Concise history of western music:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Norton
2010
|
| Ausgabe: | 4. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Based on J. Peter Burkholder, Donald J. Grout, and Claude V. Palisca, A history of western music, 8. ed. Includes bibliographical references and index |
| Beschreibung: | XXVII, 657, 50 S. Ill., Kt., Notenbeisp. |
| ISBN: | 9780393932515 |
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| 250 | |a 4. ed. | ||
| 264 | 1 | |a New York [u.a.] |b Norton |c 2010 | |
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| 500 | |a Includes bibliographical references and index | ||
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Datensatz im Suchindex
| _version_ | 1804141139810320384 |
|---|---|
| adam_text | CONTENTS
Maps
ix
Guide
to Recordings
xi
Preface to the Fourth, Edition
xxi
PART ONE
nt and
Introduction
3
1.
Music in Ancient Greece and Early Christian Rome
16
Prelude
16 ·
Music in Ancient Greek Life and Thought
17 ·
Roman Music, zoo B.C.E.-yoo
CE.
21 ·
The Early Christian Church:
Musical Thought
21 ·
The Early
Christian
Church: Musical Practice
24 ·
Postlude
27
2.
Chant and Secular Song in the Middle Ages
28
Prelude
28 ·
Western Christian Chant and Liturgy
29 ·
Genres and
Forms of Chant
34 ·
Medieval Music Theory and Practice
42 ·
Medieval
Song
44 ·
Postlude
50
3.
Polyphony through the Thirteenth Century
51
Prelude
51 ·
Early
Organum
53 ·
Notre Dame Polyphony
56 ·
The Motet
61 ·
The Polyphonic Conductus
64 ·
Postlude
67
4.
French and Italian Music in the Fourteenth Century
68
Prelude
68 ·
The
Ars
Nova in France
69 ·
Italian Trecento Music
78 ·
The
Ars Súbtilior
82 ·
Postlude
84 , .
Contents
Introduction
87
5. England,
France,
and Burgundy in the Fifteenth Century:
The Beginnings of an International Style
95
Prelude
95 ·
English Music and Its Influence
97 ·
Music in
Burgundián
Lands
100 ·
Postlude
107
6.
Music of Franco-Flemish Composers,
1450-1520 108
Prelude
108 ·
The Musical Culture of the Renaissance
110 ·
Northern
Composers·. The Generation after
Du
Fay
113 ·
The Next Generation-. Josquin
and His Contemporaries
118 ·
Postlude
124
7.
Secular Song, National Styles, and Instrumental Music in the
Sixteenth Century
125
Prelude
125 ·
The Rise of National Styles.· Italy
126 ·
The Italian
Madrigal
127 ·
The Rise of National Styles: Secular Song outside
Italy
134 ·
The Rise of Instrumental Music
138 ·
Types of Instrumental
Music
140 ·
Postlude
150
8.
Sacred Music in the Era of the Reformation
152
Prelude
152 ·
The Music of the Reformation in Germany
153 ·
Reformation
Church Music outside Germany
155 ·
The Counter-Reformation
158 ·
Postlude
167
PART THREE
The Long; Seventeenth Century
Introduction
169
9.
Vocal Music of the Early Baroque and the Invention of Opera
182
Prelude
182 ·
General Characteristics of Baroque Music
183 ·
Early Opera
188 ·
Opera in Rome and Venice
196 ·
Postlude
199
10.
Vocal Music for Chamber and Church in the Early Baroque
200
Prelude
200 ·
Vocal Chamber Music
200 ·
Catholic Sacred Music
207 ·
Lutheran Church Music
211 ·
Postlude
214
11.
Instrumental Music in the Seventeenth Century
216
Prelude
216 ·
Types of Instrumental Music
217 ·
Variations
217 ·
Abstract
Instrumental Works
218 ·
Music
f
or Organ 111
·
Music for Lute and
Harpsichord
225 ·
Ensemble Music
231 ·
Postlude
240
Contents
vii
12. Opera
and Vocal Music in the Late Seventeenth Century
242
Prelude
242 ·
Italy
242 ·
France
247 ·
England
254 ·
Germany
260 ·
Postlude
262
13.
Baroque Music in the Early Eighteenth Century
263
Prelude
263 ·
Italy: Antonio Vivaldi and the
Concerio
263 ·
France:
Couperin and
Rameau
270 ·
Germany:
Johann
Sebastian Bach
275 ·
England: George
Frideric
Handel
289 ·
Postlude
300
PART
F
О
ÍJ
íl
í
he
Kigtìteentli Cento
íj
Introduction
303
14.
The Early Classic Period: Opera and Vocal Music
314
Prelude
314 ·
General Characteristics of the New Style
314 ·
Opera
buffa
316 ·
Opera
seria
321 ·
Opera Reform
324 ·
The New World
327 ·
Postlude
329
15.
The Early Classic Period: Instrumental Music
330
Prelude
330 ·
Sonata
330 ·
Symphony
334 ·
The
Empfindsam
Style
336 ·
Concerto
338 ·
Postlude
340
16.
The Late Eighteenth Century: Haydn and Mozart
342
Prelude
342 ·
(Franz) Joseph Haydn
(1733-1809) 343 ·
Haydn s
Instrumental Music
345 ·
Haydn
s
Vocal Works
355 ·
Wolfgang
Amadeus
Mozart
(17^6-1791) 357 ·
Mozari
s
Salzburg Years
357 ·
Mozart
s
Vienna
Years
360 ·
Postlude
375
17. Ludwig
van Beethoven
(1770-1827) 376
Prelude
376 ·
First Period
377 ·
Second Period
381 ·
Third Period
390 ·
Postlude
396
PART FIVE
The Nineteenth Century; The
Åse
of Romanticism
Introduction
398
18.
The Early Romantics
411
Prelude
411 ·
Franz Schubert
6797-1
8?8)
412 ·
Hector Berlioz
(1803-1869) 421 ·
Felix Mendelssohn
(1800.-1847) 426 ·
Robert Schumann
(1810-1856) 429 ·
Clara Schumann
(1819-1896) 434 · Fryderyk
Chopin
(1810-184,9) 434 ·
TheAmericas
439 ·
Postlude
440
viii Contents
19.
Opera
and Music Drama in the Nineteenth Century
442
Prelude
442 ·
French Grand (and Not So Grand) Opera
443 ·
Italian Opera
448 ·
German Romantic Opera
460 ·
Postlude
471
20.
The Later Romantics
472
Prelude
472 ·
Franz Liszt
(1811-1886) 473 ·
Anton Bruckner
(1834,-1896)
478 ·
Johannes Brahms
(1833—1897) 479 ·
Piotr
E yich Tchaikovsky
(1840-
189З)
484 ·
Bedřich
Smetana
(1834—1884)
and
Antonín
Dvořák
(1841—1904) 487 ·
Postlude: The Beethoven Legacy in the Nineteenth
Century
491
21.
Music in the Later Nineteenth Century: Europe, Nationalism, and
the Classical Tradition in America
494
Prelude
494 ·
The
Austro
-German Tradition
495 ·
National Trends
503 ·
New Currents in France and Italy
509 ·
The Classical Tradition in the
United States
513 ·
Postlude
514
P A R
Ï
SI X
The Twentieth Century and Todsiy
Introduction
516
22.
The European Mainstream in the Early Twentieth Century
530
Prelude
530 ·
The First Modern Generation
530 ·
Tonal and Post-Tonal
Music
550 ·
Postlude
563
23.
Music, Politics, and the People in the European Twentieth
Century
555
Prelude
555 ·
The
Avant-Garde 556 ·
France
558 ·
Igor Stravinsky
560 ·
Béla Barták
569 ·
Germany
575 ·
The Soviet Union
579 ·
Postlude
584
24.
Vernacular Music and the Classical Tradition in America
585
Prelude
585 ·
Diverging Trends in Nineteenth-and Early Twentieth-Century
Ameríca
585 ·
Vernacular Styles
591 ·
Modernism and Americanism: Charles
Ives
606 ·
The Classical Tradition through Midcentury
609 ·
Postlude
620
25.
The Changing World of Music since
1945 621
Prelude
621 ·
Heirs to the Classical Tradition
621 ·
Seriai
and
Nonserial
Complexity
626 ·
New Sounds and Textures
630 ·
The
Avant-
Garde
636 ·
Minimalism and Postminimalism
642 ·
The New Accessibility and Other
Trends
648 ·
Postlude
657
Further Reading
Al
Glossary A9
Index A26
|
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| discipline | Musikwissenschaft |
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| title | Concise history of western music |
| title_auth | Concise history of western music |
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| title_full | Concise history of western music Barbara Russano Hanning. |
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| title_full_unstemmed | Concise history of western music Barbara Russano Hanning. |
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