Knjiznice i autorsko pravo:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | Croatian |
| Veröffentlicht: |
Zagreb
Hrvatska Sveucilisna Nakl.
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Zsfassung in engl. Sprache u.d.T.: Libraries and copyright |
| Beschreibung: | 189 S. |
| ISBN: | 9789531692083 |
Internformat
MARC
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| 245 | 1 | 0 | |a Knjiznice i autorsko pravo |
| 249 | |b Aleksandra Horvat ; Daniela Živković | ||
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Datensatz im Suchindex
| _version_ | 1806961815692771328 |
|---|---|
| adam_text |
Sadržaj
Predgovor
. 7
Slobodan pristup informacijama i zaštita autorskog prava
. 11
Autorsko djelo
. 25
Autor i njegova prava
. 31
Iznimke i ograničenja od interesa za knjižnice i korisnike
. 47
Individualno i kolektivno ostvarivanje autorskog prava
. 59
Javna posudba
. 73
Glazbena djela i audiovizualna građa
. 79
Baze podataka
. 85
Računalni programi
. 89
Digitalizacija
. 93
Web
.
Ill
Obvezni primjerak
. 125
Otvoreni pristup
. 131
Pitanja i odgovori
. 135
Literatura
. 163
Summary: Libraries and Copyright
. 175
Kazalo
. 179
O autoricama
. 188
Sadržaj
Summary
Libraries and Copyright
Contemporary libraries are seen as educational, cultural and information
institutions that contribute to the growth of knowledge and democracy in a so¬
ciety. Their main task is to provide free access to information resources for their
users who need information in their work, learning or recreation. Libraries sup¬
port the development of active citizens and help individuals to form their opini¬
on on a variety of topics. They offer equity in access to all categories of citizens
and have to provide varied and diverse information which can be accessed and
used by various means. The word information as used here is to be understood
in its generic meaning encompassing all kinds of library materials and informati¬
on resources, including works with copyrights. Author's rights to exploit his/her
work and be rewarded for it has been guaranteed in Croatia and in some other
countries by the Constitution. This means that the author's rights belong among
the basic rights guaranteed to an individual and that this right is equal to the ri¬
ght of freedom of expression. Therefore, it is imperative that a proper balance is
maintained in society between the rights of authors and the rights of individuals
to obtain free access to the information they need.
In the last few decades the interests of authors and right holders to protect
their works has been strengthened and the copyright term extended. Strengthe¬
ning of copyright legislation has been supported by the developed countries, sin¬
ce intellectual property has become a central feature of their economy. It has been
claimed that one-quarter of the United States' total exports rely on intellectual
property rights. Intellectual property contributes to the international trade and
has, since
1994,
been regulated by an important international agreement known
by its English acronym TRIPS (Trade-Related Aspects of Intellectual Property Ri¬
ghts). However, developing countries complain that the present strict copyright
legislation harms their ability for further development. The issue has recently
been brought to the World Intellectual Property Organization (WIPO) and WIPO
has initiated a new Development Agenda programme, which should take care
of the needs of the developing countries. Together with other non-governmental
organizations and consumer groups IFLA is lobbying in WIPO for the adoption
Summary llfcfel
of an international set of exceptions and limitations for libraries which would
allow libraries throughout the world to take care of the needs of their users.
Apart from TRIPS there is a number of international conventions which regulate
the field of intellectual property including the Berne Convention for the Protec¬
tion of Literary and Art Works, the Universal Copyright Convention and the
Rome Convention. The WIPO Copyright Treaty and WIPO Performances and
Phonograme Treaty, known as the Internet treaties, are of special significance
for digital works. The
EU
Directive on the harmonization of certain aspects of
copyright and neighbouring rights in the Information Society and other
EU Di¬
rectives
which guide the national copyright legislation of European countries
have been introduced and described in brief.
A short outline of the development of copyright since its inception in the
18th century till the present time has been provided. The main arguments for
its introduction have been brought up and it has been emphasized that in spite
of the great changes in the way intellectual works have been created, produced
and distributed in the last few decades, the same arguments to justify copyright
have been used up to the present. Copyright has been introduced as an entice¬
ment to authors which would encourage them to create new works. Following
the technological changes in the production, distribution and use of intellectu¬
al property legislation has also been changing. The invention of phonograph,
gramophone, cinema, radio and television, photocopiers, microfilm readers, and
computers have instigated adaptations and changes in copyright legislation and
the introduction of new neighbouring and other rights such as rights of perfor¬
mers, database producers, phonograph producers, and rights of organizations
for
radiodiffusion.
An author's work has been explained as an intellectual creation charac¬
terized by its originality and subjectivity. Originality pertains only to the form
of the work and not to its idea or topic, which does not have to be original. The
work should be an original expression of its author and not the imitation of anot¬
her person'
s
work. The work does not need to have an artistic or literary value to
be protected by copyright legislation. Examples of various types of works which
can be protected according to the Croatian Copyright and Neighbouring Rights
Act
(2003)
are enumerated and works which do not obtain protection, such as
daily news, official publications and folk tales are mentioned. The concept of
domaine
public
payant
has been described. It has been emphasized that original
and distinct titles of works have also been protected.
The following chapter deals with an author's rights which are classified
as moral (personal) and economic rights. Moral rights are characteristic of the
EeZlI
Horvat
■
Živković: Knjižnice i autorsko pravo
Continental
law system and comprise the right of disclosure, the right of attribu¬
tion, the right of integrity and the right to withdraw or retract. Economic rights
encompass an author's right to allow the reproduction, distribution, rental, com¬
munication to the public, making available to the public and adaptation of his/
her work for which s/he is entitled to remuneration. Neighbouring rights include
the rights of performers, the rights of database producers, the rights of producers
of sound and video recordings, and the rights of radio diffusion organizations
on their programmes. Publishers have rights on their editions. When an author's
work is published a contract is signed between the publisher and the author.
Examples of such contracts have been provided. The issue of copyright holders
of works for hire has also been dealt with.
Exceptions and limitations to copyright are dealt with in the next chap¬
ter. The three-step test of the Berne Convention is said to offer a common basis
upon which national copyright laws can develop their own sets of exceptions
and limitations. The Croatian Copyright Act has been modelled according to the
EU
Directive on the harmonization of certain aspects of copyright and related
rights in the Information society, but not all exemptions offered by the Directive
have been adopted. Exceptions and limitations included in the Act, which are of
interest for libraries and library users, include citation, private use, informing the
public, a provision for persons with disabilities, a provision for posters and cata¬
logues of exhibitions and auctions, a provision for libraries, archives and similar
institutions and provisions concerning technological protection measures.
Collective societies which represent authors, performers, etc. and help
them realize their rights, have been described. Collective societies established
in Croatia have been identified and their work described in brief. Various kinds
of licences (click-on, shrink-wrap, volume, access, site, general public and crea¬
tive commons) and licence agreements (licence to publish agreement) have been
explained. The contribution of EBLIDA in helping librarians understand and
handle licences has been acknowleged and the establishment of ECUP descri¬
bed.
A separate chapter deals with the public lending right (PLR). The concept
of PLR has been introduced in the Croatian Copyright Act, but has not yet been
implemented in libraries. The different systems of PLR applied in various coun¬
tries have been described and the pro and contra arguments given. IFLA position
on PLR has been introduced.
Libraries collect special types of material such as printed and recorded
music, films, computer software, and databases. Basic copyright guidelines for
librarians have been given.
Summary
fitti
Digitisation is the topic of a separate chapter. It has been explained that
digitisation is a process which consists of both reproduction and communication
to the public. Cases in which libraries do not have to ask for authors' permission,
such as private use and preservation have been described. It has been shown that
digitisation may also be allowed by licencing. The process of digitisation of li¬
brary material has been explained step by step. Experience of libraries abroad in
the digitisation of newspapers and journals has been described. Orphan works
and out-of-print works are said to require a diligent search for the right holders.
E-reserves
as a special type of collections used by universities have been descri¬
bed and guidance on how to secure copyright clearance has been provided.
The issue of copyright on the Web has been raised. It has been stated that
the right of communication to the public includes the author's right to display his/
her work on a website. Linking, deep linking, inline linking, and framing have
been described as acts that might cause copyright infringement. Conditions un¬
der which trademarks, logos and labels can be used as links have been identified.
Rights to photographic works and images have been discussed. Advice on how
to use the images of bookcovers and bookjackets for the library's website has been
given. Guidance has been provided regarding the use of
Screenshots in
promoting
library services or in
е
-learning and general instructions regarding the protecti¬
on of works on the web have been given.Web
2.0
services often apply Creative
Commons licences.
Е
-learning has been discussed because it includes the acts of
reproduction, adaptation, distribution and communication to the public.
Changes in legal deposit legislation starring in the nineties and related to
the digital works and the use of technologically protected electronic publications
in depositary libraries have also been discussed. It has been said that the har¬
vesting of an Internet space has raised new issues related to copyright. A great
number of personal data appearing on the Internet is likely to incite changes
in the personal data protection legislation. Open access has been discussed, its
historical development outlined and recent international initiatives supporting
OA described. Initiatives in Croatia, such as making available all Croatian jour¬
nals supported by the Ministry of Education and Science freely on the Web, have
been mentioned. Copyright in works deposited in repositories of universities
and research institutes has been explained and the practice in Croatian universi¬
ties described. An example of an author's permisssion to have his/her dissertati¬
on deposited in a university repository has been added.
The last part of the book provides questions and answers that would
hopefully allow librarians to obtain quick answers to FAQ.
Horvat
·
Živković: Knjižnice i autorsko
pravo |
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| spelling | Horvat, Aleksandra 1947- Verfasser (DE-588)104457271X aut Knjiznice i autorsko pravo Aleksandra Horvat ; Daniela Živković Zagreb Hrvatska Sveucilisna Nakl. 2009 189 S. txt rdacontent n rdamedia nc rdacarrier Zsfassung in engl. Sprache u.d.T.: Libraries and copyright Öffentliche Bibliothek (DE-588)4043141-1 gnd rswk-swf Urheberrecht (DE-588)4062127-3 gnd rswk-swf Kroatien (DE-588)4073841-3 gnd rswk-swf Öffentliche Bibliothek (DE-588)4043141-1 s Urheberrecht (DE-588)4062127-3 s DE-604 Kroatien (DE-588)4073841-3 g Živković, Daniela 20./21. Jh. Verfasser (DE-588)129842389 aut Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018980039&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018980039&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Horvat, Aleksandra 1947- Živković, Daniela 20./21. Jh Knjiznice i autorsko pravo Öffentliche Bibliothek (DE-588)4043141-1 gnd Urheberrecht (DE-588)4062127-3 gnd |
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| title | Knjiznice i autorsko pravo |
| title_auth | Knjiznice i autorsko pravo |
| title_exact_search | Knjiznice i autorsko pravo |
| title_full | Knjiznice i autorsko pravo |
| title_fullStr | Knjiznice i autorsko pravo |
| title_full_unstemmed | Knjiznice i autorsko pravo |
| title_short | Knjiznice i autorsko pravo |
| title_sort | knjiznice i autorsko pravo |
| topic | Öffentliche Bibliothek (DE-588)4043141-1 gnd Urheberrecht (DE-588)4062127-3 gnd |
| topic_facet | Öffentliche Bibliothek Urheberrecht Kroatien |
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