
EARTH GODDESS * 229 11.3 THE RENAISSANCE AND THE IDEAL LANDSCAPE:
PRELUDE * 233 ALBERTI S LANDSCAPE GENRES * 234 | ARCADIA-156 A CASE
STORY: PAN SATURNUS MEDICEA AND SIGNORELLI S SCHOOL OF PAN * 238 JJ THE
ARCHITECTURE OF THE UNDERWORLD 15TH-CENTURY PICTORIAL ROCKS IN A FIELD
OF CONFLICT BETWEEN MIDDLE AGES, MODERNITY AND RENAISSANCE * 247
INTRODUCTION * 247 12.1 SELF-GROWN ARCHITECTURE * 250 EXPOSING THE
TENSIONS OF THE PARADIGM-SHIFT: FILIPPO LIPPI S ROCKS VERSUS THOSE OF
THE FERRARESE * 250 | NATURAL ARCHITECTURE * 256 | THE ART-PHILOSOPHICAL
AND ALCHEMICAL CONTEXT 263 I MOUNTAIN ALCHEMY * 272 | ROCKS AND
PICTORIAL SPACE * 280 | THE MIRROR IMAGE OF THE ABYSS: LEONARDO S VIRGIN
OF THE ROCKS * 282 12.2 HEWING, MINE-WORK AND QUARRYING * 290 BETWEEN
AUTOCHTHONY AND CULTIVATION * 290 I QUARRYING AND MINING * 296 |
MANTEGNA I: CAMERA DEGLISPOSIYRJ MANTEGNA II: MADONNA OF THE
STONECUTTERS AND CHRIST AS THE SUFFERING REDEEMER * 312 | MANTEGNA III:
PARNASSUS * 325 L A N D S C A P E AS W O R L D P I C T U R E V O L U M E
I 12.3 RUINS * 330 12.4 LATENT IMAGES IN NATURE * 345 IMAGES IN STONE,
TREES AND CLOUDS * 347 | MANTEGNALV: PALLAS EXPELLING THE VICES FROM THE
GARDEN OF VIRTUE * 353 | MANTEGNAV:TBE MARTYRDOM OF SAINT SEBASTIAN IN
VIENNA -356 | THE GORGO GAZE OFTHE PO PLAIN: STONE GUESTS IN
IJTH-TENTURY PAINTING -357 CONCLUSION * 365 NOTES VOLUME II * 383
BIBLIOGRAPHY * 425 LIST OF TERMS * 465 INDEX * 477
|
| any_adam_object | 1 |
| author | Wamberg, Jacob 1961- |
| author_GND | (DE-588)131564277 |
| author_facet | Wamberg, Jacob 1961- |
| author_role | aut |
| author_sort | Wamberg, Jacob 1961- |
| author_variant | j w jw |
| building | Verbundindex |
| bvnumber | BV036109128 |
| ctrlnum | (OCoLC)644122610 (DE-599)BVBBV036109128 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01162nam a2200301 cc4500</leader><controlfield tag="001">BV036109128</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20100916 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">100407s2009 a||| |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)644122610</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV036109128</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wamberg, Jacob</subfield><subfield code="d">1961-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)131564277</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Landskabet som verdensbillede</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Landscape as world picture</subfield><subfield code="b">tracing cultural evolution in images</subfield><subfield code="n">1</subfield><subfield code="p">From the Palaeolithic period to the Middle Ages</subfield><subfield code="c">Jacob Wamberg</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Aarhus [u.a.]</subfield><subfield code="b">Aarhus Univ. Press [u.a.]</subfield><subfield code="c">2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XVIII, 579 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="w">(DE-604)BV036109125</subfield><subfield code="g">1</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">SWB Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018999340&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">gbd</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_4_1107</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-018999340</subfield></datafield></record></collection> |
| id | DE-604.BV036109128 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:11:49Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-018999340 |
| oclc_num | 644122610 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | XVIII, 579 S. Ill. |
| psigel | gbd_4_1107 |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Aarhus Univ. Press [u.a.] |
| record_format | marc |
| spelling | Wamberg, Jacob 1961- Verfasser (DE-588)131564277 aut Landskabet som verdensbillede Landscape as world picture tracing cultural evolution in images 1 From the Palaeolithic period to the Middle Ages Jacob Wamberg Aarhus [u.a.] Aarhus Univ. Press [u.a.] 2009 XVIII, 579 S. Ill. txt rdacontent n rdamedia nc rdacarrier (DE-604)BV036109125 1 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018999340&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wamberg, Jacob 1961- Landscape as world picture tracing cultural evolution in images |
| title | Landscape as world picture tracing cultural evolution in images |
| title_alt | Landskabet som verdensbillede |
| title_auth | Landscape as world picture tracing cultural evolution in images |
| title_exact_search | Landscape as world picture tracing cultural evolution in images |
| title_full | Landscape as world picture tracing cultural evolution in images 1 From the Palaeolithic period to the Middle Ages Jacob Wamberg |
| title_fullStr | Landscape as world picture tracing cultural evolution in images 1 From the Palaeolithic period to the Middle Ages Jacob Wamberg |
| title_full_unstemmed | Landscape as world picture tracing cultural evolution in images 1 From the Palaeolithic period to the Middle Ages Jacob Wamberg |
| title_short | Landscape as world picture |
| title_sort | landscape as world picture tracing cultural evolution in images from the palaeolithic period to the middle ages |
| title_sub | tracing cultural evolution in images |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018999340&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV036109125 |
| work_keys_str_mv | AT wambergjacob landskabetsomverdensbillede AT wambergjacob landscapeasworldpicturetracingculturalevolutioninimages1 |